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WAW - Classic Principles Worth Stealing
- 2. Classic Animation Theory “The12 classic principles”
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- 7. • Cennydd Bowles& Val Head The Twelve Principles
- 8. The Twelve Principles •Timing (and spacing) • Follow through • Anticipation • Squash and stretch • Staging • Straight ahead & Pose to pose • Slow in, slow out • Arcs • Secondary action • Solid drawing • Appeal • Exaggeration
- 9. Principles We’ll CoverToday •Timing & Spacing • Follow Through & Overlapping Action • Anticipation • Squash and stretch • Staging • Arcs • Secondary action/Layered animation • Appeal • Exaggeration • Mass & weight
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- 11. Timing The amount oftime it takes for an action to happen. The duration.
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- 14. Spacing The changes inspeed over the duration of the action’s timing.
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- 16. Timing & Spacing Makesanimated objects appear to obey the laws of physics. Establishes mood, emotion and reaction.
- 18. Timing = duration Spacing= easing
- 19. CSS Easing Keywords linearease ease-in ease-out ease-in-out
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- 30. Follow Through / OverlappingAction • Cennydd Bowles & Val Head
- 31. Follow Through / OverlappingAction • Not everything comes to a stop at once • Helps giving the impression that a character is obeying the laws of physics • Different parts of the “body” move at different rates
- 36. Anticipation • A littlehesitation before the main movement. • Preparing or getting ready for the main movement.
- 37. Anticipation • Cennydd Bowles& Val Head
- 41. Arcs • Cennydd Bowles& Val Head
- 42. Arcs • Organic movementstypically don’t follow straight lines of motion
- 44. Secondary Action • CennyddBowles & Val Head
- 45. Secondary Action • Anyaction that supports or enhances the main action
- 47. Exaggeration • Cennydd Bowles& Val Head
- 48. Exaggeration • The “truth”but more extreme • Actions made bigger and more drastic for greater effect and impact
- 50. Appeal • Cennydd Bowles& Val Head
- 51. Appeal • “Charisma” ofan animation • That thing that makes you like or particularly appreciate an animation
- 52. Squash and stretch •Cennydd Bowles & Val Head
- 53. Squash and Stretch •Gives a sense of weight and flexibility of an object. • Objects tend to change shape as they move depending on inertia and the elasticity of what they’re made of • Important to maintain volume of the object
- 56. Staging • Cennydd Bowles& Val Head
- 57. Staging • Directing theaudience's attention, and making it clear what is of greatest importance in a scene
- 61. Name that principle! •Timing (and spacing) • Follow through • Anticipation • Squash and stretch • Staging • Straight ahead & Pose to pose • Slow in, slow out • Arcs • Secondary action • Solid drawing • Appeal • Exaggeration
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- 64. Similar objects animatein similar ways
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- 72. Visual Continuity • Reuseelements between views • Why should it leave the screen just to come right back on again? • Planning entrance and exit movements vs. fading to black every time
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