More Related Content More from kotob arabia (20) 49103. ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ
א א א
. אא
א
)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ א אא
ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ
א ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (
א א .
. א א
4. ﺴﻴﺭﺓ ﺫﺍﺘﻴﺔ
- ﻭﻟﺩ ﻓﻲ ٦٢ ﻓﺒﺭﺍﻴﺭ ﻋﺎﻡ ٦٦٩١ﻡ ﺒﻤﺩﻴﻨـﺔ ﺃﺴـﻴﻭﻁ
ﺒﺼﻌﻴﺩ ﻤﺼﺭ.
- ﻋﺎﺵ ﻁﻔﻭﻟﺘﻪ ﻭﺘﻠﻘﻰ ﺘﻌﻠﻴﻤﻪ ﺒﺎﻟﻘﺎﻫﺭﺓ.
- ﺘﺨﺭﺝ ﻓﻲ ﺩﺍﺭ ﺍﻟﻌﻠﻭﻡ ﻋﺎﻡ ٩٨٩١ﻡ.
- ﻋﻤل ﻤﻌﻴ ﺍ ﺒﻘﺴﻡ ﺍﻟﻨﻘﺩ ﻭﺍﻟﺒﻼﻏﺔ ﻭﺍﻷﺩﺏ ﺍﻟﻤﻘـﺎﺭﻥ
ﺩ
ﺒﻜﻠﻴﺔ ﺩﺍﺭ ﺍﻟﻌﻠﻭﻡ – ﺠﺎﻤﻌﺔ ﺍﻟﻘﺎﻫﺭﺓ – ﻓﺭﻉ ﺍﻟﻔﻴﻭﻡ –
ﻤﻨﺫ ﻋﺎﻡ ٠٩٩١ﻡ.
- ﺘﺭﻙ ﺍﻟﻌﻤل ﺍﻷﻜﺎﺩﻴﻤﻲ ﻤﻨﺫ ﺴﻨﻭﺍﺕ ﻟﻴﺘﻔﺭﻍ ﺍﻟﻜﺘﺎﺒﺔ.
ﻋﻀﻭ ﻓﻲ:
- ﺠﻤﻌﻴﺔ ﺍﻟﻤﺅﻟﻔﻴﻥ ﻭﺍﻟﻤﻠﺤﻨﻴﻥ ﺒﺒﺎﺭﻴﺱ.
- ﺃﺘﻴﻠﻴﻪ ﺍﻷﺩﺒﺎﺀ ﻭﺍﻟﻔﻨﺎﻨﻴﻥ ﺒﺎﻟﻘﺎﻫﺭﺓ.
- ﺠﻤﻌﻴﺔ ﺍﻷﺩﺒﺎﺀ ﺒﺎﻟﻘﺎﻫﺭﺓ.
ﺼﺩﺭ ﻟﻪ
- ﻭﺩﺍﻋﺎ ﺃﻴﺘﻬﺎ ﺍﻟﺼﺤﺭﺍﺀ – ﺸﻌﺭ – ﻋﺎﻡ ٨٩٩١ﻡ.
- ﻟﻴﻠﻰ.. ﺸﻬﺩ ﺍﻟﻌﺯﻟﺔ – ﺸﻌﺭ – ﻋﺎﻡ ٩٩٩١ﻡ.
- ﺼﻤﺕ ﺍﻟﻜﻠﻴﻡ – ﺸﻌﺭ – ﻋﺎﻡ ٢٠٠٢ﻡ.
- ﺠﺯﻴﺭﺓ ِﺴﻙ – ﺸﻌﺭ – ﻋﺎﻡ ٢٠٠٢ﻡ
ﻤ
٣
5. ﺘﺭﺠﻡ ﻟﻪ:
- ﻟﻴﻠﻰ.. ﺸﻬﺩ ﺍﻟﻌﺯﻟﺔ.. ﺇﻟﻰ ﺍﻹﻨﺠﻠﻴﺯﻴﺔ ﻭﺍﻟﻔﺭﻨﺴﻴﺔ
- ﺼﻤﺕ ﺍﻟﻜﻠﻴﻡ.. ﺇﻟﻰ ﺍﻹﻨﺠﻠﻴﺯﻴﺔ ﻭﺍﻟﻔﺭﻨﺴﻴﺔ
- ﺒﻌﺽ ﻗﺼﺎﺌﺩﻩ.. ﺇﻟﻰ ﺍﻹﻴﻁﺎﻟﻴﺔ
ﺤﺼل ﻋﻠﻰ:
- ﺍﻟﺠﺎﺌﺯﺓ ﺍﻷﻭﻟﻰ ﻓﻲ ﺍﻟﺸﻌﺭ ﺍﻟﻤﺠﻠﺱ ﺍﻷﻋﻠﻰ ﻟﻠﺜﻘﺎﻓـﺔ
ﺃﻋﻭﺍﻡ ٧٨ – ٨٨- ٩٨٩١ﻡ.
- ﺠﺎﺌﺯﺓ ﺃﻤﻴﺭ ﺍﻟﺸﻌﺭﺍﺀ ﺃﺤﻤﺩ ﺸﻭﻗﻲ ﻋﺎﻡ ٨٩٩١ﻡ.
- ﺠﺎﺌﺯﺓ »ﺍﻟﻤﺒﺩﻋﻭﻥ« - ﺍﻹﻤﺎﺭﺍﺕ ﻋﺎﻡ ٠٠٠٢ﻡ.
- ﺠﺎﺌﺯﺓ ﺍﻟﻤﻨﺘﺩﻯ ﺍﻟﻌﺭﺒـﻲ ﺍﻷﻓﺭﻴﻘـﻲ – ﺃﺼـﻴﻠﺔ –
ﺍﻟﻤﻐﺭﺏ – ﻋﺎﻡ ٠٠٠٢ﻡ.
- ﺠﺎﺌﺯﺓ ﺍﻟﺩﻭﻟﺔ ﺍﻟﺘﺸﺠﻴﻌﻴﺔ ﻓﻲ ﺍﻟﺸﻌﺭ- ﻤﺼـﺭ ﻋـﺎﻡ
٠٠٠٢ﻡ.
- ﺠﺎﺌﺯﺓ )ﺍﻟﻤﺒﺩﻋﻭﻥ( - ﺍﻹﻤﺎﺭﺍﺕ ٢٠٠٢ﻡ.
- ﺠﺎﺌﺯﺓ »ﺍﻟﺒﺎﺒﻁﻴﻥ ﻟﻺﺒﺩﺍﻉ ﺍﻟﺸـﻌﺭﻱ«- ﺍﻟﻜﻭﻴـﺕ –
ﻋﺎﻡ ٢٠٠٢ ﻡ.
ﺘﺤﺕ ﺍﻟﻁﺒﻊ:
ﻋﻁﺭ – ﺒﻴﺕ ﺍﻷﺤﺒﺔ
٤
6.
ﺳﻴﺮة ذاﺗﻴﺔ .......................................................................... ٣
إهﺪاء ................................................................................ ٦
ﺑﺴﻤﻠﺔ............................................................................... ٧
ﻓﺎﺗﺤــــــﺔ ......................................................................... ٠١
ﻡﺴﺎﻓـــــﺮان ..................................................................... ٤١
ﻓﺘﻨـــــﺔ ........................................................................... ٧١
ﻳﻘﻴــــﻦ............................................................................ ٠٢
ﻓﻲ وﺻﻒ اﻝﺤﺒﻴﺒﺔ .............................................................. ٣٢
ﺛــــــﺮوات........................................................................ ٦٢
ﻃﺎﺋﺮة اﻝﺼﺒﺎح ................................................................... ٩٢
ﻏﻮاﻳــــــﺔ ........................................................................ ٢٣
اﺧﺘﻴــــــﺎر ........................................................................ ٥٣
ﺧﻄﺒﺔ ﻓﺮﻋﻮن ................................................................... ٨٣
راﻳﺘـــــﺎن......................................................................... ١٤
ﺱـــــﺆال.......................................................................... ٤٤
ُﻮ ﱠــــــﺔ ......................................................................... ٧٤
ه ﻳ
ﺱﻠﻴﻤﺎن ﺧﺎﻃﺮ ................................................................... ٠٥
ﺷﻬـــﺮزاد ........................................................................ ٣٥
ﺱﻼم اﻝﻤﺤﺎرب................................................................... ٩٥
زاد اﻝﻤﺴﺎﻓﺮ إﻝﻰ أﺡﻤﺪ اﻝﻤﻄﺮاوي ............................................ ٣٦
وﻃﻦ ﺑﺤﺠْﻢ ﻋﻴﻮﻥﻨﺎ اﻝ ﱡزﻥﺎﻡﺔ اﻝﻨﺎﻗﺼﺔ ....................................... ٨٦
ﺮ
٥
7. ﺇﻫﺩﺍﺀ
ﺇﻟﻰ...
ﻤﻥ ﺃﺠل ﻴﻭﻡ ﻭﺍﺤﺩ
ٍ
ﺘﻘﺭﺌﻴﻥ ﻓﻴﻪ ﻫﺫﺍ ﺍﻟﻜﺘﺎﺏ
ﺜﻡ ﺘﻬﻤﺴﻴﻥ ﺒﺎﻤﺘﻨﺎﻥ:
ٍ
ﻟﻘﺩ ﻜﺎﻥ ﺩﺍﺌﻤﹰ، ﺠﺩﻴ ﺍ
ﺭ ﺎ
ﺒﺤ ﻲ
ﺒ
ﺃﺤﻤﺩ
٦
9. ﺒﺴﻤﻠﺔ
ﺴﻤﻴﺕ ﺒﺎﺴﻤﻙ
ِ ﹸ
ﺒﻌﺩ ﺍﷲ
ِ
ﻴﺎ ﻭﻁﻨﻲ
)ﺴﻤﻴﺕ ﺒِﺴﻤﻙ(
ﹸ ﺎ ِ
ﻻ ﺘﺤﺯﻥ
ﻭﻻ ﺘ ِ ٍ
ﹶﻬ ﻥ
ﻻ ﻴﺄﺨﺫ ﺍﻟﻤﻭﺕ
ﹸ
ِﻥ ﻭﺡ ﺍﻟﺤﻴﺎﺓ
ِ ﻤ ﺭ ٍ
ﺴﻭﻯ
ﻤﺎ ﻓﺎﺽ ﻋﻥ ﺠﺴﺩ ﺍﻟﺸﻬﺩﺍﺀ
ِ ِ
ِﻥ ﺯﻤﻥ
ِ ﻤ
ﻏ ﺍ
ﺩ
ﺴﻴﺫﻫﺏ ﻁﻔل
ٌ
ﻨﺤﻭ ﺠ ﱠﺘﻪ
ﻨ ِ
ِﻥ ﺼﻭﺘﻲ ﺍﻟ ﺫﺏ
ﻌ ِ ﻤ
ﺤ ﱠﻰ ﺼﻭﺘﻲ ﺍﻟﺨ ِ ِ
ﹶﺸ ﻥ ﺘ
ﻏ ﺍ ﺴﺘﻨﻌﺱ ﺤﺴﻨﺎﺀ
ﺩ
٨
10. ﻋﻠﻰ ﺃ ٍ
َ ﻤل
ﺃﻥ ﺘﻠﺘﻘﻲ
ﻓﺎﺭ ﺎ
ﺴ
ﻓﻲ ﺍﻟ ﻠﻡ
ﺤِ
ﺸ ِﻬ ﹸﻲ
ﻴ ﺒﻨ
ﻻ ﺘﻁ ِﺊ ﺍﻟ ﺭﺱ
ﻔ ﻌ
ﻟﻡ ﻴﺫﻫﺏ ﹶﺘﺎ
ﻓ ﻙ
ﺴ ﻯ
ﺩ
ﻤﻠﻴﻭﻥ ﺃﻡ
ﺒﻬﺫﻱ ﺍﻷﺭﺽ
ِ
ﺘﻨﺠ ﻨﻲ
ِﺒ
٩
12. ﻓﺎﺘﺤﺔ
ﻴﺎ ﺤﺏ
ﻴﺎ ﺤﺏ
ﻜﻡ ﻓﻲ ﺍﻟﺤﺏ ﻋﺎﺼﻔﺔ
ﺘﻨ ِﻲ ﺍﻟﺸﺭﺍﻉ
ﺴ
ﻫﺩﺍﻴﺎ ﺍﻟ ﺤﺭ ﻟﻠﺴﻔﻥ
ﺒ ِ ﹸ ِ
ﻭﻫﺎ ﺃﻨﺎ
ﻨﺨل ﺍﻟﺒﺎﺭﻭﺩ ﺫﺍﻜﺭﺘﻲ
ﻴ ﹸُ
ﻭﻤﺎ ﻜﻔﺭﺕ ﺒﺄﻓﺭﺍﺤﻲ
ﹸ
ﻭﻻ ﺸﺠﻨﻲ
ﺍﻟﺨﻭﻑ ﻋﺎﺼﻤﺔ ﺍﻟﺸﺠﻌﺎﻥ
ِ ﹸ ﹸ
ﻓﻲ ﺯﻤﻥ
ٍ
ﻻ ﺁﻤﻥ ﻓﻴﻪ
ِ
ﺇﻻ ﻏﻴﺭ ﻤﺅﺘﻤﻥ
ِ
ﺍﻟ ﻋﺏ
ﺭ
ﻭﺍﻟﺤﺏ
ﻓﻲ ﺍﻟﻤﻴﺯﺍﻥ
ِ
ﺃ ﻬﻤﺎ..؟
ﻴ
١١
13. ﻴﺎ ﻜ ﱠﺔ َ ﺍﻟﺤﺏ
ﻔ
ﺯﺍﺩ ﺍﻟ ﻋﺏ
ﺭ
ﻓﺎ ﱠﺯ ِﻲ!!
ﺘ ﻨ
...
ﻴﺎ ﺸﻌﺭ
ﻴﺎ ﺭﺱ ﺃﻴﺎﻤﻲ
ﻋ
ﻭﺩﻤﻌ ﹶﻬﺎ
ﺘ
ﻴﺎ ﻏﺭﺒﺘﻲ ﻓﻲ ﻋﻴﻭﻥ ﺍﻟﻨﺎﺱ
ِ ِ
ﻴﺎ ﺴﻜ ِﻲ!
ﻨ
ﺭ ﹶﻌﺕ ﺍﷲ ﻗﻨﺩﻴﻠﻲ،
ﻓ ﹶ
ﻓﺄﻭﻗﺩﻩ
ﻓﻬل ﺘﻅﻥ ﻴ ﺍ ﻓﻲ ﺍﻷﺭﺽ
ِ ﺩ
ﺘﻁﻔﺌ ِﻲ
ُﻨ
ﺇﻥ ﺃﻨﻜﺭﻭﻨﻲ
ﻓﺄﻭﻁﺎﻨﻲ ﺘﺸﻬﺩ ِﻲ
ﺴ ﻟ
ﻥ ﹶﻡ ﻴﺭ ﺩﻤﻌﺔ ﺍﻷﻭﻁﺎﻥ
ِ ﹶ ﻤ ﻟ
ﻟﻡ ﻴﺭ ِﻲ
ﻨ
ﻴﺎ ﺃ ﻬﺎ ﺍﻟ ﱢﻌﺭ
ﻴ ﺸ
٢١
14. ﻴﺎ ﺭﺤﻲ
ﺠ
ﻭﻤﻌﺠﺯﺘﻲ
ﺇﻥ ﻟﻡ ﺘ ﹸﻥ ﺭﺍﻴﺘﻲ ﺍﻟﻜﺒ ﻯ
ﺭ ﹶﻜ
ﻓ ﹸﻥ ﻜ ﹶﻨﻲ!!
ﻜ ﹶﻔ
٣١
16. ﻤﺴﺎﻓﺭﺍﻥ
ﻗﻠﺒﻲ ﻋﻠﻰ ﺴﻔﺭ
ٍ
ﻭﺃﻨﺕ ﻤﺜﻴﺭﺓ
ﹲ ِ
ﻜﺸﺫﺍ ﹶﺭﻨ ﹸﻠﺔ ﻴﻤﺭ
ﻗ ﻔٍ
ﻋﹶﻰ ِﺌﺔ
ﻠ ﺭ
ﺠﺌﻨﺎ
ﻤﻥ ﺍﻟﺯﻤﻥ ﺍﻟﻌﺩﻭ
ّ ِ ِ
ﻜﻤﺎ ﺃﺘﺕ
ِﻥ ﹸﻠﻤﺔ ﺍﻷﺼﺩﺍﻑ
ِ ﻤ ﻅ ِ ِ
ﺃﺭﻭﻉ ﻟﺅﻟﺅﺓ
ﹾ
ﻟﻴﻘﻭل ﻋ ﹼﺎ ﺍﻟ ﱢﻌﺭ
َ ﻨ ﺸ
ﻌﺩ ﺭﺤﻴﻠ ﹶﺎ
ﻨ ﺒ
ﻟﻤﺅﺭﺨﻲ ﻤﺩﻥ ﺍﻟ ﱡﻤﻭﺱ ﺍﻟﻤﻁﻔﺄﺓ
ﹾ ِ ﺸ ِ
ﺭﺠل ﻭﺴﻴﺩﺓ
ﹲ ُ
ﻭﺒﻀﻊ ﻗﺼﺎﺌﺩ
ٍ
ﻜﺘﺒﻭﺍ
ﻭﺃﺨﻁﺄﺕ ﺍﻟﺤﻴﺎﺓ ﺍﻟﺘﻬﺠﺌﺔ
ﹸ
ﻭﻗﻔﻭﺍ ﻤ ﺎ
ﻌ
٥١
17. ﻴﺎ ﻴﺄﺱ
ﻓﺎﻨ ﹸﺭ ﺠﻴ ﺍ
ﻅ ﺩ
ﺒﻌﺽ ﺍﻟﺠﺭﺍﺡ ﺠﺩﻴﺭﺓ ﺒﺎﻟﺘﻬﻨﺌﺔ
ﹲ ِ
ﻓﻲ ﺍﻟ ِﻁﺭ
ﻌ ِ
ﹸﻌﻠﻥ ﻭﺭﺩﺓ ﻋﻥ ﻨﻔ ِﻬﺎ
ﺴ ﹲ ﺘ
ﻓﻲ ﺍﻟﺠﺭﺡ
ﺘﻜﺘﺸﻑ ﺍﻟﺸﻬﻴﺩ
ﹸ
ﻭﻤﺒﺩﺃﻩ
ﻟﻡ ﻴﻨﺘﺼﺭ ﺭﺠل
ٌ
ﻟﺩﻤﻌﺔ ﹶﻌﺒ ِ
ِﺸ ﻪ
ﻤﺎ ﻟﻡ ﺘﺒﺎﺭﻜﻪ
ﺒﺩﻤﻌ ِﻬﺎ
ﺘ
ﺍﻤﺭﺃﺓ!!
ﹾ
٦١
19. ﻓﺘﻨﺔ
ﻭﺘﻘﻭل ﻓﺎﺘﻨﺔ
ُ ﹲ
ﹸﻭ ﻉ ﻋﻁ ﻫﺎ
ﺭ ﺘ ﺯ
ﻟﻠﻌﺎﺒﺭﻴﻥ
ﻜﻭﺭﺩﺓ ﻭﺭﻴﺔ
ٍ ﺠ ِ ﹾ
ﻟﺠﺒﻴ ِﻙ ﺍﺸﺘﻌﻠﺕ
ﻨ
ﻤﻭﺍﺴﻡ ﹸﺭﺒﺘﻲ
ﻏ
ﻭﺒﻜﺕ ﻋﺼﻭﺭ ﺍﻟﺸﻭﻕ
ِ
ﻓﻲ ﻋﻴﻨﻴﻪ
ﻤﺸﺘﺎﻗﻪ ﻟﻙ
ﻻﻨﻜﺴﺎﺭ ﺴﻼﺴﻠﻲ
ِ
ﻤﺸﺘﺎﻗﺔ
ﻟﻸﺤﺭﻑ ﺍﻟﻀﻭ ﱠﻴﺔ
ﺌ ﹾ ِ
ﻤﻥ ﺭﻤﺭ ﺍﻟﻘﺩﻤﻴﻥ
ﻤ ِ
ﺤﺘﻰ ﻭﺭﺩﺓ
ٍ
ﻨﺴﻴﺕ ﻜﻨﻭﺯ ﺍﻟﺸﻬﺩ
ﱠ ِ
ﻓﻲ ﺸﻔﺘﻴﺔ
ﹾ
ﺃﺘﺯﻭﺭ ﺃﺤﻼﻤﻲ
٨١
20. ﻟﻴﻭﻡ ﻭﺍﺤﺩ
ٍ
ﻭﺘﻐﻴﺏ ﺘﺴﻌﺔ
ﺃﺸﻬﺭ ﻗ ﺭ ﺔ؟
ﻤ ﻴ
ﺃﺃﻜﻭﻥ ﻋﺎﺒﺭﺓ
ﹰ
ﻜﻜل ﺠﻤﻴﻠﺔ
ٍ َّ
ﺴ ﹶﻨﺕ ﻤﺩﺍﺌﻥ ﻋﻤ ِﻙ
ﺭ ﻜ
ﺍﻟﻤﻨﺴ ﺔ؟
ﻴ
ﺃﺤﻴﻴﺘﻬﺎ
ﹶ
ِﻌ ِﺎﺭﺓ ﻭﺭﺩﻴﺔ
ٍ ﺒﺒ ٍ
ﻭﻗﺘﻠ ﹶﻬﺎ
ﺘ
ﺒﻌﺒﺎﺭﺓ ﻭﺭﺩﻴﺔ!!
ﹾ ٍ
٩١
22. ﻴﻘﻴﻥ
ﻜﻡ ﺃﻋﻴﻥ
ٍ
ﻋﺒﺭﺕ ﺴﻭﺍﺤل ﻋﺯﻟﺘﻲ
َ
ﻜ ﱠﺒﺕ ﺭﺅﻴﺎﻫﺎ
ﺫ ﹸ
ﻭﻗﻠﺕ: ﺩﻋﻴﻨﻲ
ﹸ
ﺃﻨﺎ ِﻠﻙ ﺴﻴﺩﺓ
ٍ ﻤ
ﺩﻤﻭﻉ ﻋﻴﻭ ِﻬﺎ
ﻨ
ﻀ ﹶﺭﺕ ﻨﺠﻭﻡ ﺍﷲ ﻓﻭﻕ
ِ ﹶ ﻔ
ﺠﺒﻴﻨﻲ
ﺃﻨﺜﻰ ﺘﺠﻲﺀ
ﺒﻜل ﹸﻀﺭﺓ ﻭ ِﻬﺎ
َّ ﻨ ِ ﺭ ﺤ
ﻜﻘﺼﻴﺩﺓ
ٍ
ﻓﻲ ﻟﺤﻅﺔ ﺍﻟﺘﻜﻭﻴﻥ
ِ ِ
ﺃﻨﺜﻰ ﺘﺸﺎﻁ ﻨﻲ
ِﺭ
ﻫﻤﻭﻡ ﻗﺼﻴﺩﺘﻲ
ﻭﺭﻏﻴﻑ ﺃﺤﻼﻤﻲ
ﹶ
ﻭ ِﻠﺢ ﺸﺠﻭﻨﻲ
ﻤ
ﺃﻨﺜﻰ ﻓﻘﺩﺕ ﻅﻼﹶﻬﺎ
ﹸ ﻟ
١٢
23. ﻭﻭﺠﺩ ﹸﻬﺎ
ﺘ
ﻭﻭﺠﺩﺕ ﻓﻴﻬﺎ ﺤﻴﺭﺘﻲ
ﹸ
ﻭﻴﻘﻴﻨﻲ
ِﻥ ﺃﺠِﻬﺎ
ﻠ ﻤ
ﻤﻥ ﺃﺠل ﹸﺼﻠ ِ ﹶﻌ ِﻫﺎ
ِ ﺨ ﹶﺔ ﺸ ﺭ
ﻗﺒﻀﺕ ﻋﻠﻰ ﻤﺭ ﺍﻟﻨﺸﻴﺩ
ِ ﺠ ِ
ﻤﻴﻨﻲ
ﻴ
ﻭﻭﻗﻔﺕ ﻓﻲ ﺍﻟﻤﺩﻥ ﺍﻟﻤﺒﺎﺤﺔ
ِ ِ ﹸ
ﺼﺎﺭ ﹰﺎ
ﺨ
ﺇﻥ ﺍﻟﻘﺼﻴﺩﺓ ﻟﻡ ﺘﺯل
ﹶ
ﺴ ﹼﻴﻨﻲ!!
ِﻜ
٢٢
25. ﻓﻲ ﻭﺼﻑ ﺍﻟﺤﺒﻴﺒﺔ
ﻴﺘﺴﺎﺀﻟﻭﻥ ﻥ ﺍﻟﺘﻲ ﺃﺤﺒﺒ ﹸﻬﺎ؟
ﺘ ﻤ
ﻤﺎﺫﺍ ﺃﺭﻴ ؟
ﺩ
ﺃﺭﻴﺩ ِﺼﻑ ﻨﺒﻴﺔ
ﻨ ﹶ ﹾ
ﺘﻘﺴﻭ ﻗﻠﻭﺏ ﺍﻟﻨﺎﺱ
ِ
ﻭﻫﻲ ﻏﻔﻭﺭﺓ
ﹲ
ﻭﺘﺨﻭﻨﻨﻲ ﺍﻷﻴﺎﻡ
ﻭﻫﻲ ﻭ ِﻴﺔ
ﻓ ﹾ
ﻭﺘﻜﻭﻥ ﻭﺍﻀﺤﺔ ﻜﺸﻤﺱ
ِ ﹰ
ﺒ ِﺩﻨﺎ
ﻼ
ﻭﻋﻤﻴﻘﺔ
ﹰ
ﻜﻘﺼﻴﺩﺓ ﺼﻭﻓﻴﺔ
ﹾ ٍ
ﻭﻭﻗﻭﺭﺓ
ﹰ
ﻜﺼﻼﺓ ﻗﻠﺏ ﺨﺎﺸﻊ
ٍ ِ ٍ
ﻭ ﹶﺭﻭﺒﺔ
ﻁ ﹰ
ﻜﺎﻟﻨﺴﻤﺔ ﺍﻟﺒﺤﺭﻴﺔ
ﹾ ِ
ﻭﺘﻜﻭﻥ ﻨﺎﻋﻤﺔ
ﹰ
ﻜ ﺒﺢ ﻤ ﻁﺭ
ﺼ ٍ ﻤ ٍ
٤٢
26. ﻭﻗﻭﻴﺔ
ﹰ
ﻜﺎﻟﻤﻬﺭﺓ ﺍﻟﺒﺩﻭ ﺔ
ﻴ ِ
ﻓﻴﻬﺎ ﻤﻥ ﺍﻟﻨﻴل ﺍﻟﻌﻅﻴﻡ
ِ ِ
ﺘﻭﺍﻀﻊ
ﻭﺒﻬﺎ ﺸﻤﻭﺥ ﺴﻠﺔ ﻤﺼﺭﻴﺔ
ﹸ ﻤ ﱠٍ
ﻋﺭﺒﻴﺔ
ﹰ
ﻓﻲ ﻀﺤ ِﻬﺎ
ﻜ
ﻭﺩﻤﻭ ِﻬﺎ
ﻋ
ﻭﺃﻨﺎ ﺸﻬﻴﺩ ﺩﻤﻭ ِﻬﺎ
ﻋ
ﺍﻟﻌﺭﺒ ﺔ!!
ﻴ
٥٢
28. ﺜﺭﻭﺍﺕ
ﺴﻬﺭ ﺍﻟﻬﻭﺍﺓ
ﹸ ِ
ﻟﻴﺤﺭﺴﻭﺍ ﺃﺨﻁﺎ ﻨﺎ
ﺀ
ﻭﺴ ِﺭﺕ
ﻬ ﹸ
ﺃﺤﺭﺱ ﺜﺭﻭﺓ ﺍﻷﺒﺭﺍﺭ
ِ ﹶ
ﺩﻋﻭﺍﺕ ﺃ ّﻲ
ِ ُﻤ
ﺃﻤﻨﻴﺎﺕ ﺤﺒﻴﺒﺘﻲ
ِ
ﹶﻬﺭ ﺍﻟﺒﺭﺍﺀﺓ
ِ ﻨ
ﻓﻲ ﻋﻴﻭﻥ ِﻐﺎﺭﻱ
ِﺼ
ﺼﻭﺕ ﺍﻟﻤﺅﺫﻥ
ﱢِ ﹶ
ﻭﻫﻭ ﻴﺼﻌﺩ ﺼﺎﻓ ﺎ
ﻴ
ﻭ ِﻀﺎ ﺍﻟﻤﺭﻨﻡ
ّﹶ ِ ﺭ
ﻓﻲ ﻜﻨﻴﺴﺔ ﺠﺎﺭﻱ!
ِ
ﻻ ﻌﻑ ﻓﻲ ﹶﻘﺭﻱ
ﻀ ﹶ ﻓ
ﻭﻻ ﻓﻲ ﻨﺒﺭﺘﻲ
ﻤﺎ ﱠﻡ ﺇﻻ
ﺜ
ﺭﻗﺔ ﺍﻷﻨﻬﺎﺭ
ِ ﹸ
ﺜﻘﺔ ﺍﻟﺨﻠﻭﺩ ﺒﺄﻥ ﻴﻭ ﺎ ﻋﺎﺒ ﺍ
ﺭ ِ ﻤ ِﹶ ﹸ
٧٢
29. ﺴﻴﻤﺭ
ﻌﺩ ﻋﺸﻴﺔ
ٍ ﺒ
ﻭﻨﻬﺎﺭ
ِ
ﻤﺼﺭ ﺍﻟﺘﻲ ﻴﺴﺘﻀﻌﻔﻭﻥ
ﺤﻨﺎ ﹶﻬﺎ
ﻨ
ﺠﺒﺎﺭﺓ
ﹲ
ﻓﻲ ﺼﻭﺘﻲ ﺍﻟﺠ ﺎﺭ
ﺒ ِ
ﻫﺫﺍ ﺍﻟﺠﺒﻴﻥ ﺠﺒﻴﻨ ﺎ
ﹸﻬ
ﻻ ﻨﺤ ِﻲ
ﻴ ﻨ
ﺇﻻ ﺃﻤﺎﻡ ﺍﻟﻭﺍﺤﺩ ﺍﻟﻘ ﺎﺭ!!
ِ ﻬ ِ
٨٢
31. ﻁﺎﺌﺭﺓ ﺍﻟﺼﺒﺎﺡ
ﻅﺎﻡ ﻟﻤﺼﺭ
ٍ
ﻭﻏﻴﻤﺔ ﺒﺠﻭﺍﺭﻱ
ﹲ
ﻓﺘﻜ ِﺭﻱ
ﹶﺴ
ﻴﺎ ﺭﺓ ﺍﻷﻤﻁﺎﺭ
ِ ﺠ ﹶ
ﺍﻷﺭﺽ ﻀﻴﻘﺔ
ﹶ ﹲ
ﻋﻠﻰ ﺤﺏ ﺍﻟﺨ ﹶﻰ
ﺭ ِ ﹸﻁ
ﻤﻴﻌﺎ ﻨﺎ
ﺩ
ﻓﻲ ﹸﺭﻓﺔ ﺍﻷﻗﻤﺎﺭ
ِ ﺸ ِ
ﺍﻟﻤﻘﻌﺩﺍﻥ ﺍﻟﻁﺎﺌﺭﺍﻥ
ِ ِ
ﺤﺩﻴﻘﺔ
ﹲ
ﻭﺍﻟﻌﻁﺭ
ﻟﻴﺱ ﺠﺭﻴﻤﺔ ﺍﻷﺯﻫﺎﺭ
ِ ﹶ
ﺼﻭﺘﺎﻥ ﻤﻥ ﻤﻁﺭ
ٍ ِ
ﻭﺤﻠﻡ ﻭﺍﺤﺩ
ﻭﺍﻟﺤﺏ ﺜﺎﻟ ﹸﻨﺎ
ﺜ
ﻋﻠﻰ ﺍ ِﻓﻁﺎﺭ
ﻹ ِ
ﻭﺘﺭ ﺍﻟﻜ ﺎﻥ ﺃﻨﺎ
ﻤ ِ
٠٣
32. ﻭ ﺤﺒﺔ ﻗﻭ ِﻪ
ﺴ ﹸ ﺴ
ﺘﻜﻔﻲ، ﻟﻴﻭﺠ ﻨﻲ
ِﻌ
ﺍﻟﺒﻴﺎﺽ ﺍﻟﻌﺎﺭﻱ
ﻗﺩ ﻴﻨﺘﻬﻲ ﻔﺭ
ﺴ
ﻟﻴﺒﺩﺃ ﺁﺨﺭ
ﹶﻠﻨﻘﺘﺴﻡ
ﻓ
ﺘﻔﺎﺤﺔ ﺍﻷﺴﺭﺍﺭ
ِ ﹶ
ﻟﻠﺤﺏ ﻤﻌﻤﻭﺩﻴﺘﺎﻥ
ِ
ّ
ﻓﻌﻤ ِﻱ
ﺩ
ﺒﺎﻟﻤﺎﺀ ﺇﻥ ﺃﺤﺒﺒﺕ
ِ ِ
ﺃﻭ ﺒﺎﻟﻨﺎﺭ
ِ
١٣
34. ﻏﻭﺍﻴﺔ
ﻭﻴﻘﻭل ﺴﻤﺴﺎﺭ ﺍﻟﺴﻜﻭﺕ
ِ ُ
ﺃﺃﻨﺕ ﻥ ﻻ ﻴﻨﺤﻨﻲ ﻟﻠﺭﻴﺢ
ِ ﹶﻤ
ﻭﻫﻲ ﺼ ﺔ؟
ﻋ ﻴ
ﺃﻨﺕ ﺍﻟﺫﻱ ﺴ ﻰ ﺍﻟﻨﺴﺎﺀ
ﻤ ﹶ
ﻋﻭﺍﺼ ﺎ
ﻤ
ﻭﺍﻟﺤﺎﻜﻤﻴﻥ
ﻋﻭﺍﺼ ﹰﺎ ﺘﺘﺭﻴﺔﹾ؟
ﻔ
ﺤﺘﻰ ﻤﺘﻰ ﺘﺒﻜﻲ
ﻭﺘﻨﺯﻑ ﺼﺎﺭ ﹰﺎ
ﺨ ﹸ
ﻭ ﺒﺸ ﺍ
ﻤ ّﹶﺭ
ﺒﺤﻀﺎﺭﺓ
ٍ
ﻫﻤ ﺔ؟
ﻭ ﻴ
ﺴﻴﺤﺒﻙ ﺍﻟﻤﺘﻔﺭﺠﻭﻥ
ﻤﻌﺫ ﺎ
ﺒ
ﻭﺴﻴﺫﺭﻓﻭﻥ ﺍﻟﺩﻤﻊ
ﻓﻲ ﻤﺭﺜﻴﺔ
ﹾ
ﺴﻜﺒﻭﺍ ﻋﻠﻰ ﻗ ِ ﺍﻟﻤﺴﻴﺢ ﺩﻤﻭ ﻬﻡ
ٍ ﻋ ﹶ ﺩﻡ
٣٣
35. ﻭﺘﺒ ﻤﻭﺍ
ﺴ
ﻟﻠ ﻤﻠﺔ ﺍﻟﻔﻀ ﺔ
ﻴ ﻌ ِ
ﺌﺱ ﺍﻟﺭﻋﺎﺓ
ﹸ ﻴ
ﻭﺴﱠﻤﻭﺍ
ﻠ
ِﻤﻼﻨ ﻡ
ﺤ ﻬ
ﻟﻠﺫﺌﺏ
ِ
ﻭﺍﻨﺘﻅﺭﻭﺍ ﺍﻟﻌﻅﺎﻡ ﻫﺩ ﺔ
ﻴ
ﻭﺘﻅل »ﺴﺎﻟﻭﻤﻲ«
ُ
ﺘﻤﺎﺭﺱ ﻬ ﻫﺎ
ﻋﺭ
ﻭ »ﺍﻟﻤﻌﻤﺩﺍﻥ«
ﻴﻤﻭﺕ ﻓﻲ ﺍﻟﺒﺭ ﺔ!!
ﻴ ﹸ
٤٣
37. ﺍﺨﺘﻴﺎﺭ
ﻫﺫﺍ ِﺒﺎﻱ
ﺼ
ﻭﻫﺫﻩ ﺒ ﺍﺘﻲ
ِ ﺼﻭ
ﻭﻗﻑ
ﹾ ﹲ
ﻋﻠﻰ ﻫﺫﺍ ﺍﻟﻨﺯﻴﻑ
ِ
ﺤﻴﺎﺘﻲ
ﻜﺎﻥ ﺍﻟﺭﻤﺎﺩ ﻭﻥ
ﻴ
ﻓﻲ ﺘﺎﺒﻭﺘﻬﻡ
ﻭﺃﺼﺎﺒﻌﻲ ﻨﺎﺭﻴﺔ ﺍﻟﻭﻤﻀﺎﺕ
ِ ﹸ
ﻴﺘﺨ ﺭﻭﻥ ﺤﺭﻭ ﹶﻬﻡ
ﻓ ﻴ
ﻟﺯﻤﺎ ِﻬﻡ
ﻨ
ﺃﻤﺎ ﺃﻨﺎ ﺘﺨﺘﺎ ﻨﻲ ﻜﻠﻤﺎﺘﻲ
ﺭ
ﺃﺤﻨﻭ ﻋﻠﻰ ﺍﻟﻤﺎﻀﻲ
ﻭﺃﺭﻉ ﺤﺎﻀﺭﻱ
ﻭﻏﺩﻱ ﻴﺴﻴﺭ ﻤﺤﺎﺫ ﺎ
ﻴ ﹶ
ﺨﻁﻭﺍﺘﻲ
ﺒﺎﻟﻁﺎﻫﺭ ﺍﻟﻤﺴﻜﻲ
ِ ِ
ّ
ﺃﻜﺘﺏ ﺃﻤﺔ
ﹰ
٦٣
38. ﻜﻲ ﻴﺒﻌﺙ ﺍﻟ ﱡﻬﺩﺍﺀ
ﺸ
ﻤﻥ ﺃﺒﻴﺎﺘﻲ
ﻻ ﹶﻨﺏ ﻟﻲ
ﺫ
ﺃﻥ ﺍﻟﺼﺭﺍﻁ ﻤﻔﺨﺦ
ﹶ ﹶ ﱠ ﹲ
ﻭﺨ ﹶﻲ ﺍﻟﻌﻅﻴﻡ
ِ ﹸﻁ
ﻋﻅﻴﻤﺔ ﺍﻟﻌﺜﺭﺍﺕ
ِ ﹸ
ﺃﻨﺎ ﺃﺩﺨل ﺍﻟﻤﺄﺴﺎﺓ
ﹶ ُ
ﻤﻥ ﺃﺒﻭﺍ ِﻬﺎ
ﺒ
ﻜﻲ ﺃﻨﺘﻬﻲ
ﺃﻭ ﺘﻨﺘﻬﻲ ﻤﺄﺴﺎﺘﻲ!!
٧٣
40. ﺨﻁﺒﺔ ﻓﺭﻋﻭﻥ
ﻭﻴﻘﻭل ﻓﺭﻋﻭﻥ ﺍﻟﺠﻤﺎﺠﻡ:
ِ ُ
ﺠ ﱠﺘﻲ
ﻨ
ﻟﻠﻤﺅﻤﻨﻴﻥ
ﺒﺤﻜﻤﺘﻲ ﺍﻷﺯﻟ ﺔ
ﻴ
ﺴ ﻴﺘ ﻡ ﺸﻌﺒﻲ
ﻤ ﻬ
ﻭﺼﺭﺕ ﺯﻋﻴ ﻬﻡ
ﻤ ﹸ
ﻜﻲ ﻴﻨﻌﻤﻭﺍ
ﺒُﺒﻭﺘﻲ ﺍﻟﺭﻭﺤ ﺔ
ﻴ ﺄ
ﺁﺜﺎﺭ ﺃﻗﺩﺍﻤﻲ
ﻭﺴﺎﻡ ﺼﺩﻭ ِﻫﻡ
ﺭ
ﻭﻭﻻﺅﻫﻡ ﹸﺒل
ﻗ ٌ
ﻋﻠﻰ ﻗﺩﻤﻴﻪ
ﺃﻋﻁﻴ ﹸﻬﻡ
ﺘ
ﺤﻕ ﺍﺨﺘﻴﺎﺭ ﻗﺒﻭ ِﻫﻡ
ِ ﺭ
ﻭﻭﻫﺒ ﹸﻬﻡ
ﺘ
ﺯﻨﺯﺍﻨﺔ ﺃﺒﺩﻴﺔ
ﹾ
ﻗﻴل: ﺍﺩﺨﻠﻭﻫﺎ
٩٣
41. ﻓﻲ ﺴﻼﻡ ﺁﻤﻨﻴﻥ
ٍ
ﻤﺴﺎﻟﻤﻴﻥ
ﻜﻼﺒﻲ ﺍﻟﺒﺸﺭ ﺔ
ﻴ
ﻤﻭﻻﻱ ﺠﻨﺘ ﹸﻡ ﹶﻀﺞ
ﹸﻜ ﺘ
ﻤﻔﺎﺴ ﺍ
ﺩ
ﻜﻴﻑ ﺍﻟﺩﺨﻭل
ُ ﹶ
ِﺠﻨﺔ ﻭﺜﻨ ﺔ؟
ﻟ ﱠٍ ﻴ
ﻤﻥ ﺯﺍﺭﻫﺎ ﻴﻭ ﺎ
ﻤ
ﻴﻘﻭل ﺒﺤﺴﺭﺓ:
ٍ ُ
ﻻ ﺍﻟﻨﻔﺱ ﺭﺍﻀﻴﺔ
ﹲ
ﻭﻻ ﺭﻀ ﺔ!!
ﻤ ﻴ
٠٤
43. ﺭﺍﻴﺘﺎﻥ
ﺴﺄﻗﻭل ﻟﻠﺒﺴﻁﺎﺀ
ُ
ﻻ ﺘﺘﻁﺎﻤﻨﻭﺍ
ﻓﺎﻟﺭﻋﺏ ﺘﺤﺕ ﺍﻟﺤﻠﺔ ﺍﻟﻜﺎﻜ ﺔ
ﻴ ﱠ ِ
ﻗﺩ ﻴﺤﻤل ﺍﻟﺠﻨﺭﺍل
ُ ُ
ﻨﻑ ﺴﺩﺱ
ﻋ ﹶﻤ ٍ
ﻭﺒﺭﻭﺩ ﻗﻨﺒﻠﺔ
ٍ
ﻭ ﻤﻕ ﹶﻅ ﺔ
ﺤ ﺸ ﻴ
ﺇﻥ ﻟﻡ ﻴﺠﺩ ﺤﺭ ﺎ
ﺒ
ﻟﻴﺨﺴ ﻫﺎ
ﺭ
ﻁ ﹶﻰ
ﻐ
ﻭﺃﺫﺍﻗﻨﺎ
ﺃﻨﻴﺎﺒﻪ ﺍﻟﺤﺭﺒ ﺔ
ﻴ
ﺃﺴﺘﻐﻔﺭ ﺍﻟﻜﻠﻤﺎﺕ
ِ ِ
ﻟﺴﺕ ﻤﺸﻌﻭ ﹰﺍ
ﺫ ﹸ
ﺤﺘﻰ ﺃﻤﺎﺭﺱ
ﹸﻌﺒﺔ ﹸﻐﻭ ﺔ
ﻟ ﻟ ﻴ
ﻭﻟﺩﻱ ﻤﻠﻴﻭﻨﺎ ﺸﻬﻴﺩ
ٍ
٢٤
44. ﺼﺎﺭﺥ
ٍ
ﻴﺘﺴﻠﻠﻭﻥ
ﻟﺩﻭﺭﺘﻲ ﺍﻟﺩﻤﻭﻴﺔ
ﻭﺃﻨﺎ ﺍﺒﻥ ﻫﺫﺍ ﺍﻟﻨﻬﺭ
ِ
ﺼﻭﺘﻲ
ﺼﻭ ﹸﻪ
ﺘ
ﻭﺍﻟﻨﻴل ﻻ ﻴﺘﻜﻠﻡ ﺍﻟﻌﺒﺭﻴﺔ!!
ﹾ ُ
ِﻥ ﻬﺩ ﻫﺫﺍ ﺍﻟﺤﺯﻥ
ِ ﻤ ﻤ ِ
ﺤﺘﻰ ﻟ ﺩﻩ
ﺤ ِ
ﻟﻲ ﺭﺍﻴﺘﺎﻥ: ﺍﻟﺤﺏ ﻭﺍﻟﺤﺭ ﺔ!!
ﻴ ِ
٣٤
46. ﺴﺅﺍل
ﺒﻘﻠﺏ ﻁﻔ ٍ
ﻤ ﹶﺊ
ﻭ ﹸﻁﻰ ﻀﻴﺌﺔ
ﹾ ﺨ ﻤ
ﺃﻗﻭل ﻟﺼﺭﺨﺘﻲ: ﻜﻭﻨﻲ
ُ
ﺸﻴﺌﺔ
ﻤ
ﻤﺕ ﻓﻘﺭﺍ ﻫﺎ
ﺀ ﺭ
ﻨﺎﺭ ﺍﻟﻠﻴﺎﻟﻲ
ﻫ ﻯ ﺨﻁﺄ
ً ﻭ
ﻭﺃﺤﻼ ﺎ ﺨﻁﻴﺌﺔ
ﹾ ﻤ
- ﻟﻤﺎﺫﺍ ِﺭﺕ ﻴﺎ ﻭﹶﺩﻱ
ﺼ ﹶ ﻟ
ﻨﺒﻴﻼ؟
ﹰ
- ﻷﻥ ﺴﻴﺎﻁ ﺠﻼﺩﻱ
ﹶ
ﺫﻴﺌﺔ
ﺒ ﹾ
- ﻟﻤﺎﺫﺍ ﺘﺸﺘﻬﻲ ﻤﻭ ﹰﺎ
ﺘ
ﺴﺭﻴ ﺎ؟
ﻌ
- ﻷﻥ ﻋﺩﺍﻟﺔ ﺍﻟﻭﺍﻟﻲ
ﹶ
ﺒﻁﻴﺌﺔ
ﺴﺄﻟﺼﻕ ﺒﺎﻟﺠﺩﺍﺭ ﺍﻟﺼﻌﺏ
ِ ِ ِﹸ
٥٤
47. ﻭ ِﻲ
ﺭ ﺤ
ﻭﺃﻟﻘﻲ ﻤﺭ ﺃﺴﺌﻠﺘﻲ ﺍﻟﺒﺭﻴﺌﺔ
ﺠ
ﺴﻴﻭﺠﻌ ﹸﻡ
ﻜ
ﻭ ﻭﺠ ﻨﻲ ﺴﺅﺍﻟﻲ
ﻴ ِﻌ
»ﻫل ﺍﻟﻔﻘﺭﺍﺀ
ﻗﺎﻓﻴﺔ ﺭﺩﻴﺌﺔ«؟
ﹲ
٦٤
49. ﻫﻭﻴﺔ
ﺨ ﹸﻭﺍ ﹸﺒﺯ ﺍﻟﻌﺸﺎﺀ
ِ ﹸﺫ ﺨ
ﻭﺴﻘﻑ ﺩﺍﺭﻱ
ﹶ
ﻭﻨﺒﺽ ﻗﺼﻴﺩﺘﻲ ﻭﺴﻨﺎ ﻨﻬﺎﺭﻱ
ﹸﺫﻭﺍ ﻜ ِﺩﻱ ﺍﻟﻘﺭﻴﺤﺔ
ﹶ ﺨ ﹶﺒ
ﻭﺍﻁﺭ ﻭﻫﺎ
ﺤ
ﺃﻤﺎﻡ ﺃﺒﻲ
ﻭﺒﻴﻥ ﻴﺩﻱ ﺼﻐﺎﺭﻱ
ﺃﻋ ﻭﺍ ِﻴﺘﺔ ﺃﻨ ﹶﻰ
ِﺩ ﻤ ﹰ ﻜ
ﺃﻗﻴﻤﻭﺍ.. ﺤﺼﺎ ﺍ ﻗﺎﺴ ﺎ
ﻴ ﺭ
ﺤﻭل ﺍﻟﺤﺼﺎﺭ
ِ َ
ﻭﺤﻴﻥ ﺘﺼﻴﺭ ﺃﺸﻼﺌﻲ ﻭﻋﻅﻤﻲ
ﻨﺜﻴ ﺍ ﺩﺍﻤ ﺎ ﺒﻔﻡ ﺍﻟﻀﻭﺍﺭﻱ
ﺭ ﻴ ِ
ﻓﻨﺎﺩﻭﺍ ﺒﺎﺴ ِﻬﺎ
ﻤ
ﺘﺒﻜﻲ ِﻅﺎﻤﻲ
ﻋ
ﻭﻴﺼﺭﺥ ﻜل ِﻠﻭ:
ﱡﺸ ٍ
ﻴﺎ ﺩﻴﺎﺭﻱ
ﺴﻴﻨﺒﺕ ﻓﻲ ﻤﻨﺎﻓﻲ ﺍﻟﺤﺯﻥ
ِ ﹸ
٨٤
50. ﺼﻭﺘﻲ
ﻭﻴﺼﻌﺩ
ﻤﺜل ﺃﻋﺸﺎﺏ ﺍﻟﺒﺭﺍﺭﻱ
ِ َ
ﻴﺘ ﺝ ﻤﻔﺭﻕ ﺍﻟﺠﻭ ﻰ
ﻋ ﹶ ﻭ
ﺒﺩﻤﻌﻲ
ﻭﻴﺤﻤﻲ ﺒﺎﺏ ﺠ ﱠﺘ ِﻡ
ﻨ ﻬ
ﺒﻨﺎﺭﻱ
ﹸﺫﻭﻨﻲ
ﺨ
ﺩﻭﻥ ﺃﺴﺌﻠﺔ ﻋﻥ ﺍﺴ ِﻲ
ﻤ ٍ
ﻭﻋﻥ ﻟﻭﻥ ﺍﻨﺘﻤﺎﺌﻲ
ِ
ﺃﻭ ﺸﻌﺎ ِﻱ
ﺭ
ﻓﻠﻡ ﺘﺴﺄل ﺴﻴﺎﻁ ﺍﻟﻤﻭﺕ ﹶﻬ ِﻱ
ِﻅﺭ ﹸ
- ﻤﻴﻨﻲ ﻋﺫﺍﺒﻙ
ﻴ
ﺃﻡ ﺴﺎﺭﻱ؟
ﻴ
ﻭﻫﺒﺕ ﻷﺠﻤل ﺍﻟﻔﻘﺭﺍﺀ
ِ ِ ﹸ
ﺼﻭﺘﻲ
ﻭﺼﺎﺭ ﺍﺴ ِﻲ
ﻤ
»ﺃﺒﺎ ﺫﺭ ﺍﻟ ِﻔﺎﺭﻱ«!!
ﹶ ﻐ
٩٤
52. ﺴﻠﻴﻤﺎﻥ ﺨﺎﻁﺭ
ﻟﺩﻤﻭﻉ ﺃﻤﻙ ﺃﻥ ﹶﺠﻑ
ِ ُ ﺘ ﱠ
ﻗﻠﻴﻼ
ﻭﻟ ﻤ ِﻨﺎ
ِﺼ ﺘ
ﺃﻥ ﻴﺴﺘﺤﻴل ﺼﻬﻴﻼ
َ
ﻫﺫﺍ ﺴﺤﺎﺏ ﺍﻟﻨﺎﺭ
ِ
ﻴﻬﻁل
ُ
ﺒﻴﻨﻤﺎ.. ﺠﺩ ﺍﻟﻔﺅﺍﺩ
ﻴ
ﺇﻟﻰ ﺍﻟﻔﺅﺍﺩ ﺴﺒﻴﻼ
ِ
ﻨﺤﻥ ﺍﻟﺫﻴﻥ ﻴﺼﺎ ِﻗﻭﻥ
ﺩ
ﺠﺭﺍﺤ ﻡ
ﻬ
ﻭ ﺭﺘﻠﻭﻥ ﻋﺫﺍﺒ ﻡ ﺘﺭﺘﻴﻼ
ﻬ ﻴ
ﻓﻲ ﻜل ﻋﺎﺼﻤﺔ
ِ َّ
ﺤﺒﻨﺎ ﻅﱠﻨﺎ ﺍﻟﺩﺍﻤﻲ
ﻠ ﺴ
ﻭﻤﺎ ﺯﺍل ﺍﻟﻁﺭﻴﻕ ﻁﻭﻴﻼ
ﹸ َ
ﻭﺘﺴﺎ ل ﺍﻷ ﹶﻭﺍﺕ:
ﺀَ ﻏ ﹸ
ﻟﻡ ﻋﺠﻠ ﹸﻤﻭ؟
ﺘ ِ
ﻗﻠﻨﺎ: ﻷﻥ ﺍﻟﻤﻭﺕ ﺼﺎﺭ ﻋ ﻭﻻ
ﺠ ﹶ
١٥
53. ﺴﺤﺒﻭﺍ ﺍﻟﺨﻨﺎﺠﺭ
ﻓﺎﻟﺘﻔﺕ ﻟﺼﺎﺤﺒﻲ
ﱡ
ﺸﺭﺍﻙ
ﺒ
ِﺒﺕ ﻤﻘﺎﺘﻼ
ﹰ ﻁ ﹶ
ﻭﻗﺘﻴﻼ!!
٢٥
55. ﺸﻬﺭﺯﺍﺩ
ﺍﻟ ﻴﻙ ﺼﺎﺡ
ﺩ
ﻋﻠﻰ ﺍﻟﺼﺒﺎﺡ
ِ
ﻓﻨﺎﻤﻲ
ﻜﻲ ﺘﺴﺘﺭﻴﺢ ﺴﻴﺎ ﹸﻬﻡ
ﻁ
ﻭﺤﻁﺎﻤﻲ
ﻤﻥ ﺃﻴﻥ ﻴﺄﺘﻲ ﺍﻟﺸﻭﻕ
ﹸ
ﻴﺎ ﻤﺤﺒﻭﺒﺘﻲ
ﻫل ﹸﻤﻁﺭ ﺍﻟﺩﻨﻴﺎ
ﺘ
ﺒ ﹶﻴﺭ ﹶﻤﺎﻡ؟
ِﻐ ِ ﻏ
ﻫﺫﻱ ﺍﻟﺒﻼﺩ
- ﻋﻠﻰ ﺍﺘﺴﺎﻉ ﻗﺒﻭ ِﻫﺎ-
ِ ﺭ
ﻟﻡ ﺘﺘﺴﻊ ﻴﻭ ﺎ
ﻤ
ﻟﻌﺵ ﻏﺭﺍﻡ!!
ِ ّ ﹶ
ﺇﻥ ﻟﻡ ﻨﺠﺩ ﻭﻁ ﹰﺎ
ﻨ
ﻴﻠﻴﻕ ﺒﺤ ّﻨﺎ
ﺒ
ﻓﻐﺭﺍﻤﻨﺎ ﺭﺏ ﻤﻥ ﺍﻷﻭﻫﺎﻡ!
ِ ﻀ
ﻤﺩﻥ ﺍﻟﺤﻜﺎﻴﺎ
٤٥
56. ﻟﻡ ﺘﻜﻥ ﻟﻴﻼ ﹸﻬﺎ
ﺘ
ﺸﻌ ﺍ ﻭﺠﺎﺭﻴﺔ
ﹰ ِﺭ
ﻭﻜﺄﺱ ﺩﺍﻡ!
ﻤ ِ
ﻜﺎﻨﺕ – ﻜﻤﺎ ﺸﺎﺀ ﺍﻟﻁﻐﺎﺓ – ﻤﻀﺎﺀﺓ
ﹰ ﹸ
ﺒﺎﻟﺼﺒﺭ ﻭﺍﻷﺤﺯﺍﻥ ﻭﺍﻵﻻﻡ
ٍ ِ ِ
ﻤﺩﻥ ﺍﻟﺤﻜﺎﻴﺎ ﺍﻷﻟﻑ
ِ
ﻜﺎﻨﺕ ﺩﺍﺌ ﺎ
ﻤ
ﻨﺎﺭ ﺍﻟﺸﻌﻭﺏ
ِ
ﻭﺠ ﹼﺔ ﺍﻟﺤ ﱠﺎﻡ
ﻜِ ﻨ
ﻤﺎ ﻤﺭ ﻁﺎﻏﻴﺔ
ﹲ
ﺃﻤﺎﻡ ﺤﺩﻴﻘﺔ
ٍ
ﺇﻻ ﻭﻤﺎﺕ ﺍﻟﻭﺭﺩ ﻓﻲ ﺍﻷﻜﻤﺎﻡ
ِ
ﻟﻡ ﻴﺒﺘ ِﻡ ﻴﻭ ﺎ
ﹶﺴ ﻤ
ﺃﻤﺎﻡ ِﻼﺒﻪ
ﻜ ِِ
ﺇﻻ ﻭﺴﺎﻟﺕ ﺩﻤﻌﺔ ﺍﻷﻴﺘﺎﻡ
ِ ﹸ
ﻟﻡ ﻴﻨﻜ ِﺊ ﻴﻭ ﺎ
ﻤ ﻔ
ﻋﻠﻲ ﻤﺤﻅﻴﺔ
ٍ
ﺃﻻ ﻭﺩﺏ ﺍﻟ ﻘﻡ ﻓﻲ ﺍﻷﺭﺤﺎﻡ
ِ ﻌ
٥٥
57. ﻤﺄﺴﺎ ﹸﻨﺎ ِﺸﻕ ﺍﻟﻁﻐﺎﺓ
ِ ﺘ ﻋ ﹸ
ﻜﺄﻨﻨﺎ
ﻟﻡ ﹶﻨﺱ – ﺒﻌﺩ – ﻋﺒﺎﺩﺓ ﺍﻷﺼﻨﺎﻡ!!
ِ ﹶ ﻨ
ﻴﺎ ﺸﻬﺭ ﺯﺍﺩ ﺍﻷﻟﻑ ﻟﻴﻠﺔ
ِ ِ
ﻟﻴﹸﻨﺎ
ﻠ
ِﻥ ﺭﻫ ٍﺔ ﻭﻤﻅﺎﻟﻡ
ٍ ﺒ ﻤ
ﻭﻅﻼﻡ
ِ
ﺤﺭﺱ ﺍﻟﺨﻠﻴﻔﺔ ﻴﺨﻔﺭﻭﻥ
ِ
ﻤﻨﺎ ﻨﺎ
ﻤ
ﻭ ﻔﺘﺸﻭﻥ
ﻴ
ﺤﻘﺎﺌﺏ ﺍﻷﺤﻼﻡ
ِ
ﺘﻨﺎ ﺴﻜﻭ ﹰﺎ
ﺘ ﻤ
ﻓﺎﻟﻜﻼﻡ ﻤﺸﺎﻨﻕ
ﹲ
ﻭﺍﻟﺴﻡ ﻓﻲ ﺍﻷﻭﺭﺍﻕ
ِ
ﻭﺍﻷﻗﻼﻡ
ِ
ﺇﻨﻲ ﺭﺃﻴﺕ
ﹸ
ﺭﺃﻴﺕ ﺭﻤﻼ ﺯﺍﺤ ﹰﺎ
ﻔ ﹰ ﹸ
ِﻥ ﻁﻨﺠﺔ
ِ ﻤ
٦٥
58. ﺤﺘﻰ ﺤﺩﻭﺩ ﺍﻟﺸﺎﻡ
ِ ِ
ﻭﺭﺃﻴﺕ
ﹸ
ﺜﻡ ﺭﺃﻴﺕ
ﹸ ﹶ
ِﺭﺏ ﺃﻴﺎﺌل
ٍ ﺴ
ﻤﺒﺘﻭﺭﺓ ﺍﻟﻜﻔﻴﻥ
ِ ِ
ﻭﺍﻷﻗﺩﺍﻡ
ِ
ﺇﻨﻲ ﺭﺃﻴﺕ.. ﻭﻻ ﺃﻓ ﺭ ﻤﺎ ﺃ ﻯ
ﺴ ﺭ ﹸ
ﻴﺄﺘﻲ ﻏ ﺍ
ﺩ
ﻥ ﻴﻔﻬﻤﻭﻥ ﻜﻼﻤﻲ!!
ﻤ
ﺸﻜ ﺍ ﻟﻤﻥ ﻭﺠﺩﻭﺍ ﺍﻟﺤﻴﺎﺓ
ﹶ ﺭ
ﺨﻴﻠﺔ
ﺒ ﹰ
ﻓﺘﻜ ﻤﻭﺍ ﺒﺎﻟﺤﻘﺩ
ِ ﺭ
ﻏﻴﺭ ِﺭﺍﻡ
ﻜ ِ
ﹸﻜﺭﺍ ﻟﻤﻥ ﺤﻤل ﺍﻟﺤﻘﻴﺒﺔ
ﹶ َ ﺸ
ﻗﺎﺌﻼ:
ﹰ
ﻭﻁﻨﻲ: ﺃﻨﺎ
ﻭﻋﺸﻴﻘﺘﻲ
ﻭﻁﻌﺎﻤﻲ
٧٥
59. ﺸﻜ ﺍ ﻟﻤﻥ ﺃﻜﻠﺕ ﺒﻌﻭﺭﺓ ِﻨﺘﻬﺎ
ِﺒ ﺭ
ﻭﺘﻘﺎﺴﻤﺎ ﺘﻔﺎﺤﺔ ﺍﻵﺜﺎﻡ
ِ ﹶ
ﺸﻜ ﺍ ﻷﻨﺩﻟﺴﻴﻥ
ِ ﺭ
ﻟﻡ ﺃﻓﺘﺤﻬﻤﺎ
ﻭﺨﺴﺭﺕ ﺭﺒﻲ ﻓﻴﻬﻤﺎ
ﺤ
ﻭﺴﻼﻤﻲ
ﺸﻜ ﺍ ﻟ ﻭﻡ ﺍﻟﺭﻭﺡ:
ٍ ﺭ ﺼ ِ
ﻋﻴﺩ ﻋﺫﺍ ِﻬﺎ
ِ ﺒ
ﺸﻜ ﺍ ﻷﻴﺎﻤﻲ
ﺭ
ﺘﺴﻴﺭ ﺃﻤﺎﻤﻲ
ﺸﻜ ﺍ ﻟﺴﻴﺩﺘﻲ – ﺍﻟﺤﻴﺎﺓ –
ﹶ ﺭ
ﻟﻘﺎﺘﻠﻲ
ﹸﻜ ﺍ ﻟ ِﻘ ﺭﺓ
ﺸ ﺭ ﻤﺒ ٍ
ﹸﺠﻴﺭ ﻋﻅﺎﻤﻲ!!
ﺘ
٨٥
61. ﺴﻼﻡ ﺍﻟﻤﺤﺎﺭﺏ
ﻭﻋﻥ ﻤﺎﺫﺍ ُﻗﺎﺘل
ﺃ ُِ
ﻴﺎ ﺤﺒﻴﺒﺔ
ﺇﺫﺍ ﺴﺎﻭﻤﺕ
ﹸ
ﻋﻥ ﻤ ﻨﻲ ﺍﻟﺴﻠﻴﺒﺔ؟
ﺩ
ﺇﺫﺍ ﺃﻏﻤﻀﺕ ﻋﻥ ﻋﻴﻨﻴﻙ
ِ ﹸ
ﻗﻠﺒﻲ
ﻭﻋﻥ ﺩﻤﻊ »ﺍﻟ ﻠﻴل«
ﺠ ِ
ﻭﺤﺯﻥ »ﻁﻴﺒﺔ«؟
ِ
ﺃﺃﺴﻘﻲ ﺍﻟﻭﺭﺩ
ﻓﻲ ﹸﺭﻓﺎﺕ ﺒﻴﺘﻲ
ﺸ ِ
ﻭﻨﺎﺏ ﺍﻟﺫﺌﺏ
ِ
ﻓﻲ ﻟﺤﻡ ﺍﻟﻌﺭﻭﺒﺔ؟
ﺘﻘﻭل: ﻭﻫل ﺘﺤﺎﺭ ﻬﻡ ﺒﺤﺭﻑ
ٍ ﺒ َ
ﺃﻗﻭل ﻟﻬﺎ: ﺨﹶﻔﺕ ﻟﻪ
ﹶﻠ ﹸ ﹶ ُ
ﺤﺭﻭ ﻪ
ﺒ
ﺃﻨﺎ ﻫﻭ ﺸﺎﻫﺭ ﺍﻟﻜﻠﻤﺎﺕ ﻨﺎ ﺍ
ِ ﺭ ِ
ﻭﺤﺎﺸﺩ ﻜل ﻗﺎﻓﻴﺔ
ِ ٍ َّ
٠٦
62. ﻜﺘﻴﺒﺔ
ﺜﻤﺎﻨﻴﺔ ﻭ ِﺸﺭﻭﻥ ﺍﻨﺘﺼﺎ ﺍ
ﺭ ﹲ ﻋ
ﺘﻠﻴﻕ ﺒﺄﺒﺠﺩﻴﺘﻲ ﺍﻟﺭﻫﻴﺒﺔ
ﹸ
ﻋﻠﻰ ﺭﺡ ﺍﻟﺸﻬﻴﺩ
ِ ﺠ ِ
ﻜﺘﺎﺏ ﺤﺏ
ّ
ﺃﻨﺎ ﻭﺤﺩﻱ ﺍﻟﺫﻱ ﻴﺠﻠﻭ
ﻏﻴﻭ ﻪ
ﺒ
ﺘﻘﻭل ﻭﻜﺎﻟﺔ ﺍﻷﻨﺒﺎﺀ:
ِ ﹸ ُ
ﻤﺎﺘﻭﺍ
ﺃﻗﻭل ﻟﻬﺎ: ﻟﻜ ﱢ ﻫ ﻯ
ﹸل ﻭ
ﻀﺭﻴﺒﺔ
ﹾ
ﺴﻼ ﺎ ﻟﻠﺸﻬﻴﺩ
ِ ﻤ
ﻴﻌﻭﺩ ﻁﻔﻼ
ﹰ
ﻭﻴﺤﺘﻀﻥ ﺍﻟﺤﺠﺎﺭﺓ
ﹶ
ﻭﺍﻟﺤﻘﻴﺒﺔ
ﹾ
ﺴﺎ ِﻠﻪ ﺍﻟﻤﻌﻠﻡ
ّﹶ ﻴ ﺌ
ﻜل ﻴﻭﻡ:
ﱠ ٍ
- ﹶﻤﺎل ﺍﻟﻤﻭﺕ ﺘﺴ ﹸﻥ
ِ ﻜ ﺸ َ
١٦
63. ﺃﻡ ﺠﻨﻭ ﻪ؟
ﺒ
ﺴﻼ ﺎ ﻟﻠﺸﻬﻴﺩ ﻴﻌﻭﺩ
ِ ﻤ
ﻁﻔﻼ
ﹰ
ﻴﻘﺹ ﻟﻨﺎ
ﻜﺎﻴﺎﻩ ﺍﻟﻐﺭﻴﺒﺔ
ﺤ
ﻭﻴﻤﺴﺢ ﻜ ﱡﻪ ﺨﺩ ﺍﻟﻴﺘﺎ ﻰ
ﹶﻔ ﻤ
ﻭﻴﺘﺭﻙ
ﺒﻌﺽ ﺤﻠﻭﺍﻩ ﺍﻟﻌﺠﻴﺒﺔ
ﺴﻼ ﺎ ﻟﻠﺸﻬﻴﺩ
ﻤ
ﻴﻌﻭﺩ ﻁﻔﻼ
ﹰ
ﻴﻜ ﺭ ﻓﻭﻕ ِﺌﺫﻨﺔ ﻤﻬﻴﺒﺔ
ﺒ ﹶﻤ ٍ
ﻴﺼﺎﻓﺢ ﻓﻲ ﺍﻟﺸﻭﺍﺭﻉ ﺃﻨﺒﻴﺎﺀ
ﻭﻴﺭﻜﺽ ﻓﻲ ﺍﻟﺴﻤﺎﻭﺍﺕ ﺍﻟﻘﺭﻴﺒﺔ
ِ
ﻏ ﺍ ﺃﻤﻀﻲ
ﺩ
ﻭﻟﻥ ﻴﺠﺩﻭﺍ ﺒﻘﻠﺒﻲ
ﺴﻭﻯ ﻋﻴﻨﻴﻙ
ِ
ﻭﺍﻟﻤﺩﻥ ﺍﻟﺴﻠﻴﺒﺔ!
ِ
٢٦
65. ﺯﺍﺩ ﺍﻟﻤﺴﺎﻓﺭ
ﻋﻠﻰ ﻘﻌﺩ
ﻤ ٍ
ﻓﻲ ﺁﺨﺭ ﺍﻷﺭﺽ
ِ
ﻗﻴل ﻟﻲ:
ِ
ﻟﻤﺎﺫﺍ ﺘﻐ ﱢﻲ
ﹸ ﹶﻨ
ﻗﻠﺕ: ُﺤ ِﻲ ﺨﺴﺎﺌﺭﻱ
ﹸ ﺃ ﺼ
- ﻭﻤﻥ ﺃﻨ ﹶ؟
ﺕ
- ﻤﻨﺩﻭﺏ ﺍﻟﺫﻴﻥ ﺃﺤ ﻬﻡ
ﺒ
ﻭﻨﺎﻱ ﺍﻟﻘﺭﻯ ﺍﻟﺨﻀﺭﺍﺀ
ِ
ﻨﺎﻱ )ﺍﻟﺤﻭﺍﻀﺭ(
ِ
- ﺃﺃﺨﻔﻴﺕ ﺒﺎﺭﻭ ﺍ؟
ﺩ
- ﺃﺠل.. ﻋﻁﺭ ﻭﺭﺩﺓ
ٍ ْ
ﻴﻨﺎﻡ ﺒﺄﺩﺭﺍﺠﻲ
ﻭﺘﻐﺭﻴﺩ ﻁﺎﺌﺭ
ِ
ﺒﺤﻨﺠﺭﺘﻲ ﺨﺒﺄﺕ ﻤﻠﻴﻭﻥ ﺜﺎﺌﺭ
ٍ ﹸ
ﻭﺨﺒﺄﺕ ﺸﻌ ﺎ ﻜﺎﻤﻼ ﻓﻲ ﺩﻓﺎﺘﺭﻱ
ﹰ ﹸ ﺒ
ﻋﻠﻰ ﻤﻌﺼﻤﻲ ﺍﻟﻤﺼﻔﻭﺩ
ِ
ﺼﺎﺭﺕ ﻗﻴﻭﺩ ﹸﻡ
ﻜ
٤٦
66. ﺃﺴﺎﻭﺭ ﺃﺒﻁﺎل
ٍ
ﻓﺯﻴﺩﻭﺍ ﺃﺴﺎﻭﺭﻱ
ﺴﺄﻗﺭﺃ ﺸﻌﺒﻲ ﺩﻤﻌﺔ
ﹰ ُ
ﺇﺜﺭ ﺩﻤﻌﺔ
ٍ ﹾ
ﻭﺃﻜﺘﺏ ﺠﻴﻠﻲ ﻫﺎﺩ ﺍ
ﺭ
ﺇﺜﺭ ﻫﺎﺩﺭ
ِ
ﻭﺃﺨﺭﺝ ﻤﻥ ﺒﻭﺍﺒﺔ ﺍﻟﻤﻭﺕ ﺸﺎﻤ ﹰﺎ
ِ ﺨ
ﻷﻫﺩﻱ ﺇﻟﻰ ﺍﻷﺤﺭﺍﺭ
ِ
ﺃﻏﻠﻰ ﺒﺸﺎﺌﺭﻱ
ﺘﻌﱠﻤﺕ ﺘﺄﻭﻴل ﺍﻟﻨﺒﻭﺀﺍﺕ
ِ َ ﻠ ﹸ
ﻫﺎ ﻫﻨﺎ
ﻭﻓﻲ ﺃ ﻟﻲ ﺃﺒﺼﺭﺕ
ﹸ ﻭ
ﺁﺨﺭ ﺁﺨ ِﻱ
ِ ﺭ
ﻴﻘﻭﻟﻭﻥ ﻋ ﱢﻲ:
ﻨ
ﻁﺎﺌﺵ ﻭﻤﻐﺎﻤﺭ
ِ ﹸ
ﻭﻤﺎ ﺠ ﺒﻭﺍ ﻴﻭ ﺎ
ﻤ ﺭ
ﻋﺫﺍﺏ ﺍﻟﻤﻐﺎﻤﺭ
ِ
ﻋﻠﻰ ﺍﻟﺤﺎﺌﻁ ﺍﻟﺼﺨﺭﻱ
ّ ِ
٥٦
67. ﺃﺤﻔﺭ ﺒﻴ ﹶﻨﺎ
ﺘ
ﻭﺃ ﻲ ﺒﻪ ﺘﺒﻜﻲ
ُﻤ
ﻓﺘﺒﻜﻲ
ﺃﻅﺎﻓ ِﻱ
ﺭ
ﻭﺃﺭﺴﻡ ﻟﻠﺤﺏ ﺍﻟﻜﺒﻴﺭ
ِ
ّ
ﻤﺩﻴﻨﺔ
ﹰ
ﻨﻭﺍﻓ ﹸﻫﺎ ﺨﻀﺭ
ِﺫ
ﺒﻠﻭﻥ ﻤﺸﺎﻋﺭﻱ
ِ
ﺃﺘﺒﻜﻴ ؟
ﻥ
ﺃ ﱢﻲ ﻗﺩ ﺃِﻔﺕ
َﻟ ﹸ ﻨ
ﻤﻭﺍﺠﻌﻲ
ﻭﺼﺎﺭﺕ ﺠﺭﺍﺡ ﺍﻟﻘﻠﺏ
ِ
ﺇﺤ ﻯ ﺸﻌﺎﺌﺭﻱ!
ﺩ
ﺴﺄﺒﻨﻲ ﻟﻨﺎ ﺒﻴ ﹰﺎ
ﺘ
ﺴﺄﻫﺩﻴﻙ ﻁﻔﻠﺔ
ﹰ ِ
ﻭُﻫﺩﻴﻙ ﺒﺴﺘﺎ ﹰﺎ
ﻨ ﺃ ِ
ﻋﺠﻴﺏ ﺍﻷﺯﺍﻫﺭ
ِ
ﻓﻤﺎ ﺯﻟﺕ ﻟﻲ
ِ
٦٦
68. ﻭﻁﻥ ﺍﻟﻤﻘﻴﻡ
ِ
ﻭﻟﻡ ﺘﺯل
ﻋﻴﻭﻨﻙ
ﹸِ
ﻓﻲ ﺍﻟ ﹸﺭﺒﺎﺕ
ﻐ ِ
ﺯﺍﺩ ﺍﻟﻤﺴﺎﻓﺭ!!
ِ
٧٦
70. ﻭﻁﻥ ﺒﺤﺠﻡ ﻋﻴﻭﻨﻨﺎ
....-١ – ١
ﻋﻴﻨﺎﻙ
ِ
ﺁﺨﺭ ﻌﺠﺯﺍﺕ ﺍﻟﺤﺏ
ّ ِ ﻤ
ﻓﻲ ﺯﻤﻥ ﺍﻟﺭﺼﺎﺹ
ِ
ﻨﻬﺭﺍﻥ ﻤﻥ ﹶﻀﺏ
ﻏ ٍ ِ
ﻭ ﹶﺩ ﻨ ﺒﺎ
ﻗ ﹶﺼ
ﻭﺍﺯﻴﻥ ﺍﻟ ِﺼﺎﺹ
ﻘ ﻤ
ﻟﻠﺭﺍﻓﻌﻴﻥ ﻤﻨﺎﺭﺓ ﺍﻟﺩﻡ
ِ
ﻭﻥ ﻤﻥ
ﺩ
ﻭﺍﻨﺘﻘﺎﺹ
ﻋﻴﻨﺎﻙ ﹶﻌﺏ ﺜﺎﺌﺭ
ِﺸ ِ
ﻴﺘﺭﻗﺏ ﺍﻟﻐﺩ ﻭﺍﻟ ﹶﻼﺹ
ﺨ
٩٦
71. ... ١-٢
ﻓﻲ ﻴﻌﺔ ﺍﻟ ﻀﻭﺍﻥ
ِ ﺒ ِ ﺭ
ﻴﺎ ﻗﺭﺁﻥ ﻋﻴﻨﻲ ﺍﻟ ﺒﻴﻥ
ﻤ
ﹶﺤﺕ ﺍﻟﺴﻤﺎﻭﺍﺕ
ِ ﺘ ﹶ
ﺍﻟﺘﻲ ﻟﻴﺴﺕ ﺘﺨ ﺍﻟﻴﺎﺌﺴﻴﻥ
ﹶ ﹸﺹ
ﺒﺎﻴﻌﺕ
ﹸ
» ﻠ ﻠﺔ« ﺍﻟﺘﺭﺍﺏ
ِ ﺠﺠ ﹶ
ﻭ"ﻜﺭﺒﻼﺀ" ﺍﻟﻭﺍﻗﻔﻴﻥ
ﺃﻗﺴﻤﺕ
ﹸ
ﺇﻤﺎ ﺃﻥ ﺃﻜﻭﻥ
ﻨﺎ
ﻫ
ﻭﺇ ﺎ ﺃﻥ ﺃﻜﻭﻥ
ﻤ
٠٧
72. ...-١ – ٣
ﺠﺌﻨﺎ
ﻟﻴﻨﺘﺼﺭ ﺍﻟ ﻤﺎل
ﺠ ُ
ﺃﻤﺎﻡ ﺁﻻﻑ ﺍﻟﺨﻁﻭﺏ
ِ
ﻭﺍﻟﺤﺏ ﺭﺍﻴﺔ ﺭﻭ ِﻨﺎ
ﹸ ِ ﺤ
ﻀﺩ ﺍﻟﻤﺫﺍﺒﺢ ﻭﺍﻟﺤﺭﻭﺏ
ِ
ﻭﻨﻀﻭﺝ ﻋﺎﻁﻔﺔ ﺍﻟﻤﺤﺒﺔ
ِ ِ
ﺒﺩﺀ ﺘﺤﺭﻴﺭ ﺍﻟﺸﻌﻭﺏ
ِ
ﻭﺘﺴﺎﻗﻁ ﺍﻟﻁﻐﻴﺎﻥ
ِ ﹸﹸ
ﺭ ﻭﻥ
ﻤ ﻫ
ﺒﺘﺤﺭﻴﺭ ﺍﻟﻘﻠﻭﺏ!!
ِ
١٧
73. ..١ – ٤
ﺍﻟﻔﺠﺭ ﻴﻐﺴل ﺒﺎﻟﻨﺩﻯ
ُ
ﺠﺩﺭﺍﻥ ﺸﺎﺭ ِﻨﺎ ﺍﻟﻔﻘﻴﺭ
ﻋ
ﻭﺃﻨﺎ ﺃﻓﻜﺭ
ِ
ﻜﻴﻑ ﻴﺠﻤﻊ ﺤ ﻨﺎ
ﺒ
ﻋﺵ ﺼﻐﻴﺭ
ﱞ
ﻭﺍﻟﻁﻴﺒﻭﻥ
ﺍﻟﻘﺎﺒﻀﻭﻥ ﺍﻟ ﻤﺭ
ﺠ
ﻓﻲ ﻜل ﺍﻟﻌﺼﻭﺭ
ّ
ﻴﺘﻘﺎﺴﻤﻭﻥ ﺍﻟﻘﻬﺭ
ﺘﺤﺕ ﺴﻤﺎﺀ ﻋﺎﻟﻤﻨﺎ ﺍﻟﻤﺭﻴﺭ
ِ
٢٧
74. ...-١-٥
ﺍﻟﻠﻴل ﺒﺴﺘﺎﻥ ﺍﻟﺭﺅﻯ
ُ
ﻭﺍﻟﺤﺏ ﻓﺎﻜﻬﺔ ﺍﻟﺸﺘﺎﺀ
ﹸ
ﻭﺃﻨﺎ ﺍﻟﻤﻬﺎﺠﺭ
ﺨﻔﻘﺔ ﻓﻲ ﺍﻷﺭﺽ
ِ
ِﻥ ﻗﻠﺏ ﺍﻟﺴﻤﺎﺀ
ِ ﻤ
ﻟﻡ ﺃﺨﺘﺼﺭ ﺇﻻ ﺍﻟﻤﺴﺎﻓﺔ
ﹶ
ﺒﻴﻥ ﻔﻨﻙ
ﺠِ ِ
ﻭﺍﻟﺒﻜﺎﺀ
ﻟﻡ ُﻋﻁ ِﻥ ﹶﺭﻑ ﺍﻟﻨﺒﻭﺓ
ِ ﺃ ﹶﻤ ﺸ ِ
ﻏﻴﺭ ﺤﺯﻥ ﺍﻷﻨﺒﻴﺎﺀ!!
ِ
٣٧
75. ...-١-٦
ﻴﺎ ﻋﺫﺒﺔ ﺍﻟﻌﻴﻨﻴﻥ
ﹶ
ﻴﺎ ﺃﺤﻠﻰ ﺍﻜﺘﺸﺎﻓﺎﺕ ﺍﻟﻌ ﺭ
ِ ﻤ
ﻴﺎ ﹶﻬﺭ ﺃﻴﺎﻤﻲ
ﻨ
ﻭﻴﺎ ﺸﻭﻕ ﺍﻟﺘﺭﺍﺏ
ِ ﹶ
ﺇﻟﻰ ﺍﻟﻨ ﺭ
ﻬ
ﻏﻨﻴﺕ ﺒﺎﺴﻤﻙ
ِِ ﹸ
ﺃﻴﻨﻌﺕ ﺭﻭﺤﻲ
ﻭﺒﻠﻠﻨﻲ ﺍﻟﻤﻁﺭ
ﻓﺒﺄﻱ ﺁﻻﺀ ﺍﻟﻤﺤﺒﺔ
ِ ِ
ﻻ ﻴﺒﺎ ﻌﻙ ﺍﻟﻭﺘﺭ!!
ﻴ
٤٧
76. ...-١-٧
ﺘﻠﻤﻴﺫ ﻋﻴﻨﻴﻙ ﺍﻟﺘﻲ ﺨِﻘﺕ
ﹸﻠ ِ ﹸ
ﻟﺘﺒﺘﻜﺭ ﺍﻟﺼﺒﺎﺡ
ﺃﻋﻁﻴ ِﻨﻲ
ﺘ
ﺸ ﻑ ﺍﻟﻤﺤﺒﺔ
ِ ﹶﺭ ﹶ
ﻭﺍﻟﻤﺤﺒﺔ ﻻ ﹸﺒﺎﺡ
ﹸ ﺘ
ﺜﺒﺕ ﺃﻗﺩﺍﻤﻲ
ﱡ
ﻭﻗﻠﺕ ﻟﻬﺎ:
ﹸ
ﻫﻨﻴ ًﺎ ﺒﺎﻟﺠﺭﺍﺡ
ﺌ
ﻤﻥ ﺼﺨﺭﺓ ﺍﻷﻫﺭﺍﻡ
ِ ِ
ﻤﻨﺤﻭﺕ
ﹲ
ﻓ ﻭﺘﻲ
ﻤ
ﻴﺎ ِﻤﺎﺡ!!
ﺭ
٥٧
77. ...-١ -٨
ﺴﺭﻗﻭﻙ ِﻥ ﻋﻴﻨﻲ
ِﻤ
»ﻋﻠﻰ ﻋﻴﻨﻲ«
ﺃﻤﺎ »ﺍﺴﺘﻭﺤﺸﺕ« ﺼﻭﺘﻲ؟
ﹾ ِ
ﺍﻟﻨﻴل ﻓﻴﺎﺽ
ُ
ﺸﺭﻴﺎﻨﻲ
ﺒ
ﺃ ﹸﻨﻙ ﻤﺎ ﺍﺭﺘﻭﻴﺕ
ِ ﻅ
ﺍﻟﺤﺏ ﻻ ﻴﺄﺘﻲ
ﻭﻻ ﺍﺒﻨﺘﻪ: ﺍﻟﺴﻌﺎﺩﺓ
ﹸ ﹸ
ﺴﻭﻑ ﺘﺄﺘﻲ
ﻤﺎ ِﻥ ﺴﻤﺎﺀ
ٍ ﻤ
ﺴﻭﻑ ﺘﻐﻔﺭ ﻟﻠﺤﻴﺎﺓ
ِ
ﺇﺫﺍ ﺒﻜﻴﺕ
ِ
٦٧
78. ...-١-٩
ﺭ ّﻱ ﻟﻲ ﺍﻷﻴﺎﻡ
ﺩ
ﺃﺴﺒﻭﻉ
ﺴﻴﻜ ِﻴﻨﻲ
ﻔ
ﻓﻜل ﺍﻟ ﻤﺭ ﺒﺕ
ﱡ ﻌ ِﺴ ﹸ
ﻏﻨﻴﺕ ﺒﺎﺴﻤﻙ
ِِ ﹸ
ﻭﺍﻨﻜﺴﺭﺕ
ﹸ
ﺃﻤﺎﻡ ﻴﺄﺴﻲ
ﻭﺍﻨﺘﺼﺭﺕ
ﹸ
ﻏ ﱠﻴﺕ ِﺼﺭ ﹶﻬل ﺭﺃﺕ
ﻨ ﹸﻤ ﻓ
ﻤﻥ ﺃﻱ ﺸﺭﻴﺎﻥ ﻨﺯﻓ ﹸ؟
ٍ ﺕ
ّ
ﻭﺤﻀﻨﺕ ﻜل ﺒﻴﻭﺕ ﻤﺼﺭ
ِﹾ ﹸ ﱠ
ﻭﻟﻴﺱ ِﻲ ﻓﻲ ﻤﺼﺭ ﺒﻴﺕ
ﻟ
٧٧
79. ...-١-٠١
ﺭﺡ ﻜﺭﻴﻡ
ﺠ
ﹸﻘ ﹸﻪ ﻜﺭ ﺎ
ﻓ ﺘ ﻤ
ﻭﻟﻡ ﺃﻫﺭﺏ ﺨﻴﻼ
ﺒ
ﻗﻠﺒﻲ ﺃﺸﻑ
ﱡ
ﻭﺠﺒ ﺘﻲ ﺃﻋﹶﻰ
ﻠ ﻬ
ﻭﻗﺩ ﺃﺒﺩﻭ ﻨﺤﻴﻼ
ﻭﺃﻜﺎﺩ ﺃﻭﻤﺊ ﻟﻠﺴﺤﺎﺒﺔ
ِ ُ
ﺤﻴﻥ ﺃﺭﻏﺏ
ﺃﻥ ﺘﺴﻴﻼ
ﻫل ﻜل ﻫﺫﺍ ﺍﻟﺤﺯﻥ
ِ ﱡ
ﻻ ﻴﻜﻔﻲ
ﻟﻴﺠﻌﻠﻨﻲ ﺠﻤﻴﻼ؟
٨٧
80. ...-١-١١
ﻻ ﺃﻨﺘﻬﻲ
ﺇﻻ ﻷﺒﺩﺃ
َ
ﻜﻡ ﻓﺭﺍ ٍ؟
ﻕ
ﻜﻡ ﻟﻘﺎﺀ؟
ﻟﻲ ﺤﺼﺔ ﻓﻲ ﺍﻟﺤﺯﻥ
ِ ﹲ
ﺃﻤﺯ ﻬﺎ
ﺠ
ﺒﺤﺼﺘﻲ ﺍﻟﻘﻠﻴﻠﺔ ﻓﻲ ﺍﻟﻌﺯﺍﺀ
ِ
ﻫﺫﺍ ﺍﻋﺘﺫﺍﺭﻱ ﻟﻠﺠﻤﺎل
ِ
ﻓﻘﺩ ﺃﺴﺄﺕ ﻭﻤﺎ ﺃﺴﺎﺀ
ﹸ
ﻓﺘﻨﻔﺴﻲ؛
ﻟﻴﻤﺭ ﻓﻲ ﺭﺌ ِﻲ ﺍﻟﻘﻠﻴل
ُ ﺘ
ِﻥ ﺍﻟﻬﻭﺍﺀ!!
ﻤ
٩٧
81. ...-١-٢١
ﻤﺎ ﻟﻴﺱ ﺼﹸﺢ ﹸﺭﻓ ﹰ
ﻴ ﻠ ﻏ ﹶﺔ
ﻻ ﻨﺴﺘﻀﻴﻑ ﺒﻬﺎ ﺍﻟﺸ ﻥ
ﹶﺠ ﹸ
ﻤﺎ ﻟﻴﺱ ﻟﻸﺤﻴﺎﺀ
ِ
ﺜﻭ ﺎ
ﺒ
ﻟﻴﺱ ﻟﻠ ﻭ ﹶﻰ
ﻤ ﺘ
ﻜ ﹶﻥ
ﹶﻔ
ﻤﺎ ﻟﻴﺱ ﺇﻻ ﺭﺨ ﹰ
ﺼ ﹶﺔ
ﻤﻥ »ﻁﻨﺠﺔ«
ٍ
ﺤﺘﻰ »ﻋ ﻥ«
ﺩ
ﻭﻁﻥ ﻟﺒﺎﺏ ﺍﻟ ﹸﻨ ﻠﻴﺔ
ِ ﻘ ﺼ ِ
ﺭﺍﺡ ﻴﺒﺤﺙ
ﹸ
ﻥ ﻭﻁﻥ!!
ﻋ
٠٨
82. .... -١-٣١
ﻜﻴﻑ ﺍﻨﺘﻤﻴﺕ ﻷﻓ ِﻨﺎ
ِ ُ ﹾﻘ
ﻴﺎ ﹶﺠﻤﺔ ﺍﻟﻔﺠﺭ ﺍﻟﺒﻌﻴﺩ؟
ِ ﻨ ﹶ
ﻟﺴﻨﺎ ﻨﺭﻴﺩ
ﹸ
ﻜﻤﺎ ﻨﺤﺏ
ﻭﻻ ﻨﺤﺏ
ﻜﻤﺎ ﻨﺭﻴﺩ
ﻭﻟﻨﺎ ﻤﻥ ﺍﻟ ِﺸﻕ ﺍﻟﻭﺩﺍﻉ
ِ ﻌ ِ
ﻟﻨﺎ ﻤﻥ ﺍﻟﻭﻁﻥ ﺍﻟﺸﻬﻴﺩ
ِ ِ
ﻻ ﻋﻴﺩ ﻟﻠﻌﺸﺎﻕ
ِ
ﻓﻲ ﻭﻁﻥ ﻴﻌﻴﺵ
ﹸ ٍ
ﺒﻐﻴﺭ ﻋﻴﺩ!!
ِ
١٨
83. ...١-٤١
ﻴﺘﺸﺎﺒﻪ ﺍﻟﻁﻐﻴﺎﻥ
ﻭﺍﻟ ﹶﻔﻔﻲ ﺃﺴﻭﺃ ﻤﻥ »ﻴﺯﻴﺩ«
ﺜ ُ
ﻟﻤﺎ ﺍﺭ ﹶﺨﻰ ﻋﻨﻕ ﺍﻟﺭﺠﺎل
ِ ﹸ ﹸ ﺘ
ﻭﺃﺩﻤ ﹸﻭﺍ
ﻨ
ﺫل ﺍﻟﻘﻴﻭﺩ
ﱠ
ﻭﺘﻌﻭ ﻭﺍ ﺍﻟﺼﺒﺭ ﺍﻟ ﻬﻴﻥ
ﻤ ﺩ
ﻭﺃﺘﻘ ﹸﻭﺍ
ﹶﻨ
ﻟﻐﺔ ﺍﻟﻌﺒﻴﺩ
ﹸﹶﹶ
ﻜﺒ ﺍﻟﻁﻭﺍﻏﻴﺕ ﺍﻟﺼﻐﺎﺭ
ﹸ ﹶ ﺭ
ﻭﻜﺎﻓﺌﻭﻨﺎ
ﺒﺎﻟﻤﺯﻴﺩ
٢٨
84. ...١-٥١
ﺒﻤﺩﺍﺌﺢ ﺍﻟﻭﻁﻥ ﺍﻟﻤﺤﻨﻁ
ﱠِ ِ ِ
ﻓﻲ ﺍﻟﻨﺼﻭﺹ ﺍﻟﻤﺩﺭﺴ ﺔ
ﻴ ِ
ﺒﺎﻟ ﻬل
ﺠ ِ
ﺃﺼﺒﺢ ﻋﺒﻘﺭ ﺎ
ﻴ
ﻓﻲ ﺍﻏﺘﻴﺎل ﺍﻟﻌﺒﻘﺭ ﺔ
ﻴ ِ
ﺒﺎﻟﺤﺏ ﻭﻟﺩ ﻤﻴ ﹰﺎ
ﻴ ﹶ ﺘ
ﻓﻲ ﺍﻷﻏﻨﻴﺎﺕ ﺍﻟﻌﺎﻁﻔﻴﺔ
ِ
ﻟﺘﺼﻴﺭ ِﻜﻴﻥ ﺍﻟ ﻨﺎﺓ
ﺴ ﺠ ِ
ﺃﺤﺏ
ِﻥ ﹶﺤﻡ ﺍﻟ ﺤ ﺔ!!
ﻤ ﻟ ِ ﻀ ﻴ
٣٨
85. ...-١-٦١
ﻜﻡ ِﻥ ﺼﺭﺍﺥ ﺯﺍﺌﻑ
ٍ ٍ ﻤ
ﻜﻡ ِﻥ ﺨﻴﻭل ﻤﻴﺘﺔ!
ٍ ﹶﹾ ﻤ
ﺼﺭﺨﺕ: ﻓﻠﻭﺙ ﺼﻭ ﹸﻬﺎ
ﺘ ﹾ ﹶ
ﹶﺭﻑ ﺍﻟﺠﺭﺍﺡ ﺍﻟ ﺴﻜ ﹶﺔ
ِ ﻤ ﹶﺘ ﺸ ﹶ
ﻏ ﱠﺕ ﻟﺸﻌﺏ
ٍ ﹶﻨ
ﹶ
ﻓﻲ ﺍﻟ ﱠﺘﺎﺕ
ﺸ ِ
ﻭﺃﱠﻬﺕ
ﻟ
ﻥ ﺸﺘﺘﻪ
ﻤ ﱠﹶ
ﺃﻗﻠﻌﺕ ﻤﻥ ﺴﻔﺢ ﺍﻟﻌﺫﺍﺏ
ٍ ٍ ﹸ
ﻭ ِﺩﺕ ﺃﺒﻠﻎ ﻗﻤﺘﻪ!
ﻜ ﹸ ﹸ
٤٨
86. ....-١-٧١
ﺃﻨﺎ ﻤﺎ ﻋ ﻓﺘﻙ
ﺯ ﹸ ِ
ﺇ ّﻤﺎ
ﻨ
ﹶ
ﻏﺎﺯﻟﺕ ﺃﻭﺭﻜﺴﺘﺭﺍ ﺠﺭﺍﺤﻲ
ﹸ
ﻜﻡ ِﻥ ِﺩﺍﺩ ﺃﺯﺭﻕ
ٍ ﻤ ﻤ ٍ
ﻓﻲ ﺍﻷﻓﻕ
ٍ
ﻤﻨﺘﻅ ﺍ ﺠﻨﺎﺤﻲ
ﺭ
ﻜﻡ ﺼﻔﺤﺔ ﻓﻲ ﺍﻟﻠﻴل
ِ ٍ
ﺃﺯﺭﻉ ﻓﻭ ﹶﻬﺎ
ﻗ
ﺸﻤﺱ ﺍﻟﺼﺒﺎﺡ
ِ
ﻟﻡ ﺃﻗﺘﺭﺡ
ﻟﻠﺤﺏ ﻭ ﹰﺎ
ﻤ ﺘ
ﻓﺎﻟﺤﻴﺎﺓ ﻫﻲ ﺍﻗ ِﺭﺍﺤﻲ!!
ﹸ ﺘ
٥٨
87. ...-١-٨١
ﻤﻥ ﺃﺠل ﻴﻭﻡ ﻭﺍﺤﺩ
ٍ ِ ٍ
ﻓﻲ ﺍﻟﺤﺏ
ّ
ﺴﺎﺒﻘﺕ ﺍﻟﺯﻤﺎﻥ
ﹸ
ﻜﻨﺎ ﺒﺩﺍﻴﺎﺕ ﺍﻟﺤﻀﺎﺭﺓ
ِ ِ
ﻭﺍﻟﺤﻀﺎﺭﺓ ﻋﺎﺸﻘﺎﻥ
ﹸ
ﻜﻨﺎ ﻤ ﺎ
ﻌ
ﻟﺴﻨﺎ ﻤ ﺎ
ﻌ
ﻨﺒ ﹶﻰ ﻤ ﺎ
ﻘ ﻌ
ﻓﻲ ﻜل ﺁﻥ
ﱢ
ﻤﺘﻜﺎﻓﺊ
ٌِ
ﻫﺫﺍ ﺍﻟﺴ ﺎﻕ
ﺒ ﹸ
ﻭﻋﺎﺩل ﻫﺫﺍ ﺍﻟ ﻫﺎﻥ!!
ﺭ ٌِ
٦٨
88. ١٩-١- ....
.................
......................
......................
......................
......................
......................
......................
......................
٨٧
89. ٢-١
ﻓﻠﹾﻴﻐﻀﺒﻭﺍ
ﹶ
ﻓﺄﻨﺎ ﺃﺩﺍﻓﻊ ﻋﻥ ﻤﻼﻴﻴﻥ ﺍﻟﺴﻨﺎﺒل
ِ
ﻭﻟ ﻌﻠﻤﻭﺍ
ﻴ
ﺃﻥ ﺍﻹﺭﺍﺩﺓ ﻻ ﺘﻜ ﻠﻬﺎ ﺍﻟﺴﻼﺴل
ﹶ ﹸ ﹶﺒ
ﺃﻥ ﺍﻟﺒﻼﺒل ﺘﺤﺕ ﻨﻴﺭ ﺍﻟﻘﻬﺭ
ِ ِ َ
ﻤﺎ ﻋﺎﺩﺕ ﺒﻼﺒل
ﺃﻥ ﺍﺸﺘﻌﺎل ﺍﻟﻨﺎﺭ
َ ِ
ﻓﻲ ﺍﻷﺸﺠﺎﺭ
ِ
ﻴﺠﻌﻠﻬﺎ ﹸﻘﺎﺘل
ﺘ
٨٨
90. ....-٢-٢
ِﻥ ﺨﻴﻁ ﺃﻗﻤﻁﺔ ﺍﻟﻭﻟﻴﺩ
ِ ِ ِ ﻤ
ﻟﺨﻴﻁ ﺃﺭﺒﻁﺔ ﺍﻟﻜﻔﻥ
ِ ِ
ﻴﺘﻨﺎﺜﺭ ﺍﻟ ﻤﺭ ﺍﻟﻤﻀﻴﺊ
ُ ﻌ
ﺒﻨﻔﺴﺠﺎﺕ
ٍ
ِﻥ ﺸ ﻥ
ﻤ ﹶﺠ
ﺠ ﻠﻲ ﺴﺄﺼﻌﺩﻩ
ﺒ
ﻭ ﺴﻠ ﻨﻲ
ﻴ ِﻤ
ﻭﻴﺴﺘﻠﻡ ﺍﻟﺜﻤﻥ
ﻥ ﻟﻡ ﺤﺎﺭﺏ
ﻴ ﻤ
»ﻜﺎﻟﺤﺴﻴﻥ«
ِ
ﻭﻟﻡ ﺴﺎِﻡ
ﻴ ﻟ
»ﻜﺎﻟﺤﺴﻥ«
٩٨
91. ...-٢-٣
ﺤ ﺎ
ﻴ
ﻜﻤﺎ ﻜﺭﻫﻭﺍ ﻤﻌﻲ ﻗﻠﺒﻲ ﺍﻟﺫﻱ ﺃﺭﻓﻭ ﺜﻘﻭ ﻪ
ﺒ
ﻭﻤﻥ ﺍﻟﻤﺤﻴﻁ
ِ
ﺇﻟﻰ ﺍﻟﺨﻠﻴﺞ
ِ
ﺘﺭﻥ ﻗﺎﻓﻴﺘﻲ ﺍﻟ ﻫﻴﺒﺔ
ﺭ
ﻜﻡ ﻀﻘﺕ ﻴﺎ ﻭﻁﻨﻲ
ﹶ
ﻟﺘﺠﻌل ﺭﻗ ﺔ ﺍﻟﻤﻨﻔﻰ
َ ﻌ
ﺭﺤﻴﺒﺔ
ﹾ
ﺠﺭﺱ ﺍﻟﻘﻴﺎﻤﺔ ﺩﻕ ﻟﻠﻤﺼﻠﻭﺏ
ِ ِ ﱠ
ً
ﻓﻠﻴﻜ ِﺭ
ﺴ
ﻠﻴﺒﻪ!!!
ﺼ
٠٩
92. ...-٢-٤
ﻟﻠﺤﺏ
ّ
ﺃﻥ ﻴﺨﺘﺎﺭ ﺠ ﱠﺘﻪ
ﻨ
ﻭﻤﻴﻌﺎﺩ ﺍﻟﻠﻘﺎﺀ
ﻜﺎﻨﺕ »ﺴﻨﺎﺀ« ﺼﺒﻴﺔ
ﹰ
ﻋﺭﺒﻴﺔ ﺍﻟﺩﻡ ﻭﺍﻹﺒﺎﺀ
ﹶ ِ
ﻟﻤﺎ ﺍﺭﺘﺩﺕ
ﻓﺴﺘﺎ ﹶﻬﺎ ﺍﻟﻨﺎﺭﻱ
ﻨ
ﻓﻲ ﻋﺭﺱ ﺍﻟﺴﻤﺎﺀ
ِ
ﻨﺸﺭﺕ ﻀﻔﺎﺌ ﻫﺎ
ﺭ
ﻋﻠﻰ »ﹸﺒﻨﺎﻥ«
ﻟ
ﹶﺠ ﺍ ِﻥ ﻀﻴﺎﺀ!!
ﻓ ﺭ ﻤ
١٩
93. ....-٢-٥
ﻟﻤﺎ ﺍﺴﺘﻌﺩﺕ ﻭ ﻬﺎ ﻟﻠﺤﻔل
ِ ﺭ ﺤ
ﻭﺍﺤﺘﺭﻕ ﺍﻟﺠﺴﺩ
ﹶ
ﻨﺎﺩﻴﺕ
ﹸ
ﻴﺎ ﺃﻋﻤﺎﻡ
ﻴﺎ ﺃﺨﻭﺍل
ُ
ﻟﻡ ﻴﺤﻀﺭ ﺃﺤﺩ
ﻻ »ﺍﻟﺘﻐﻠﺒﻴﻭﻥ« ﺍﻟﻜ ﺍﻡ
ﺭ
ﻭﻻ »ﺍﻷﻤﺎﺠﺩ« ﻤﻥ ﺃ ﺩ
ﺴ
ﻻ ﻴﺤﻀﺭ ﺍﻷﻤﻭﺍﺕ
ﹸ
ﺭﺱ ﺍﻟﺨﺎﻟﺩﻴﻥ
ﻋ
ﺇﻟﻰ ﺍﻷﺒﺩ
٢٩
94. ....-٢-٦
ﻥ ﻴﺭﻓﻊ ﺍﻟﺩﻡ
ﻤ
ﻭﺍﻟﻤﺼﺎﺤﻑ
ﹶ
ﻓﻭﻕ ﻤ ﻤﺔ ﺍﻟﺭﻋﻴﺔ
ﹾ ﺠﺠ ِ
ﺍﻟﻔﺘﻨﺔ ﺍﻟﻜﺒﺭﻯ ﺃﻁﱠﺕ
ﻠ ﹸ
ﻭﺍﻟﺨﻨﺎﺠﺭ
ﺨﺎﺭﺠﻴﺔ
ﹾ
ﺃﺒﻨﺎﺀ »ﻗﺎﺒﻴل«
ٍ
ﻭﻓﻴﻨﺎ
ﻜل ﹸﺒﺢ ﺍﻵﺩﻤﻴﺔ
ﹾ ﱡﻗ ِ
ﺍﻟﺴﻴﻑ ﻭﺍﻟﻤﻘﺘﻭل
ُ ﹸ
ﻤ ﱠﺎ
ِﻨ
ﻭﺍﻟﺠﺭﻴﻤﺔ ﻋﺎ ِﻠﻴﺔ
ﹸ ﺌﹾ
٣٩
95. ... -٢-٧
ﺩﻟﺘﺎ ﻤﻥ ﺍﻟﺩﻡ
ِِ
ﻤﺎ ﺃﺭﺍﻕ ﺍﻟﺴﻴﻑ
ﹸ ﹶ
ﺒﺎﻟﻜﻑ ﺍﻟﻀﺭﻴﺭﺓ
ﹾ ﱢ
ﻋﻴﻨﺎﻱ ﺃﻨﺩﻟﺴﺎﻥ
ِ
ﻨﺎﺯﻓﺘﺎﻥ
ِ
ﻓﻲ ﺤﺭﺏ ﺍﻟﻌﺸﻴﺭﺓ
ﹾ
ﻓﻠﻴﻨﻅﺭ ﺍﻷﻋ ﻰ
ِ ﻤ
ﻓﻼ ﺒ ﺭﻱ ﻴﺨﻭﻥ
ﺼ
ﻭﻻ ﺍﻟﺒﺼﻴﺭﺓ
ﹾ
ﻻ ﺼﺨﺭﺓ ﺒﻘﻴﺕ
ﻷﻁﻠﻕ
ﹶ
ﺯﻓﺯﺓ ﺍﻟﻌﺭﺏ ﺍﻷﺨﻴﺭﺓ
ﹾ ِ ﹶ
٤٩
96. ....٢-٨
ﻟﻲ ﺒﻴﺕ ِﻌﺭ
ﹸﺸ ِ
ﺴﻭﻑ ﻴﻘﺭﺅﻩ ﺍﻟﺼﺒﺎﺡ
ﺇﺫﺍ ﺘﻨ ﱠﺱ
ﻔ
ﻭﻴﺤل ﺸﻔﺭﺘﻪ ﺍﻟﻨﻬﺎﺭ
ﹶ ﱡ
ﺇﺫﺍ ﻅﻼﻡ ﺍﻟﻭﻫﻡ
ِ
ﺴ ﺱ
ﻋ ﻌ
ﻻ ﺭﻴﺏ ﻓﻴﻪ
ﻓﻠﻡ ﻴﻤﺭ ﻋﻠﻴﻪ ﺸ ﻁﺎﻥ
ِ ﻴ
ﻭﻭﺴ ﺱ
ﻭ
ﻫﻲ ﺃﻤﺔ ﻟﻠﺨﻭﻑ
ِ ﹲ
ﻓﻲ ﺃﻟﻔﻴﺔ ﺍﻟﻘﻁﺏ ﺍﻟﻤﻘ ﺱ!!
ِ ﺩ ِ
٥٩
97. ...-٢-٩
ﻻ ﺘﻘﺘﻠﻭﻨﺎ ﺒﺎﻟﻤﺭﺍﺜﻰ
ﻻ ﺘﺤ ﻭﻨﺎ
ﺒ
ﹸﻁﺏ
ﺨ
ﻻ ﹸﻔ ِﺤﻭﺍ
ﺘﺼ
ﺒﻠﺴﺎﻥ »ﺤﻤﺯﺓ«
ﹶ ِ
ﻋﻥ ﻀﻤﻴﺭ »ﺃﺒﻲ ﻟﻬﺏ«
ﻻ ﺘﺯﺭﻋﻭﺍ ﻓﻲ ﺨﻀﺭﺓ ﺍﻟﺯﻴﺘﻭﻥ
ِ ِ
ﺫﺍﻜﺭﺓ ﺍﻟﺤﻁﺏ
ﹶ
ﻻ ﺭﺩﻉ ﺍﻟﺤ ﱠﺎﺏ ﺇﻻ
ﻴ ﻁ
ﻤﺎ ﺘﻴﺴﺭ
ﻤﻥ ﻏﻀﺏ
ِ
٦٩
98. ...-٢-٠١
ﺒﻜﺕ ﺍﻟ ِﻤﺎﺩﺓ
ﻀ ﹸ
ﺤﻴﻨﻤﺎ ﻟﻤﺴﺕ
ﺠﺭﺍﺡ ﺍﻟﻁﻴﺒﻴﻥ
ﻴﺎ ﺤﺏ
ﺭﻭﻉ ﻥ ﻴﺭ ّﻉ ﺃﺒﺭﻴﺎﺀ
ﻭ
ﻤ
ﺁﻤﻨﻴﻥ
ﺴﻨﺤﺏ
ِﺤﻜﺔ ﻁ ِﻠﻨﺎ
ﻀ ﹶﹶ ﻔ
ﻭﻨﺤﺏ
ﻁﻔل ﺍﻵﺨﺭﻴﻥ
َ
ﻭﻨﺤﺏ ﻜل ﺍﻟﻨﺎﺱ
ِ
ﻜل ﺍﻟﻨﺎﺱ
ِ
ﺇﻻ ﺍﻟﻅﺎﻟﻤﻴﻥ!!
٧٩
99. ...-٢-١١
ﻴﺎ
ﻁﺎل
َ
ﻤﺎ
ﻏﺭﺩﺕ ﻤﺠﺭﻭ ﺎ
ﺤ ﹶ
ﺘﻌﻠﻡ ﻜﻴﻑ ﹶﺯﺃﺭ
ﺘ ﱠ
ﻴﺴﺘﻘﺒﻠﻭﻨﻙ
ﺒﺎﺴﻤﻴﻥ
ﻭﺒﺴﻤﺔ ﺍﻷﻨﻴﺎﺏ ﺨﻨﺠﺭ
ِ ِﹾ ﹸ
ﻓﺎﻭﺽ ﺒﻜل ﺩﻫﺎﺀ »ﻋﻤﺭﻭ«
ِ ّ
ﻭﺍﺤﺫﺭ ﺍﻟﺴﻡ ﺍﻟﻤﻌﻁﺭ
ﺤﺎﺭﺏ ﺒﺴﻴﻑ »ﺍﺒﻥ ﺍﻟﻭﻟﻴﺩ«
ِ
ﻓﻠﻥ ﺘﻔﻭﺯ
ﺒﺴﻴﻑ »ﻗﻴﺼﺭ«!!
ِ
٨٩
100. ...-٢-٢١
- ﻫﺫﺍ ﻁﺭﻴﻕ »ﺍﻟﻘﺩﺱ«
ﹸ
- ﺃﺠﻤل ﻁﻔﻠﺔ ﻋﻘﺼﺕ ﻀﻔﻴﺭﺓ
ﹾ ٍ ُ
- ﻤﺤﺒﻭﺒﺔ »ﺍﻟﻔﺎﺭﻭﻕ«
ِ ﹸ
- ﺭﻜﻌﺘﻪ
ﹸ
- ﻭﺩﻤﻌﺘﻪ ﺍﻟﻘﺭﻴﺭﺓ
ﹸ
- ﻜﺎﻨﺕ ﺘﻨﺎﻡ ﻋﻠﻰ ﻴﺩﻱ ﺠﺒﺭﻴل
َ
ﺃﻭ ﺘﺼﺤﻭ
ﺃﻤﻴﺭﺓ
ﹾ
- ﺴﻘﻁ ﺍﻟﺴﻘﻭﻁ
ﹸ ﹶ
ﻭﻻ ﺘﺯﺍل ﺍﻟﻘﺩﺱ
ُ
ﺭﺍﻴﺘﻨﺎ ﺍﻷﺨﻴﺭﺓ!!
٩٩