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WILDLIFE PHOTOGRAPHER
 Florian Schulz
FAMOUS AND KNOWN
 Florian Schulz has become a world renowned, award-
 winning photographer dedicated to the support of
 conservation efforts to protect endangered ecosystems.
 Sponsored by the Blue Earth Alliance, his book
 “Yellowstone to Yukon – Freedom to Roam”, (The
 Mountaineers Books) was awarded by the Independent
 Book Publishers (IPPY Awards) one of the “Top Ten
 Outstanding Books of the Year” under the category: “Most
 Likely to Save the Planet”. Several images selected from his
 book are on display today in the American Museum of
 Natural History under the collective exhibit: Yellowstone to
 Yukon.
Style of Photography
 He like to take intimate shot upclose with animals and
 always prepare with lighting and composition by
 choosing when to shoot and where to position himself
 in a scene.
CONTRIBUTION
 Professional wildlife photographer with a strong
  conservation vision. In constant search of
  breathtaking images, Florian hopes to inspire
  individuals to take action to protect endangered
  ecosystems and wilderness areas.
 Creating awareness for the public about the Arctic and
  wildlife animals.
INFLUENCE AND CHANGES
 In 2010 Florian teamed up with Earthjustice and Patagonia
  to launch the visual environmental campaign “Visions of
  the Arctic” against oil development in the Arctic. Together
  with Braided River and the release of his new book “To The
  Arctic” he will continue to promote the protection of the
  arctic environment with strong environmental and visual
  campaign in 2012.
 His works also empowers conservation-minded
  photographers to use their talents to help create an
  understanding for the natural world.
Living
 He mainly publishes book yellowstone to Yukon – Freedom to
  Roam”, (The Mountaineers Books) was awarded by the
  Independent Book Publishers (IPPY Awards) one of the “Top Ten
  Outstanding Books of the Year” under the category: “Most Likely
  to Save the Planet”. Several images selected from his book are on
  display today in the American Museum of Natural History under
  the collective exhibit: Yellowstone to Yukon.
 He also had cover published on BBC Wildlife Mag (Britain),
  Nature’s Best,PhotoMedia, National Parks Magazine, The Nature
  Conservancy, The New York Times (USA), and Natur & Kosmos
  (Ger), as well as in numerous international book publications like
  Transboundary Conservation and the Human Footprint (Mex).
TECHNIQUES
 Explain and said by Florian Schulz
  For me, I love documenting entire ecosystems, so I have to have the approach of looking at it with
  different angles, with different eyes. On the one hand, it's capturing shots that show the animals
  very small, almost the size of ants, as part of the big landscape, but then also switching to a strong
  telephoto lens and taking intimate portraits.
 The light, of course, is always one of the most important things because that gives the mood, the
  atmosphere. But the beauty about the Arctic is that the sun sometimes for hours can just stay just
  above the horizon, for example, during the midnight hours in the summer and throw this beautiful
  orange light onto the caribou or onto whatever other animal you might find.
 I think what was important was to get different impressions and different perspectives. The aerial
  expedition, of course, helped to get a really big overview of the different dramatic areas in the
  Arctic. The Teshekpuk Lake area, for example, with so many lakes scattered all across the flat Arctic
  coastal areas, but then you have the steep mountains with glaciers across the Brooks Range that
  come in connection there with the Arctic National Wildlife Refuge. And then you have the ocean,
  which has pack ice that normally stays in the Arctic Ocean all the way into July and that pack ice
  can be filled with thousands and thousands of seals.
 But then you also needed to be on the ground in camouflage tents and wait for the return of snowy
  owls to the nest and photograph that and get insight into the life of a snowy owl as she is raising her
  chicks. So yeah, it was definitely a challenge to give very many different perspectives, and of course,
  also find ways to photograph the king of the Arctic, the polar bear, which is a really big challenge.
DISTINGUISHING
 His work frequently document and take photographs
  to create awareness for the public about the ecosystem
  and wild life.
 Most of his shot for wildlife are taking upclose with the
  animals or using dynamic perspective in taking the
  nature eco systems.
Respond and Rolemodel
 His works is breath-taking and really powerful in
 showing the nature/wildlife beauty to me. Since I also
 liked nature photography , I decide to look up on
 Florian Schulz for the amazing shots and way he take
 the photos.
Aesthetic and Technical
 This photos Florian Schulz took is really well
  taken in the correct timing. The image is well-
  compose and the animal stood well together
  with the surround.
 Such shots have to been organised and have
  good estimation in such places because most
  action in this photos only happen in a split of a
  second and might change the next second.

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Florian Schulz: Award-Winning Wildlife Photographer Inspiring Conservation

  • 2. FAMOUS AND KNOWN  Florian Schulz has become a world renowned, award- winning photographer dedicated to the support of conservation efforts to protect endangered ecosystems. Sponsored by the Blue Earth Alliance, his book “Yellowstone to Yukon – Freedom to Roam”, (The Mountaineers Books) was awarded by the Independent Book Publishers (IPPY Awards) one of the “Top Ten Outstanding Books of the Year” under the category: “Most Likely to Save the Planet”. Several images selected from his book are on display today in the American Museum of Natural History under the collective exhibit: Yellowstone to Yukon.
  • 3. Style of Photography  He like to take intimate shot upclose with animals and always prepare with lighting and composition by choosing when to shoot and where to position himself in a scene.
  • 4. CONTRIBUTION  Professional wildlife photographer with a strong conservation vision. In constant search of breathtaking images, Florian hopes to inspire individuals to take action to protect endangered ecosystems and wilderness areas.  Creating awareness for the public about the Arctic and wildlife animals.
  • 5. INFLUENCE AND CHANGES  In 2010 Florian teamed up with Earthjustice and Patagonia to launch the visual environmental campaign “Visions of the Arctic” against oil development in the Arctic. Together with Braided River and the release of his new book “To The Arctic” he will continue to promote the protection of the arctic environment with strong environmental and visual campaign in 2012.  His works also empowers conservation-minded photographers to use their talents to help create an understanding for the natural world.
  • 6. Living  He mainly publishes book yellowstone to Yukon – Freedom to Roam”, (The Mountaineers Books) was awarded by the Independent Book Publishers (IPPY Awards) one of the “Top Ten Outstanding Books of the Year” under the category: “Most Likely to Save the Planet”. Several images selected from his book are on display today in the American Museum of Natural History under the collective exhibit: Yellowstone to Yukon.  He also had cover published on BBC Wildlife Mag (Britain), Nature’s Best,PhotoMedia, National Parks Magazine, The Nature Conservancy, The New York Times (USA), and Natur & Kosmos (Ger), as well as in numerous international book publications like Transboundary Conservation and the Human Footprint (Mex).
  • 7. TECHNIQUES  Explain and said by Florian Schulz For me, I love documenting entire ecosystems, so I have to have the approach of looking at it with different angles, with different eyes. On the one hand, it's capturing shots that show the animals very small, almost the size of ants, as part of the big landscape, but then also switching to a strong telephoto lens and taking intimate portraits.  The light, of course, is always one of the most important things because that gives the mood, the atmosphere. But the beauty about the Arctic is that the sun sometimes for hours can just stay just above the horizon, for example, during the midnight hours in the summer and throw this beautiful orange light onto the caribou or onto whatever other animal you might find.  I think what was important was to get different impressions and different perspectives. The aerial expedition, of course, helped to get a really big overview of the different dramatic areas in the Arctic. The Teshekpuk Lake area, for example, with so many lakes scattered all across the flat Arctic coastal areas, but then you have the steep mountains with glaciers across the Brooks Range that come in connection there with the Arctic National Wildlife Refuge. And then you have the ocean, which has pack ice that normally stays in the Arctic Ocean all the way into July and that pack ice can be filled with thousands and thousands of seals.  But then you also needed to be on the ground in camouflage tents and wait for the return of snowy owls to the nest and photograph that and get insight into the life of a snowy owl as she is raising her chicks. So yeah, it was definitely a challenge to give very many different perspectives, and of course, also find ways to photograph the king of the Arctic, the polar bear, which is a really big challenge.
  • 8. DISTINGUISHING  His work frequently document and take photographs to create awareness for the public about the ecosystem and wild life.  Most of his shot for wildlife are taking upclose with the animals or using dynamic perspective in taking the nature eco systems.
  • 9. Respond and Rolemodel  His works is breath-taking and really powerful in showing the nature/wildlife beauty to me. Since I also liked nature photography , I decide to look up on Florian Schulz for the amazing shots and way he take the photos.
  • 10. Aesthetic and Technical  This photos Florian Schulz took is really well taken in the correct timing. The image is well- compose and the animal stood well together with the surround.  Such shots have to been organised and have good estimation in such places because most action in this photos only happen in a split of a second and might change the next second.