11. Elizabeth’s vulnerability is highlighted through the use of corsets and closeness of fabric to skin (“Alexandra Byrne”).http://www.femail.com.au/img/elizabeth_goldenage1.jpg
12. A Word About Raleigh’s Wardrobe “The reality is that a gentleman of that time maybe had one suit of clothing. They would have gone to sea in those clothes, they would have got wet, they would have got dry… His clothes, he had gone to sea in them and they had evolved over the journey… It's really the story of what happened to his clothes on the journey, how he added pieces, how they were repaired, what happened to the fabric.” --Alexandra Byrne (“Alexandra Byrne”) http://l.yimg.com/eb/ymv/us/img/hv/photo/movie_pix/universal_pictures/elizabeth__the_golden_age/clive_owen/golden2.jpg
25. The Virgin Mary -Mariolatry: idolatrous worship of the Virgin Mary -Elizabeth (1998) implies that Elizabeth has replaced Mary in the eyes of England -”Elizabeth became a sort of Protestant substitute for the Virgin Mary, filling a post-Reformation gap in the psyche of the masses, who craved a symbolic ‘virgin mother’ figure.” (Hackett, pg. 30) Source: http://everyoneslife.files.wordpress.com/2008/12/virgin-mary-7.jpg
26. TheVirginQueen -”The removal of the Virgin Mary ‘from the English religious scene, left a gap which, as a virgin queen, Elizabeth was ideally qualified to fill.’” (Hackett Pg. 31) -Elizabeth is successfully bringing together her political domain and the church. She is now the ultimate, divine and powerful figure. -This replacement very likely happened much slower than the movie implies. Source: http://www.theage.com.au/ffximage/2007/11/02/rg_blanchett_lead_narrowweb__300x441,0.jpg
27.
28. Bess •Kapur characterizes Elizabeth and Bess as different aspects of the same person. •Elizabeth is seen as attempting to live vicariously through Bess. •Elizabeth sees Beth as her “doll.”
34. Thus, she comes across as someone in an elevated and powerful position, but a human being nonetheless. [Excerpt] I have always so behaved myself that, under God, I have placed my chiefest strength and safeguard in the loyal hearts and good-will of my subjects… being resolved, in the midst and heat of the battle, to live and die amongst you all; to lay down for my God, and for my kingdom, and my people, my honour and my blood, even in the dust (“Speech to the Troops”). Source: http://www.luminarium.org/renlit/tilbury.htm
35.
36. Elizabeth is portrayed as the pure, almost omniscient, divine figure calling all the shots. Photo Source: http://www.badmouth.net/content/uploads/2007/10/elizabeth-high-horse2.JPG
37.
38. The Book of Revelation describes Jesus as riding a white horse in the apocalypse; this marks the beginning of the final good vs. evil war, which Jesus leads (Rev. 19:11).
39. “Then I saw heaven opened, and there was a white horse! Its rider is called Faithful and True, and in righteousness he judges and makes war” (Rev. 19:11).
40. The white horse became a symbol of victory in battle (“The White Horse”) .
41. These religious relations further portray Elizabeth asa divine, even Christ-like figure. Yay England!
42.
43. Babington’s plan: kill Elizabeth, rescue Mary Stuart, and place her on throne with the help of the invading Spanish.
44.
45. Clothes suggestive of marriage and actions associated with powerful religious figures
46.
47.
48.
49.
50.
51. She stands in a posture reminiscent of the Virgin Mary (Schlute 72).
52. She stands with her back to the scary stuff (i.e. dark clouds) and her face toward the light, implying hope and impending good fortune. http://www.shafe.co.uk/crystal/images/lshafe/Gheeraerts_Elizabeth_I_The_Ditchley_Portrait_c1592.jpg
53.
54. She has her fingers over America, in particular, showing she wants to rule the world, and can (Gent and Llewllyn 14).
55. Like the Ditchley Portrait, her back is to destruction (aka the Armada), and her face turned more toward the light, happy, peaceful area (aka the English ships) (Gent and Llewllyn 14).
57. The mermaid symbolizes unrestrained female sexuality; Elizabeth’s back is to it, showing she’s rejecting her sexuality to be a virgin (Gent and Llewllyn 13-14 ).ArmadaPortrait http://www.historic-uk.com/CultureUK/TheArmadaPortrait.jpg
58.
59.
60. She wears white, implying her purity and virginity.
61.
62. Works Cited Whittey, Stephen. “Glittering like fools gold”. Star Ledger. <http://www.nj.com/entertainment/tv/index.ssf/2007/10/glittering_like_fools_gold.html> Covert, Collin. Movie Review: ‘Elizabeth’ a golden delight.” Star Tribune <http://www.startribune.com/entertainment/movies/11525421.html>. Greydanus, Steven D. “Elizabeth: The Golden Age” National Catholic Register. <http://www.decentfilms.com/sections/reviews/elizabeth2.html>. “Shekhar Kapur Interview, Elizabeth The Golden Age.” <http://www.moviesonline.ca/movienews_13112.html>. “Kate Blanchett”<http://www.imdb.com/name/nm0000949/>. “Shekhar Kapur”<http://www.imdb.com/name/nm0001408/> Brown, Tina. The Diana Chronicles.Doubleday: New York. 2007.
63. “Photo of Shekhar Kapur”. Photo. <http://www.collider.com/uploads/imageGallery/Shekhar_Kapur/shekhar_kapur.jpg>. “Photo of Clive Owen”. Photo. <http://blogs.coventrytelegraph.net/passtheremote/assets_c/2009/10/Clive Owen_vl.widec-thumb-298x453.jpg>. “Photo of Jordi Molla”. Photo. <http://www.notasdecine.es/wp content/ uploads /2008 09/jordi-molla.jpg>. “Photo of Cate Blanchett”. Photo. <http://www.greenwithglamour.com/blog/wp- content/uploads/2009/07/cate_blanchett_maid_marian.jpg>. “Photo of Abbie Cornish. Photo. <http://beanstockd.files.wordpress.com/2007/09/abbiecornish- bustatron.jpg>. “Photo of Samantha Morton”. Photo. <http://img.dailymail.co.uk/i/pix/2008/03_02/mortonBandofgold_468x592.jpg>. “Photo of Geoffrey Rush”. Photo. <http://www.heraldtimesonline.com/stories/2007/05/24/_ul_RUSH+Z_lc.jpg>.
64. “Elizabeth: the Golden Age Movie Poster”. Photo. <http://www.nerdalerts.net/movie/wp- content/uploads/2008/01/elizabeth-the-golden-age.JPG>. “Elizabeth: The Golden Age Poster”. Photo. <http://www.impawards.com/2007/posters/ elizabeth_the_golden_age.jpg>. “Alexandra Byrne: Elizabeth: The Golden Age”. Femail.com. <http://www.femail.com.au/alexandra -byrne-elizabeth-the-golden-age.htm>. Gent, Nicole, and Nigel Llewellyn. Renaissance Bodies: The Human Figure in English Culture, c. 1540-1660 . Rathbone: Reaktion, 1990. Google Books. 22 November 2009. <http://books.google.com/books?id=28wvrDrhiw8C&pg=PA11&dq=armada+portrait>. Schlute, Regina. The Body of the Queen: Gender and Rule in the Courtly World, 1500-2000. New York: Berghahn Books, 2006. Google Books. 22 November 2009. <http://books.google.com/books?id=BwxAOScxFQwC&printsec=frontcover#v=onepag e&q=&f=false>. “Speech to the Troops at Tilbury”. Luminarium: An Anthology of English Literature. Web. 22 November 2009. <http://www.luminarium.org/renlit/tilbury.htm>. “Elizabeth: The Golden Age”. Rotten Tomatoes.com. 22 November 2009. <http://www.rottentomatoes.com/m/golden_age/?critic=creamcrop>.
65. “The White Horse As A Christian Symbol”. 22 November 2009. <http://www.freevetadvice.co.uk/whitehorse2.htm>. The Harper Collins Study Bible. New Revised and Standard Version. Meeks, Wayne. San Francisco: Harper-Collins, 2006. Broxton, Jonathan. Movie Music UK. 22 November 2009. “Elizabeth: The Golden Age”. <http://www.moviemusicuk.us/elizabethtgacd.htm>. “The Cult of the Virgin Mary in the Middle Ages.” Metropolitan Museum of Art. http://www.metmuseum.org/toah/hd/virg/hd_virg.htm(20 November 2009). Moss, David Grant. “A Queen for Who’s Time.” The Journal of Popular Culture 39.5 (2006): 796-816. McClure, Peter and Headlam Wells, Robin. “Elizabeth I as a second Virgin Mary.” Renaissance Studies 4.1 (1990): 38-70. King, John N. “Queen Elizabeth I: Representations of the Virgin Queen.” Renaissance Quarterly 43.1 (1990): 30-74. Hackett, Helen. “Rediscovering Shock: Elizabeth I and the cult of the Virgin Mary.” The Critical Quarterly 35.3 30-42.
66. Walker, Julia M. The Elizabeth Icon: 1603-2003. Great Britain: Palgrave MacMillian, 2004. Print. Stump, Donald., and Felch, Susan M., eds. Elizabeth I and Her Age: A Norton Critical Edition. New York, NY: W.W. Norton & Company, Inc., 2009. Print. Weir, Allison. The Life of Elizabeth I. New York: Ballantine Books, 1998. Print. “Babington Plot.” http://www.lycos.com/info/babington-plot.html 20 November 2009.