This document discusses various theories and concepts related to dance, including why dance has been dominated by females historically, differences between ballet and contemporary dancers, phenomenology in dance and architecture, how human movement can inspire architecture, methods used by choreographers and architects to record ideas, who owns a performance, how meaning is created in dance and architecture, and whether perfection can be defined and exemplified.

1. Advanced Dance
Theories in Practice
Module Review

2. Why has dance throughout history evolved
to be a female dominated art form?

3. What has enabled you to start considering
male dancers to be beautiful, too?

4. Why does Pina Bausch’s work
appease Wagner?

5. Why does Jerome Bel’s work not
appease Wagner?

6. What are the differences between a female
ballet dancer and female contemporary dancer?

7. What is the ugly truth about
contemporary dance?

8. What is phenomenology?

9. Does
phenomenology
exist in dance
and architecture
alike?

10. Why can buildings considered to be
alive and moving?

11. How can human movement inspire
architecture?

12. Which link does the Vitruvian man create
between architecture and choreography?

13. Which methods of recording ideas do
architects and choreographers use?

14. How much power does a choreographer
have over his/her creation?

15. Who owns a performance?

16. What is a disability?

17. Why can a disabled dancer be
considered to be beautiful?

18. How is meaning created in dance?

19. How is meaning created in
architecture?

20. How do you define perfection?

21. Is Madonna a perfect woman and a
perfect female dancer?