Antonio Juan-Marcos is a Mexican composer born in 1979. He has studied music composition at prestigious schools including the University of California Berkeley, IRCAM, and the Conservatoire national supérieur de musique et de danse de Paris. His works include "Nocturno Eléctrico" for electric guitar and orchestra, "Amanece" for countertenor and orchestra, and "El Afilador" for cello and electronics. He has received performances at venues such as the Festival Ars Musica in Belgium and the Conservatoire National Supérieur de Musique et de Danse de Paris.

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Antonio Juan-Marcos
Composer
Mexican, born 04/27/1979.
2055
Center
Street/
Apt.905
Berkeley,
CA/
zip
code
94704
+1 (510) 693 35 32
ajuanmarcos@mac.com
www.antoniojuanmarcoscompositor.com
Education
University of California Berkeley
2014- PhD in Music Composition
IRCAM
2012-2013 Cursus
Conservatoire national supérieur de musique et de danse de Paris (CNSMDP)
2007-2012 1er et 2eme cycles supérieures (Bachelor and Master Degrees equivalency).
[Principal profesors: S. Gervasoni (composition). L. Naón (Electro-acoustic composition). Y.
Marez and D. Cohen (Orchestration). L. Naón, T. Mays, Y. Geslin and K. Haddad (Electro-
acoustic composition). C. Ledoux (Analysis)].
Boston Conservatory
1998-2002 Bachelor of Music in Composition
(Principal composition professor: O.Golijov)
Academies, festivals and non-degree music studies
Acanthes
Summer 2008 Composition (S. Sciarrino and F. Nieder)
Conservatoire de Nanterre
2005-2007 Composition and electro-acoustic composition (J-L. Hervé and P. Leroux)
Conservatoire de Sevran
2005-2007 Composition (A. Gaussin)
2003-2005 Analysis (V. Decleire)
Schola Cantorum
2003-2006 Harmony, counterpoint, composition, harmonic analysis (N. Bonet)
European American Musical Alliance
Summer 2003 Composition (M. Merlet), Harmony, analysis and counterpoint (P. Lasser),
Sight reading (M. Shapiro)
Conservatorio Nacional Superior de la Ciudad de México
2002-2003 Composition (J. Torres), Analysis (M. Lavista)
Festival Internacional de guitarra de Córdoba
Summer 1997 Composition for guitar (L. Brouwer)
Works List
Nocturno Eléctrico
For electric guitar and orchestra.
Orquesta Filarmónica de la Ciudad de México.
September 12 and 13, 2015.

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Conductor: José Areán.
Guitarist: Alejandro Marcovich.
Amanece (3rd piece of the cycle “Dos son un Jardín”)
For countertenor and orchestra.
Orquesta Filarmónica de la Ciudad de México.
September 20 and 21, 2014. Conductor: José Areán.
Countertenor: Rodrigo Ferreira.
El Afilador
For cello and electronics.
Ircam, Espace de Projection.
April 6, 2013.
Cello: Marie Ythier.
Arder Aprender (2nd piece of the cycle “Dos son un Jardín”)
For countertenor, 20 instruments and stereophonic electronics.
Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP).
Graduation concert. October 23, 2012. Conductor: Jean-Philippe Wurtz.
Countertenor: Rodrigo Ferreira.
Tum Tum (2nd version)
For bass drum and electronics with quadraphonic sound projection.
Festival Ars Musica 2012, Palais des Princes-Évêques, Liège, Belgium. Mars 3, 2012.
Percussion class of Gerrit Nulens.
Noviembre Fragmentado (2nd version)
CNSMDP, Concert of new technologies applied to composition. January 13, 2012.
Arbol de Abril
Version for solo cello.
Festival Ars Musica 2012. Inauguration Concert for Friends of Ars Musica,
December 2011. Brussels, Belgium. Wiels - Centre for Contemporary Art
Cello: Askar Ishangaliyev.
Nocturno en Cenizas
For flute, clarinet, oboe, vibraphone, udu, cymbals, viola and stereophonic
electronics.
Contemporary Mexican Music Concert. November 22, 2011.
Ensemble: L’Instant Donné.
Árbol de Abril
For solo cello and 12 musicians.
CNSMDP, “Journées de la composition”. November 16, 2011. Conductor: Laurent
Cuniot.
Sin Nombres (1st piece of the cycle “Dos son un Jardín”)
For countertenor, 15 instruments and stereophonic electronics.
CNSMDP, “Atelier de composition”. February 14, 2011. Conductor: Pierre Rouillier.
Countertenor: Rodrigo Ferreira.
Árbol Adentro
Melodrama for voice and piano on a poem by Octavio Paz.
CNSMDP. Graduation concert for the class of piano accompaniment. June 4, 2010.
Piano: Nicolas Chesneau. Soprano: Mailys de Villoutreys.
Noviembre Fragmentado (1st version)
For clarinet in b flat, 1 percussionist, violin and stereophonic electronics.
Colegio de España. May 2010. Ensemble: L’Instant Donné.
Tum Tum (2nd version)
For bass drum and electronics with quadraphonic sound projection.
Conservatoire de Reims. March 24, 2010. Percussionist: Maxime Echardour.
Madrami
Symphonic orchestra.
Opéra de Massy. February 13 and 14, 2010. Conductor: Julien Masmondet.

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Nocturno Mar
For 11 musicians: oboe, english horn, tenor sax, horn, trombone, tuba, accordion,
glockenspiel, percussion, 2 violins.
CNSMDP, “Journées de la composition”. October 22, 2009. Conductor: Zsolt Nagy.
Toro Mata
For violin and cello.
30 creations on the theme of dance. April 29, 2009.
Tum Tum (1st version)
For bass drum and electronics.
CNSMDP, Concert of new technologies applied to composition. March 13, 2009.
Percussionist: Maxime Echardour.
Canto Empedrado
For 7 instruments: english horn, bassoon, horn in F, trumpet in C, trombone, viola
and cello.
CNSMDP, “Atelier de composition”. January 30, 2009. Conductor: Jean-Philippe
Wurtz.
Escaparse
For flute, clarinet in b flat, horn in F, marimba, vibraphone, 4 wood blocks, 4
temple blocks, 2 bongos, harp, violin, viola, and cello.
Acanthes, contemporary music festival. Metz, July 10, 2008. Conductor: Zsolt Nagy.
Adentrarse
For piano and 9 instruments.
CNSMDP, “Atelier de composition”. April 11, 2008. Conductor: Jean-Philippe
Wurtz.
Other
Berklee College of Music
Summer 1997 Ethnic rhythms
UNAM
Summer 1995 Pre-Hispanic Mexican literature and Nahuatl language