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assEMBLING A NARRATIVE 
PLAN601E Verbal and visual: Information Graphics (session 5)
elements of a storyboard
elements of a storyboard 
dialogue 
what you see 
how this fits in sequence 
notes on what you see
elements of a storyboard 
Storyboards do not have to be well drawn. They only have 
to communicate your ideas (and should be more explicit 
than this one)
Pose a problem: “An outcast patriarch tries to win back 
his family’s good graces.” 
premise: fundamental concept 
that drives the plot
Ask a question: “What if you had to live the same day over 
and over?” 
premise: fundamental concept 
that drives the plot
Trace a route: “Find 100,000 deutsch marks and get 
across town (i.e. the roads not taken).” 
premise: fundamental concept 
that drives the plot
ACT 1: SET UP – SETTING, CHARACTERS, AND PROBLEM INTRODUCED 
Confined to a wheelchair, Jefferies spends the day watching his neighbors. Lisa wants Jefferies, 
but he acts distracted. 
ACT 2: TURNING POINT – PROBLEM GETS COMPLEX 
A neighbor appears to have killed a dog that was digging up the garden; Jefferies thinks the neighbor has murdered his 
wife, but his detective friend doesn’t believe him. 
ACT 3: DENOUEMENT – CLIMAX HAPPENS AND PROBLEM RESOLVED 
Jefferies convinces Lisa to sneak into the neighbor’s apartment to find evidence of the murder, but they both almost get 
murdered themselves. Now that she is a co-conspirer, Jefferies agrees to marry Lisa. Lisa is happy. 
three act story 
Organize a presentation with three “acts” or “chapters”: 1) set the characters 
and context; 2) detail a problem; 3) resolve the problem. Let story lead your 
narrative, not data.
BUILD A CASE 
Provide information and argue for a specific 
interpretation – reveal a way to look at the world 
ACT 1: Background information 
ACT 2: Analysis 
ACT 3: Findings or proposal 
ways to tell a story 
Organize a presentation with three “acts” or “chapters”: 1) set the characters 
and context; 2) detail a problem; 3) resolve the problem. Let story lead your 
narrative, not data.
GIVE A SUMMATIVE TOUR 
Describe existing conditions in depth and volume that 
puts a single phenomenon in context 
ACT 1: Individual instances 
ACT 2: Explain phenomena 
ACT 3: Draw phenomenon into context and draw 
conclusions 
ways to tell a story 
Organize a presentation with three “acts” or “chapters”: 1) set the characters 
and context; 2) detail a problem; 3) resolve the problem. Let story lead your 
narrative, not data.
EXPLORE A SCENARIO 
Explain a problem or condition through the experience 
of stakeholders 
ACT 1: Describe a character and their issues/concerns 
ACT 2: Detail the mechanism that could serve them 
ACT 3: Describe how the character is served 
by the proposed program or service 
ways to tell a story 
Organize a presentation with three “acts” or “chapters”: 1) set the characters 
and context; 2) detail a problem; 3) resolve the problem – narrate with stories 
not data
Evaluation 
Explore the strengths and weaknesses of a given 
phenomenon, issue or dimension 
ACT 1: Set a baseline: establish existing conditions 
and explain them in context 
ACT 2: Evaluate conditions or solutions via matrix 
comparison, continuum, pros and cons, etc. 
ACT 3: Make recommendations 
ways to tell a story 
Organize a presentation with three “acts” or “chapters”: 1) set the characters 
and context; 2) detail a problem; 3) resolve the problem. Let story lead your 
narrative, not data.
ACT 1 
MAIN IDEA 
ACT 2 
MAIN IDEA 
ACT 3 
MAIN IDEA 
1) Make a grid with three acts and write out the main idea 
of each act 
storyboarding 
with index cards
IDEA 
FACT 
FACT 
PHOTO 
BOSERVAIOTN DIEA 
FACT 
FACT 
IDEA 
FACT 
storyboardgin 2) Write all of your content onto index cards. 
with index cards 
IDEA 
DIAGRAM 
GRAPH 
GRAPH 
GRAPH 
GRAPH 
MAP / DRAWING 
PHOTO 
PHOTO 
PHOTO 
PHOTO 
PHOTO
ACT 1 
MAIN IDEA 
ACT 2 
MAIN IDEA 
ACT 3 
MAIN IDEA 
DIAGRAM 
3) Place the cards into the grid, grouping content based 
on the ideas you want to express. 
storyboarding 
with index cards 
FACT 
FACT 
FACT 
FACT 
FACT 
FACT 
IDEA 
IDEA 
IDEA 
IDEA 
IDEA 
IDEA 
DIEA DIEA 
GRAPH 
GRAPH 
MAP / DRAWING 
MAP / DRAWING 
MAP / DRAWING 
MAP / DRAWING 
MAP / DRAWING 
MAP / DRAWING 
MAP / DRAWING 
MAP / DRAWING 
MAP / DRAWING 
PHOTO PHOTO 
PHOTO 
PHOTO 
PHOTO 
PHOTO 
PHOTO 
PHOTO 
PHOTO 
PHOTO 
DIAGRAM 
DIAGRAM
ACT 1 
MAIN IDEA 
ACT 2 
MAIN IDEA 
ACT 3 
MAIN IDEA 
FACT 
DIAGRAM 
4) Talk through your presentation – thinking especially about how 
you transition from one idea to another. What else do you need? 
storyboarding 
with index cards 
FACT 
FACT 
FACT 
FACT 
FACT 
IDEA 
IDEA 
IDEA 
IDEA 
IDEA 
IDEA 
DIEA DIEA 
GRAPH 
GRAPH 
MAP / DRAWING 
MAP / DRAWING 
MAP / DRAWING 
MAP / DRAWING 
MAP / DRAWING 
MAP / DRAWING 
MAP / DRAWING 
MAP / DRAWING 
MAP / DRAWING 
PHOTO PHOTO 
PHOTO 
PHOTO 
PHOTO 
PHOTO 
PHOTO 
PHOTO 
PHOTO 
PHOTO 
DIAGRAM 
DIAGRAM
ACT 1 
MAIN IDEA 
ACT 2 
MAIN IDEA 
ACT 3 
MAIN IDEA 
FACT 
DIAGRAM 
5) Revise. Re-sequence / re-group cards; re-visit main ideas; edit and 
identify gaps in content (ideas / visuals). 
storyboarding 
with index cards 
FACT 
FACT 
FACT 
FACT 
FACT 
IDEA 
IDEA 
IDEA 
IDEA 
IDEA 
IDEA 
DIEA DIEA 
GRAPH 
GRAPH 
MAP / DRAWING 
MAP / DRAWING 
MAP / DRAWING 
MAP / DRAWING 
MAP / DRAWING 
MAP / DRAWING 
MAP / DRAWING 
MAP / DRAWING 
MAP / DRAWING 
PHOTO PHOTO 
PHOTO 
PHOTO 
PHOTO 
PHOTO 
PHOTO 
PHOTO 
PHOTO 
PHOTO 
DIAGRAM 
DIAGRAM
1) Draw grid of boxes, leaving column on right for main and supporting 
ideas and background information. 
storyboarding 
on a blank page/whiteboard 
Main Idea 
Supporting Ideas 
Background / 
Clarification / 
Contradiction
Title Title Title 
Main Idea(s) 
Title Title 
Title Title 
2) give a title for each box and a message, write main ideas and 
background information in right column. 
storyboarding 
on a blank page/whiteboard 
Supporting Ideas 
Background / 
Clarification / 
Contradiction 
Message Message Message 
Title 
Message Message Message 
Title 
Message Message Message
Title 
Title Title 
IDEA IDEA 
FACT 
FACT 
Message Message Message 
Title 
Title Title 
FACT 
Message Message Message 
Title 
Title Title 
Message Message Message 
FACT 
FACT 
FACT 
FACT 
IDEA 
IDEA 
IDEA 
IDEA 
Main Idea(s) 
3) Add content to each box, including graphics and visual 
documentation to support the message. 
storyboarding 
on a blank page/whiteboard 
Supporting Ideas 
Background / 
Clarification / 
Contradiction
Title 
Title Title 
IDEA IDEA 
FACT 
FACT 
Message Message Message 
Title 
Title Title 
FACT 
Message Message Message 
Title 
Title Title 
Message Message Message 
FACT 
FACT 
FACT 
FACT 
IDEA 
IDEA 
IDEA 
IDEA 
Main Idea(s) 
4) Talk through your presentation – how do the transitions work? does 
the content support the main idea? 
storyboarding 
on a blank page/whiteboard 
Supporting Ideas 
Background / 
Clarification / 
Contradiction
Title 
Title Title 
IDEA IDEA 
FACT 
FACT 
Message Message Message 
Title 
Title Title 
FACT 
Message Message Message 
Title 
Title Title 
Message Message Message 
FACT 
FACT 
FACT 
FACT 
IDEA 
IDEA 
IDEA 
IDEA 
Main Idea(s) 
5) Revise. Re-sequence / re-group cards; re-visit main ideas; edit and 
identify gaps in content (ideas / visuals). 
storyboarding 
on a blank page/whiteboard 
Supporting Ideas 
Background / 
Clarification / 
Contradiction
main point A 
main point b 
main point N 
main point X 
main point v 
main point L 
storyboardgin: 1) Brain dump. List all main points in the order they occur to me. 
hybrid technique
assumptions 
key idea 
2) List any assumptions or key ideas required to understand or accept 
any of these points, build any especially significant ones into the list 
assumption 
key idea 
storyboarding: 
hybrid technique 
main point A 
main point b 
main point N 
main point X 
main point v 
main point L
3 
4 
7 
assumption 
key idea 
assumptions 
key idea 
main point A 
main point b 
main point N 
main point X 
main point v 
main point L 
storyboardgin: 3) Put your list in sequence. 
hybrid technique 
1 
2 
5 4 
5 
6
{ 
{ 
3 
4 
7 
main point A 
main point b 
main point N 
main point X 
main point v 
main point L 
4) Recopy the list and identify act/chapter breaks with main ideas. 
Evaluate per timing, duration and tonal needs, and readjust. 
assumption 
key idea 
assumptions 
key idea 
storyboarding: 
hybrid technique 
1 
2 
5 4 
5 
6 
main point b 
main point n 
main point a 
main point x 
main point Q 
main point v 
main point L 
main point M 
existing 
conditions analysis proposals
Main Point 1 Main Point 2 
Message Message Message 
Main Point 3 
Message Message 
Message 
FACT 
FACT 
Main Point 4 
FACT 
Main Point 6 
Main Point 7 
ASSUMPTION 
ASSUMPTION 
5) Use the blank page/whiteboard method, sketch in ways to visualize 
each message. Try not to be limited to only the visual material you 
have already made. 
storyboarding 
hybrid technique 
Message 
FACT 
IDEA 
Message Message 
Main Point 5 
Message 
Message 
Message 
FACT 
IDEA
Main Point 1 Main Point 2 
Message Message Message 
Main Point 3 
Message Message 
Message 
FACT 
FACT 
Main Point 4 
FACT 
Main Point 6 
Main Point 7 
FACT 
IDEA 
ASSUMPTION 
6) Revise. Re-sequence; evaluate coherence, timing, pace and story 
arc; edit and identify gaps in content (ideas / visuals). Make additions. 
storyboarding 
hybrid technique 
Message 
FACT 
IDEA 
Message Message 
Main Point 5 
Message 
Message 
Message 
FACT 
IDEA 
Message 
ASSUMPTION
write a premise 10 
brainstorm three acts/chapters 10 
build your storyboard 20 
Start with main ideas/points 
group discussion 20 
storyboarding exercise
PDF 1, 7.5”x10” 
Title; 5-10 slide presentation 
Title of your 
presentation 
Intertitle; 1-3 slides storyboard and revisions 
Storyboard 
PDF 2, 24”x36” 
Presentation board/poster 
Intertitle; sketches, notes, precedents and revisions Including poster sketches! 
Sketches, notes, 
precedents 
and revisions 
assignment 5 
Headline tells me the 
message of this slide 
Me venIsque esse volorem 
eveliat ab id maximetusdae 
rem es quam consedi 
rempori beatio doloris 
soluptaqui rem quam liti 
solor sae eosam in con net 
de pero velitas dicit utIg-nim 
idenditatia voluptatem 
ellab ium quiandus sum 
harum volupta vitios par-cipsuntum 
qui sit dolupta 
qui ut et et quo et magnimi, 
net peremAcereptasimus 
vit erit, ilitia destoru 
ptatis mod que pereptate 
molori consequ issunt quid 
evelles mo et volorehent, 
te qui beri aut as eligeni 
comnis ut eat Me venIsque 
esse volorem eveliat ab 
id maximetusdae rem es 
quam consedi rempori 
beatio doloris soluptaqui 
rem quam liti solor sae 
eosam in con net de pero 
velitas dicit utIgnim 
idenditatia voluptatem 
ellab ium quiandus sum 
harum volupta vitios par-cipsuntum 
qui sit dolupta 
Me venIsque esse volorem eveliat ab id maximetus-dae 
rem es quam consedi rempori 
eosam in con net de pero velitas dicit utIgnim 
idenditatia voluptatem ellab ium quiandus 
sum harum volupta vitios parcipsuntum qui sit 
dolupta qui ut et et quo et magnimi, net 
volorem eveliat ab id maximetusdae rem es 
quam consedi rempori beatio doloris solupta-qui 
rem quam liti solor sae eosam in con net de 
pero velitas dicit utIgnim idenditatia 
suntum qui sit dolupta qui ut et et quo et 
magnimi, net peremAcereptasimus vit erit, 
ilitia destoru ptatis mod que pereptate molori 
consequ issunt quid evelles mo et volorehent, te qui 
Title of 
your poster 
1 
2 
3
scored out of 20 points 
Clarity and coherence 
of narrative constructed? (/6) 
Thoughtfulness, suitability and/or 
creativity in representation? (/5) 
Engagement with and evaluation 
of different representational strategies 
(as evidenced in the slide deck by sketches, 
precedents, notes and finished work)? (/5) 
Deployment of tools demonstrated 
and feedback provided in the course? (/4) 
assignment 5 
No resubmissions 
2 pts for each day late

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Plan601 e session 5 presentation

  • 1. assEMBLING A NARRATIVE PLAN601E Verbal and visual: Information Graphics (session 5)
  • 2. elements of a storyboard
  • 3. elements of a storyboard dialogue what you see how this fits in sequence notes on what you see
  • 4. elements of a storyboard Storyboards do not have to be well drawn. They only have to communicate your ideas (and should be more explicit than this one)
  • 5. Pose a problem: “An outcast patriarch tries to win back his family’s good graces.” premise: fundamental concept that drives the plot
  • 6. Ask a question: “What if you had to live the same day over and over?” premise: fundamental concept that drives the plot
  • 7. Trace a route: “Find 100,000 deutsch marks and get across town (i.e. the roads not taken).” premise: fundamental concept that drives the plot
  • 8. ACT 1: SET UP – SETTING, CHARACTERS, AND PROBLEM INTRODUCED Confined to a wheelchair, Jefferies spends the day watching his neighbors. Lisa wants Jefferies, but he acts distracted. ACT 2: TURNING POINT – PROBLEM GETS COMPLEX A neighbor appears to have killed a dog that was digging up the garden; Jefferies thinks the neighbor has murdered his wife, but his detective friend doesn’t believe him. ACT 3: DENOUEMENT – CLIMAX HAPPENS AND PROBLEM RESOLVED Jefferies convinces Lisa to sneak into the neighbor’s apartment to find evidence of the murder, but they both almost get murdered themselves. Now that she is a co-conspirer, Jefferies agrees to marry Lisa. Lisa is happy. three act story Organize a presentation with three “acts” or “chapters”: 1) set the characters and context; 2) detail a problem; 3) resolve the problem. Let story lead your narrative, not data.
  • 9. BUILD A CASE Provide information and argue for a specific interpretation – reveal a way to look at the world ACT 1: Background information ACT 2: Analysis ACT 3: Findings or proposal ways to tell a story Organize a presentation with three “acts” or “chapters”: 1) set the characters and context; 2) detail a problem; 3) resolve the problem. Let story lead your narrative, not data.
  • 10. GIVE A SUMMATIVE TOUR Describe existing conditions in depth and volume that puts a single phenomenon in context ACT 1: Individual instances ACT 2: Explain phenomena ACT 3: Draw phenomenon into context and draw conclusions ways to tell a story Organize a presentation with three “acts” or “chapters”: 1) set the characters and context; 2) detail a problem; 3) resolve the problem. Let story lead your narrative, not data.
  • 11. EXPLORE A SCENARIO Explain a problem or condition through the experience of stakeholders ACT 1: Describe a character and their issues/concerns ACT 2: Detail the mechanism that could serve them ACT 3: Describe how the character is served by the proposed program or service ways to tell a story Organize a presentation with three “acts” or “chapters”: 1) set the characters and context; 2) detail a problem; 3) resolve the problem – narrate with stories not data
  • 12. Evaluation Explore the strengths and weaknesses of a given phenomenon, issue or dimension ACT 1: Set a baseline: establish existing conditions and explain them in context ACT 2: Evaluate conditions or solutions via matrix comparison, continuum, pros and cons, etc. ACT 3: Make recommendations ways to tell a story Organize a presentation with three “acts” or “chapters”: 1) set the characters and context; 2) detail a problem; 3) resolve the problem. Let story lead your narrative, not data.
  • 13. ACT 1 MAIN IDEA ACT 2 MAIN IDEA ACT 3 MAIN IDEA 1) Make a grid with three acts and write out the main idea of each act storyboarding with index cards
  • 14. IDEA FACT FACT PHOTO BOSERVAIOTN DIEA FACT FACT IDEA FACT storyboardgin 2) Write all of your content onto index cards. with index cards IDEA DIAGRAM GRAPH GRAPH GRAPH GRAPH MAP / DRAWING PHOTO PHOTO PHOTO PHOTO PHOTO
  • 15. ACT 1 MAIN IDEA ACT 2 MAIN IDEA ACT 3 MAIN IDEA DIAGRAM 3) Place the cards into the grid, grouping content based on the ideas you want to express. storyboarding with index cards FACT FACT FACT FACT FACT FACT IDEA IDEA IDEA IDEA IDEA IDEA DIEA DIEA GRAPH GRAPH MAP / DRAWING MAP / DRAWING MAP / DRAWING MAP / DRAWING MAP / DRAWING MAP / DRAWING MAP / DRAWING MAP / DRAWING MAP / DRAWING PHOTO PHOTO PHOTO PHOTO PHOTO PHOTO PHOTO PHOTO PHOTO PHOTO DIAGRAM DIAGRAM
  • 16. ACT 1 MAIN IDEA ACT 2 MAIN IDEA ACT 3 MAIN IDEA FACT DIAGRAM 4) Talk through your presentation – thinking especially about how you transition from one idea to another. What else do you need? storyboarding with index cards FACT FACT FACT FACT FACT IDEA IDEA IDEA IDEA IDEA IDEA DIEA DIEA GRAPH GRAPH MAP / DRAWING MAP / DRAWING MAP / DRAWING MAP / DRAWING MAP / DRAWING MAP / DRAWING MAP / DRAWING MAP / DRAWING MAP / DRAWING PHOTO PHOTO PHOTO PHOTO PHOTO PHOTO PHOTO PHOTO PHOTO PHOTO DIAGRAM DIAGRAM
  • 17. ACT 1 MAIN IDEA ACT 2 MAIN IDEA ACT 3 MAIN IDEA FACT DIAGRAM 5) Revise. Re-sequence / re-group cards; re-visit main ideas; edit and identify gaps in content (ideas / visuals). storyboarding with index cards FACT FACT FACT FACT FACT IDEA IDEA IDEA IDEA IDEA IDEA DIEA DIEA GRAPH GRAPH MAP / DRAWING MAP / DRAWING MAP / DRAWING MAP / DRAWING MAP / DRAWING MAP / DRAWING MAP / DRAWING MAP / DRAWING MAP / DRAWING PHOTO PHOTO PHOTO PHOTO PHOTO PHOTO PHOTO PHOTO PHOTO PHOTO DIAGRAM DIAGRAM
  • 18. 1) Draw grid of boxes, leaving column on right for main and supporting ideas and background information. storyboarding on a blank page/whiteboard Main Idea Supporting Ideas Background / Clarification / Contradiction
  • 19. Title Title Title Main Idea(s) Title Title Title Title 2) give a title for each box and a message, write main ideas and background information in right column. storyboarding on a blank page/whiteboard Supporting Ideas Background / Clarification / Contradiction Message Message Message Title Message Message Message Title Message Message Message
  • 20. Title Title Title IDEA IDEA FACT FACT Message Message Message Title Title Title FACT Message Message Message Title Title Title Message Message Message FACT FACT FACT FACT IDEA IDEA IDEA IDEA Main Idea(s) 3) Add content to each box, including graphics and visual documentation to support the message. storyboarding on a blank page/whiteboard Supporting Ideas Background / Clarification / Contradiction
  • 21. Title Title Title IDEA IDEA FACT FACT Message Message Message Title Title Title FACT Message Message Message Title Title Title Message Message Message FACT FACT FACT FACT IDEA IDEA IDEA IDEA Main Idea(s) 4) Talk through your presentation – how do the transitions work? does the content support the main idea? storyboarding on a blank page/whiteboard Supporting Ideas Background / Clarification / Contradiction
  • 22. Title Title Title IDEA IDEA FACT FACT Message Message Message Title Title Title FACT Message Message Message Title Title Title Message Message Message FACT FACT FACT FACT IDEA IDEA IDEA IDEA Main Idea(s) 5) Revise. Re-sequence / re-group cards; re-visit main ideas; edit and identify gaps in content (ideas / visuals). storyboarding on a blank page/whiteboard Supporting Ideas Background / Clarification / Contradiction
  • 23. main point A main point b main point N main point X main point v main point L storyboardgin: 1) Brain dump. List all main points in the order they occur to me. hybrid technique
  • 24. assumptions key idea 2) List any assumptions or key ideas required to understand or accept any of these points, build any especially significant ones into the list assumption key idea storyboarding: hybrid technique main point A main point b main point N main point X main point v main point L
  • 25. 3 4 7 assumption key idea assumptions key idea main point A main point b main point N main point X main point v main point L storyboardgin: 3) Put your list in sequence. hybrid technique 1 2 5 4 5 6
  • 26. { { 3 4 7 main point A main point b main point N main point X main point v main point L 4) Recopy the list and identify act/chapter breaks with main ideas. Evaluate per timing, duration and tonal needs, and readjust. assumption key idea assumptions key idea storyboarding: hybrid technique 1 2 5 4 5 6 main point b main point n main point a main point x main point Q main point v main point L main point M existing conditions analysis proposals
  • 27. Main Point 1 Main Point 2 Message Message Message Main Point 3 Message Message Message FACT FACT Main Point 4 FACT Main Point 6 Main Point 7 ASSUMPTION ASSUMPTION 5) Use the blank page/whiteboard method, sketch in ways to visualize each message. Try not to be limited to only the visual material you have already made. storyboarding hybrid technique Message FACT IDEA Message Message Main Point 5 Message Message Message FACT IDEA
  • 28. Main Point 1 Main Point 2 Message Message Message Main Point 3 Message Message Message FACT FACT Main Point 4 FACT Main Point 6 Main Point 7 FACT IDEA ASSUMPTION 6) Revise. Re-sequence; evaluate coherence, timing, pace and story arc; edit and identify gaps in content (ideas / visuals). Make additions. storyboarding hybrid technique Message FACT IDEA Message Message Main Point 5 Message Message Message FACT IDEA Message ASSUMPTION
  • 29. write a premise 10 brainstorm three acts/chapters 10 build your storyboard 20 Start with main ideas/points group discussion 20 storyboarding exercise
  • 30. PDF 1, 7.5”x10” Title; 5-10 slide presentation Title of your presentation Intertitle; 1-3 slides storyboard and revisions Storyboard PDF 2, 24”x36” Presentation board/poster Intertitle; sketches, notes, precedents and revisions Including poster sketches! Sketches, notes, precedents and revisions assignment 5 Headline tells me the message of this slide Me venIsque esse volorem eveliat ab id maximetusdae rem es quam consedi rempori beatio doloris soluptaqui rem quam liti solor sae eosam in con net de pero velitas dicit utIg-nim idenditatia voluptatem ellab ium quiandus sum harum volupta vitios par-cipsuntum qui sit dolupta qui ut et et quo et magnimi, net peremAcereptasimus vit erit, ilitia destoru ptatis mod que pereptate molori consequ issunt quid evelles mo et volorehent, te qui beri aut as eligeni comnis ut eat Me venIsque esse volorem eveliat ab id maximetusdae rem es quam consedi rempori beatio doloris soluptaqui rem quam liti solor sae eosam in con net de pero velitas dicit utIgnim idenditatia voluptatem ellab ium quiandus sum harum volupta vitios par-cipsuntum qui sit dolupta Me venIsque esse volorem eveliat ab id maximetus-dae rem es quam consedi rempori eosam in con net de pero velitas dicit utIgnim idenditatia voluptatem ellab ium quiandus sum harum volupta vitios parcipsuntum qui sit dolupta qui ut et et quo et magnimi, net volorem eveliat ab id maximetusdae rem es quam consedi rempori beatio doloris solupta-qui rem quam liti solor sae eosam in con net de pero velitas dicit utIgnim idenditatia suntum qui sit dolupta qui ut et et quo et magnimi, net peremAcereptasimus vit erit, ilitia destoru ptatis mod que pereptate molori consequ issunt quid evelles mo et volorehent, te qui Title of your poster 1 2 3
  • 31. scored out of 20 points Clarity and coherence of narrative constructed? (/6) Thoughtfulness, suitability and/or creativity in representation? (/5) Engagement with and evaluation of different representational strategies (as evidenced in the slide deck by sketches, precedents, notes and finished work)? (/5) Deployment of tools demonstrated and feedback provided in the course? (/4) assignment 5 No resubmissions 2 pts for each day late