New modes of literary production and consumption, new material supports and ideological forms, emerge in the digital age to disrupt writing and reading. Technogenetic writing – composed in the mutually constitutive interface of the human and a digital technics – produces new epistemological and ontological configurations, shaping an emergent digital poetics which engenders new economies of attention, and necessitates new theories and practices of writing and reading. Drawing on recent work by Hayles (2012) to understand these complex developments, this paper conjectures how experimental textualities theoretically and practically demonstrate the new literary forms which might reboot writing and reading in the aftermath of the digital.