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30                                                                                                                                                    MUSIC
                                                                                                                                            I CD REVIEWS
SOUTH FLORIDA SUN-SENTINEL • SHOWTIME


                                                                                                                                            CONTINUED FROM PAGE 29


                                                                                                                                            cities of the new global econo-
                                                                                                                                            my.
                                                                                                                                                            — SEAN PICCOLI
                                                                                                                                            Rock
                                                                                                                                               Gentle Giant: Scraping the
                                                                                                                                            Barrel (Alucard).
                                                                                                                                               With a sound influenced as
                                                                                                                                            much by Scarlatti as Sgt. Pep-
                                                                                                                                            per, Gentle Giant was the origi-
                                                                                                                                            nal baroque ’n’ roll band of the
                                                                                                                                            ’70s. Pushing boundaries in
                                                                                                                                            ways that made prog-rock su-
                                                                                                                                            perstars such as Yes and Gene-
                                                                                                                                            sis seem like amateurs, the
                                                                                                                                            band’s music melded British
                                                                                                                                            folk, 20th century chamber
                                                                                                                                            music and Beatlesque inven-
                                                                                                                                            tion.
                                                                                                                                               Now, 25 years after disband-
                                                                                                                                            ing, Gentle Giant has released
                                                                                                                                            a four-CD boxed set that sheds
                                                                                                                                            new light on the group’s ex-
                                                                                                                                            traordinary virtuosity and en-
                                                                                                                                            semble songwriting. As the title
                                                                                                                                            implies, this retrospective goes
                                                                                                                                            deep into the archival barrel.
                                                                                                                                            But even these bottom scrap-
                                                                                                                                            ings are choice cuts that help to
                                                                                                                                            explain the band’s continuing
                                                                                                                                            influence on newer progressive
                                                                                                                                            rock acts including Spock’s
                                                                                                                                            Beard, Porcupine Tree and
                                                                                                                                            Flower Kings.
                                                                                                                                               Like the Beatles anthologies,
                                                                                                                                            Scraping the Barrel is not a
sun-sentinel.com




                                              See Love & Taxes and Get                                                                      best-of set but a compilation of
                                                                                                                                            previously unreleased works-
                                                    a $5 “REFUND” *                                                                         in-progress, rehearsal demos,
                                                                                                                                            live performances and other
                                                                                                                                            rarities from all 10 of Gentle Gi-
                                                                                                                                            ant’s studio albums. The best
                                                                                                                                 presents   moments are when the tape
                                                                                                                                            captures a song in early stages
                                                                                                                                            of development — as when
                                                                                                                                            keyboardist Kerry Minnear
                                                                                                                                            taps out the core piano melody
                                                                                                                                            of 1977’s As Old As You’re
                                                                                                                                            Young while vocalist/lyricist
                                                                                                                                            Derek Shulman invents a guide
                                                                                                                                            vocal on the spot.
                                                                                                                                               Other highlights include the
                                                                                                                                            deconstruction of several clas-
                                                                                                                                            sic Giant songs including the
                                                                                                                                            elegiac Empty City from
                                                                                                                                            1976’s Interview album: Three
                                                                                                                                            separate tracks isolate the
                                                                                                                                            rhythm sections, acoustic gui-
                                                                                                                                            tar parts and the chorale-fugue
                                              March 24 - 26                                                                                 vocals to reveal the band’s
                                        For limited time, get $5 off this hilarious show.                                                   trademark point-counterpoint
                                              LOVE & TAXES is a hilarious tale of falling in love while wrangling                           approach.
                                           with the Kafka-esque IRS. It begins with Josh Kornbluth's brief foray into the                      There are a handful of inferi-
                                        monolithic Hollywood studio system, netting him much more than a huge tax bill.                     or tracks here — including odd
PB




                                           The piece charts Josh's attempts to extricate himself from the increasingly                      1980s detours that found mem-
                                         paralyzing effects of indebtedness, a situation that threatens his new-found love                  bers sounding like economy-
             •




                                               life, his professional life, and his fiscal and psychological well-being.
FRIDAY, MARCH 11, 2005




                                                                                                                                            class Duran Duran and Big
                                                       For Tickets and Groups, Call Broward Center’s                                        Country. But it’s easy to forgive
                                          AutoNation Box Office at 954.462.0222 or www.browardcenter.org                                    the few shortcomings in this
                                                                                                                                            warts-and-all overview of Gen-
                                                                                                                                            tle Giant’s brief and brilliant
                                                                                                                                            moment in the sun.
                                                                                    Sponsors:                                                                  — NICK TATE
                                                                                                   TM




                                                            All programs, artists, dates and times are subject to change.                   I CD REVIEWS CONTINUES ON 31
                                                     *Valid on all performances, not valid with any other offers or discounts.

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Gentle Giant Review

  • 1. 30 MUSIC I CD REVIEWS SOUTH FLORIDA SUN-SENTINEL • SHOWTIME CONTINUED FROM PAGE 29 cities of the new global econo- my. — SEAN PICCOLI Rock Gentle Giant: Scraping the Barrel (Alucard). With a sound influenced as much by Scarlatti as Sgt. Pep- per, Gentle Giant was the origi- nal baroque ’n’ roll band of the ’70s. Pushing boundaries in ways that made prog-rock su- perstars such as Yes and Gene- sis seem like amateurs, the band’s music melded British folk, 20th century chamber music and Beatlesque inven- tion. Now, 25 years after disband- ing, Gentle Giant has released a four-CD boxed set that sheds new light on the group’s ex- traordinary virtuosity and en- semble songwriting. As the title implies, this retrospective goes deep into the archival barrel. But even these bottom scrap- ings are choice cuts that help to explain the band’s continuing influence on newer progressive rock acts including Spock’s Beard, Porcupine Tree and Flower Kings. Like the Beatles anthologies, Scraping the Barrel is not a sun-sentinel.com See Love & Taxes and Get best-of set but a compilation of previously unreleased works- a $5 “REFUND” * in-progress, rehearsal demos, live performances and other rarities from all 10 of Gentle Gi- ant’s studio albums. The best presents moments are when the tape captures a song in early stages of development — as when keyboardist Kerry Minnear taps out the core piano melody of 1977’s As Old As You’re Young while vocalist/lyricist Derek Shulman invents a guide vocal on the spot. Other highlights include the deconstruction of several clas- sic Giant songs including the elegiac Empty City from 1976’s Interview album: Three separate tracks isolate the rhythm sections, acoustic gui- tar parts and the chorale-fugue March 24 - 26 vocals to reveal the band’s For limited time, get $5 off this hilarious show. trademark point-counterpoint LOVE & TAXES is a hilarious tale of falling in love while wrangling approach. with the Kafka-esque IRS. It begins with Josh Kornbluth's brief foray into the There are a handful of inferi- monolithic Hollywood studio system, netting him much more than a huge tax bill. or tracks here — including odd PB The piece charts Josh's attempts to extricate himself from the increasingly 1980s detours that found mem- paralyzing effects of indebtedness, a situation that threatens his new-found love bers sounding like economy- • life, his professional life, and his fiscal and psychological well-being. FRIDAY, MARCH 11, 2005 class Duran Duran and Big For Tickets and Groups, Call Broward Center’s Country. But it’s easy to forgive AutoNation Box Office at 954.462.0222 or www.browardcenter.org the few shortcomings in this warts-and-all overview of Gen- tle Giant’s brief and brilliant moment in the sun. Sponsors: — NICK TATE TM All programs, artists, dates and times are subject to change. I CD REVIEWS CONTINUES ON 31 *Valid on all performances, not valid with any other offers or discounts.