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Ateneo Musical - Mariano Puig - Set of Clarinets

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Ateneo Musical - Mariano Puig - Set of Clarinets

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ATENEO MUSICAL MARIANO PUIG YAGO (1898- 1978) Este pasodoble debe su nombre a la Banda del Ateneo Musical de Cullera, que fue dirigida por el compositor desde 1931 hasta 1968. El compositor es autor de más de 50 pasodobles. Con la banda del Ateneo Musical acudió 11 años al Certamen de Valencia, consiguiendo varios premios, pero destacando sobre todos el Primer Premio de la Sección Especial, hoy de Honor, de 1957. Repleto de melodías líricas construidas dentro del delicado arte del contrapunto, Ateneo Musical es sin duda uno de los pasodobles más representativos de la cultura musical valenciana.
                               Cl.E Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 CL.B         3         3         3         3                         Pasodoble                                                      3         3         3         3                                                                     3         3         3         3               3                      3 3       3 3       3 3       3 3                          3       3       3       3                                                                   3                                                                             Ateneo Musical ©Gino Gonçáls Mariano PUIG Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
                             3                                                                                               3                                                        3 3                                                                                                                                   3 3           3 3 1               3               3                     3                 3            3             3           3 3            3 3                 3 3  2 Ateneo Musical
                     3           3                     3           3                   3          3                        3 3            3 3                expresivo                                                                                                                                                                                                                               3 Ateneo Musical
                                                                                                                      2                                                                                                                                                                                                                                                                                               4 Ateneo Musical
                                                                                                                                                                                                                                                                                                                                                                                                       5 Ateneo Musical
                                                                                                                                                                                                                                                                                                                                                                                                                                                                               6 Ateneo Musical
                                                                                                                                                                                                                           3                                                                                                                                                                                                                                                                                         7 Ateneo Musical
                                                                                                                                                                                                                                                                                                                                                                                                                                                                              8 Ateneo Musical
                                                            4                                                                                                                                                                                                                                                              1.                                                   2.                                                                                      9 Ateneo Musical
                                                                                                                                                                                                                                                                                                                                                                        10 Ateneo Musical
                                                                                                                                                                                       3             3                                                                                      5                        3           3              3          3                                                                        3           3          3          3          3          3                                                                                         11 Ateneo Musical
                                                                                                                                                                                Trio Trio Trio Trio Trio Trio Trio Trio                                                                                                                                                                                                                                                                                        12 Ateneo Musical
                                                                                                                                                                                                                                                                                                                                                                                                                                      6    13 Ateneo Musical
                                                                                                                                                                                                                                                                                                                                                                                                                  14 Ateneo Musical
                                                                                                                                                                                              3          3          3        3                                                                                                                                        7                                                                                                                                                                                                                                                                                                                                        15 Ateneo Musical
                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                             2 2         2 2         2 2                                                                           2 2          2 2          2 2                                                   Pasodoble  rit. 16 Ateneo Musical
                                                rit.                                                              a tempo                                  8                                                                                                                                                                                                                              17 Ateneo Musical
                                                                                                                                                                                                                                                                                                                                                                                                                                         9 18 Ateneo Musical
                                                                                                                                                                                                                                                                                                                                                                                       19 Ateneo Musical
                                                                                                                                                                                                                                                                                                                                      20 Ateneo Musical
           3 Pasodoble            3          3       3 3       3                                               1               expresivo                                     2                                                                                                                                                                   3                                                                           4                            1.         2.                                          Ateneo Musical ©Gino Gonçáls Mariano PUIG Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet E
                                     5                                              Trio                  6                                                                                  3               7                                                                                                                                                       rit. (Œ.=Œ)                8 a tempo                                               9                                                            2 Ateneo Musical
            3 Pasodoble            3          3     3 3       3                                             1                                           2                                                                                                                                                                    3                                                                                                4                                     1.         2.                                                     Ateneo Musical ©Gino Gonçáls Mariano PUIG Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 1º
                             5                     3                                   Trio                 6                                     3               7                                                                                                                                                       (Œ.=Œ)     rit.          8 a tempo                                                 9                                                           2 Ateneo Musical
            3 Pasodoble            3          3       3 3       3                                1            3 3      3      3     3         3 3         2                                                                                                 3                                                                  4                 1.          2.                        3        5          3                   3                     Ateneo Musical ©Gino Gonçáls Mariano PUIG Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 2'
             Trio                                               6                                          3              7                                                                                                                                                         rit.                8 a tempo                                               9                                                      2 Ateneo Musical
            3 Pasodoble            3          3       3 3       3            3           3           3            3 3           1                                                                                                  2                                                                                                                                                                                   3                                                                                  4                 1.        2.                                                  Ateneo Musical ©Gino Gonçáls Mariano PUIG Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 3º
                                                         5            3               3                                         Trio               6         3              7                                                                                                                                                  rit. (Œ.=Œ)                         8 a tempo                                                                                                                                                                     9                                                                                                                                                                    2 Ateneo Musical
          Pasodoble                                                                                                               3 3 1      3      3       3       3 3     3      3     3       3 3         2                                                                                                                         3                                                                       4          1.     2.                       3         5                    3          Ateneo Musical ©Gino Gonçáls Mariano PUIG Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 4º
                     Trio                                                                                                                                               6                                                                                                                                    7                                                                                                                                      rit.                     8 a tempo                                                                                                                                      9                                                                                                                                       2 Ateneo Musical
          Pasodoble                                                                                                              1                                                                                                        2                                                                                                                                                                                                  3                                                                                                                                                  4                                                     1.      2.                                                                   Ateneo Musical ©Gino Gonçáls Mariano PUIG Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 5º
                                           5           3                  3                                      Trio                                                                                                                                      6                                                                                                                                     7                                                                                                              2 2          2 2          rit.               8   a tempo                                                           9                                                         2 Ateneo Musical
          Pasodoble                                                                                                        1                                                                                                   2                                                                                                                                                                                                             3                                                                                                                                                4                                                    1.      2.                                                                Ateneo Musical ©Gino Gonçáls Mariano PUIG Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 6º
                                        5           3                  3                                      Trio                                                                                                                                      6                                                                                                                                   7                                                                                                                    2 2          2 2               rit.           8   a tempo                                                           9                                                         2 Ateneo Musical
          Pasodoble                                3                                               3 3 1      3      3       3       3 3                                                            2                                                                                                                                                                           3                                                                  4                      1.       2.                                                            Ateneo Musical ©Gino Gonçáls Mariano PUIG Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet Bass
                                         5                                              Trio                                                                                                                                             6                                                                            7                                                                                                          2 2          2 2     (Œ.=Œ)     rit.              8 a tempo                                                                   9                                                                                      2 Ateneo Musical

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Ateneo Musical - Mariano Puig - Set of Clarinets

  • 1. ATENEO MUSICAL MARIANO PUIG YAGO (1898- 1978) Este pasodoble debe su nombre a la Banda del Ateneo Musical de Cullera, que fue dirigida por el compositor desde 1931 hasta 1968. El compositor es autor de más de 50 pasodobles. Con la banda del Ateneo Musical acudió 11 años al Certamen de Valencia, consiguiendo varios premios, pero destacando sobre todos el Primer Premio de la Sección Especial, hoy de Honor, de 1957. Repleto de melodías líricas construidas dentro del delicado arte del contrapunto, Ateneo Musical es sin duda uno de los pasodobles más representativos de la cultura musical valenciana.
  • 2.                                Cl.E Cl.1 Cl.2 Cl.3 Cl.4 Cl.5 Cl.6 CL.B         3         3         3         3                         Pasodoble                                                      3         3         3         3                                                                     3         3         3         3               3                      3 3       3 3       3 3       3 3                          3       3       3       3                                                                   3                                                                             Ateneo Musical ©Gino Gonçáls Mariano PUIG Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI)
  • 3.                              3                                                                                               3                                                        3 3                                                                                                                                   3 3           3 3 1               3               3                     3                 3            3             3           3 3            3 3                 3 3  2 Ateneo Musical
  • 4.                      3           3                     3           3                   3          3                        3 3            3 3                expresivo                                                                                                                                                                                                                               3 Ateneo Musical
  • 5.                                                                                                                       2                                                                                                                                                                                                                                                                                               4 Ateneo Musical
  • 6.                                                                                                                                                                                                                                                                                                                                                                                                        5 Ateneo Musical
  • 7.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                6 Ateneo Musical
  • 8.                                                                                                                                                                                                                            3                                                                                                                                                                                                                                                                                         7 Ateneo Musical
  • 9.                                                                                                                                                                                                                                                                                                                                                                                                                                                                               8 Ateneo Musical
  • 10.                                                             4                                                                                                                                                                                                                                                              1.                                                   2.                                                                                      9 Ateneo Musical
  • 11.                                                                                                                                                                                                                                                                                                                                                                         10 Ateneo Musical
  • 12.                                                                                                                                                                                        3             3                                                                                      5                        3           3              3          3                                                                        3           3          3          3          3          3                                                                                         11 Ateneo Musical
  • 13.                                                                                                                                                                                 Trio Trio Trio Trio Trio Trio Trio Trio                                                                                                                                                                                                                                                                                        12 Ateneo Musical
  • 14.                                                                                                                                                                                                                                                                                                                                                                                                                                       6    13 Ateneo Musical
  • 15.                                                                                                                                                                                                                                                                                                                                                                                                                   14 Ateneo Musical
  • 16.                                                                                                                                                                                               3          3          3        3                                                                                                                                        7                                                                                                                                                                                                                                                                                                                                        15 Ateneo Musical
  • 17.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                              2 2         2 2         2 2                                                                           2 2          2 2          2 2                                                   Pasodoble  rit. 16 Ateneo Musical
  • 18.                                                 rit.                                                              a tempo                                  8                                                                                                                                                                                                                              17 Ateneo Musical
  • 19.                                                                                                                                                                                                                                                                                                                                                                                                                                          9 18 Ateneo Musical
  • 20.                                                                                                                                                                                                                                                                                                                                                                                        19 Ateneo Musical
  • 21.                                                                                                                                                                                                                                                                                                                                       20 Ateneo Musical
  • 22.            3 Pasodoble            3          3       3 3       3                                               1               expresivo                                     2                                                                                                                                                                   3                                                                           4                            1.         2.                                          Ateneo Musical ©Gino Gonçáls Mariano PUIG Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet E
  • 23.                                      5                                              Trio                  6                                                                                  3               7                                                                                                                                                       rit. (Œ.=Œ)                8 a tempo                                               9                                                            2 Ateneo Musical
  • 24.             3 Pasodoble            3          3     3 3       3                                             1                                           2                                                                                                                                                                    3                                                                                                4                                     1.         2.                                                     Ateneo Musical ©Gino Gonçáls Mariano PUIG Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 1º
  • 25.                              5                     3                                   Trio                 6                                     3               7                                                                                                                                                       (Œ.=Œ)     rit.          8 a tempo                                                 9                                                           2 Ateneo Musical
  • 26.             3 Pasodoble            3          3       3 3       3                                1            3 3      3      3     3         3 3         2                                                                                                 3                                                                  4                 1.          2.                        3        5          3                   3                     Ateneo Musical ©Gino Gonçáls Mariano PUIG Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 2'
  • 27.              Trio                                               6                                          3              7                                                                                                                                                         rit.                8 a tempo                                               9                                                      2 Ateneo Musical
  • 28.             3 Pasodoble            3          3       3 3       3            3           3           3            3 3           1                                                                                                  2                                                                                                                                                                                   3                                                                                  4                 1.        2.                                                  Ateneo Musical ©Gino Gonçáls Mariano PUIG Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 3º
  • 29.                                                          5            3               3                                         Trio               6         3              7                                                                                                                                                  rit. (Œ.=Œ)                         8 a tempo                                                                                                                                                                     9                                                                                                                                                                    2 Ateneo Musical
  • 30.           Pasodoble                                                                                                               3 3 1      3      3       3       3 3     3      3     3       3 3         2                                                                                                                         3                                                                       4          1.     2.                       3         5                    3          Ateneo Musical ©Gino Gonçáls Mariano PUIG Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 4º
  • 31.                      Trio                                                                                                                                               6                                                                                                                                    7                                                                                                                                      rit.                     8 a tempo                                                                                                                                      9                                                                                                                                       2 Ateneo Musical
  • 32.           Pasodoble                                                                                                              1                                                                                                        2                                                                                                                                                                                                  3                                                                                                                                                  4                                                     1.      2.                                                                   Ateneo Musical ©Gino Gonçáls Mariano PUIG Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 5º
  • 33.                                            5           3                  3                                      Trio                                                                                                                                      6                                                                                                                                     7                                                                                                              2 2          2 2          rit.               8   a tempo                                                           9                                                         2 Ateneo Musical
  • 34.           Pasodoble                                                                                                        1                                                                                                   2                                                                                                                                                                                                             3                                                                                                                                                4                                                    1.      2.                                                                Ateneo Musical ©Gino Gonçáls Mariano PUIG Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet 6º
  • 35.                                         5           3                  3                                      Trio                                                                                                                                      6                                                                                                                                   7                                                                                                                    2 2          2 2               rit.           8   a tempo                                                           9                                                         2 Ateneo Musical
  • 36.           Pasodoble                                3                                               3 3 1      3      3       3       3 3                                                            2                                                                                                                                                                           3                                                                  4                      1.       2.                                                            Ateneo Musical ©Gino Gonçáls Mariano PUIG Arr. by Gino Gonçals (Cover of Clarinets, Aragón, S.XXI) Clarinet Bass
  • 37.                                          5                                              Trio                                                                                                                                             6                                                                            7                                                                                                          2 2          2 2     (Œ.=Œ)     rit.              8 a tempo                                                                   9                                                                                      2 Ateneo Musical