2. GHARLIEETRD
JAZZ'N' SAN4BA F@R GUITAR
rhrE r4usrGoFANTo)Nl@
GARL@S
ii3:tl'5itri+:iED @mPG{
/lllfrltrclllli()rr rrf tlc Bossrr Noi'rt.
1)lrrrzrrrg /i/rvllrrrr CuilLtr itt l/rr, 8t'ssrr,'cri'a 2
5()rlr 7vl',r r/1 /'lossa Nrri'rr llltrrtllrrt l)rrllr'r'rs . . .l
CHEGA t)U SAUDADE (No ,'lor,'8Jrrr'st 26
DESAFINAI)O (s/is/rt/v Ort Ol Trorct 5
l)ON'l tVf-lt GO AWAY (Por Carsrr I)r'Iirri) .12
FsI'F.R,C A PIRDIDA ].I
ESTE StL OLllAI{ I f/rrrt Lo,-l ) r,rr l|t'rrrr l8
FOI A NOI]E 1/r lirs 'rglrrr. .. 10
IT ilAS NIGHTtiroiA Noirr') 10
JAZZ 'N' SAI,lttA (S,i Darrqo Sarrrl,,rt . . 8
N() MORI ULUES t Clrt'.ga Dc Sarr,lrrrlt't 26
O QUE f QUE VAI SER DE MIM 16
POR CAUSA DE VOCf (Drrrr f Fi'cr C-rr Ailrr.vr 12
SE T()IX)S |OSSEM ICUAIS A VOCE t.sorrcorrc To Liglrt Ulr rlv Lif e t . 27
SLIGHTLY OUT OF TUNE ( f)L'srrfrrrrrr lo ) . . 5
5d I)ANCO SAMUA r/,i:: ' s,rrrrbrr I 8
1
SOMEO:-E 1 O LIGHT UP MY LIFE t . t Se' To,/os Fo-sse'rtt lgrrais A l/ocd . 21
TtlAl LOOK YOU WEAR llstr,5r'rr C)J/r,rrt 18
vEl ',tvFR i S rU raOo 14
IJO U-9 50'G5,
FLY llE TO THE IVtOON r.lrr Ot/r.'r l',,r,ist
O PAlO fjr, fr,,i
l HOSE iVERE THE DA) 5 . . . .
..29
...30
...32
TftOlg"'.1',-1"YY"?'^?;'^Y,?;

3. INTERPRETATION OF THE BOSSA NOVA
The bo6sa nova should almost play itself, There is no feeling of "pushrtaa
ln s lazz plece. Juet ride along easily with everythtng rather understated -- much
more subtle than, aay, the mambo or cha-cha-cha.
, Not only must the melody
be played louder than its surrounding notes, but it must also be phrased with a
certaln amount of freedom. Mueh of the beauty and excitement of the bossa nova
lies i.L t]le contraat between the melody, phrased rather freely, and the rhythm
section whlch is rather tight sounding and very even. This is well illustrated by
the music of Villa- Iobos. This greatest of Brazilian composers wrote many
highly rhythmic pieces for the guitar,but did not hesitate to employ ritards,ral-lentandos,
accelerandos and other breaks in tempo in order to enhance the mel-ody.
HOW TO PRACTICE THESE ARRANGEMENTS
Some of the arrangements ln this folio will be a challenge for the average
pleyer. I would llke to Buggest a method of practice that may be helpful. Use a
metronome or other method of keeping a slow, steady tempo. Keep the eighth note
ln mind as the baeic rhythmic unit, not the quarter note. hactice very slowly un-til
you have the co-ordination of the various parts under the hand as well as in
your ear. ot y then should you attempt to bring the piece up to proper tempo.
PLAYING RHYTHM GUITAR IN THE BOSSA NOVA
I thtnk a few words mlght be appropriate here on tlre subject of playing
rhythm gultar ln the bossa nova. For exam.ple, when backing up a vocalist or so-lolst:
Just adding even eighth notee to the rhythm s€ction is a help:
€tc.

4. Editorts note: In the bossa nova,and other Intin American music as well,
the eighth note is interpreted a8 lt is in claesical music, tlat le, exactly evenly.
Note the difference between this and the tazz interpretation whlch makes eighth
noteo sound more like ), ) ). J * .J ) J )
To the basic eigbth note pattern may be added bas8 notea. These may be
half notee: etc.
or dotted quarters followed by elghth notes:
The underlylng accentuatlon of the bossa nova is derived from the old Spanish
tVrhrrrt Xa {? ( In the most wpical bo66a nova beat, ttris rhythm
rs combtned wuh us mtlror r^ s., (' ft f l f (a (
Editorrs note: Except for the lst quarter note of the 2nd bar. thi8 cor-responds
exactly to the clave beat as used in the bos6a nova. Anyone interested
ln the constructlon of Latln music ghould realize that the clave beat is it8 whole
foundation: rhythmic, melodic and harmonic.
Compare the traditlonal clave beat (r6ed in the cha-cha-cha, bolero, be-guine,
etc.) with the bosga nova clave.
Tladitional cleve Bosea nova clave
(' {( (lt((tll(rtrltettll
Notice especially the subtle shift in accent ln the second bar.
Although it is imposslble to glve exact rules for rhythm playins, a hint may
be in order here. If the drummer is playing even elghth notes, the Sultarist
ehould play wit! a great deal of freedom. But if the drummer ie accentlng,the
glitarist should try to avoid conllicting too much with these accents. That ie,he
must play "in clave." A compa.rison between the rhythmic flgures on page 4
and the bo8sa nova clave beat will ghow you what this mean8,

5. SOME TTUCAL BOSSA NOVA RIIYTHM PATTERNS
3) 6( r ( 0
4) 0r 0r LIau( 0l 0
IMPONTANT
The chord dtagrana whlch ere found wlth each arrangenent are neant aa
eld to players wboee rlgbt resdlDg ls rct all tt shqrld be. They ahorld not be
for tbe rfotbn guttar part.

6. English Lyric bY
JON HENDRICKS and
JESSIE CAVANAUGH
Boss a nova tempo z
I
c?ile ffi
iAGm - ofr.
H+fil ----r-r------1
,f'
DESAFINADO
(Slightly Out Of Tune)
cldim? A? b5 ffi
tt{ DD
v lv,Epp
- D? b9
+8 lrffi N ffi-ttr'
Bbm FI? ]ffi."".ffi
Original text by
NEWTON MENDONCA
Music by
ANTONTO CARLOS JOBrM
D?be
ffi-tt".
e t ,.nrhr lo5gand loo2 EJrr.r.r Ilu'r(alArapua Sao Paulo Braril
fRO'irdrt Isrttstc LC. eworl (onrftikallrublica'('nrishrtorrhcL sA )ndceid'
lnreinarronal Corvrrshr lrure,l lade In L 5 A
All RrBhB I{e.€aer lftludrnt luhlc ferlnrmance For lro{il

7. 6
ffi*
IV
CmajT
ffi-ofr.
,ff
II
ffi-o".
m -arr' EEII - 3 fr.
H111 l--J. r J
ffi-u*. ffi- crr.- - - ''m
J

8. ffi-,r".
J
VII
)
F ffi-,t. G7 ffi - s fr.
B bmaj ?
ffi -tt'' Bbn6 ffi- efr.- - -
l''fv-
G7 ffi- ofr.
F$4aj 7
ffi-.*.
F(add I ffi Bbm ffi6
-
rfr.
Vanp and, fade

9. a
lrglis h Lyric by
ORl.{N CIMBEL
Trne lowest string to D.
Em7
mrj
H-+ r 1:
l i-t ri '
JAZZ'N' SAMBA
(Sb Dango Samba)
tron lhe nlm COfACABAA pAl.AC€
E9.-J-_--:_
Origina I Text and Mus ic by
ANTONIO CARLOS JOBIN4 and
VINICIUS DE MORAES
A13b e
"#
'ffi r-3----------r
v^D--6-. ii::
G7
,f".-T::ii Em? (Abass)
€0
o
E9
Em7 (AIJaBE)
Am7
€
tLDl?f ftf,_zfr.
gF,
;-1q;r:l -sfr. fr,
-_.__- €-==__-.-- o
Bm7
E- . Itri:j-:7: fr :+lT,;! ftlr
97;}ii
-7frr-f11 fr.
,-3_ ,-J_
(Fingering as before)
O Copynght loo3and 1065 Edrloni Suvini Z?rboni S.p.A . Milan hrlv
fnp LUDLOWMUSIC, lNC., New York. (onr rols ail publi(ar ion ri8hrs lor rhe U S A .ndCanada
lnbrnalional Copyrirht Secur€d Madein U S A.
.Ail R18hts R"sfrred Irrlud'ns Public Performan.€ For Proljr

10. m-":'
Dmaj? G7 ;:s-2fr. *-E--afr.
DmajT
=E_2fr.
- t fr'.
fingering till end)
,-3........-

11. r0
IT WAS NIGHT
(Foi A Noite)
Samba - Cancao
English L1,ric by
GENE LEES Original Text and Music by
ANTONIO CARLOS JOBIM and
NEWTON MENDONgA
Bm?b5
.-!:r:,1..--e
fr
Am
E?b e ffi
€fr,
Dm(b5) G'I
Dm (+5)
Fm
i-rf
-e fr.
el)
O-t iCi"oiolvonisthrti vloroii3l aictd. loo5 Edicas Eulerp. Llda , Rio de lan€iro Bt'z'l rirc- N.", vo't l.ont'ols allPublication rights for the U s A and canada
liiirutiorul Coov;chr *tured Ma& in IJ S A
ruiAi*f's n *.t"a t,.tudin8 Publ'( Per{orman<e For Prolit

12. It
G7 ffi- Dm?
# --3-
'C+lrrra
tfif+i-ilNfr-
'-J- r-3"'------
:i:ti:--o fr.
Dm
:.; I lTl ::llrl-3fr.
t- 3------1
c9
l: l:L
',: *1- lofi.
Dm?
t-3 (Bb) '
r !fi-!i
_0- _. -f+l ;s
,- 3--------- ,--J-
,Xitr -5 fr.
r-J-_
CmajT
c
,i1*1-t' ' r-3-
,lIi:-
:r : :; :_s fr. r-3 -----r
Gj-7
rFii
.1 -1
Ffo?
ffi.-cfr i .t.!! J :-'_-l h,{ Ji
i
Dm7
{>
A1
0.0-o
3F-tfr. +++
i
G7 {:]E
EtE+-sf".
G? Cmaj? ffi ::l::::k-s 11. -o fr. CImrbs r- 3 ----------r ffi- 4t C6 CmajT
G7
fftr-o
C:E
+--sfr.
c
iEE-.-5fr.
r_3.---------- ,DII]: t--') I
,-3...........r r-3- ffi-.*.

13. DON'T EVER GO AWAY
(Por Causa De Voce)
Samba- Cancao
Dm7
C+
EM
Hin
;re-sfr.
r
English lyric by RAY GILBERT
CmajT
m-?rr' E:5L
S - s fr,
r_ T2
&*r". :EI
-3'-------
Arn
Original text by DOLORES DURTN
Music by AI.|TONIO CARLG JOBIM
-o fr. Dm7 Dm? TC
+H-] 1' 3- r-3- ffi-'t"'
r__J----J L_j_____J
Bb
r:3----r
ffci.--sfr.
H.1-1+ @E r-J-------r
i-H r-i--r ,$t-or". rlrH+lf
fr. r-3___ r_J-__-_r
c
ffi-**.
,3.J
A7
)
__ 3_-----l -- 3-------'1 8 fr.
Dm7
lffi_dfr. r_l_3_
Em?b #
l-++ ++
r-_3__r A7 ffi
t
G7 CmajT r-J--r m-3to, , H-ff+l
I:I:m
F+tf1_-6fr.
7= = t-.'l V
Cma
--5 fr.
c6
Dm7 S--+f".
H+H- -f--] T-"*'.1, rfE]
.-J-l1 -J-Gfm
--rfr.
Hd#-cr. (B) (Bb)
r_3___r
ffi15
O-Copyrirht 1957, '1965and 1967 Edi(oes Eulerpe Ltda.. Riode janeiro. B.azil rRJ DEVoN MUstc.INC.. New york. contiot",[ ilai."ri; dii; i;iiire u.s.A. ana canaa: lnrarnarion lCopyrishr Sccured Maite in U.S.A
AII RjrhLs Res€Ned lrrludinr Pubtic performanc. For profit

14. t3
Dm? _ G7 -o
ffiflil ffi?.ffi
Edtun7 ffi FFI|H G? -6 f1.
-- 3----.----r t4
)tbi,

15. ER A MEU LADO
Samba - cancao
t4 VEM VIV
)
,-3-.''
.J rrJ ,J r-3-
Original Text and Music by
ANTONIO CARLOS JOBIM and
ALCIDES FERNANDES c_ r-J---.---1 ,-3--..----
D7 # C (Dm)@m
,-3_r Ab?
.-J- l{fl.l]-,""'
^r 'r
'-3- ,--J-
4ffi-a91.
V
Fm9
.0
+i: A..bl.7.bl.5"'--ctr.
G?
rrr:-l
Sl-.t".
'r
c
,--3--_---
,r
FmEaj 7
ry_,__, G7
r-3__---------
o Cogyrisht 1956.rd 1965 Edices EuterF Ltda., Riod.l.n.ito, Ita2il
lno HOILIS MUSIC, NC., Ncw YorL, controls all publication riShls for the U.s.A. .nd c.nada
lnrrrution l CopyriSht lcurld Mdcin U.S.A.
All Ri8hB R.r.rv.d lEludin8 Frblic P.t{orrn nc! Fo. Profil

16. ftfri-"" Em7
ffi---sfr.
Flll-r t
F9
l-E:r
-+-+.]-r
Adim?
{
ftf#r1--3 fr.
'--3- Fm
Dm?
=:L_c fr.
m-5fr. l.]-i-g
D?
F.;r4-+r -3 fr.
(Fingering a8 before)
Dm
-3----
=lt ' t=--€
I
sbo
0
;iJti-t. n-r
-r E
ri
i I cmajT
efi G7 F-{fr. ffi ,-3- : -r-'r-- o ir.
ffi-, cn? IL Fmo C6(add
f+r{+
a_00_ zi fr.
-E
Trrn
l.+
-.+i+' ((r

17. t6
,t O QUE E QUE VAI SER DE MIM
Samba
Original Tcxt and Music by
ANTONIO CARI-OS JOBII4
CmajT
::l:
!*i i
-I fr.
c
: Ia a:-
ii i : i:-e
Em?
Dm? illl1-'"'
F=e4+
c?b9
trlD
ili+ti G7 I fr. I
G9+
E;E dll!-rfr.
A9
Em? ;:I1_? fr. lln-7fr.
ffi*tr". i+l
Dm7
D7 t]:m-sfr.
Fttil-i
D9 I:m LJ.LL!'
++-t+
o Covrirhr l954.rd 1965 Edicocs Eut€rp€ Lid. . Riode r.ncito Elazil
.rno' fiOiLLtSMUSIC, NC., Ncw York, controls allpublication riShls for the U S.A. and C.nada
I;';-rnation:l coDvnrht s.cuad Ma& in U s A
.lll Rlehrs Rcscni.d hchdina Publi( P.rformrn<! For Ptofit

18. l:
G? cF-afr,
Gbaugl l
F-err.
c7
j:Is-cfr.
Dm7 F;_sfr. Li+*
G?+ ::1:E-7fr. i'+#+li
.r--l-l
,))))
A7 Em?b5 #--{fr.
ffi n11. FE l-l-l++
- )"J)J)))
0'D7
----.-l-:- -3lr-
:Dm7
D.S.aI Coda

19. r8
English Lyric by
GENE LEES
THAT LOOK YOU WEAR
(Este Seu Olhar)
FmaJ? # Cm? # E)
Gm? C13b I
Original Text and Music by
dirn (add ANTONTO CARLOS JOBrM d+lr+
G7 ffi mr":m-,m
# E)
ffi -____lt, i:::m-ofr. ,-3.---r l{#--._l_i_l-.l 3-r 3-
Gm7 :c:fmo -3fr.
,--3$i
Fdim (add
ry;: Am7 rnA'7r-
,-3--- il-Li-lt-rrtl
l-.] -8f1.
l-Brbrr6n Bbm6 ,--3- Hfii-q fr. -3-$fffi-* rr.
J . t.-- J )-----
r r r
gGEm?-3fr. *fi| ---3-.-- t[rr
Hiili-sfr.
ilifll
r
Am
o ffi ffi-'*;r-----r Gm?
ffiIl
l'r 'r
O_Copydthi 1959, 195{ ard 1965 Edirora MusicalArapu., Sro paulo, Brazil
?nO HOLLIS MUSIC, INC., Ncw York, conrrols all public.tion
'i8hrs
for rhe U.S.A. end Canada
lntsrnatiorul Copyright Secured MaiLinU.S.A. -
All Rishb R?s.rv€d lrEludins Publi< Pcr(orm.rrr For P'orir

20. t9
AE F
6f 6i- 511-ffi
Fdtm(add E) ffi ,-3----r
L-J---J
A? nTln-5 tr.
H+H
Cm?b5 F
Gm7
,--3-------r ffi-ur"1.--=
!-3--------J t-3-.J 'JJ r-3---------J
*rfr.
'Fdim(add E)
ffi-o*. Gm? ffi H++
ffi
F]-++#
G$dim
l++]1.1
F ffi nbmo ffi

21. 20 Gm? c7
Fdim.
-r
ffi-zrr. ffi-.*. tj:]D
H+H-srr.
Gm? *rfr. Effi*3fr.
cTbs ffi
t-+tH ,-3---r ,-3- 3--
-8 fr. FI-IFH
Fdim (add E)
A?
5 fr.
F -m
cm?bs Hi+fl
|lTlTl -5 fr.
F!r-+l
G11 ffi
-
3.........J +3------r !- 3- '-3----r
FO ---o Ir.
#l
G7 Grn? EE.-3fr.
t1-1+1 .-3-
c13be
Ft+l+l lrrl]1
^ F1-H 11 I-J-
,lt I I J---J
lE-3fr.
r-Hft1
Gm?
rr{Trl --O fr .
H+.-+-!J-t:
Fo (add 9)

22. SOMEONE TO LIGHT UP MY LIFE
(Se Todos Fossem lguais A VocA)
Samba- Cancao
Original Text by VINICIUS DE ,lOMES
Music by ANTONIO CARLOS JOBIN'I
G7 Barre Itr
r-3-.---r r-3------r r--3----r
:];j=B-3fr.
-+-{-t-iJ
2r
English Lyric by
CENE LEES
F? Barre III EEtr
Hlifl_sfr.
i:E
htiti _cfr.
r-3------r ,-3-----r
) )=--- )
r-3-
)
A7
D?
rA:rl3o-str. ry:1 flf,-"r".
lltth,-3--------- rrrrrr -6tf ,
tf{fi-:ir?+i
-.!
._
Bbm? m-efr-
A7+ Gm?
iffifl-",". J) J) J,))
EbI Abmalr
,). 2a' Jl
[+IrEH- tfr. #E+E.]iB-ofr'
am?bs
D?be ilH-ttr'
lct
ffi
Eb aIEl
H+fl1
Cm
EEI
€ C@v'iphr 1958 19o{ ard l9o5 Edico.3 EutrrDc Ltda.. Rio d. l.n€'ro. Eraz'l
fno'ho:LllSMUSlC NC.. New Yorl. controls allpublication ri8lts for the U S.A. and Canada
lntsrnational Copyri8ht SGcured M.d€ in U.S.A.
All Rithts Rescrvrd lrrludint Public P.rform.nc. Fot Profit

23. 22
CmmajT
ffi-otr.
Cm?
ffi-ur".
F9
FFffi.-+ fr.
H.]-+.1.1
-3"""-
r-3---r
Bb6 ..r*_afr. t,." i_ -1tr 3 ,
3-)
Dm?
0 ;I:!E
I t-!H_ ' 3 fr. ;3--1
G7
sJS- rfr.
t-+'F-r-'.:----- rIA:7o-tfr.
H+H.
l-J........1 ,_3.----r
r--3.-J '--3----J
Cm? FT ffi-'". ffi-'t''
'-3--.--r _J----r
T- G7 Cm7
Ebmaj ?
ffi-efr. +H+.j
'-.-3 --r
))
i+fir cftE
H-ut".4:*H-orr.
Cm? Fl
ffi--urr. l-J.---...1 tJt ) ) )J #-'"' ,-3- ,-3""--
D7
,-J--r r-3----r ffi

24. ffi-ur".
ffi-'r"; sbz ffi
Bane Barre
Dn?b5 ffi
F13 ffi ffi*fr(ey6g1q3il
Dm? Cm?
ffi-rtr.
-_{ fr.
F?
BbmaJ? ffiif
* t"r'ofrfi
u r".
ffi-'*'ffi
D?b9
m-.tr. - Gm _3 tr.
a--.t--""'1
t[FfF Fm? ffi-ttr'
1
Eb G7 ffi
nbmal? mi'". t-.) r-3- ,lJl
ry+q r-3-
r-3"""'- )J)
Cm? rZ
ffi*r". .-J..----1 r-.3----.---t .Pf,.-r". l!t.l r$flJi ))t )J )) a

25. z4 ESPERANqA PERDIDA
_0ffi trlj-#
Original Text and Music by
ANTONIO CARLOS JOBIM and BILLY BLANCO
A7+
Bbm ffi Cm?
*TrI+]- F13
Bb6
ffiil-"r". ur''*
I
Ebm6 IEtr F?
H*jfi-efr t'i.'rr-ofr. . H4*l
-f'
9r!
-=i{l-:.1-
sfr.-FFFR ffim
,f-'
4 Bb ffi-s fr.
o{
J)
I
)
r DDM ffi+tUr. Tfltl o o
fr.
Cm
r;Tr+1 aGrr?rL--6
L.l lt-.r
l++1-]
1^ lr JN
I 1,Vl f-'
@ Copyritht t955and 1965 Edicocs Euterp€ Lrda., Riode,aneiro. Erazil
TRO HAVPSHIRE HOUSE PUBLISHING CORP., New York. conrrols allpublication lighrs for rhe U.S.A. and Canada
lnbrnational Copyri8ht Secur€d Mad. in U.S.A.
All R{hs Reserued lrrludint Public Perlormanc€ For Profil

26. z5
Bb rfft--4fr-itfiN
IEE-__€fr.
It { }11
Ebr3 Dbr3 fr. ttr'ffi ttFfl'--6
Fl-H rt
E@--4fr.
F#f
Cm?b5 ffi*t".
Bb6
fll-
!J-!l-L_l iil++
Bbmaj?
o
lFinge"ing as before)
G7 F++;i
*-a fr. Cm
i:---il--8 mq

27. z6 NO MORE BLUES
(Chega De Saudade)
English Lyric by
JON HENDRICKS and
JESSTE CAVANAUGH
Bossa nova tempo
r
Am
x ox 3lx
Original Text and Music by
ANTONIO CARLOS JOBIM and
VINICIUS DE MORAES
A7+ 5 xxl23l m'n
Bdim
xx24
Gm71no h) xlx cm7-5 x g22x
A aug
x1 2xl
E7
xxOl 0x
v G
x2x
v r Am
lx2x BbaddC Bb
x 3l lxx - xSllxx
ffi'"m.,u'
ATsus
x0x0,lx ffiffi
E7.
xxOlxO
tv l=
O C@vriiht l95E- l962.nd 106TEditora Musical tuapua, Sao Paulo Brazil
niri fiO;LuS r.lustc. nc.. N.w York. conr rols .ll publicar ion rishtrlorrheU s A andc.nada
Ineinariorul Copvrisht Se(ued Mad€ in U S A
All Rishts Res€n;.d l;cludinsPublic Performanc€ For Profit

28. vr
)
'r 3--_t
-t , t, ,

29. 28
E9
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=ll? alr7 I
fr r( rr
t3 fr.
+ r
I Fl'
I xx 2xl
je
04
ma
E7
3 xr,l2
7'
G
l)
trv
D7
x00xl3
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'D9
x23l,lx
E
xx210x
B sus
xlSxxo
GmajT
xll02x m'
Badd2 xl3xlx D13
xx0l34
87 augs
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.? times
87
I x l2 xl
Effi'U
B7
l)il2lx m'n
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Gm
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Gm9 lxllx,t
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l0 fr.
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tt, l-v--l.
2k.

30. FLY ME TO THE MOON
(In Other Words)
G7
and
Words and Music bY
BART HOWARD
Slowly
Am7
Flv
a1l.
DmT
moon. a-mong
CmajT
the the stars;
F
Let
d).
me to
1et 'ba
rl
I -:O
,f,-me d. play me see rvhat
4l +l''l
')'
hold my
o.l..-oL..---
Bm7-5
spring s like orl
4
2 o
- pi-ter
Am
and Mars
Dm7
oth - er
E7
Jtt
,al
A7
In
G7
u'ords:
l_.--l e-e
-
I
o t
C
hand !
I
Dm7
oth-er u'ords:
G7 Irm6 C Bm7 E7
In dar - ling kiss me !--
4 !t.
i-o o l-'
G7
3
Am?
Fill
I 4J.
BnrT-5
I ong
my
.b-heart
with
U^ @
and let me sing
Cmaj 7
-ev - er- lnore;
Dm7
oth - cr
Dm7
song,
2
for
eb
F
You
o).
are
'b
for all
E7
I rvor' -
Am
a - dore.
G7
r,vclrds _-_) please :
be
J -
a) o)
-Jt I I !-^) 4
ship and
A7
In
t ------,4 lJ) o I
T
'l
F6 G7
oth-er words:
G7-9 c
I love you.
CmajT
*H,,C
C7
,r
CmajT
tl'ue:
o*J. _

31. 30
O PATO
(The Duck)
English lyric by
JON HEN'DRICKS
Original text and music by
JAYME SILVA ard
NEUZA TEIXEIRA
DmajT
xx 0l I I
,{'
E9
xx2l{3
A l3(-s)
xx I 03{
C [ (no Sth)D (no 5th) x32xlx x32rlr
D7-5
2xl3x,t lx23xx ^r m'om'n - 3-.+
ano Sthr
G6ino.lrdi
3xxOr0
G add 9
lAx2xa
m'u'
O Cop!,nrht 1960and 1962 Edi(oes Musicais Samba Ltda.. R'o de raneiro. Bra.zil
fRO CROMWRL MUSIC lNC. N€w York. conrrols all publi.arion rishrs for rhe U.S.A. and Canada
lneriutron:l Copyri3ht gcured Made in U.S A
All Rishs R.r€rved lrrludiry Public Performance For Profir

32. 1,"R., ffi

33. 3Z
THOSE WERE THE DAYS
Words and Music bY
GENE RASKIN
+ -Q- I
Am7
.D L"-,Dm
e
Am7
t-,
R7
1t +a-e + 4Q
-
ta,+
?
a lcnrpo I +l
Am
i-=l; Am
_2 4
=
A
+4'-l++
Dm
-t 77 ?
tRtJ o Copyrisht 1952 and r96E ESSEX MUSIC. lNC , N€h' York N Y.
InErrtationai CopyriSht S.<urEd M.de in U.S A
All Ri8hts R€s€rved IftludinS Publi( Perlotmance For Ptofil