SlideShare a Scribd company logo

3227

•
•
K
kotob arabia
Education
1 of 61
Download to read offline
      
‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
‫‪‬‬ ‫ﺍﻟﺼﻔﺤﺔ‬ ‫ﺍﻟﻤﻭﻀﻭﻉ‬ ‫ﺨﺴﺎﺭﺓ ..................................................... ٤‬ ‫ﻋﻨﺩﻤﺎ ﺘﻜﺸﻑ ﺍﻷﺸﻴﺎﺀ ﻋﻥ ﻨﻔﺴﻬﺎ ............................. ٥‬ ‫‪‬‬ ‫ﺘﻅﻬﺭ ﻓﻲ ﺠﻤﻴﻊ ﺍﻟﺯﻭﺍﻴﺎ ..................................... ١١‬ ‫ﺘﻅﻬﺭ ﻓﻲ ﺍﻷﻗﻨﻌﺔ ........................................... ٥١‬ ‫ﺘﻅﻬﺭ.. ﻓﻴﺠﻥ............................................... ٩١‬ ‫‪‬‬ ‫ﻴﺨﻁﻁ ﻟﺴﺭﻗﺔ ﻗﻁﺘﻬﺎ......................................... ٥٢‬ ‫ﺴﺄﻜﻭﻥ ﺭﻭﻤﺎﻨﺴ ‪‬ﺎ ﺒﻌﺽ ﺍﻟﻭﻗﺕ .............................. ٩٢‬ ‫ﻴ‬ ‫ﻤﻥ ﺃﺠﻠﻬﺎ ﺴﻴﺭﺘل ............................................ ٣٣‬ ‫ﺤﻭﺍﺌﻁ ﻜﺎﻟﺤﺔ ............................................... ٧٣‬ ‫ﻜﺄﻨﻪ ﺍﻨﺘﻅﺎﺭ ﺃﺨﻴﺭ ........................................... ٢٤‬ ‫ﺇﻴﻘﺎﻋﺎﺕ ﻤﻥ ﺃﺠل ﺃﻭﺩﻴﺕ .................................... ٤٤‬ ‫٢‬
‫• ‪‬ﻠﻴﻙ ﺃﻥ ﺘﺭﻯ ﻨﻔﺴﻙ ‪‬ﺭﺓ ﺃﺨﺭﻯ‬ ‫ﻤ ﹰُ‬ ‫ﻋ ‪ ‬‬ ‫ﻓﻲ ﻤﺭﺁﺘﻙ ﺃﻨﺕ‬ ‫ﹶ‬ ‫ِ‬ ‫ﻭﺘ ِﻥ ﺍﻷﻤﻭﺭ ﺠﻴ ‪‬ﺍ‬ ‫‪ ‬ﺩ‬ ‫ﺯ‬ ‫ﻓﻤﻥ ﺍﻟﻀﺭﻭﺭﻱ‬ ‫ﺃﻥ ﺘﻜﻭﻥ ﺸﺭ ‪‬ﺎ ﺒﻌﺽ ﺍﻟﻭﻗﺕ‬ ‫ِ‬ ‫‪‬‬ ‫‪ ‬ﺴ‬ ‫‪‬‬ ‫ﻟﻜﻲ ﻻ ﺘﻜﻭﻥ ﺸﺭﻴ ‪‬ﺍ ﻜل ﺍﻟﻭﻗﺕ‬ ‫‪‬ﺭ ّ‬ ‫ﱠ‬ ‫ﺸﻌﺒﺎﻥ ﻴﻭﺴﻑ‬ ‫• ﺇﻻ ﺃﻥ ﻫﺫﺍ ﺍﻷﻤﺭ ﻟﻡ ﻴﻨل ﻤﻥ ‪‬ﺯﻴﻤ ِﻪ.‬ ‫‪  ‬ﹶْ ِ‪‬ﻋ ﺘ‬ ‫ﻓﻘﺩ ﻜﺎﻥ ‪‬ﻐﺭ ‪‬ﺎ ﺒﻤﺼﻴﺭﻩ ﺒﺤﻴﺙ ﺒﺩﺕ ﻟﻪ‬ ‫‪ ‬ﹾ‬ ‫ﻤ ‪‬ﻤ‬ ‫ﻁﺭﻴﻕ ﺍﻟ ‪‬ﻼﻙ ﻨﻔﺴﻬﺎ ﻏﺎﻴﺔ ﻓﻲ ﺍﻟ ﹸﺒل ﻭﺍﻟ ‪‬ﻤﺎل‬ ‫ﻨ ِ ﺠ ِ‬ ‫ﹲ‬ ‫ﹸ ﻬ ِ‬ ‫• ﻤﻴﻼﻥ ﻜﻭﻨﺩﻴﺭﺍ‬ ‫• ﻜﺘﺎﺏ ﺍﻟﻀﺤﻙ ﻭﺍﻟﻨﺴﻴﺎﻥ.‬ ‫٣‬
‫* ‪* ‬‬ ‫ﺃﺘﺨﺴﺭ ﻨﻔ ‪  ‬ﻓﻲ ﻅل:‬ ‫ِﱠ‬ ‫‪ ‬ﹶ ﹾﺴﻙ‬ ‫ﺃﻥ ﺘﺘﻭﺩﺩ ﻟﻶﺨﺭﻴﻥ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﺃﻭ ﺘﺘﺠﺩﺩ‬ ‫‪‬‬ ‫ﻓﻲ ﻜﺫﺏ ﻭﺍﻀﺢ؟‬ ‫ٍ‬ ‫ﺃ ﹶﺨﺴ ‪‬ﻫﺎ – ﺨﻠﺴ ﹰ؟‬ ‫ﺔ‬ ‫ﺘ ﺭ‬ ‫ﺜﻡ ﺘﻜﺴﺏ ﺒﻌ ‪‬ﺎ‬ ‫‪‬ﻀ‬ ‫ﻤﻥ ﺍﻟﻔ ‪‬ﺡ ﺍﻟﻤ ‪‬ﻋﻰ..‬ ‫ﹶﺭ ‪‬ﺩ‬ ‫ﻭ ﹸﺠ ﱢﺩ ﻁﺎﻗﺔ ﺭﻭﺤﻙ – ﻤﺭ ﹶﻔﺔ‬ ‫ِ ‪  ‬ﻏ ﹰ‬ ‫ﺘ ﻨ‪‬‬ ‫ﻭﺘ ‪‬ﻴ ﹸﻬﺎ – ﻋﺎﻤ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﺯﻔ‬ ‫ﻟﺘﻁﻴﺭ ﺇﻟﻰ ‪‬ﺩﻥ ﺸﺎﺌﻬﺔ‬ ‫ِِﹾ‬ ‫ﻤ‬ ‫ﺃ ﹶﺨﺴ ‪‬ﻫﺎ ﻜﱠﻤﺎ ﹶﻔﺯﺕ ﻓﻲ ﹶﻀﺎ ِﻠﻙ ُﻜﺫﻭﺒ ﹲ؟‬ ‫ﻓ ﺌ ﺃ ﺔ‬ ‫ﺘ ﺭ ﹸﻠ ﻗ ﹾ‬ ‫ﻭﺘ ‪‬ﻫﺞ ﻓﻲ ُﻤﺴﻴﺎﺕ ﺍﻟﻜﻼﻡ.. ﻜﻼ ‪‬؟‬ ‫ﻡ‬ ‫ِ‬ ‫ِ‬ ‫ﻭ ‪ ‬ﺃ‬ ‫ﻟﺴﺘﻘﻁ ﻜل ﺘﻭﺍﺭﻴﺨﻙ ﺍﻟﺘﺎﺌﻬﺔ‬ ‫ﹾ‬ ‫ِ‬ ‫ﹶ ﱞ‬ ‫٤‬
‫* ‪*     ‬‬ ‫‪‬‬ ‫ﻷﻨﻙ ﻟﻡ ﺘﺘﻔﻬﻡ ‪‬ﻤﻠ ﹶﻬﺎ‬ ‫ﺠ ﺘ‬ ‫ﻭﺘ ﱠﻨ ‪‬ﻫﺎ ﻜﻠﻤﺔ.. ﻜﻠﻤﺔ‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﹸﻔ ﺩ‬ ‫ﻭ ﹸﻘﻠ ‪‬ﻬﺎ. ﻓﺎﺤ ‪‬ﺎ‬ ‫ﺼ‬ ‫ﺘ ﱠﺒ‬ ‫ﻟﺘﺭﺩ ﻋﻠﻴﻬﺎ‬ ‫‪‬‬ ‫ﻭﺘﺴﺭﺩ ﻭﺍﻗﻌﺔ ﺃﺤﺩ‪‬ﺜﺕ ﻜل ﻫﺫﺍ ﺍﻟﺼﺨﺏ.‬ ‫‪‬‬ ‫ﱠ‬ ‫ﹰ‬ ‫ﻷﻨﻙ ‪‬ﺤﺕ ﺘﺩﻭﺭ‬ ‫‪‬‬ ‫‪‬ﺭ ﹶ‬ ‫ﻭﺘﻬﺫﻱ‬ ‫ﻭﺘﻔﺘﺢ ﺒﻭﺍﺒﺔ ﻻﻗﺘﺤﺎﻤﻙ‬ ‫ِ‪‬‬ ‫ﹰ‬ ‫‪‬‬ ‫ﺒﻭﺍﺒﺔ ﺘﺘﻘﺎﻁﺭ ﻤﻨﻬﺎ ﺍﻟﺸﻴﺎﻁﻴﻥ ﻤﺯﻫﻭﺓ‬ ‫ﹰ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻷﻨﻙ ﺘﻤﻸ ﻓﻲ ﻜل ﺜﺎﻨﻴﺔ ﻭﺭ ﹰﺎ‬ ‫ﱠ ٍ ﻗ‬ ‫ُ‬ ‫ﻭﺘﻜﺩﺱ ﻓﻲ ﺩﺭﺝ ﻤﻜ ِﺒﻙ ﺍﻟﺨﺸﺒﻲ‬ ‫‪  ِ‬ﺘ ‪‬‬ ‫‪‬‬ ‫ﺨﻁﺎﺒﺎﺘﻙ ﺍﻟﺤﺎﻟﻤﺔ‬ ‫ﻷﻨﻙ ﻓﻭﺠﺌﺕ‬ ‫ﹶ‬ ‫ﻭﺍﺴ‪‬ﺘﻠﺒﺘﻙ ﻓﺼﺎﺤ ﹸﻬﺎ‬ ‫ﺘ‬ ‫‪‬‬ ‫٥‬
‫ﻭﺍﺴﺘﻨﺩﺕ ﺇﻟﻰ ﻟ ِﺔ ﺍﻟﺯﺨﺭﻓﺔ‬ ‫ﹸﻐ‬ ‫ﹶ‬ ‫ﻫﺠﺭﺘﻙ‬ ‫ﻭﺤ ﱠﺕ ﻋﻠﻰ ﺠﺴﺩ ﺃﻨﻬﻜﺘﻪ ﺍﻟﻬﺯﺍﺌﻡ‬ ‫‪‬‬ ‫‪ٍ ‬‬ ‫ﻁ‬ ‫ﻓﻲ ﻏﺭﻓﺔ ﺼﺎﺨﺒﺔ‬ ‫ِﹾ‬ ‫ٍ‬ ‫ﻷﻨﻙ ‪‬ﻨﺫ ﺍﻨﺩﻓﻌﺕ ﺤﻤﻴ ‪‬ﺎ ﺃﻤﺎﻡ ﺘﻜﺎﺴِﻬﺎ‬ ‫ﻠ‬ ‫ﹶ ﻤ‬ ‫ﻤ‬ ‫ﻭﺍﻨﺠﺫﺒﺕ ﺸﺭﻴ ‪‬ﺍ ﹸﺭﺩﺩ ﻗﺼ ﹶﻬﺎ‬ ‫ﺩ ﺘ ‪ ‬ﺘ‬ ‫ﻭﺍﺭﺘﻤﻴﺕ ﻋﻠﻰ ﺃﺭﻀﻬﺎ ﻫﺎﺌ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﹶ‬ ‫ﺠ ‪‬ﺸﺕ ﺸ ‪‬ﻫﺎ‬ ‫‪‬ﻴ ﹾ ﺭ‬ ‫ﻟﺘﺤﺎﺼﺭ ﻜ ﱠ ﻤﺩﺍﺌ ِﻙ ﺍﻟﺒﺎﻗﻴﺔ‬ ‫ﹾ‬ ‫ﻨ‬ ‫‪ ‬ﹸل‬ ‫ﻷﻨﻙ ﹸﻨﺕ ﹸﻘﺒﹸﻬﺎ، ﻓﺘﺩﻭﺥ‬ ‫ﹸ‬ ‫ﻜ ﹶ ﺘ ‪‬ﻠ‬ ‫ﻭﺘﻐﺭﻕ ﻓﻲ ﺒﺌﺭ ‪‬ﺘﻌ ِﻬﺎ‬ ‫ِﻤ ﺘ‬ ‫ﹸ‬ ‫ﻓﺘﻌﺒﺙ ﻓﻴﻙ ﺍﻟﻬﻭﺍﺠﺱ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﺘﺴﻘﻁ ﺘﺤﺕ ﻋﻭﺍﻤﻴ ِﻫﺎ‬ ‫ﺩ‬ ‫ﹶ‬ ‫ﻫﺎﺘ ﹰﺎ:‬ ‫ﻔ‬ ‫ﻴﺎ ﻤﻼﻜﻲ.. ُﺤﺒﻙ‬ ‫ﺃ ‪ِ‬‬ ‫ﹸﻠﻘﻰ ﺒﻨﻔ ِﻙ ﺃﺴﻔﹶﻬﺎ‬ ‫ﻠ‬ ‫ﺴ‬ ‫ﺘ‬ ‫٦‬
‫ﺭﺍﻏ ‪‬ﺎ‬ ‫ﺒ‬ ‫ﻭﻤﻨﺴﺤ ‪‬ﺍ ﻓﻲ ﺤﻀﻭﺭ ﻤﺒﺎﻫﺠﻬﺎ،‬ ‫ِ‬ ‫ﺭ‬ ‫ﻗﺎﺭ ًﺎ ﻨ ‪‬ﻬﺎ‬ ‫ﺌ ﺼ‬ ‫ﻁﺭﺩﺘﻙ.. ﺒﻌﻴ ‪‬ﺍ‬ ‫ﺩ‬ ‫‪‬‬ ‫ﻷﻨﻙ ﻤﺴﺘﻠﺏ ﻟﻠﻘﺩﻴﻡ‬ ‫ِ‬ ‫‪‬‬ ‫ﻭ ‪‬ﺨﺘﺭﻕ ﻤﻥ ﺠﻤﻴﻊ ﺍﻟﺯﻭﺍﻴﺎ‬ ‫ِ‬ ‫ﻤ ﹶ‪‬ﹲ ‪‬‬ ‫ﻭ ‪‬ﻨﺠﺫﺏ ﺼﻭﺏ ﻓﺘﻨﺘﻬﺎ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻤ‬ ‫ﻭﺍﺭﺘﺒﻜﺕ ﺃﻤﺎﻡ ﺘﻔﺎﺼﻴﻠﻬﺎ‬ ‫ﹶ ‪‬‬ ‫ﺃﺸﹾﻌﻠﺘﻙ ﺘﻤﺎ ‪‬ﺎ‬ ‫‪ ‬ﻤ‬ ‫ﻭﺭﺍﺤﺕ ﺘﺩﺱ ﻜﻤﺎﺌ ﹶﻬﺎ – ﻋﻠ ﹰﺎ‬ ‫‪‬ﹶﻨ‬ ‫ﻨ‬ ‫‪‬‬ ‫ﹾ‬ ‫ﻭﺘﺩﺏ ﺃﺼﺎﺒ ‪‬ﻬﺎ ﻓﻲ ﻋﻴﻭ ِﻙ‬ ‫ﻨ‬ ‫ﻌ‬ ‫‪‬‬ ‫ﺠﺎﺀﺕ ﺒﻴﺴﺭ‬ ‫‪ٍ‬‬ ‫ﻭﺠ ‪‬ﺘﻙ ﻨﺤﻭ ﹸﺭﺍﻓ ِﻬﺎ‬ ‫ﺨ ﺘ‬ ‫ﺭ ‪‬‬ ‫ﻓﺎﻨﺠﺭﺭﺕ‬ ‫ﹶ‬ ‫ﻭ ‪‬ﺤﺕ‬ ‫ﺒ ﹶ‬ ‫ﻭ ﹸﻬﺕ‬ ‫ﺘ ﹶ‬ ‫ﻭﻏﺒﺕ ﻁﻭﻴ ﹰ،‬ ‫ﻼ‬ ‫ﹶ‬ ‫ﻭﺠﺌﺕ‬ ‫ﹶ‬ ‫٧‬
‫ﻓ ﹸﻠﺕ ﺍﻟﺫﻱ ﻟﻡ ﺘﺭﺩ ﺃﻥ ﺘﻘﻭل.‬ ‫َ‬ ‫ﹸ ِ‪‬‬ ‫ﻘ ﹶ‬ ‫ﻭﻗﻠﺕ ﻟﻬﺎ:‬ ‫ﹶ‬ ‫)ﺇﻥ ﻭﺍﺤﺩﺓ ﻤﻥ ﻤﻌﺎﺭﻓﻬﺎ.. ﺍﺸﺘﻌﻠﺕ‬ ‫ﹾ‬ ‫ﹰ‬ ‫ﻏﻴﺭ ﹰ، ﻭﺍﺴﺘﻔﺎﻀﺕ ﻟﺘﺸﺘ ‪‬ﻬﺎ، ﻭﺘﻘﱠﺏ‬ ‫ﻠ‬ ‫ﻤ‬ ‫ﹾ‬ ‫ﺓ‬ ‫ﻓﻲ ﺩﻓﺘﺭ ﺍﻟﺴﻴﺌﺎﺕ، ﺍ ‪‬ﻋﺕ ﺃﻨﻬﺎ ﺴﻭﻑ‬ ‫ﺩ‬ ‫ِ‬ ‫ﺘﻜﺸﻑ ﺃﺴﺭﺍﺭﻫﺎ ﺍﻟﻜﺎﻤﻠﺔﹾ، ﻭﺘﻬﺩﺩ‬ ‫‪‬‬ ‫ﻤﺭﻜﺯﻫﺎ ﻓﻲ ﺍﻟﺤﻴﺎ ِ، ﻭﺴﻭﻑ ﹸﺨ ‪‬ﺏ ﻜل‬ ‫ﺘ ﺭ ‪ ‬ﱠ‬ ‫ﺓ‬ ‫ﻤﻘﺎﺼﺩﻫﺎ.‬ ‫ﺜﻡ ﻗﻠﺕ ﻟﻬﺎ ﻋﺎﺸ ﹰﺎ:‬ ‫ﻘ‬ ‫ﹶ‬ ‫ﺇﻨﻨﻲ ﻓﻲ ﺠﻤﺎﻟﻙ ﺃﻋﺭﻑ ﺃﻥ ﺍﻟﺤﻴﺎﺓ ﺤﻘﻴﻘﻴﺔ‬ ‫ﹲ‬ ‫ﹶ‬ ‫ﻭﺍﻟﻁﺒﻴﻌﺔ ﻤﺠﺘﻤﻊ ﻜﺎﻤل‬ ‫ٌ‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻭﺍﻟﻘﺭﻭﻥ ﺍﻟﺘﻲ ﺍﻨﺼﺭﻤﺕ‬ ‫ﹾ‬ ‫‪‬‬ ‫ﺴﻭﻑ ﹸﺼﺒﺢ ﺃﻗﺼﺭ ِﻥ ﻟﺤﻅﺔ‬ ‫ٍ‬ ‫‪‬ﻤ‬ ‫ﺘ ‪‬‬ ‫ﻓﻲ ﻫﻭﺍﻙ.‬ ‫ِ‬ ‫٨‬
‫ﺍﻨﺩﻟﻘﺕ‬ ‫ﹶ‬ ‫ﻭﺃﻏﺭﻗﺕ ﹸﺭﻓﺘﻬﺎ ﺒﺼﻬ ِﻠﻙ‬ ‫ﻴ ‪‬‬ ‫ﹶﻏ‬ ‫ﻭﺍﻨﻔﻀﺤﺕ ﻓﻲ ﺍﻟﺴﺭﻴﺭ ﺍﻟﻤﺭﺍﻭﻍ‬ ‫ِ‬ ‫ِ‬ ‫ﹾ‬ ‫ﺭﻏﺒ ﹸﻙ ﺍﻟﺠﺎﻤﺤﺔ.‬ ‫ﹾ‬ ‫ﺘ‬ ‫ﻷﻨﻙ ﺃﺴﻘﻁﺕ ﻤﻜ ‪‬ﺍ‬ ‫ﹶ ‪ ‬ﹾﺭ‬ ‫ﻭﻨﺤﻴﺕ ﹸﺒ ﹰﺎ‬ ‫‪ ‬ﹶﺨﺜ‬ ‫ﻭﺃﺤ‪‬ﺭﻗﺕ ﺸ ‪‬ﺍ‬ ‫ﹶ ﺭ‬ ‫ﻭﺃﻟﻘﻴﺕ ﺃﺴِﺤﺔ ﹸﻨﺕ ﺘﻜ ‪‬ﻫﻬﺎ‬ ‫ﹶ ﻠ ﹰﻜ ﹶ ﺭ‬ ‫َﻭﻗﻔﺘﻙ.. ﻀﻌﻴ ﹰﺎ‬ ‫ﻔ‬ ‫ﺃ ﹾ‪‬‬ ‫ﻭﺃﺒﻜﹾﺘﻙ‬ ‫‪‬‬ ‫ﺤﺘﻰ ﺃﻋﺎﺩﺘﻙ ﻁﻔﻼ ﻭﺩﻴ ‪‬ﺎ.‬ ‫ﹰ ﻌ‬ ‫‪‬‬ ‫ﻷﻨﻙ ﺘﻔﹾﻘﺩ ﻓﻲ ﻜل ﻴﻭﻡ‬ ‫ّ ٍ‬ ‫‪‬‬ ‫ﻤﺴﺎﺤﺔ ﻭﺩ ﻤﻊ ﺍﻵﺨﺭﻴﻥ‬ ‫‪‬‬ ‫ﻭﺘﺩﻓﻊ ﻨﻔ ‪‬ﻙ‬ ‫‪ ‬ﺴ‬ ‫ﻓﻲ ‪‬ﺯﻟﺔ ﻤﻭﺤﺸﺔ‬ ‫ﹾ‬ ‫ﻋ‬ ‫ﺴﺘﺨ ‪‬ﺭ ﺃﻴﺎ ‪‬ﻙ ﺍﻟﻘﺎﺩﻤﺔ..‬ ‫ﹾ‬ ‫ﺴ ﻤ‬ ‫٩‬
‫ﻷﻨﻙ ﺘﻌﺭﻑ ﺃﻥ ﺍﻟﻘﻭﺍﻤﻴﺱ ﺤﺭﻓﻴﺔ‬ ‫ﹲ‬ ‫‪‬‬ ‫ﹸ ‪‬‬ ‫ﻭﺍﻟﻤﻌﺎﺠﻡ ﻤﻴﺘﺔ ﻭﺤﺩﻫﺎ‬ ‫‪ ‬ﹲ‬ ‫ﺴﻭﻑ ﺘﺠﻬل ﺠﻤﻠ ﹶﻬﺎ – ﻋﺎﻤ ‪‬ﺍ‬ ‫ِﺩ‬ ‫ُ ﺘ‬ ‫ﻭﺘﻭﺩﻉ – ‪‬ﺒﺘﻤ ‪‬ﺎ – ﻟﻐﺔ‬ ‫ﹰ‬ ‫‪ ‬ﻤ ﺴ‬ ‫ﻓﺴﺩﺕ ﻓﻲ ﺠﻤﻴﻊ ﺍﻟﺠﻬﺎﺕ‬ ‫ﹾ‬ ‫ﹾ‬ ‫٠١‬
‫* ‪*    ‬‬ ‫ﺭﺒﻤﺎ – ﻓﻲ ﺴﺭﻴﺭﻱ‬ ‫ﺃﺩ ‪‬ﺏ ﻨﻔﺴﻲ ﻋﻠﻰ ﺃﻥ ﺃﻨﺎﻡ ﻭﺤﻴ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﺭ ‪‬‬ ‫ﻭﺃﻥ ﺃﺴﺘﻌﻴﺩ ﻁﻘﻭﺴﻲ ﺍﻟﻘﺩﻴﻤﺔ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﻁﻘﻭﺴﻲ ﺍﻟﺘﻲ – ﻤﻨﺫ ﻋﺸﺭﻴﻥ ﻋﺎ ‪‬ﺎ – ﻤﻀﺕ‬ ‫ﻤ‬ ‫ﺃﺩ ﹶﻠﺘﹾﻨﻲ ﺇﻟﻰ ًﺭﻑ‬ ‫ﻏ ٍ‬ ‫ﹸ‬ ‫ﺨ‬ ‫ﻭﺒﻴﻭﺕ‬ ‫ٍ‬ ‫ﻭﺴﺎﺤﺎﺕ ﻋﺸﻕ ﺘﻘﱠﺒﺕ ﻓﻴﻬﺎ.‬ ‫ِ ٍِ ﻠ‬ ‫ﻁﻘﻭﺴﻲ ﺍﻟﺘﻲ ﺃﺭﺒﻜﺘﻨﻲ‬ ‫ﻭ ﹸﻨﺕ ﺃﻤﺎﺭﺴﻬﺎ – ﻨﺯ ﹰﺎ – ﺩﺍﺌ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﹶ ِﻗ‬ ‫ﻜ ﹸ‬ ‫ﺒ ‪‬ﺩﺕ ﻁﺎﻗﺔ ﻤﺫ ِﻠﺔ..‬ ‫ﹰ ﻫ‬ ‫ﺩ ﹾ‬ ‫ﻭﺍﻨﺯﻭﺕ.‬ ‫ﹾ‬ ‫ﻗﻁ ‪‬ﺎ ﺴﻭﻑ ﺁﺨﺫ ﻭﻗ ﹰﺎ ﻁﻭﻴﻼ‬ ‫ﹰ‬ ‫ﺘ‬ ‫ﻌ‬ ‫ﻟﻜﻲ ﺃﻁﺭﺩ ﺍﻟﻘﻠﻕ ﺍﻟﻤﺘﻔﺠﺭ – ﻟﻴﻼ‬ ‫ﹰ‬ ‫ﹶ‬ ‫‪‬‬ ‫١١‬
‫ﻭﺁﻟﻑ ﻟﻠﻭﺤﺩﺓ ﺍﻟﻘﺎﺩﻤﺔ.‬ ‫ﻗﻁ ‪‬ﺎ..‬ ‫ﻌ‬ ‫ﺴﻭﻑ ﻴﻁﻠﺒﻨﻲ ﺃﺼﺩﻗﺎﺌﻲ‬ ‫ﻭﻴﺤﻜﻭﻥ ﻟﻲ ﻓﻲ ﺘﺭﺍﺥ ﺸﺩﻴﺩ – ﻜﻌﺎﺩﺍﺘﻬﻡ –‬ ‫ٍ‬ ‫ٍ‬ ‫ﻗﺼ ‪‬ﺎ ﻤﺯﻋﺠﺔ..‬ ‫ﹾ‬ ‫ﺼ‬ ‫ﻗﺼ ‪‬ﺎ ﺘﺠﻌل ﺍﻟﻤﺭﺀ – ﻴﺼﺭﺥ.‬ ‫‪‬‬ ‫ﺼ‬ ‫ﻴﻔﺯﻉ..‬ ‫ﺃﻭ ﻴﺴﺘﻐﻴﺙ ﺒﺭﺏ ﻜﺭﻴﻡ.‬ ‫ٍ‬ ‫‪‬‬ ‫ﺴﺄﻟﺠﺄ – ﺤﺘ ‪‬ﺎ – ﺇﻟﻰ ﺍﻤﺭﺃﺓ‬ ‫ٍ‬ ‫ﻤ‬ ‫ﺩﺒﺭﺕ ﻗﺼﺔ ﻟﻬﻼﻜﻲ.‬ ‫‪ ‬ﹾ‬ ‫ﺴﺘﹾﻤﺜل – ﺸﺎﺨﺼﺔ ﻓﻲ ﻓﻀﺎﺀ ﺍﻟﻤﻜﺎﻥ‬ ‫ِ‬ ‫ﹰ‬ ‫‪ ‬ﹸُ‬ ‫ﻭﺘﺤﺭﻤﻨﻲ ﻤﻥ ﻁﻤﺄﻨﻴﻨﺔ ﻁﺎﺭﺌﺔ‬ ‫ٍ‬ ‫ﻭ ﹸﺠ ﱠﺩ – ﻟﻲ – ﻓﻲ ﺍﻟﻬﻭﺍﺠﺱ‬ ‫ٍ‬ ‫ﺘ ﻨ‪‬‬ ‫ﺃﺸﺒﺎ ‪‬ﻬﺎ‬ ‫ﺤ‬ ‫ﺒﻌﺩ ﺃﻥ ﺃﻓﹾﺴﺩﺕ ﻜل ﺃﻨﺤﺎﺀ ﺭﻭﺤﻲ.‬ ‫ﹾ ﱠ‬ ‫ﺴﺘﻘﺒﻊ ﻓﻲ ﻜل ﺯﺍﻭﻴﺔ ﻤﻥ ﺯﺍﻭﻴﺎ ﺍﻟﺴﺭﻴﺭ.‬ ‫ﱢ‬ ‫ﻭﺘﻨﺸﺏ ﻓﻲ ﺠﺴﺩﻱ – ‪‬ﻠ ﹰﺎ – ﺸﻭ ﹰﺔ.‬ ‫ﻜ‬ ‫ﻋﻨ‬ ‫٢١‬
‫ﻤﺭﺓ – ﻗﻠﺕ – ﺃﺭﺼﺩﻫﺎ..‬ ‫ﹸ‬ ‫ﹰ‬ ‫‪‬ﺘﺴﻠﻠﺔ ﻤﻥ ﺜﻘﻭﺏ ﺍﻟﻨﻭﺍﻓﺫ‬ ‫ِ‬ ‫ﻤ ﹰ‬ ‫ﺃﻭ ﻓﻲ ﺠﻨﺎﺡ ﺒﻌﻭﻀﺔ.‬ ‫ﻤﺭﺓ – ﻗﻠﺕ – ﺃﻀﺒﻁﻬﺎ.‬ ‫ﹰ‬ ‫ﻭﻫﻲ ﺘﺭﻓل ﻓﻲ ﻜﺫﺏ‬ ‫ﱢ ٍ‬ ‫ﻋﻨﺩﻤﺎ ﺃﺘﻤﻠﺱ ﻀﻭﺀ ﺸ ‪‬ﺎﻉ‬ ‫‪ ‬ﻌ ٍ‬ ‫ﻴﺨﺵ ﺇﻟﻰ ﹸﺭﻓﺘﻲ‬ ‫ﻏ‬ ‫•‬ ‫) ُﺸﻜل ﻓﻴﻬﺎ ﺍﻷﺫﻯ(‬ ‫ﻷ ﹼَ‬ ‫ﻭﻓﺸﻠﺕ!!‬ ‫ﹸ‬ ‫ﻗﻁ ‪‬ﺎ..‬ ‫ﻌ‬ ‫ﺴﺄﻗﱢﺏ ﻓﻲ ﹸﺘﺏ ﺍﻟﺴﺤﺭ ﻭﺍﻟﻔﻠﻜﻠﻭﺭ..‬ ‫ِ‬ ‫ِ‬ ‫ﻠ ‪ ‬ﻜ‬ ‫ﻟﻜﻲ ﺃ ﱠﻘﻲ ﺸ ‪‬ﻫﺎ،‬ ‫ﺭ‬ ‫ﺘ‬ ‫ﻭﻟﻜﻲ ﺃﺘﻌﱠﻡ ﻓﻥ ﺍﻟﺘ ‪‬ﻭﺩ ﻭﺍﻟﺼﺒﺭ..‬ ‫ﻠ ﹶ‪ ‬ﻌ ِ‬ ‫ﻓﻥ ﺍﻟﻭﻗﻭﻑ ﻋﻠﻰ ﺍﻟﺭﺃﺱ‬ ‫ِ‬ ‫ِ‬ ‫‪‬‬ ‫ِﺭﻓﺔ ﺃﻥ ﺃﺘﻬﻴﺄ ﻟﻼﻨﺘﺤﺎﺭ..‬ ‫ﺤ ﹶ ‪‬‬ ‫ﻭﻻ ﺃﻨﺘﺤﺭ!‬ ‫• ﻣﻦ ﻋﻨﻮان دﻳﻮان )ﺗﺸﻜﻴﻞ اﻷذى( ﻟﻠﺸﺎﻋﺮة ﻣﻴﺴﻮن ﺻﻘﺮ اﻟﺼﺎدر ﻋﻦ دار ﺵﺮﻗﻴﺎت –‬ ‫٧٩٩١.‬ ‫٣١‬
‫ﻭُﻤﺎﺭﺱ ﻨﻭ ‪‬ﺎ ﻤﻥ ﺍﻟﺸﻌﻭﺫﺓ‬ ‫ﻋ‬ ‫ﺃ‬ ‫ﻭﺃﻤ ‪‬ﻥ ﻜل ﺤﻭﺍﺴﻲ..‬ ‫ﱠ‬ ‫ﺭ‬ ‫ﺃﻥ ﺘﻨﻌﺯل..‬ ‫ْ‬ ‫ﺴﺄﻜﻭﻥ ﺼﺒﺎ ‪‬ﺎ..‬ ‫ﺤ‬ ‫ﻜﻠﻭﺡ ﻤﻥ ﺍﻟﺜﻠﺞ‬ ‫ﺃﻭ ﻤﻥ ﺭﺨﺎﻡ‬ ‫ﻭﺃﻁﺭﺩ ﻜل ﺸﻴﺎﻁﻴﻨﻬﺎ ﻤﻥ ﺴﺭﻴﺭﻱ.‬ ‫‪ ‬ﱠ‬ ‫ﻟﺘﺒﺭﺃ ﺭﻭﺤﻲ‬ ‫ُ‬ ‫ﻭﺘﺼﻌﺩ ﻋﺎﺌﺩﺓ ﻤﻁﻤﺌﻨﺔ‬ ‫ﻭﺘﻘﺩﺭ ﻨﻔﺴﻲ ﺍﻟﻤﺭﻴﻀﺔ‬ ‫‪‬ﹸ‬ ‫ﺃﻥ ﺘﺴﺘﻌﺩ ﻟﻨﻭﻡ ﻁﻭﻴل‬ ‫ٍ‬ ‫‪ٍ ‬‬ ‫‪‬ﺨﻠ ‪‬ﻬﺎ ﻤﻥ ﻜﻭﺍﺭﺙ ﻫﺫﺍ ﺍﻟﺯﺤﺎﻡ.‬ ‫ﻴ ﱢﺼ‬ ‫٤١‬
‫ﺇﺫﻥ‬ ‫‪‬‬ ‫ﺴﺄﻜﻭﻥ ﻭﺤﻴ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﻭﻓﻲ ﺜﻘﺔ ﺒﺎﻟﻐﺔ‬ ‫ٍ‬ ‫ﺴﺄﻨﺎﻡ‬ ‫٥١‬
‫* ‪*   ‬‬ ‫ﺴﺭﻴﺭ‬ ‫‪‬‬ ‫ﻭﻤﺎﺌﺩﺓ‬ ‫ﹲ‬ ‫ﻭﺭﻓﻭﻑ‬ ‫ﹲ‬ ‫ﻭﺴﺠﺎﺩﺓ ﺘﺴﺘﻁﻴل‬ ‫ُ‬ ‫ﹲ‬ ‫ﻭ ﹶﻤﺘﺩ‬ ‫ﺘ ‪‬‬ ‫ﺘﻤﺘﺩ‬ ‫‪‬‬ ‫ﻻ ﺘﻨﺘﻬﻲ.‬ ‫ﺒﻴﻨﻤﺎ – ﻓﻲ ﺍﻟﺤﻘﻴﺒﺔ –‬ ‫ِ‬ ‫ﻴﺠﻠﺱ ﺒﻌﺽ ﻤﻥ ﺍﻟ ﱞﻌﺭﺍﺀ‬ ‫ﺸ ِ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻴﻔ ﹼﻭﻥ ﺸﻔﺭﺓ ﻟﻐﺯ ﻴﺤﻴﺭﻫﻡ‬ ‫ٍ‬ ‫ﻜ‬ ‫ﻭﻴﻭﺘﺭ ﺒﻬﺠﺘﻬﻡ..‬ ‫ﻓﺠﺄﺓ‬ ‫ﹰ‬ ‫ﻴﺘﺩﺨل ﻗﺎﺹ ﻤﻜﻴﺭ‬ ‫ﻟﻴﻌﺭﺽ ﻤﻭﻫﺒﺔ ﺍﻟﺴﺭﺩ‬ ‫ﻁﺎﻗﺔ ﻜﺴﺭ ﺍﻟﺤﻜﺎﻴﺔ‬ ‫٦١‬
‫ﻴﻜﺸﻑ – ﻋﻥ ﺜﻘﺔ – ﻜل ﺃﻭﺭﺍﻗﻪ‬ ‫ﱠ‬ ‫ﺜﻡ ﻴﻁﻠﻕ ﺃﺒﻁﺎﻟﻪ‬ ‫ﹸ‬ ‫ﻭﺍﺤ ‪‬ﺍ.. ﻭﺍﺤ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﺩ‬ ‫ﻭﻴﺅﻟﻑ ﺃﻗﺼﻭﺼﺔ ﻤﺎﺭﻗﺔ‬ ‫ﹰ‬ ‫ﻭ ‪‬ﻤ ﱢل ﺃﻜﺜﺭ ﻤﻥ ﻤﺸﻬﺩ..‬ ‫ٍ‬ ‫ﻴ ﺜُ‬ ‫ﻴﺘﻤﺎﺩﻯ‬ ‫ﻭﻴﺨﺭﺝ ﻋﻥ ‪‬ﻭ ِﻩ‬ ‫ﺩ ﺭ‬ ‫‪‬‬ ‫- ﻻﻋ ﹰﺎ ﺼﻔﺔ ﺍﻻﻟﺘﺯﺍﻡ –‬ ‫ﻨ‬ ‫ﻟﻴﺒﺩﻉ ﻨ ‪‬ﺎ‬ ‫ﺼ‬ ‫ﻴﻌ ‪‬ﻀﻪ ﻟﻤﺴﺎﺀﻟﺔ ﺍﻟﺸﻌﺭﺍﺀ.‬ ‫ﺭ‬ ‫ﺴﺭﻴﺭ ﺘﻨﺎﻡ ﻋﻠﻴﻪ ﺍﻟﻘﺼﻴﺩﺓ‬ ‫ﹸ‬ ‫‪‬‬ ‫ﺘﺨﻠﻊ ﻜل ﻤﻼﺒﺴﻬﺎ‬ ‫ﱠ‬ ‫ﺜﻡ ﺘﻨﺸﺏ ﺩﻫﺸﺘﻬﺎ ﻓﻲ ﻋﻴﻭﻥ ﺍﻟﺠﻤﻴﻊ‬ ‫ِ‬ ‫ِ‬ ‫‪‬‬ ‫ﺘ ‪‬ﺭﺏ ﺘﻨﻘﻴﺔ ﺍﻟ ‪‬ﺭﻯ‬ ‫ﻌ‬ ‫ﹸﺠ ‪‬‬ ‫٧١‬
‫ﺃﻭ ﺘﻴﻤﺔ ﺍﻷﻗﻨﻌﺔ‬ ‫ﹶ‬ ‫ﻭﻓﻲ ﹸﻐﺔ ﺍﻻﻨﻔﻌﺎل‬ ‫ِ‬ ‫ﻟ‬ ‫ﺴﺘﺭﻗﺹ ﻤﺠﻨﻭﻨﺔ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﺘﺘﺼﺎﻋﺩ ﻨﺤﻭ ﺴ ‪‬ﺎﺀ ﺒﻌﻴﺩﺓ‬ ‫ﹾ‬ ‫‪‬ﻤ‬ ‫‪‬‬ ‫ﻭﺘﻬﺒﻁ..‬ ‫ﹸ‬ ‫ﻋﺎﺭﻴﺔ‬ ‫ﹰ‬ ‫ﺘﺘﻘﱠﺏ ﻓﻲ ﺭﻏﺒﺔ ﺍﻻﻨﻔﺠﺎﺭ‪،‬‬ ‫ِ‬ ‫ﻠ ‪‬‬ ‫ﻭﻻ ﺘﻨﻔﺠﺭ.‬ ‫ﻭﻤﺎﺌﺩﺓ ﺘﺘﻜ ‪‬ﺱ ﺒﺎﻟﻤﻤﻜﻨﺎﺕ‬ ‫ِ‬ ‫ﹲ ﺩ ‪‬‬ ‫ﻭﺘﺴ ﹸﺭ ﺘﺤﺕ ﺼﻨﻭﻑ ﺍﻟﻤﻠ ﱠﺍﺕ‬ ‫ِ ﺫ ِ‬ ‫ﹶ‬ ‫ﹶ ‪‬ﻜ‬ ‫ﺘﻬﺘﺯ ﺃﻗﺩﺍ ‪‬ﻬﺎ‬ ‫‪ ‬ﻤ‬ ‫ﻭﺍﻟﻘﺼﻴﺩﺓ ﺘ ِﺭﺽ ﻓﻲ ﺜﻘﺔ ﻨﻔﺴﻬﺎ‬ ‫ٍ‬ ‫ﹸ ﻌ ‪‬‬ ‫٨١‬
‫ﺘﺘﻭﺘﺭ‬ ‫ﺘﻌﻠﻭ‬ ‫ﻭﺘﺩﻨﻭ‬ ‫ﻭﺘﻔﺘﺢ ﺃﺫﺭﻋﺔ ﻻﺤﺘﻀﺎﻥ ﺍﻟﻔﻀﺎﺀ..‬ ‫ﹰ‬ ‫ﻭﺘﺭﻓﺽ ﺃﻥ ﺘﺨﺘﻔﻲ ﻓﻲ ﻜﺘﺎﺏ.‬ ‫ﺭﻓﻭﻑ ﺘﺤﺎﻭل ﺃﻥ ﺘﺘﻤﺎﺴﻙ‬ ‫‪‬‬ ‫ُ ‪‬‬ ‫ﹲ‬ ‫ﺘﺤﺕ ﻀﺠﻴﺞ ﺍﻟ ﹸﺘﺏ‬ ‫ِ ﻜ ‪‬‬ ‫ﹶ‬ ‫ﻭﺘﺼﺭﺥ ﺘﺤﺕ ﻜﺌﻭﺱ ﺍﻟﺸﺭﺍﺏ‬ ‫ﹸ‬ ‫ﻭﻓﻲ ﺍﻟﻠﻴل ﺘﻨﺤل ﻤﻔﻜﻭ ﹰﺔ‬ ‫ﻜ‬ ‫ﱞ‬ ‫ﻤﻥ ﺃﻤﺎﻜ ِﻬﺎ‬ ‫ﻨ‬ ‫ﻭﺘﺩﻭﺭ‬ ‫‪‬‬ ‫ﻭﻻ ﺘﺴﺘﺭﻴﺢ‬ ‫ﹸﺩﻴﺭ ﺤﻭﺍ ‪‬ﺍ ﻁﻭﻴﻼ.‬ ‫ﹰ‬ ‫ﺭ‬ ‫ﺘ‬ ‫ﻓﻴﺨﺭﺝ ﺴﻘﺭﺍﻁ‬ ‫ﹸ‬ ‫ﻴﺭﻓﻊ ﺤﻜﻤﺘﻪ‬ ‫ﻭﺘﺠﻲﺀ ﺍﻟﻴﻤﺎﻤﺔ.. ﻋﺎﺌﺸﺔ ﺒﻨﺕ ﻁﻠﺤﺔ، ﻭﻋﺭﻭﺓ..‬ ‫ﻴﺄﺘﻲ ﻜﺜﻴﺭﻭﻥ‬ ‫٩١‬
‫ﻓﻲ ﻋﺠل.. ﻴﺨﺘﻔﻭﻥ..‬ ‫ٍ‬ ‫ﺴﺭﻴﺭ ﻴﻀﻴﻕ‬ ‫ﻭﻤﺎﺌﺩﺓ ﺘﻨﻔﻌل‬ ‫ﻭﺍﻟﺤﻘﻴﺒﺔ ﺘﻨﺸﻕ – ﻨﺎﺯﻓﺔ –‬ ‫ﹰ‬ ‫ﻭﺍﻟﺭﻓﻭﻑ.. ﺘﺭﻓﺭﻑ‬ ‫ﹸ‬ ‫ﹸ‬ ‫ﻭﺍﻟﻜﺎﺌﻨﺎﺕ ﺍﻟﺘﻲ ﺘﺘﻨﺎﺴﺦ ﻤﻥ ﺒﻌﻀﻬﺎ‬ ‫ﹸ‬ ‫ﺘﺘﻘﺎ ﹸﺯ‬ ‫ﻓ‬ ‫ﺘﺨﺭﺝ ﻤﻥ ﹸﻐﺔ ﺍﻻﻨﻁﻭﺍﺀ‬ ‫‪ ‬ﻟ ِ‬ ‫ﻭﺘﺩﺨل ﻓﻲ ﹸﻐﺔ ﻤﺩﻫﺸﺔ‬ ‫ﹾ‬ ‫ُ ﻟ ٍ‬ ‫٠٢‬
‫* ‪*   .. ‬‬ ‫‪   ‬‬ ‫ﻓﻲ ﺍﻟﺴﺭﻴﺭ ﺍﻟﺫﻱ ﻜﺎﻥ ﻓﻭﻀﻰ‬ ‫ﻭﺃﺘﺭﺒﺔ‬ ‫ﹰ‬ ‫ﻭﻏﺒﺎ ‪‬ﺍ‬ ‫ﺭ‬ ‫ﻭﺃﺤﺠﺒﺔ ﺘﻤﻨﻊ ﺍﻟﺤﺴﺩ ﺍﻟ ‪‬ﺘﻜﺭﺭ‬ ‫‪  ‬ﻤ ‪‬‬ ‫ﹰ‬ ‫ﻜﺎﻥ‬ ‫ﻴﺨﺒ ُﻬﺎ ﻓﻲ ﺍﻟﻤﻼﺀﺓ ﺤﻴ ﹰﺎ‬ ‫ﻨ‬ ‫ﺌ‬ ‫ﻭﺤﻴ ﹰﺎ ﻴﺩﺤﺭﺠﻬﺎ ﺘﺤﺘﻪ.‬ ‫ﻨ‬ ‫ﺴﺭﻴﺭ ﹸﻘﱢﺒﻪ ﺍﻟﺭﻏﺒﺎﺕ ﺍﻟﻌﻨﻴﺩﺓ‬ ‫ﹸ‬ ‫ﺘﻠ‬ ‫ﻭﺍﻟﺸﻁﺤﺎﺕ ﺍﻟﻘﻭﻴﺔ‬ ‫ﹸ‬ ‫ﹸ‬ ‫ﻭﺍﻟﺼﺭﺨﺎﺕ ﺍﻟﺘﻲ ﺍﻨﺩﻓﻌﺕ ﻤﺭﺓ‬ ‫ﹰ‬ ‫ﹸ‬ ‫ﻜ ‪‬ﺭﺕ ﺨﺸﺏ ﺍﻟﻨﺎﻓﺫﺓ‬ ‫ﺴ‬ ‫ﻭﺒﻴﻥ ﻭﺴﺎﺌﺩﻩ ﺍﻨﺩﻓﻨﺕ ﻁﺎﻗﺔ ﻤﻥ ﺤﻨﻴﻥ‬ ‫ٍ‬ ‫ﹲ‬ ‫ﻭﺃﺴﺌﻠﺔ ﺤﺎﺌﺭﺓ.‬ ‫ﹾ‬ ‫ﺴﺭﻴﺭ ﺴﻴﺫﻫﺏ ﻴﻭ ‪‬ﺎ ﺇﻟﻰ ﺍﷲ‬ ‫ﻤ‬ ‫١٢‬
‫ﻴﺸﻜﻭ‬ ‫ﻭﻴﻌﻠﻥ ﺘﻭﺘﺒﻪ‬ ‫ﻭ ‪‬ﺠﺭﺠﺭ ﺨﻠﻑ ﺃﺴﺎﻁﻴ ِﻩ‬ ‫ﺭ‬ ‫‪‬‬ ‫ﻴ‬ ‫ﺠﺴ ‪‬ﺍ ﺨﺭ ‪‬ﺎ‬ ‫ﺒ‬ ‫ﺩ‬ ‫ﺜﻡ ﻴﺸﻬﺩ: "ﺃﻥ ﺍﻟﺤﻴﺎﺓ ﺍﻨﺘﻬﺕ ﻋﻠﻰ ﻋﺘﺒﺎﺕ ﺍﻤﺭﺃﺓ".‬ ‫ﻓﻲ ﺍﻟﺴﺭﻴﺭ ﺍﻟﺫﻱ ﺴﻴﺅﺴﺱ ﻗﺼﺘﻪ – ﻋﺎﻤ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﺘﺭﺘﺒﻪ ﺍﻤﺭﺃﺓ ﻨﺎﻫﺩﺓ..‬ ‫ﹾ‬ ‫ﹲ‬ ‫ﺘﺘﺭﺠﺭﺝ ﻗﺒﺘﻬﺎ ﺍﻟﻤﺸﺭﺌﺒﺔ‬ ‫ﹸ‬ ‫ﻨﺤﻭ ﺍﻟﻴﻤﻴﻥ‬ ‫ﻭﻨﺤﻭ ﺍﻟﻴﺴﺎﺭ..‬ ‫‪‬‬ ‫ﻓﺠﺄﺓ..‬ ‫ﺴﻴﻜﺒﻠﻬﺎ ﺭﺠل ﺒﺫﺭﺍﻋﻴﻪ‬ ‫ﻴﻘﻀﻡ ﻤﻥ ﺠﺴﻤﻬﺎ ﻗﻁﻌﺔ‬ ‫ﹰ‬ ‫ﻭﻴﻤﺯﻕ ﻜل ﻤﻼﺒﺴﻬﺎ‬ ‫ﹸ ﱠ‬ ‫ﻭﻴﺸﻭﻩ ﻜل ﺘﻔﺎﺼﻴﻠﻬﺎ‬ ‫ﱠ‬ ‫ﻭ ‪‬ﺨﻁ ﹸ ﻓﻭﻕ ﺍﻟﺠﺩﺍﺭ‬ ‫ﻴ ﻁ‬ ‫ﻭﻴﻜﺘﺏ:‬ ‫)ﻫﺫﺍ ﺠﻨﺎﻩ ﺃﺒﻲ ﻋﻠﻲ‬ ‫‪‬‬ ‫٢٢‬
‫ﻭﻤﺎ ﺠﻨﻴﺕ ﻋﻠﻰ ﺃﺤﺩ(*.‬ ‫ﹸ‬ ‫ﻭﻴﺭﺴﻡ ﻋﺼﻔﻭﺭﺓ ﺘﺘﺴﺎﻗﻁ‬ ‫- ﻤﺫﻫﻭﻟﺔ –‬ ‫ﹰ‬ ‫ﻭﻴﺩﻭﺭ‬ ‫ﻭﻴﻁﻠﻕ ﺼﺭﺨﺘﻪ ﻓﻲ ﺍﻟﻔﻀﺎﺀ!!‬ ‫‪‬‬ ‫ﻫ ‪‬ﻫﺎ..‬ ‫ﺯ‬ ‫ﺸﻬ ‪‬ﻫﺎ ﻨﺤﻭﻩ..‬ ‫ﺩ‬ ‫"ﻗل ﻫﻭ ﺍﷲ ﺃﺤﺩ.."‬ ‫ﺜﻡ ﺃﻓﺭﻍ ﻓﻲ ﺭﺃﺴﻬﺎ‬ ‫ﹶ‬ ‫ﺠﻤﻠﺔ ﻤﻥ ﺭﺼﺎﺹ.‬ ‫‪‬‬ ‫ﹰ‬ ‫ﻫﻜﺫﺍ ﻴﺘﺨﻠﺹ ﻤﻨﻬﺎ‬ ‫‪‬ﺠ ‪‬ﺩ ﻓﻲ ﻜل ﻴﻭﻡ ﺨﺭﺍﻓﺘﻪ‬ ‫ﱢ‬ ‫ﻴ ﺩ‬ ‫ﺜﻡ ﻴﻠﻘﻲ ﺒﻜﺘﻠﺘﻪ ﻓﻭﻕ ﻤﻘﻌﺩﻩ ﺍﻟﺨﺸﺒﻲ‬ ‫ﻭﻴﺒﻜﻲ‬ ‫ﻭﻴﺴﻜﺏ ﻨﻬ ‪‬ﺍ ﻤﻥ ﺍﻟﺩﻤﻊ‬ ‫ﺭ‬ ‫ﺤﺘﻰ ﺘﻀﻴﻕ ﺍﻟﺴﺠﺎﺠﻴﺩ‬ ‫٣٢‬
‫ﺘﻌﻠﻭ..‬ ‫ﺭﻭﻴ ‪‬ﺍ.. ﺭﻭﻴ ‪‬ﺍ..‬ ‫ﺩ‬ ‫ﺩ‬ ‫ﻭﺘﻔﻠﺕ ﻋﺼﻔﻭﺭﺓ ﻤﻥ ﺨﻁﻭﻁ ﺍﻟﺠﺩﺍﺭ‬ ‫ﻤﺯﻗﺯﻗﺔ..‬ ‫ﺤ ‪‬ﺔ‬ ‫ﻴ‬ ‫ﻭﺤﺘﻰ ﻴﻔﻙ ﺍﻟﺭﻫﻴﻥ ﻤﺤﺎﺒﺴﻪ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻴﻔﻴﻕ ﻟﻭﺤﺩﺘﻪ‬ ‫ﻭﻴﺠﻲﺀ ﺇﻟﻰ ﺍﻟﻌﺎﺌﺩﺓ‬ ‫ﻫل ﺴﻴﺸﺭﺏ؟‬ ‫ﺃﻡ..‬ ‫‪‬‬ ‫ﺴﻭﻑ ﻴﺨﻠﻁ ﺒﻌ ‪‬ﺎ ﻤﻥ ﺍﻷﻤﻨﻴﺎﺕ ﺍﻟﺒﻐﻴﻀﺔ ﺒﺎﻟﺩﻡ؟‬ ‫ﻀ‬ ‫ﻫل‬ ‫ﺴﻭﻑ ﻴﻌﺭﻑ ﺃﻥ ﺍﻟﺴﺭﻴﺭ ﺍﻟﺫﻱ ﻫ ‪‬ﻩ ﻤﺭﺓ‬ ‫ﹲ‬ ‫ﺩ‬ ‫ﺜﻡ ﺃﻤﺘﻌﻪ‬ ‫ﺜﻡ ﻏﻴ ‪‬ﻪ‬ ‫ﺒ‬ ‫ﺜﻡ ﺃﺩﺨﻠﻪ ﻓﻲ ﻨﻌﻴﻡ ﺍﻟﻤﺠ ‪‬ﺍﺕ‬ ‫ﺭ ِ‬ ‫٤٢‬
‫ﻭﺴﻭﻑ ﻴﺼﻴﺭ ﺠﺤﻴ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﻭﻤﻬﺯﻟﺔ‬ ‫ﹲ‬ ‫ﻭﺠﺭﻴﻤﺔﹾ؟‬ ‫ﻟﻴﺭﺴل ﺠﻤﻠﺘﻪ ﺼﺎﺌ ‪‬ﺎ:‬ ‫ﺤ‬ ‫ﻫﺎ ﻫﻨﺎ ﺠﺴﺩ‬ ‫ﻴﺘﻤﺯﻕ ﺘﺤﺕ ﺴﻴﺎﻁ ﻤﻥ ﺍﻟﻔﺭﺡ ﺍﻟ ‪‬ﺩ ‪‬ﻰ.‬ ‫ﻤﻋ‬ ‫ﻫﺎ ﻫﻨﺎ ﺼﺭﺨﺔ‬ ‫ﺘﺘﻔﺸﻰ‬ ‫ﻭﺘﺼﻌﺩ ﻨﺤﻭ ﺍﻟﺴﻤﺎﺀ – ﻤﺠﺎﺯ ﹰﺔ‬ ‫ِﻓ‬ ‫ﻭﺍﻟﺭﻓﻭﻑ..‬ ‫ﹸ‬ ‫ﺍﻟﺭﻓﻭﻑ ﺍﻟﺘﻲ ﻫ ‪‬ﻫﺎ ﻨﺯﻕ ﺍﻟ ﱞﻌﺭﺍﺀ‬ ‫ﺩ ﹶ‪‬ﹸ ﺸ ِ‬ ‫ﹸ‬ ‫ﻭﺠﻠﺠﹸﺔ ﺍﻟﻔﻠﺴﻔﺔ‬ ‫ﹾ‬ ‫ﻠ‬ ‫ﺍﻟﺭﻓﻭﻑ ﺍﻟﺘﻲ ﻓﻭﻗﻬﺎ، ﻜﺘﺏ ﻤﻘﺭﻓﺔ.‬ ‫ﹾ‬ ‫ﻓﻜﻬﺎ..‬ ‫ﻭﺍﻨﺘﻬﻰ‬ ‫ﻭﺍﺴﺘﻔﺎﺽ – ﻟﺘﻨﻬﺽ ﹸﻁﺒ ﹸﻪ –‬ ‫‪‬ﺨ ﺘ‬ ‫ﻫﻜﺫﺍ:‬ ‫٥٢‬
‫ﺇﻨﻨﻲ ﺃﻨﺘﺤﺭ‬ ‫‪‬‬ ‫ﻭﺃﻋﻠﻕ ﹶﻔﺴﻲ – ﺫﻟﻴﻼ‬ ‫ﹰ‬ ‫ﹸﻨ‬ ‫ﻋﻠﻰ ﺒﺎﺏ ِﻜﻤ ِﻬﺎ – ‪‬ﺭﻏ ‪‬ﺎ‬ ‫ﻤ ﻤ‬ ‫ِﺤ ﺘ‬ ‫ﻓﻲ ﺍﻟﺨﺭﺍﺏ ﺍﻟﺫﻱ ﺸ ‪‬ﻨﻲ‬ ‫ﺩ‬ ‫ِ‬ ‫ﻭﺃﺤﺎﻁ ﺒﻌﺎﺌﻠﺘﻲ‬ ‫ﹶ‬ ‫ﻤ ‪‬ﻨﻲ ﻟﻠﻔﺭﺍﻍ ﺍﹸﻤﺩ ‪‬ﻱ‬ ‫ﻟ ﻭ‬ ‫ﺩ‬ ‫ﺍﻟﻔﺭﺍﻍ ﺍﻟﻌﻤﻴﻕ ﺍﹸﻤ ‪‬ﻴﺭ..‬ ‫ِ ﻟﺤ ِ‬ ‫ِ‬ ‫ﺃﺭﻗﺒﻬﺎ‬ ‫ﻭﺃﺭﺍﻗﺏ ﻨﻔﺴﻲ:‬ ‫‪‬‬ ‫ﻜﻴﻑ ﺃﺤ ‪‬ل ﻤﺎﺩ ﹶﻬﺎ‬ ‫ُ ﻭُ ﺘ‬ ‫ﻤﻥ ﺤﻴﺎﺓ ﺘﻔﻴﺽ ‪‬ﻻﻻ‬ ‫‪‬ﺩ ﹰ‬ ‫ٍ‬ ‫•‬ ‫ﺇﻟﻰ ﹶﻁﻌ ٍ ﻤﻥ ‪‬ﺠﺭ‬ ‫ﻗ ﺔ ِ‪‬ﺤ ‪‬‬ ‫• ﻣﻦ ﺵﻌﺮ )أﺑﻮ اﻟﻌﻼء اﻟﻤﻌﺮي( – رهﻴﻦ اﻟﻤﺤﺒﺴﻴﻦ‬ ‫٦٢‬
‫* ‪*  ‬‬ ‫ﻫ ‪‬ﻨﻲ‬ ‫ﺯ‬ ‫ﺃﻨﻨﻲ‬ ‫ﻜﱠﻤﺎ ﻫﺭﺒﺕ ِﻜﻤﺘﻲ‬ ‫ﹾﺤ‬ ‫ﹸﻠ‬ ‫ﺃﺘﻬﺎﻭﻯ‬ ‫ﻭﺃﺼﻌﺩ ﺴﻠﻡ ﻤﻨﺯﻟﻬﺎ ﻓﻲ ﺠﻨﻭﻥ‬ ‫ٍ‬ ‫‪ ‬ﱠ ‪‬‬ ‫ﻭﺃﻜﺘﻡ ﺼﻭﺕ ﻤﺤﺒﺘﻬﺎ‬ ‫ﻓﻲ ﻁﺭﻴﻘﻲ ﺇﻟﻴﻬﺎ‬ ‫ﻟﺘﺴﻘﻁ ﻜل ﺍﻟﻭﺠﻭﻩ ﺍﻟﺘﻲ ﺩﻤﺭﺕ ﺒﻬﺠﺘﻲ.‬ ‫‪‬‬ ‫ﱡ‬ ‫ﺴﺄﺩﺨل ﺸﻘﺘﻬﺎ‬ ‫ﻜﺎﺴ ‪‬ﺍ ﺒﺎﺒﻬﺎ‬ ‫ﺭ‬ ‫‪‬ﻌﻠ ﹰﺎ: ﺃﻨﻨﻲ ﺴﻭﻑ ﺃﺭﺒﻁﻬﺎ ﻓﻲ ﺍﻟﺴﺭﻴﺭ‬ ‫ﻤ ﻨ‬ ‫ﻭﺃﺠﻠﺩﻫﺎ ﻤﺜل ﺯﺍﻨﻴﺔ!!‬ ‫ﺇﻥ ﻋﻼ ﺼﻭ ﹸﻬﺎ،‬ ‫ﺘ‬ ‫ﻭﺃﺸﺭﺏ ﻤﻥ ﺩ ِﻬﺎ‬ ‫ﻤ‬ ‫ﺠﺭﻋﺔ.. ﺠﺭﻋﺔ‬ ‫ﹰ‬ ‫ﹰ‬ ‫٧٢‬
‫ﻫ ‪‬ﻨﻲ.‬ ‫ﺯ‬ ‫)ﻓﻲ ﺍﻟﺼﺒﺎﺡ ﺍﻟﺒﻌﻴﺩ.. ﺍﻟﺒﻌﻴﺩ‬ ‫ِ‬ ‫ِ‬ ‫ﺤﻠﻤﺕ ﺒﻬﺎ‬ ‫ﹸ‬ ‫ﻭﺭﺴﻤﺕ ﻟﻬﺎ ﻟﻭﺤﺔ ﺯﺍﻫﻴﺔﹾ،‬ ‫ﹰ‬ ‫ﹸ‬ ‫ﺒﻌﺩ ﺃﻥ ﺸﺭﺒﺕ ﻤﻥ ﻨﺒﻴﺫﻱ‬ ‫ﹾ‬ ‫ﺃﻗﻤﺕ ﻟﻬﺎ ﻓﺭﺤﺎ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻭﻭﻫﺒﺕ ﻟﻬﺎ ﺠﺴﺩﻱ ﻜﺎﻤﻼ‬ ‫ﹰ‬ ‫ﹾ‬ ‫ﺤﻴﻥ ﻜﻨﺕ ﺃﻗ ‪‬ﻠﻬﺎ ﻋﻠ ﹰﺎ‬ ‫ﻨ‬ ‫ﹸ ﺒ‬ ‫ﻓﻲ ﺍﻟﺸﻭﺍﺭﻉ ﻭﺍﻟﻌﺭﺒﺎﺕ‬ ‫ﻭﺁﺨﺫﻫﺎ ِﻠﺴﺔ ﻓﻲ ﺍﻟﻤﺼﺎﻋﺩ ﺤﻴ ﹰﺎ‬ ‫ﻨ‬ ‫ﺨ ﹰ‬ ‫ﻭﺤﻴﻥ ﺸﺘﻤﺕ ﺍﻟﻁﺒﻴﺏ ﺍﻟﻤﻬﺫﺏ‬ ‫ﹸ‬ ‫ﻭﻫﻭ ﻴﻘﻭل ﻟﻨﺎ: ﺇﻨﻨﻲ ﺃﻤﺘﻨﻊ.‬ ‫ﻗﺎﺩﻨﺎ ﺍﻟﺼﻴﺩﻟﻲ ﺍﻟﺫﻱ ﻜﺎﻥ ﺃﻜﺜﺭ ﻤﻥ ﻋﺎﻗل‬ ‫ٍ‬ ‫‪‬‬ ‫)- ﺘﺫﻜﺭﻴﻥ؟(‬ ‫ﺇﻟﻰ ﺍﻟﻤﻌﻤل ﺍﻟﺩﺍﺨﻠﻲ‬ ‫ﻭﺃﻨﻬﻰ ﺍﻟﺤﻜﺎﻴﺔ ﻓﻲ ‪‬ﺭ ٍﺔ ﻤﺫﻫﻠﺔ..‬ ‫ﺴ ﻋ‬ ‫ﻓﺼﺭﺨﺕ‬ ‫ﻭﺃﻁﻠﻘﺕ ﺯﻏﺭﻭﺩﺓ‬ ‫ﹰ‬ ‫٨٢‬
‫ﻭﺼﺩﺤﺕ‬ ‫ﻭﻗﻠﺕ ﻟﻬﺎ: ﺃﻓﺘﺩ ِﻙ!!(.‬ ‫ﻴ‬ ‫ﹸ‬ ‫ﺼﺎﺩﻨﻲ ﻫﺎﺠﺱ‬ ‫‪‬‬ ‫ﻭﺍﺤﺘﻭﺍﻨﻲ‬ ‫ﻭﺃﺤﻜﻡ ﻗﺒﻀﺘﻪ ﺠﻴ ‪‬ﺍ..‬ ‫ﺩ‬ ‫ﻫﺯﻨﻲ‬ ‫ﺃﻨﻨﻲ‬ ‫ﻓﻲ ﺍﻟﻤﺴﺎﺀ ﺍﻟﻘﺭﻴﺏ‬ ‫ﺴﺄﺤﺒﻙ ﹸﻁﺔ ﺴﺭ ِﺔ ﻗﻁﺘﻬﺎ‬ ‫‪  ِ‬ﺨ ﹶ ﻗ‬ ‫ﻷﺠﺭﺏ ﻓﻲ ﺠﺴﻤﻬﺎ ﹶﻘﻤﺘﻲ‬ ‫ﻨ‬ ‫‪ ‬‬ ‫ﺴﻭﻑ ﺃﻨﺯﻉ ﻓﺭﻭﺘﻬﺎ‬ ‫‪‬‬ ‫ﺜﻡ ﺃﺸﻨﻘﻬﺎ‬ ‫ﻭُﻋﻠ ﹸﻬﺎ ﻓﻭﻕ ﺸﺒﺎﻜﻬﺎ ﺍﻟﺨﺸﺒﻲ‬ ‫ﺃ ﱢﻘ‬ ‫ﻭﺃﺭﻗﺹ‬ ‫ﺃﺭﻗﺹ‬ ‫ﺤﺘﻰ ﺘﺠﻲﺀ ﻭﺘﺴﻘﻁ ﻤﻔﺯﻭﻋﺔ‬ ‫ﹰ‬ ‫ﻷﺩﺠﺞ ﻓﻴﻬﺎ ﺸﺭﻭﺭﻱ.‬ ‫٩٢‬
‫ﺴﺘﻌﺭﻑ ﺃﻥ ﺭﺯﺍﻨﺘﻬﺎ‬ ‫ﻜﺫﺏ‬ ‫‪‬‬ ‫ﻭﺘﻌﻘﻠﻬﺎ‬ ‫ﺴﻴﻜﻭﻥ ﺨﺭﺍ ‪‬ﺎ‬ ‫ﺒ‬ ‫ﻭﺃﻏﺭﺒﺔ ﺤﱠﻘﺕ ﻓﻲ ﺍﻟﺴﻤﺎﺀ‬ ‫ﹰ ﻠ ﹾ‬ ‫ﻭﺃﻥ ﺠﻨﻭﻨﻲ ﺍﻟﻤﻔﺎﺠﺊ‬ ‫- ﺤﺘ ‪‬ﺎ –‬ ‫ﻤ‬ ‫ﺒﻌﺩ ﺃﻥ ﺘﻔﻠﺕ ﺍﻟﻜﻠﻤﺎﺕ ﺍﻟﺒﻐﻴﻀﺔ‬ ‫ِ ﹶ‬ ‫ﻤﻥ ﻓﻤﻬﺎ ﺍﻟﻤﺴﺘﺒﺩ‬ ‫‪ ‬‬ ‫ﻭﻤﻥ ﺤﻜﻤﺔ ﺍﻻﻨﺯﻭﺍﺀ‬ ‫‪‬‬ ‫٠٣‬
‫* ‪*    ‬‬ ‫ﺴﺄﻓﻀ ‪‬ﻬﺎ ﻜﱠﻤﺎ ‪‬ﻨﺤﺕ ﹸﺭﺼﺔ‬ ‫ﺤ ﹸﻠ ﺴ ﹾ ﻓ ﹲ‬ ‫ﻭﺃﻋ ‪‬ﻱ ﺘﻔﺎﺼﻴل ﻗﺼﺘﻬﺎ ﻟﻠﺠﻤﻴﻊ‬ ‫ُ ﺭ‬ ‫ﺴﺄﺫ ﹸﺭ ﻟﻭﻥ ﻤﻼﺒ ِﻬﺎ‬ ‫ﺴ‬ ‫‪‬‬ ‫ﻜ‬ ‫ﻭﺭﻗﺔ ﻤﻠﻤ ِﻬﺎ..‬ ‫ﹶ ﺴ‬ ‫ﻭﺠﻨﻭﻥ )ﺴﻭﺍﻋ ِﻫﺎ(!‬ ‫ﺩ‬ ‫‪‬‬ ‫ﺤﻴﻨﻤﺎ ﺘﺘﻭﻗﺩ ﻓﻲ ﺠﺴ ِﻬﺎ ﺭﻏﺒﺔ ﻋﺎ ِﻤﺔ.‬ ‫ﹲ ﺭ ﹾ‬ ‫ﻤ‬ ‫‪‬‬ ‫ﺴﻭﻑ ﺃﻜﺸﻑ ﻜل ﻜﻤﺎﺌ ِﻬﺎ ﺍﻟﻤﻁﻤﺌﻨﺔ‬ ‫ِ‬ ‫‪‬‬ ‫ﻨ‬ ‫ﹸ ﱠ‬ ‫ﺃﻭ ﺭﻗﻡ ﺸﻘﺘﻬﺎ – ﻤﺜﻼ -‬ ‫ﹰ‬ ‫ﹾ‪‬‬ ‫ﻭﺃﻓﺘﺕ ﹲﺭ ﹶﺘﻬﺎ: ﻗﻁﻌﺔ..‬ ‫ﹰ‬ ‫ﻏ ﻓ‬ ‫ﻕ. ﻁ.. ﻉ.. ـﺔ...‬ ‫ﹰ‬ ‫ﻓﻲ ﻨﻬﺎﺭ ﺴﻴﺼﺒﺢ ﺃﺴﻭﺩ ﻴﻭﻡ ﻴﻤﺭ ﻋﻠﻴﻬﺎ.‬ ‫‪ ٍ ‬‬ ‫ٍ‬ ‫ﺴﺘﻜﺭﻫﻨﻲ.. ﺭﺒﻤﺎ‬ ‫ﻭﺴﺘﺫﻫﺏ ﻟﻸﺼﺩﻗﺎﺀ‬ ‫ٍ‬ ‫‪‬‬ ‫ﻭ ﹸﻌﻠﻥ ﺩﻫ ﹶﺘﻬﺎ‬ ‫ﺘ ‪ ‬ﺸ‬ ‫ﻭﺘﻭﻟﻑ – ﻓﻲ ﺜﻘﺔ – ﻗﺼﺔ ﻜﺎﺫﺒﺔ.‬ ‫ﹾ‬ ‫ﹰ‬ ‫ٍ‬ ‫ﹸ‬ ‫١٣‬
‫ﺴﺘﻘﻭل ﻟﻬﻡ: ﺇﻨﻨﻲ ﻓﻲ ﺫﻫﻭل‬ ‫ٍ‬ ‫ﻭﺘﺭﺩﻑ: ﺇﻥ ‪‬ﻼﻗ ﹶﻨﺎ ﻟﻡ ﺘﻜﻥ ﺠﻴﺩﺓ!‬ ‫ﹾ‬ ‫ﻋ ﺘ‬ ‫ﻭ ﹸﻠﻤﺢ ﻓﻲ ﺤﺴﺭ ٍ، ﺃﻨﻨﻲ ﻟﻡ ﺃﻜﻥ ﻋﺎﻗﻼ!‬ ‫ﹰ‬ ‫‪‬‬ ‫ﺓ‬ ‫ﺘ ‪‬‬ ‫)ﻭﻜﺎﻨﺕ ﹸﺫ ‪‬ﺏ ِﺤ ﹶﺘﻬﺎ‬ ‫ﺘﻭ ﻤ ﻨ‬ ‫ﻓﻲ ﻗﻠﻴل ﻤﻥ ﺍﻟﺘﺒﻎ‬ ‫ٍ‬ ‫ﺘﻔﺘﺢ ﺸﺒﺎﻜﻬﺎ‬ ‫ﺜﻡ ﺘﺭﺴل ﻨﻅﺭ ﹶﻬﺎ: ﻁﺎﺌ ‪‬ﺍ‬ ‫ﺭ‬ ‫ﺘ‬ ‫ُ‬ ‫ﺘﺘﻁﻭﺡ – ﺤﺎﺌﺭﺓ – ﻓﻲ ﻓﻀﺎﺀ ﻓﺴﻴﺢ‬ ‫ٍ‬ ‫ٍ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﻭﺘﺨﺭﺝ ﻤﻥ ﺠﻠ ِﻫﺎ – ﺘﺎﺭﺓ‬ ‫ﹰ‬ ‫ﺩ‬ ‫‪‬‬ ‫ﻭﺘﻜ ‪‬ﻡ ﺒﻌﺽ ﻫﻭﺍﺠﺴﻬﺎ – ﺘﺎﺭﺓ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﹸ ﻭ‪‬‬ ‫ﻭﺘﺤﺩﻕ ﻓﻲ ﺍﻟﻼﻨﻬﺎﻴﺔ – ﻤﺫﹾﻫﻭﻟﺔ – ﺘﺎﺭﺓ ﺜﺎﻟﺜﺔ..‬ ‫ﹰ ﹾ‬ ‫ﹰ‬ ‫ِ ‪‬‬ ‫ﻭﺘﺭﺍﻭﻍ ﻭﻫ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﻭﺘﺠﻌﹸﻪ ﺒﻁﻼ ﺩﺍﺌ ‪‬ﺎ(.‬ ‫ﹰ ﻤ‬ ‫ﻠ‬ ‫ﻟﻡ ﺃﻜﻥ – ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔ –‬ ‫‪ ‬ﹸ‪‬‬ ‫ﺃﻋﺭﻑ ﺃﻥ ﺍﻟﺫﻴﻥ ﻴﻤﺩﻭﻥ ﺃﻴﺩﻴﻬﻡ ﻟﻠﺘﺤﻴﺔ‬ ‫ِ‬ ‫ﹸ‬ ‫ﻤﺤﺽ ﺨﻴﺎ ٍ، ﻭﺃﻜﺫﻭﺒﺔ..‬ ‫ﹲ‬ ‫‪ ‬ل‬ ‫ﻟﻡ ﺃ ﹸﻥ ﺤﺎﻟ ًﺎ‬ ‫ﻤ‬ ‫ِ‬ ‫‪ ‬ﻜ‬ ‫ﺃﻭ ﻤﺭﻴ ‪‬ﺎ ﻷﻫﺫﻱ‬ ‫ﻀ‬ ‫٢٣‬
‫ﻭﺃﻁﻠﻕ ﺯﻭﺒﻌﺔ ﻓﻲ ﺍﻟﻬﻭﺍ ِ،‬ ‫ﺀ‬ ‫ﹰ‬ ‫ﻭﻟﻜﻨﻨﻲ ﺃﺘﺠ ‪‬ﺩ‬ ‫ﺭ‪‬‬ ‫ﻴﻭ ‪‬ﺎ.. ﻓﻴﻭ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﻤ‬ ‫ﻤﻥ ﺍﻟﻭﺭﻉ ﺍﻟﻤ ‪‬ﻋﻰ‬ ‫‪‬ﺩ‬ ‫ﻭﻤﻥ ﺤﻜﻤﺔ ﺜﺎﺒﺘﺔ‬ ‫ٍ‬ ‫ِ‪‬‬ ‫ﻟﻡ ﺃ ﹸﻥ ﻗﺩ ﺘﻤﺭﺴﺕ – ﺭﻏﻡ ﺍﻟﺤﻴﺎﺓ ﺍﻟﻌﺭﻴﻀﺔ –‬ ‫ِ‬ ‫ﹸ‬ ‫‪ ‬ﻜ‬ ‫ﺃﻥ ﺃﻓﻬﻡ ﺍﻟﻨﺎﺱ.‬ ‫‪ ‬‬ ‫ﺃﻭ ﺃﺘﻌﻠﻡ ﺃﻟﻌﺎﺒﻬﻡ‬ ‫ﱠ‪‬‬ ‫ﻭﺃ ‪‬ﺭﻥ ﺫﺍﺌﻘﺘﻲ ﻟﺘﺴﺎﻭﻡ..‬ ‫‪‬‬ ‫ُﻤ ‪‬‬ ‫ﻜل ﺍﻟﻠﻐﺎﺕ ﻋﺩﻭ ﻟﺫﺍﺘﻲ‬ ‫ِ ‪‬‬ ‫ﱡ‬ ‫ﻭﻜل ﺍﻟﻀﻤﺎﺌﺭ ﺯﺍﺌﻔﺔ.‬ ‫ﹲ‬ ‫ِ‬ ‫ﱞ‬ ‫ﻟﻡ ﺃﻜﻥ ﻨﺎﺒ ‪‬ﺎ.. ﺁﺒ ‪‬ﺎ ﺒﺎﻟﻜﻼﻡ – ﻭﻻ ﻋﺎﺸ ﹰﺎ‬ ‫ﻘ‬ ‫ﻬ‬ ‫ﹸ‪ ‬ﻬ‬ ‫ﻟﻠﺤﻘﻴﻘﺔ.. )ﻜل ﺍﻟﺤﻘﺎﺌﻕ ِﺴﺒﻴﺔ(. ﻟﻡ ﺃﻜﻥ‬ ‫ﹸ‪‬‬ ‫ﻨ ﹲ‬ ‫ﺤﺎﺴ ‪‬ﺍ، ﺤﺎﻗ ‪‬ﺍ، ﻁﺎﻫ ‪‬ﺍ ﻤﻥ ﺫﻨﻭ ٍ، ﻭﻟﻡ‬ ‫ﺏ‬ ‫ﺭ‬ ‫ﺩ‬ ‫ﺩ‬ ‫ﺍﺩﻉ ‪‬ﻁﻠﻘﺎ ﺃﻨﻨﻲ ﻤﺎﻫﺭ ﻓﻲ ﻗﻴﺎﺩﺓ ﺭﻭﺤﻲ..‬ ‫‪‬ﻤ ﹰ‬ ‫ﹸﺭﺤﺕ ﻷﻏﺭﻕ ﻓﻲ ﻤﻬﺭﺠﺎﻥ ﺃﻨﻭﺜ ِﻬﺎ،‬ ‫ِ ﺘ‬ ‫ﹶ‬ ‫ﹸ‬ ‫ﻓ‬ ‫ﻭﺃﺫﻭﺏ ﺘﻤﺎ ‪‬ﺎ،‬ ‫ﻤ‬ ‫ﻭﺃﺒﻠﻊ ﻁﻌﻡ ﻓﺼﺎﺤﺘﻬﺎ..‬ ‫‪ ‬ﹸ ‪‬‬ ‫٣٣‬
‫ﻭﺍﻋﺘﻘﺩﺕ ﺒﺄﻥ ﺼﺭﺍﺤ ﹶﻬﺎ ﻤﻴﺯﺓ‬ ‫ﹲ‬ ‫ﺘ‬ ‫ﹸ‬ ‫ﻭﺃﻥ ﻭﻀﻭﺡ ﻤﻘﺎﺼ ِﻫﺎ‬ ‫ﺩ‬ ‫‪‬‬ ‫ﺴﻭﻑ ﻴﻔﺘﺢ ﺃﺒﻭﺍ ‪‬ﻬﺎ،‬ ‫ﺒ‬ ‫ﻭﺃﻥ ﺍﻟﺴﻠﻭﻙ ﺍﹸﻤﺒﺭﻤﺞ‬ ‫‪ ‬ﻟ‬ ‫‪‬‬ ‫ﻴﺼﻨﻊ ﺤﺭﻴﺔ‬ ‫ﹰ‬ ‫ﻫ ‪‬ﺩﺘﻨﻲ‬ ‫ﺩ‬ ‫ﻭﺃﻓﺸﺕ ﻫﻭﺍﻤﺵ ﻗ ِﺘﻨﺎ ﻟﻠﺠﻤﻴﻊ.‬ ‫ﹶ ﺼ‬ ‫ﺴﺄﻓﻀﺤﻬﺎ – ﻜﱠﻤﺎ ﺍ ﹶﺴﻊ ﺍﻟﻭﻗﺕ‬ ‫ﹸ‬ ‫ﹸﻠ ﺘ ‪‬‬ ‫ﻭﺍﺸﺘﻌﻠﺕ ﻓﻲ ﺍﻟﺠﻭﺍﻨﺢ ﻜﺫﺒﺘﻬﺎ‬ ‫ﹾ‬ ‫ﻭﻓﺠﺎﺠﺘﻬﺎ.‬ ‫ﺴﻭﻑ ﺃﻁﺭﺩﻫﺎ ﻤﻥ ﺤﺩﻴﻘﺔ ﺭﻭﺤﻲ‬ ‫ﻭﺃﺭﺴل ﺃﻭﺭﺍﻗﻬﺎ ﻟﻠﺤﺭﻴﻕ..‬ ‫ﹾ‬ ‫ﻭُﻅﻬﺭ ﻜل ﺠﺭﺍﺌﻤﻬﺎ ﺍﻟﻜﺎﻤﻠﺔ‬ ‫ﺃ ِ‪‬‬ ‫٤٣‬
‫* ‪*   ‬‬ ‫ﻫﺎ ﻫﻲ ﺃﻗﺒﻠﺕ‬ ‫ﻫﺎ ﻫﻲ ﺃﺩﺒﺭﺕ‬ ‫ﻭﺘﺨﻠﺕ ﻋﻥ ﺍﻻﺸﺘﺒﺎﻙ ﻤﻌﻙ‬ ‫ﻭﺍﺴﺘﻌﺎﺩﺕ ﺘﻔﺎﺼﻴل ﻗﺼﺘﻬﺎ ﻤﺭﺓ ﻭﺍﺤﺩﺓ‬ ‫ﻭﺃﻟﻘﺕ ﺒﺄﻭﺭﺍﻗﻨﺎ ﻓﻲ ﺍﻟﻬﻭﺍﺀ.‬ ‫ﻤﺭﺓ ﻭﺍﺤﺩﺓ‬ ‫ﹾ‬ ‫ﺘﺭﻜﺕ ﻏﺭﻓﺔ ﺍﻟﻭﺭﺩ‬ ‫ﹶ‬ ‫ﻭﺍﺼﻁﺤﺒﺕ ﺠﺴ ‪‬ﺍ.. ﺴﻴﺩﺍ‬ ‫‪‬‬ ‫ﹾ ﺩ‬ ‫ﺠﺴ ‪‬ﺍ ﺴﻴﺅﺠﺞ ﺸﻬﻭﺘﻙ ﺍﻟﺤﺎﺭﻗﺔ‬ ‫ﺩ‬ ‫ﻭﺭﺍﺤﺕ ﺘﺠﺭﺏ ﻓﻴﻙ ﺍﻟﻌﺒﺙ‬ ‫ﺴﻭﻑ ﺘﻀﺒﻁﻬﺎ‬ ‫ﻭﻫﻲ ﺠﺎﻟﺴﺔ ﻓﻲ ﺤﺩﻴﻘﺔ ﻤﻨﺯﻟﻬﺎ‬ ‫ﺘﺘﺄﻤل ﺴﺭ ‪‬ﺎ ﻤﻥ ﺍﻷﺒﺭﻴﺎﺀ‬ ‫ﺒ‬ ‫ﻴﻬﺯﻭﻥ ﺃﺠﺴﺎﺩﻫﻡ ﻁﺭ ‪‬ﺎ ﻟﻤﺠﻲﺀ ﺴﻌﺎﺩﺘﻬﺎ‬ ‫ﺒ‬ ‫ﻭﻫﻲ ﺘﻨﻅﺭ ﻓﻲ ﻏﻀﺏ‬ ‫ٍ‬ ‫٥٣‬
‫ﻭﺘﺤﺩﻕ‬ ‫ﺃﻭ ﺘﺘﻔﻘﺩ ﺃﻭﺠﻬﻬﻡ‬ ‫ﺜﻡ ﺘﺠﻠﺩﻫﻡ‬ ‫ﻭﺍﺤ ‪‬ﺍ... ﻭﺍﺤ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﺩ‬ ‫ﻭﺘﻤﺎﺭﺱ ﺸﻬﻭﺘﻬﺎ‬ ‫ﻓﻲ ﻟﻔﻴﻑ ﻤﻥ ﺍﻟﺨﻠﻕ – ﻟﻴﻼ‬ ‫ﹰ‬ ‫ٍ‬ ‫ﺘﺩﺤﺭﺠﻬﻡ ﻓﻲ ﺸﺭﻴﻁ ﻁﻭﻴل‬ ‫ٍ‬ ‫ٍ‬ ‫ﻭﺘﻘﺫﻓﻬﻡ – ﻏﻴﺭ ﺁﺴﻔﺔ –‬ ‫ﻟﻠﺭﺼﻴﻑ‬ ‫ﺴﺘﺫﻫﺏ ﺤﺘ ‪‬ﺎ ﺇﻟﻴﻬﺎ‬ ‫ﻤ‬ ‫ﻟﺘﻘﻠﻘﻬﺎ ﻓﻲ ﺍﻟﻬﺯﻴﻊ ﺍﻷﺨﻴﺭ ﻤﻥ ﺍﻟﻠﻴل‬ ‫ﺘﻔﺯﻋﻬﺎ – ﻤﺜﻠﻤﺎ ﺃﻓﺯﻋﺘﻙ‬ ‫ﻭﺘﻤﻸ ﺒﺴﺘﺎ ﹶﻬﺎ ﺍﻟﻤﺘﻐﻁﺭﺱ‬ ‫ﻨ‬ ‫ﺒﺎﻟﺤﺸﺭﺍﺕ ﺍﻟﺩﻗﻴﻘﺔ‬ ‫ﺘﺯﺤﻑ ﺒﻴﻥ ﺸﺠﻴﺭﺍﺘﻪ‬ ‫ﻭ ﹸﺴ ‪‬ﺏ ﺒﻴﻥ ﺤﺸﺎﺌﺸﻪ ﺸﺭ ‪‬ﺍ ﺤﺎﺭ ﹰﺎ‬ ‫ﻗ‬ ‫ﺭ‬ ‫ﺘ ﺭ ‪‬‬ ‫ﻭﺘﺨﺒﺊ ﺴ ‪‬ﻙ ﻓﻲ ﻋﺴل‬ ‫ٍ‬ ‫‪‬ﻤ‬ ‫ﻭﺘﺫ ‪‬ﺒﻪ ﻤﺜل – ﻤﺤﺘﺭﻑ – ﻗﺎﺘل‬ ‫ٍ‬ ‫ﻭ‬ ‫٦٣‬
‫ﻭﺘﻘﻭل ﻟﻬﺎ – ﻓﻲ ﺍﻨﻀﺒﺎﻁ ﺴﻴﺭﻋﺒﻬﺎ – ﺤﺎﺯ ‪‬ﺎ:‬ ‫ﻤ‬ ‫"ﻤﻀﻰ ﺤﻴﻨﺎ ﻭﺍﻨﻘﻀﻰ"‬ ‫ﹰ‬ ‫ﻤﺭﺓ ﻭﺍﺤﺩﺓ‬ ‫ﺴﻭﻑ ﺘﺘﺭﻜﻬﺎ ﻓﻲ ﺫﻫﻭل‬ ‫ﻭﺘﻤﻀﻲ‬ ‫ﺴﺘﻜﺴﺭ ﺸﻭﻜﺘﻬﺎ‬ ‫ﻗﺒل ﺃﻥ ﺘﻨﺤﻨﻲ.‬ ‫ﻭﺘﻘﺒل ﺃﻗﺩﺍﻤﻙ ﺍﻟﺨﺎﺌﺭﺓ‬ ‫ﺜﻡ ﺘﺨﺭﺝ ﻤﻥ ﺒﺎﺏ ﻏﺭﻓﺘﻬﺎ – ﻫﺎﺩ ًﺎ..‬ ‫ﺌ‬ ‫ﺴﻭﻑ ﺘﺩﻋﻭ ﺸﻴﺎﻁﻴﻨﻙ ﺍﻟﻜﺎﻤﻨﺔ‬ ‫ﻭﺘﺠﻬﺯ ﺤﻔﻼ ﻜﺒﻴ ‪‬ﺍ‬ ‫ﹰ ﺭ‬ ‫ﻟﺘﺭﻗﺹ ﻓﻴﻪ ﺍﻟﺜﻌﺎﻟﺏ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺘﺸﺩﻭ ﺍﻟﻌﻘﺎﺭﺏ‬ ‫‪‬‬ ‫ﺘﺴﻬﺭ ﻜل ﺫﺌﺎﺒﻙ ﺤﺘﻰ ﺍﻟﺼﺒﺎﺡ‬ ‫‪ ‬ﱞ‬ ‫ﻭﺘﺴﻜﺭ ﻨﺎﻫﺸﺔ ﻟﺤﻤﻬﺎ.‬ ‫٧٣‬
‫ﻭﺒﻌﺩ ﺍﻨﻔﻀﺎﺽ ﺍﻟﺠﻤﻴﻊ‬ ‫ﺴﺘﺴﺄل ﺭﺒﺎ ﻜﺭﻴ ‪‬ﺎ‬ ‫‪‬ﹰ ﻤ‬ ‫ﻭﻋﺎﺌﻠﺔ ﻁﻴﺒﺔ:‬ ‫ﺃﻤﺎ ﺯﻟﺕ ﺘﺸﻐل ﻨﻔﺴﻙ؟‬ ‫ﹶ‬ ‫ﺘﻐﺭﻕ ﺤﺒﺭﻙ ﻓﻲ ﺴﺭﺩ ﻗﺼﺘﻬﺎ؟‬ ‫ﺒﻌﺩ ﺃﻥ ﺘﺭﻜﺘﻙ‬ ‫‪‬‬ ‫ﻓﺭﻴﺴﺔ ﺃﻫﻭﺍﺌﻬﺎ‬ ‫ﺃﻁﻠﻘﺕ ﺸﺭﻫﺎ ﻓﻲ ﻜﻴﺎﻨﻙ.‬ ‫ِ ‪‬‬ ‫ﹾ ﱠ‬ ‫ﺘﺴﺄل ﺤﻜﻤﺘﻙ ﺍﻟﻬﺎﺭﺒﺔ:‬ ‫ﺃﻤﺎ ﺯﻟﺕ ﺘﺴﻘﻁ ﺘﺤﺕ ﻋﻭﺍﻤﻴﺩﻫﺎ‬ ‫ﹶ‬ ‫ﻟﺘﺭﺘل ﺃﺩﻋﻴﺔ ﻟﻠﺼﻼﺓ.‬ ‫ﹾ‬ ‫ﹰ‬ ‫ﺃﻨﺕ ﻀﻠﱠﺕ ﻗﻠﺒﻙ‬ ‫‪‬‬ ‫ﻠ‬ ‫ﻀ ‪‬ﻌﺕ ﺒﻌ ‪‬ﺎ ﻤﻥ ﺍﻟﻭﻗﺕ ﻓﻲ ﺭﺤﻠﺔ ﺨﺎﺴﺭﺓ‬ ‫ﹾ‬ ‫ﻴ ﹶ ﻀ‬ ‫ﻭﺍﻨﻀﻤﻤﺕ ﺇﻟﻰ ﺍﻟﻭﺍﻗﻔﻴﻥ ﻋﻠﻰ ﺒﺎﺒﻬﺎ‬ ‫ﹶ‬ ‫ﺘﺘﺴﻭل ﻀﺤﻜﺘﻬﺎ‬ ‫ﻭﻓﺠﺎﺠﺘﻬﺎ‬ ‫ﻭﺃﻨﻭﺜﺘﻬﺎ‬ ‫ﻜﻠﻤﺔ ﻭﺍﺤﺩﺓ..‬ ‫ﹰ‬ ‫٨٣‬
‫ﻭﺍﻨﻜﺴﺭﺕ ﺘﻤﺎ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﻟﺘﺸﻐل ﺃﻭﻗﺎﺘﻙ ﺍﻟﻔﺎﺭﻏﺔ..‬ ‫ﻫﺎ ﻫﻲ ﺃﻗﺒﻠﺕ‬ ‫ﹾ‬ ‫ﻫﺎ ﻫﻲ ﺃﺩﺒﺭﺕ‬ ‫ﹾ‬ ‫•‬ ‫ﻭﺘﺨﻠﺕ ﻋﻥ ﺍﻻﺸﺘﺒﺎﻙ ﻤﻌﻙ‬ ‫• ﻣﻦ ﺵﻌﺮ ﺻﻼح ﻋﺒﺪ اﻟﺼﺒﻮر‬ ‫٩٣‬
‫* ‪*  ‬‬ ‫ﺴﺄﻜﻤل ﻓﻴﻬﺎ ﺍﻟﻌﻨﺎﻕ‬ ‫ﻭﺃﺸﺭﺡ ﻟﻠﺨﺎﺭﺠﻴﻥ ﻤﻥ ﺍﻟﺒﻴﺕ ﻤﺒﺘﺴﻤﻴﻥ‬ ‫ﻭﻤﺒﺘﻬﺠﻴﻥ:‬ ‫ﺇﻥ ﺍﻟﺤﻘﻴﻘﺔ ﻜﺎﺭﺜﺔ‬ ‫ﹲ‬ ‫ﻭﺍﻟﺤﻴﺎﺓ ﺍﻟﺘﻲ ﻗﺘﻠﺘﻨﺎ: ﻤﺯﻴﻔﺔ، ﻭﻤﺭﻴﻌﺔ‬ ‫ﻭﺸﻜل ﺍﻟﻭﺩﺍﺩ ﺍﻟﻤﺭﺍﻭﻍ:‬ ‫ﺃﻜﺫﻭﺒﺔ ﻓﺎﺠ ‪‬ﺔ.‬ ‫ﻌ‬ ‫ﺴﺄﺼﺤﺒﻬﺎ ﻓﻲ ﻫﺩﻭﺀ‬ ‫ٍ‬ ‫ﺇﻟﻰ ﺒﻴﺕ ﺃﻤﻲ،‬ ‫ﻭﺃﺠﻠﺴﻬﺎ ﻓﻭﻕ ﻤﻘﻌﺩﻫﺎ ﺍﻟﺨﺸﺒﻲ ﺍﻟﻘﺩﻴﻡ‬ ‫ﻟﺘﺸﻬﺩ ﻤﺎ ﺼﻨﻌﺘﻪ ﺍﻟﻌﻁﻭﺭ ﺍﻟﻜﺭﻴﻬﺔ،‬ ‫ﻓﻲ ﻏﺭﻓﺔ ﺍﻷﺼﺩﻗﺎﺀ‬ ‫ﻭﻤﺎ ﺨﺭﺒﺘﻪ ﺍﻟﻤﺴﺎﺤﻴﻕ ﻭﺍﻷﻗﻨﻌﺔ.‬ ‫ﺴﺄﺴﺭﺩ ﻗﺼﺔ: "ﻜﻴﻑ ﺘﻬﺩﻤﺕ ﺍﻟﺴﻨﻭﺍﺕ"‬ ‫ﹸ‬ ‫ﻭﺭﺍﺤﺕ ﻫﺒﺎﺀ‬ ‫‪‬‬ ‫٠٤‬
‫ﻭﻨﻬ ‪‬ﺎ ﻷﻏﺭﺒﺔ‬ ‫ٍ‬ ‫ﺒ‬ ‫ﺤﻠﻘﺕ ﺒﻴﻨﻨﺎ‬ ‫ﻭﺼﺎﺭﺕ ﻜﻤﺸﻨﻘﺔ ﻗﺎﺌﻤﺔ".‬ ‫ٍ‬ ‫ﺴﺄﺼﺭﺥ ﻓﻲ ﻏﻀﺏ ﻋﺎﺭ ٍ،‬ ‫ﻡ‬ ‫ٍ‬ ‫ﻭﻤﻔﺘﻌﻼ ﻀﺠﺔ:‬ ‫ﹰ‬ ‫"ﻫﺫﻩ ﻏﺭﻓﺘﻲ‬ ‫ﻭﻫﺫﺍ ﺴﺭﻴﺭﻱ ﺍﻟﺫﻱ ﺃﺘﻜﻭﻡ ﻓﻴﻪ ﻜﻀﻔﺩ ٍﺔ ﻫﺎﺭﺒﺔ..‬ ‫ﹾ‬ ‫ﻋ‬ ‫ﻭﻫﺫﺍ ﺍﻟﻠﺤﺎﻑ ﻴﺩﺜﺭﻨﻲ ﻓﻲ ﺍﻟﻤﺴﺎﺀ‬ ‫ﻭﺃﺠﻌﻠﻪ ﻓﻲ ﺍﻟﻨﻬﺎﺭ ﻜﻤﻘﻌﺩﺓ ﻟﻠﻀﻴﻭﻑ‬ ‫ٍ‬ ‫ﻭﻫﺫﺍ ﻗﻤﻴﺼﻲ ﺍﻟﻤﻤﺯﻕ‬ ‫ﺃﺨﻔﻴﻪ ﺩﻭ ‪‬ﺎ..‬ ‫ﻤ‬ ‫ﻭﺘﻠﻙ ﺭﺴﻭﻤﺎﺕ ﻤﻥ ﺃﻁﻠﻘﺕ ﺭﻭﺤﻬﺎ‬ ‫ﻓﺭ ‪‬ﺎ ﺠﺎﻤ ‪‬ﺎ ﻓﻲ ﺍﻟﺤﻴﺎﺓ، ﻭﻤﻥ ﺃﺸﻌﻠﺕ ﺭﻭﺤﻪ ﻭﻁ ﹰﺎ ﻜﺎﻤﻼ‬ ‫ﹰ‬ ‫ﻨ‬ ‫ﺤ‬ ‫ﺴ‬ ‫ﻭﺘﻠﻙ – ﺃﺨﻴ ‪‬ﺍ – ﻤﻔﺎﺘﻴﺢ ﺒﻴﺘﻲ‬ ‫ﺭ‬ ‫ﺃﻗﺩﻤﻬﺎ ﻟﺤﻀﻭﺭﻙ: ﺨﺎﻀﻌ ﹰ، ﻭﺩﻟﻴﻼ ﻋﻠﻰ ﻁﺎﻋﺘﻲ".‬ ‫ﹰ‬ ‫ﺔ‬ ‫١٤‬
‫ﺴﺘﺩﺭﻙ ﻟﺤﻅﺘﻬﺎ:‬ ‫ﺃﻥ ﻫﺫﺍ ﺍﻟﺒﺭﻴﻕ ﺍﻟﺫﻱ ﻴﺘﺼﺎﻋﺩ ﻤﻥ ﺒﻴﻥ ﻋﻴﻨﻲ‬ ‫ﻟﻴﺱ ﻤﺯﺍ ‪‬ﺎ.‬ ‫ﺤ‬ ‫ﻭﻟﻴﺱ ﺍﻨﺒﻬﺎ ‪‬ﺍ ﺘﺒﺭﺭﻩ ﺍﻟﻘﺒﻼﺕ ﺍﻟﻌﻨﻴﻔﺔ – ﻟﻴﻼ.‬ ‫ﹰ‬ ‫ﺭ‬ ‫ﺴﺄﺼﺤﺒﻬﺎ – ﻗﱠﻤﺎ ﻭﺍﻓﻘﺕ –‬ ‫ﹾ‬ ‫ﻠ‬ ‫ﻤﻥ ﻴﺩﻴﻬﺎ‬ ‫ﻷﻗﻨﻌﻬﺎ ﻓﻲ ﺘﺭﻭ ﺸﺩﻴﺩ‬ ‫ٍ‬ ‫ٍ‬ ‫ﺒـ "ﺃﻥ ﺍﻟﺒﻴﻭﺕ ﺍﻟﺘﻲ ﺴﻜﻨﺘﻨﺎ‬ ‫ﻤﺠﺭﺩ ﺃﻗﺒﻴﺔ ﻫﺯﻤﺘﻨﺎ..‬ ‫ﻨﻔﺘﻨﺎ..‬ ‫ﻭﺃﻓﹾﻨﺕ ﻁﺭﻴﻘﺔ ﺃﺤﻼﻤﻨﺎ‬ ‫ﹾ‬ ‫ﺘﺭﻜﺘﻨﺎ: ﻨﺭﺘﺏ ﺃﻭﻫﺎﻤﻨﺎ،‬ ‫ﻗﺎﻨﻌﻴﻥ ﺒﺄﺤﺫﻴﺔ ﺴﺤﻘﺕ - ﻓﻲ ﺍﻟﻤﺴﺎﺀ – ﺸﻌﺎﺭﺍﺘﻨﺎ‬ ‫ﹾ‬ ‫ﻭﺠﻠﺴﻨﺎ – ﺼﻔﻭ ﹰﺎ.. ﺼﻔﻭ ﹰﺎ.‬ ‫ﻓ‬ ‫ﻓ‬ ‫ﻨﻘﺒﻠﻬﺎ‬ ‫ﻨﺘﻠﺫﺫ ﺤﺘﻰ ﺍﻟﻐﻴﺎﺏ‬ ‫ﻭﻨﻬﺘﻑ – ﺩﻭ ‪‬ﺎ – ﺒﻘﻭﺘﻬﺎ‬ ‫ﻤ‬ ‫ﻭﺭﺸﺎﻗﺘﻬﺎ ﻓﻲ ﺍﻟﺘﻨﻘل‬ ‫٢٤‬
‫ﻓﻲ ﺨ ٍﺔ ﺭﺍﺌﻌﺔ".‬ ‫ﹾ‬ ‫ﻔ‬ ‫ﺴﺘﺤﺯﻥ – ﻗﻁ ‪‬ﺎ –‬ ‫ﻌ‬ ‫ﻭﺘﺫﺭﻑ ﺒﻌ ‪‬ﺎ ﻤﻥ ﺍﻟﺩﻤﻊ‬ ‫ٍ‬ ‫ﻀ‬ ‫ﺤﻴﻥ ﺘﺸﺎﻫﺩ ﺒﻌ ‪‬ﺎ ﻤﻥ ﺍﻟﻠﺤﻡ ﻗﺩ ﻴﺘﻜﻭﻡ‬ ‫ﻀ‬ ‫ﻓﻲ ﻅﻠﻤﺔ ﻨﺎﺌﻴﺔ،‬ ‫ٍ‬ ‫ﻭﺼﻭﺭﺓ ﺸﻴﺦ ﺍﻟﻁﺭﻴﻘﺔ ﻭﻫﻭ ﻴﻁل ﻋﻠﻴﻬﺎ ﻤﻥ ﺍﻟﺴﻘﻑ‬ ‫ﻤﻨﺒﻬ ‪‬ﺍ ﺒﺜﻴﺎﺏ ﻤﺠﻨﺤﺔ ﻭﻨﻅﻴﻔﺔ،‬ ‫ٍ‬ ‫ﺭ‬ ‫ﺴﺘﻠﺤﻅ ﺃﻥ ﺤﻭﺍﺌﻁ ﻏﺭﻓﺘﻪ ﻜﺎﻟﺤﺔ‬ ‫ﹾ‬ ‫ﻭﺃﻥ ﻤﺼﺎﺒﻴﺤﻬﺎ ﻻ ﺘﻀﻲﺀ ﺒﻘﺩﺭ ﻜﺒﻴﺭ..‬ ‫ﻭﺃﻥ ﺒﺒﺎﺒﻴﻬﺎ "ﺸﺨﺒﻁﺔ" ﻭﺭﺴﻭﻡ ﻗﺩﻴﻤﺔ‬ ‫ﻭﺸﺒﺎﻜﻬﺎ ﻻ ﻴﻠﻴﻕ ﺒﻪ ﻤﻁﻠﻘﺎ..‬ ‫ﹰ‬ ‫ﺴ ﹸﺨﺭﺝ – ﺤﺘ ‪‬ﺎ – ﺯﺠﺎﺠﺔ ﺒﺎﺭﻓﺎﻨﻬﺎ ﻟﻴﻔﻭﺡ‬ ‫ﻤ‬ ‫ﺘ‬ ‫ﻭﻴﺼﻌﺩ ﻟﻠﺴﻘﻑ..‬ ‫ﺜﻡ ﻴﺒﺩﺩ ﺒﻌ ‪‬ﺎ ﻤﻥ ﺍﻟﻌﻔﻥ ﺍﻟﻤﺘﻜﺩﺱ.‬ ‫‪‬‬ ‫ﻀ‬ ‫ﻭﺤﻴﻥ ﺃﺒﺎﻏﺘﻬﺎ ﺒﻨﺯﻴﻔﻲ ﺴﺘﺼﺤﻭ!!‬ ‫ﺴﺘﺤﺯﻥ.. ﺒﻌ ‪‬ﺎ ﻤﻥ ﺍﻟﻭﻗﺕ‬ ‫ﻀ‬ ‫ﺤﺘﻰ ﺘﻁﺎﺭﺩﻫﺎ ﺍﻟﺤﺸﺭﺍﺕ ﺍﻟﺩﻗﻴﻘﺔ ﻭﺍﻟﻤﺅﺫﻴﺔ‬ ‫٣٤‬
‫ﻭﺘﺭﺤل ﺁﺴﻔﺔ!‬ ‫)ﻫﻜﺫﺍ: ﺴﻭﻑ ﺘﻘﻁﻊ ﻜل ﻋﻼﻗﺘﻬﺎ‬ ‫ﱠ‬ ‫ﺒﺼﺩﻴﻘﺎﺘﻬﺎ ﺍﻟﻤﺘﺭﻓﺎﺕ!!‬ ‫ﻭﺘﻠﻘﻲ ﻤﺴﺎﺤﻴﻘﻬﺎ ﺍﻟﻜﺎﺫﺒﺔ!‬ ‫- ﺃﺨﻤﻥ ﺫﻟﻙ!!‬ ‫ﺃﻭ ﺴﻭﻑ ﺘﺸﻌل ﺴﺠﻴﺎﺭﺓ ﻤﺎﺭﻟﺒﻭﺭﻭ‬ ‫ﹰ‬ ‫ﻭﺘﻁﻠﻕ ﺩﺨﺎﻨﻬﺎ ﻓﻲ ﺍﻟﻬﻭﺍﺀ ﺍﻟﻤﺩﺠﺞ ﺒﺎﻷﻭﺒﺌﺔ(.‬ ‫ﻭﻟﻜﻨﻬﺎ – ﺴﻭﻑ ﺘﺒﻘﻰ ﻋﻠﻴﻪ – ﻜﺄﻟﻌﻭﺒﺔ،‬ ‫ﺘﺘﺴﻠﻰ ﺒﻬﺎ ﻓﻲ ﺍﻟﻔﻀﺎﺀ ﺍﻟﺫﻱ ﻴﺘﺭﻫل‬ ‫ﻓﻲ ﻏﺭﻓﺔ ﻭﺍﺴﻌﺔ‬ ‫٤٤‬
‫* ‪*   ‬‬ ‫ﻜﺄﻨﻙ ﺘﺴﻤﻌﻬﺎ‬ ‫ﻭﺘﺼﺩﻗﻬﺎ‬ ‫ﻭ ﹸﻘﱠﺏ ﻓﻲ ﺩﻓﺘﺭ ﺍﻟﻤﻤﻜﻨﺎﺕ‬ ‫ِ‬ ‫ﺘﻠ ‪‬‬ ‫ﻜﺄﻨﻙ ﺘﻔﻘﺩ ﻭﺠ ‪‬ﺎ ﺤﻤﻴ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﻬ‬ ‫ﻭﻗﻠ ‪‬ﺎ‬ ‫ﺒ‬ ‫ﻭﺫﺍﻜﺭﺓ‬ ‫ﹰ‬ ‫ﻭﺤﻨﻴ ﹰﺎ‬ ‫ﻨ‬ ‫ﻭﺃﺫﺭﻋﺔ ﻁ ‪‬ﻗﺕ ﺠﺴ ‪‬ﺍ ﻓﺎﺭ ‪‬ﺎ.‬ ‫ﻋ‬ ‫ﹰ ﻭ ﹾ ‪ ‬ﺩ‬ ‫ﻜﺄﻨﻙ ﺘﻭﻗ ﹸﻬﺎ ﻓﻲ ﻓﻀﺎﺀ ﺍﻟﺘﺭﺍﻨﺯﻴﺕ‬ ‫ِ‬ ‫ِ‬ ‫ﻔ‬ ‫ﹸﺨﺒ ‪‬ﻫﺎ ﺒﺎﻟﻘﺭﺍﺭ ﺍﻟﻤﻔﺎﺠﺊ‬ ‫ٍ‬ ‫ﺘ ﺭ‬ ‫ﹸﻨﺩ ‪‬ﻫﺎ ﺒﺎﻨﺘﻅﺎﺭ ﺃﺨﻴﺭ!!‬ ‫ٍ‬ ‫ٍ‬ ‫ﺘ ﺭ‬ ‫ﻭﺘﻔﻀﻲ ﺒﺄﺴﺭﺍﺭ ﻟﻴﻠﺘﻙ ﺍﻟﺴﺎﺒﻘﺔ‬ ‫ﺘﻌﺎﺘﺒﻬﺎ‬ ‫ﺴﺘﻭﻀﺢ ﺃﻨﻙ ﻟﻡ ﺘﺘﻨﺒﻪ‬ ‫ﺤﻴﻨﻤﺎ ﺨﺭﺠﺕ ﺠﻤﻠﺔ – ﺨﻁﺄ‬ ‫ً‬ ‫ﹲ‬ ‫٥٤‬
‫ﻫﺭﺒﺕ – ﻓﺠﺄﺓ‬ ‫ﹲ‬ ‫ﹾ‬ ‫ﺴﺘﻤﻨﻊ ﻨﻔﺴﻙ‬ ‫ﻤﻥ ﺃﻥ ﺘﻌﺎﻨ ﹶﻬﺎ‬ ‫ِ‪  ‬ﻘ‬ ‫ﺃﻭ ﺘﺨﻭﺭ ﻭﺘﻬﺫﻱ‬ ‫ﺘﻠﻤﻠﻡ ﺒﻌﺽ ﻗﻭﺍﻙ ﺍﻟﻘﺩﻴﻤﺔ‬ ‫ﺜﻡ ﺘﻘﺎﻭﻡ ﺘﺄﺜﻴﺭ ُﻟﻔ ِﻬﺎ – ﻓﻲ ﺜﺒﺎﺕ‬ ‫ٍ‬ ‫ﺃ ﺘ‬ ‫ﺴﺘﺩﺭﻙ ﺃﻥ ﺴﻠﻭﻜﻙ ﻤﻔﺘﻌل‬ ‫ٌ‬ ‫ﻭﺴﺨﻴﻑ‬ ‫ﹲ‬ ‫ﻭﺃﻨﻙ ﻤﺒﺘﺫل‬ ‫ٌ‬ ‫ﺤﻴﻥ ﹸﻠﻘﻰ ﺒﻨﻔﺴﻙ ﻓﻲ ﺼﺩﺭﻫﺎ‬ ‫ﺘ‬ ‫ﻟﺘﺫﻭﺏ.‬ ‫‪‬‬ ‫ﺴﺘﺸﻌﺭ ﺃﻨﻙ ﻤﺭﺘﺒﻙ‬ ‫ﺤﻴﻨﻤﺎ ﺘﺘﻬﺎﺩﻯ ﺇﻟﻴﻙ‬ ‫ﻜﻌﺎﺸﻘﺔ ﻭﺃﻟﻴﻔﺔ.‬ ‫ﹾ‬ ‫ﻜﺄﻨﻙ ﺘﺭﺴﻤﻬﺎ ﻤﺸﻬ ‪‬ﺍ ﻓﻲ ﻗﺼﻴﺩﺓ‬ ‫ﺩ‬ ‫ﻭﺘﻜﺘﺒﻬﺎ ﺁﻴﺔ ﻓﻲ ﻜﺘﺎﺏ ﻤﻘﺩﺱ.‬ ‫ٍ‬ ‫ﹰ‬ ‫ﻜﺄﻨﻙ ﺘﻔﻌل ﺫﻟﻙ ﻓﻲ ﺜﻘﺔ‬ ‫ٍ‬ ‫ﻭﺘﻜﺭﺭﻩ ﻓﻲ ﻨﻅﺎﻡ ﺒﻠﻴﺩ‬ ‫ٍ‬ ‫٦٤‬
‫* ‪*    ‬‬ ‫ﻜﺄﻨﻙ ﺘﺨﻠﻁ ﻭﻴﺘﻤﺎﻥ‬ ‫ﺒﺒﻌﺽ ﺍﻟﻘﺼﺎﺌﺩ ﻟﻴﻼ.‬ ‫ﹰ‬ ‫ﻜﺄﻨﻙ ﺘﻤﺯﺠﻪ ﺒﻘﻠﻴل ﻤﻥ ﺍﻟﺸﻌﺭ‬ ‫ٍ‬ ‫ﺘﺒﺭﺯﻩ ﻁﺎﻟ ‪‬ﺎ‬ ‫ﻌ‬ ‫ﻭﻫﻭ ﻴﻨﺸﺩ ﺃﻏﻨﻴﺔ ﻏﺎﻤﻀﺔ.‬ ‫ﹾ‬ ‫ﹸ‬ ‫ﻜﺄﻨﻙ ﺘﻌﺯﻑ ﻤﻘﻁﻭﻋﺔ ﻓﻲ ﺍﻟﺸﺘﺎﺀ‬ ‫ِ‬ ‫ﹰ‬ ‫ﻭﺘﺠﻠﺱ ﺃﻨﺕ ﻭﺒﻌﺽ ﺍﻟﺭﻓﺎﻕ‬ ‫ﻭﺘﻨﺴل ﻤﺭﺘﺒ ﹰﺎ ﺒﺎﻟﻤﺭﺍﺭﺓ‬ ‫ﻜ‬ ‫ﻭﺍﻟﻭﺤﺩﺓ ﺍﻟﻘﺎﺘﻤﺔ‬ ‫ﻜﺄﻨﻙ ﹸﻔﻠﺕ ﹶﻔﺴ ‪ /‬ﺭﻭﺤﻙ‬ ‫ﺘ ﹸﻨ ﻙ‬ ‫ﻤﻥ ﺼﺨﺏ ﻤﺴﺘﻤﺭ‬ ‫ِ‬ ‫ٍ‬ ‫ﻭﺠﻠﺠﻠﺔ ﻜﺎﺫﺒﺔ.‬ ‫ٍ‬ ‫ﺜﻡ ﺘﺤﻜﻲ‬ ‫ﻭﻓﻲ ﺃﺩﺏ ﻭﻫﺩﻭﺀ‬ ‫ٍ‬ ‫ٍ‬ ‫ﺘﺤﺎﻭل ﻓﻙ ﺭﻤﻭﺯ ﻗﺩﻴﻤﺔ،‬ ‫ٍ‬ ‫ُ ‪‬‬ ‫٧٤‬
‫ﻭﺘﻨﻔﺽ ﻋﻨﻬﺎ ﺍﻟﻐﺒﺎﺭ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﺴﺘﺤﻜﻲ ﻟﺴﻠﻭﻯ:‬ ‫"ﺤﻜﺎﻴﺔ ﺃﻭﺩﻴﺕ"،‬ ‫ﺃﻭ ﻤﺎ ﺘﺒﻘﻰ ﻤﻥ ﺍﻷﻏﻨﻴﺎﺕ‬ ‫ﻭﺘﺭﺴل ﺸﺠﻭﻙ‬ ‫ﻭﻫﻲ ﺘﻐﺭﺩ ﻓﻲ ﺸﺠﺭ ﺍﻟﺒﺭﺘﻘﺎل‬ ‫ﺴﺘﺤﻜﻲ ﻟﻬﺎ ﻋﻥ ﺯﻤﺎﻥ ﻴﺠﺭﺩ ﻭﺠﻬﻙ ﻤﻥ ‪‬ﻤﺭﺓ‬ ‫ﺤ ٍ‬ ‫ٍ‬ ‫ﺜﻡ ﺘﺄﺨﺫ ﺯﺍﻭﻴﺔ‬ ‫ﹰ‬ ‫ﻓﻲ ﻤﻜﺎﻥ ﻗﺭﻴﺏ ﻤﻥ ﺍﻷﺼﺩﻗﺎﺀ‬ ‫ٍ‬ ‫ٍ‬ ‫ﻭﺤﻭﻟﻜﻤﺎ ﻀﺠﺔ ﻓﺎﺭﻏﺔ.‬ ‫ﺴﻭﻑ ﺘﺒﺩﺃ ﻋﺯ ﹰﺎ ﻋﻠﻰ ﻭﺘﺭ ﺠﺎﺭﺡ:‬ ‫ٍ‬ ‫ٍ‬ ‫ﻓ‬ ‫)ﻓﺎﺠﺄﺘﻨﻲ ﻋﻠﻰ ﺍﻟﻬﺎﺘﻑ‬ ‫ﺃﻨﺎ ﺃﻭﺩﻴﺕ‬ ‫ﻟﻥ ُﺯﻋﺞ ﺨﻴﺎﻟﻙ ﻜﺜﻴ ‪‬ﺍ‬ ‫ﺭ‬ ‫ﺃ ِ‪‬‬ ‫ﻟﻜﻲ ﺘﺘﺼﻭﺭﻨﻲ‬ ‫ﻭﺘﺭﺴﻡ ﺸﻜﻼ ﻏﺎﻤ ‪‬ﺎ ﻟﻲ‬ ‫ﹰ ﻀ‬ ‫ﺴﺄﺼﻑ ﻟﻙ ﻤﺎ ﻴﺘﻴﺴﺭ ﻤﻥ ﺼﻭﺭﺘﻲ‬ ‫٨٤‬
‫ﻭﻋﺩ‪‬ﻨﻲ:‬ ‫ِ‬ ‫ﺃﻨﻙ ﺴﺘﺸﻡ ﻟﻲ ﺘﺭﺍﺏ ﺒﻼﺩﻱ‬ ‫ﻭ ﹸﻘ ‪‬ل ﺃﺭﻀﻬﺎ‬ ‫ﺘﺒُ‬ ‫ﺃﻨﺎ ﻭﺍﺤﺩﺓ ﺃﻋﻴﺵ ﻫﻨﺎ‬ ‫ﻤﻨﺫ ﻋﺸﺭﻴﻥ ﻋﺎ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﻤﻨﺫ ﺨﻤﺴﻴﻥ ﻜﺎﺭﺜﺔ‬ ‫" ﺃﻨﺎ ﺃﻋﻠﻡ ﺃﻥ ﻴﺩ ﺍﷲ‬ ‫ﻫﻲ ﻭﻋﺩ ﻴﺩﻱ‬ ‫ﻭﺃﻋﻠﻡ ﺃﻥ ﺭﻭﺡ ﺍﷲ‬ ‫ﺸﻘﻴﻘﺔ ﺭﻭﺤﻲ")١(.‬ ‫ﻜﻨﺎ ﺍﺜﻨﻴﻥ‬ ‫ﺜﻡ ﺼﺭﻨﺎ ﺜﻼﺜﺔ‬ ‫ﻭﺃﺼﺒﺤﺕ ﺍﻵﻥ ﻭﺍﺤﺩﺓ‬ ‫ﹰ‬ ‫ﹸ‬ ‫ﻭﺍﺤﺩﺓ ﻓﻘﻁ، ﻭﻭﺤﻴﺩﺓ!!‬ ‫"ﺒﻌﻴ ‪‬ﺍ ﻋﻥ ﺍﻟﺸﺩ ﻭﺍﻟﺠﺫﺏ‬ ‫‪‬‬ ‫ﺩ‬ ‫ﻴﻘﻑ ﻤﺎ ﻫﻭ ﺃﻨﺎ‬ ‫ﻴﻘﻑ: ﺩﻫ ﹰﺎ، ﺭﻀ ‪‬ﺎ‬ ‫ﻴ‬ ‫ﺸ‬ ‫ﻤﺘﺩﻓ ﹰﺎ، ﻋﺎﻁ ﹰ، ﻤﺘﻭﺤ ‪‬ﺍ")٢(.‬ ‫ﺩ‬ ‫ﻼ‬ ‫ﻘ‬ ‫٩٤‬
‫ﺃﻋﻤل ﻓﻲ ﻤﺼﻨﻊ ﻹﻨﺘﺎﺝ ﺍﻟﻌﺩﺴﺎﺕ‬ ‫ﺭﺒﻤﺎ ﻴﺠﻌﻠﻨﻲ ﺫﻟﻙ ﻤﺘﻭﺜﺒﺔ ﺍﻟﺨﻴﺎل.. ﺭﺒﻤﺎ!!!‬ ‫ﺃﺴﺄﻟﻙ: ﻫل ﺍﻟﺨﻴﺎل ﻗﺭﻴﻥ ﺃﺒﺩﻱ ﻟﻠﻭﺤﺩﺓ؟‬ ‫ﺃﺭﻴﺩ ﺃﻥ ﺃﺸﺤﻥ ﺘﻠﻙ ﺍﻟﻌﺩﺴﺎﺕ‬ ‫ﺒﻘﺒﺱ ﻤﻥ ﺭﻭﺤﻲ‬ ‫ﻷﻤﻸﻫﺎ ﺒﺒﻌﺽ ﻤﻥ ﺠﻨﻭﻨﻲ.‬ ‫ٍ‬ ‫ﺃﻗﻀﻲ ﻋﺸﺭ ﺴﺎﻋﺎﺕ ﻜﺎﻤﻠﺔ‬ ‫ﻫل ﺘﻌﺭﻑ ﻤﻌﻨﻰ ﺃﻥ ﺘﻘﻀﻲ ﻜل ﻫﺫﺍ ﺍﻟﻭﻗﺕ‬ ‫ﻓﻲ ﻨﻴﻭﻴﻭﺭﻙ‬ ‫ﻻ ﺃﻅﻥ ﺃﻥ ﺨﻴﺎل ﻭﻴﺘﻤﺎﻥ ﺨﺼﺏ ﺇﻟﻰ ﻫﺫﻩ ﺍﻟﺩﺭﺠﺔ!‬ ‫ﺃﻨﺘﻡ ﻫﻨﺎﻙ‬ ‫ﻩ..ﻨـ..ـﺎﻙ..‬ ‫ﺘﺤﺕ ﺩﻑﺀ ﺸﻤﺱ ﺴﺎﻁﻌﺔ..‬ ‫ٍ‬ ‫ﻭﺃﻨﺎ ﻫﻨﺎ ﻓﻲ ﻤﻭﺍﺠﻬﺔ ﺍﻟﺒﺭﺩ‬ ‫ﻻ ﺘﻀﺤﻙ‬ ‫ﺃﻟﻴﺴﺕ ﺸﻤﺱ ﺒﻼﺩﻱ ﺴﺎﻁﻌﺔ ﻓﻌﻼ!‬ ‫ﹰ‬ ‫ﻭﺠﻤﻴﻠﺔ!(.‬ ‫٠٥‬
‫ﻜﺄﻨﻙ ﺘﺴﻤﻌﻬﺎ ﻤﻥ ﻗﺭﻴﺏ‬ ‫ٍ‬ ‫ﹸﻘﺒﱞﻬﺎ‬ ‫ﺘ ﻠ‬ ‫ﻭﺘﻘﺒﻠﻬﺎ ﻓﻲ ﺤﺭﺍﺭﺓ ﺠﺴﻤﻙ‬ ‫ﱢ‬ ‫ﺘﺄﺨﺫﻫﺎ ﻓﻲ ﺯﻭﺍﻴﺎ ﻤﻥ ﺍﻟﻨﻔﺱ‬ ‫- ﻭﻗﺘﺎ ﻁﻭﻴﻼ –‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﻟﺘﻔﻬﻤﻬﺎ.‬ ‫ﺜﻡ ﺘﺠﻠﺴﻬﺎ ﻤﺜل ﻭﻴﺘﻤﺎﻥ‬ ‫ﻭﺘﻤﻠﻲ ﻗﺼﻴﺩﺘﻪ:‬ ‫"ﺃﻴﻬﺎ ﺍﻟﻐﺭﻴﺏ‬ ‫ﺤﻴﻥ ﺘﻤﺭ ﺒﻲ، ﻭﺘﺭﻴﺩ ﺃﻥ ﺘﺤﺩﺜﻨﻲ‬ ‫ﻟﻡ ﻻ ﹸﺤﺩﺜﻨﻲ‬ ‫‪ ‬ﺘ‬ ‫ﻭﻟﻡ ﻻ ُﺤﺩﺜﻙ؟")٣(.‬ ‫ﺃ‬ ‫ﹸﻘ ‪‬ﺏ ﺃﺫﻨﻙ ﻤﻨﻬﺎ‬ ‫ﺘﺭ ‪‬‬ ‫ﺃﻗﺼﺩ: ﺭﻭﺤﻙ‬ ‫ﺘﻨﺼﺕ،‬ ‫ﻭﻫﻲ ﺘﻔﺘﺵ – ﻓﻲ ﻭﻟﻊ – ﻋﻥ ﻜﻼﻡ‬ ‫ٍ‬ ‫ٍ‬ ‫ﻭﻋﻥ ﺠﻤﻠﺔ ﺼﺎﺌﺒﺔ،‬ ‫ٍ‬ ‫ﻟﺘﺸﺭﺡ ﺤﺎﻟﺘﻬﺎ ﺍﻟﻔﺎﺭﻗﺔ.‬ ‫١٥‬
‫ﺴﺘﺤﻜﻲ ﻟﺴﻠﻭﻯ‬ ‫ﻭﻴﺄﺨﺫﻙ ﺍﻟﻭﺠﺩ ﺤﻴ ﹰﺎ‬ ‫ﻨ‬ ‫ﻓﺘﺭﻓﻊ ﺼﻭﺘﻙ:‬ ‫- ﻭﺍﺤﺩﺓ ﻤﻥ ﺒﻼﺩﻱ‬ ‫ﻭﻭﺍﺤﺩﺓ ﺘﺤﺕ ﺸﻤﺱ ﻜﺴﻭل‬ ‫ٍ‬ ‫ﺘﺭﺘﺏ ﺃﻭﻗﺎﺘﻬﺎ ﻓﻲ ﻅﻼﻡ ﺍﻟﻨﻬﺎﺭ‬ ‫ﻭﺘﺭﺴﻡ ﻭﺤﺩﺘﻬﺎ ﻤﻥ ﻫﻨﺎﻙ‬ ‫ﻭﺘﺤﻠﻡ!!‬ ‫ﺘﺭﺴﻡ ﺒﺎﻟﻭﻫﻡ: ﺃﺫﺭﻋﺔ‬ ‫ﹰ‬ ‫ﻭﻭﺠﻭ ‪‬ﺎ،‬ ‫ﻫ‬ ‫ﺭﺠﺎﻻ ﺸﺩﺍ ‪‬ﺍ‬ ‫ﹰ ﺩ‬ ‫ﻭﺃﻓﺌﺩﺓ ﺘﺘﺤﺭﻕ ﺸﻭ ﹰﺎ ﻟﻤﺼﺭ‬ ‫ﻗ‬ ‫ﹰ‬ ‫ﻭﺫﺍﻜﺭﺓ ﺘﺸﺘﻌل‬ ‫ْ‬ ‫ﹰ‬ ‫ﺜﻡ ﺘﻔﺘﺢ ﻗﻭﺱ ﻤﺤﺒﺘﻬﺎ ﻟﻠﺠﻤﻴﻊ:‬ ‫‪‬ﺭﺤﺒﺔ ﺒﺎﻟﻤﻭﺩﺓ‬ ‫ِ‬ ‫ﻤ ﹰ‬ ‫ﻭﺍﻟﺩﻑﺀ‬ ‫ِ‬ ‫ﻻ ﻏﻴﺭ.‬ ‫)ﺤﻜﻴﺕ ﻟﻙ ﻋﻥ ﻋﻤﻠﻲ، ﻭﻅﺭﻭﻓﻲ‬ ‫٢٥‬
‫ﻭﻟﻡ ﺃﺼﻑ ﺒﻌﺽ ﻨﻔﺴﻲ‬ ‫ﻭﺒﻌ ‪‬ﺎ ﻤﻥ ﺼﻭﺭﺘﻲ.‬ ‫ﻀ‬ ‫ﺃﻨﺎ ﻓﻲ ﺤﺎﺠﺔ ﻟﻜﻲ ُﻓ ِﻍ ﺘﻠﻙ ﺍﻟﻨﻔﺱ‬ ‫ﺃﺭﹶ‬ ‫ﻓﻲ ﺼﺩﺭ ﺭﺠل ﺩﺍﻓﺊ‬ ‫ٍ‬ ‫ٍ‬ ‫ﺩﺍﻓﺊ ﻓﻘﻁ!‬ ‫ٍ‬ ‫ﺃﺤﺘﺎﺝ ﺃﻥ ﺃﺒﻭﺡ ﺃﻤﺎﻡ ﺃﺤﺩ‬ ‫ٍ‬ ‫ﺃﺤﺘﺎﺝ ﺃﻥ ﺃﻗﻭل ﻟﻙ ﺍﻟﻜﺜﻴﺭ‬ ‫ﻟﺴﺕ ﺒﺎﻟﺠﻤﻴﻠﺔ ﺠ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﹸ‬ ‫ﻭﺍﺤﺩﺓ ﻤﺼﺭﻴﺔ ﻤﺄﻟﻭﻓﺔ..‬ ‫ﺃﻭﺩ ﺃﻥ ﺃﺭﺴﻡ ﺼﻭﺭﺘﻲ – ﺒﺎﻟﻀﺒﻁ –‬ ‫ﻓﻲ ﻋﻴﻨﻴﻙ:‬ ‫- ﺃﻨﺎ ﻤﺘﻭﺴﻁﺔ ﺍﻟﻁﻭل‬ ‫ﺍﺭﺘﺩﻱ ﻨﻅﺎﺭﺓ..‬ ‫ﺠﺴﻤﻲ ﻤﻤﺘﻠﺊ ﻗﻠﻴﻼ‬ ‫ٌ ﹰ‬ ‫ﻟﻭﻨﻲ ﺨﻤﺭﻱ‬ ‫ﻭﻋﻴﻨﺎﻱ ﺴﻭﺩﺍﻭﺍﻥ‬ ‫ﻭﺃﺤﺏ ﺍﻟﻤﺭﺡ!!!‬ ‫٣٥‬
‫ﻟﻜﻥ ﻭﺍﻟﺕ ﻭﻴﺘﻤﺎﻥ ﺩﺍﺌ ‪‬ﺎ ﻴﺭﺒﻙ ﻓﺭﺤﻲ‬ ‫ﻤ‬ ‫ﺃﺼﻭﻟﻲ ﻤﻥ ﺃﺭﻤﻨﺕ.‬ ‫ﻫل ﺘﻌﺭﻓﻬﺎ؟‬ ‫ﻓﻲ ﺍﻟﻘﺎﻫﺭﺓ ﻋﺸﺕ ﻁﻔﻭﻟﺘﻲ‬ ‫ﹾ‬ ‫ﻭﺩﻟﻘﺕ ﻜل ﺼﺒﺎﻱ ﻓﻲ ﺸﻭﺍﺭﻋﻬﺎ‬ ‫ﻭﺃﻨﺎ ﻤﺎ ﺯﺍﻟﺕ ﺃﺤﺘﻔﻅ ﺒﺭﺍﺌﺤﺔ ﻤﻨﻬﺎ‬ ‫ﻓﻲ ﻤﻨﺎﺩﻴﻠﻲ‬ ‫ﻭﻤﺨﺩﺍﺘﻲ‬ ‫ﻭﺴﺭﻴﺭﻱ ﺍﻟﻭﺤﻴﺩ‬ ‫ﺴﻜﻨﺕ ﻓﻲ ﺸﻭﺍﺭﻉ ﺍﻟﻜﻭﺭﺒﺔ‬ ‫ﹸ‬ ‫ﻭﺠﺭﻴﺕ..‬ ‫ﹸ‬ ‫ﻟﻌﺒﺕ..‬ ‫ﹸ‬ ‫ﻋﺸﻘﺕ..(.‬ ‫ﹸ‬ ‫ﻜﺄﻨﻙ ﺘﺄﺨﺫﻫﺎ ﻓﻲ ﻋﻨﺎﻕ ﺤﻤﻴﻡ‬ ‫ٍ‬ ‫ٍ‬ ‫ﻭﺘﻭﻗﻔﻬﺎ ﻤﺜل ﻋﺎﺭﻴﺔ ﻓﻲ ﻓﻀﺎﺌﻠﻙ‬ ‫ﺘﺼﺭﺥ ﻓﻴﻬﺎ: ﺘﻌﺎل‬ ‫ِ‬ ‫ﺕ..ﻉ..ـﺎ..ل‬ ‫ِ‬ ‫ﻓﺘﻠﻙ ﺍﻟﺒﻼﺩ ﺍﻟﺒﻌﻴﺩﺓ ﻟﻴﺴﺕ ﻟﻨﺎ‬ ‫٤٥‬
‫ﻭﺘﻠﻙ ﺍﻟﺸﻭﺍﺭﻉ ﻟﻴﺴﺕ ﻷﻗﺩﺍﻤﻨﺎ‬ ‫ﻭﺫﺍﻙ ﺍﻟﻬﻭﺍﺀ‬ ‫ﻭﺘﻠﻙ ﺍﻟﺒﺭﻭﺩﺓ ﻟﻴﺴﺕ ﻷﺠﺴﺎﺩﻨﺎ‬ ‫ﻭﺍﻟﻤﺼﺎﻨﻊ‬ ‫ﻭﺍﻷﻤﻡ ﺍﻟﻤﺨﺘﺭﻋﺔ‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻭﺍﻟﻤﺭﻋﺒﺔ‬ ‫ﹾ‬ ‫ﻭﺘﻤﺜﺎﻟﻬﻡ..‬ ‫ﻭﺍﻟﺕ ﻭﻴﺘﻤﺎﻥ – ﻓﻘﻁ –‬ ‫ﺴﻭﻑ ﻴﺒﻘﻰ ﻟﻨﺎ‬ ‫ﻤﺜل ﺸﻤﺱ ﹸﻀﻲﺀ.‬ ‫ﺘ‬ ‫ﺴﺄﺤﻜﻲ ﻟﺴﻠﻭﻯ‬ ‫ﻭﺃﺨﺭﺝ ﻋﻥ ﺼﻤﺕ ﻨﻔﺴﻲ‬ ‫ﻭﺃﺼﺤﺒﻬﺎ ﻓﻲ ﺃﺯﻗﺔ ﺭﻭﺤﻲ.‬ ‫ﻭﺃﺸﻜﻭ ﻟﻬﺎ:‬ ‫ﻗﺒل ﺃﻥ ﻴﺘﻤﻜﻥ ﻤﻨﻲ ﺍﻟﺨﺭﺍﺏ‬ ‫‪‬‬ ‫ﻭﻴﻨﺸﺏ ﻭﺤﺸﺘﻪ‬ ‫ﻭﻴﺅﺴﺱ ﻤﻤﻠ ﹰﺔ ﻓﻲ ﺍﻟﺒﻼﺩ‬ ‫ﻜ‬ ‫٥٥‬
‫ﻭﺃﻜﺘﺏ ﻗﺼﺔ ﺃﻭﺩﻴﺕ ﻜﺎﻤﻠﺔ‬ ‫ﹰ‬ ‫ً‬ ‫ﻭﺃﻓﻀﻔﺽ..‬ ‫ﺨﻴﺒﺘﻨﺎ ﺩﺍﺌ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﺃﻨﻨﺎ ﻻ ﻨﺒﻭﺡ.‬ ‫ﻭﺃﻭﺩﻴﺕ‬ ‫ﺘﻠﻙ ﺍﻟﺠﻤﻴﻠﺔ‬ ‫ﺘﻬﺫﻱ:‬ ‫ﺃﻴﻥ ﺒﻼﺩﻱ؟‬ ‫ﻭﺘﻔﺘﺢ ﻨﺒﺭﺘﻬﺎ ﻓﻲ ﺍﻟﺴﻤﺎﺀ ﺍﻟﺒﻌﻴﺩﺓ ﺜﻘ ‪‬ﺎ..‬ ‫ﺒ‬ ‫ﹸ‬ ‫ﻭﺃﻨﺼﺕ ﻤﺭﺘﻌ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﻤﻥ ﻤﺼﻴﺭ ﻴﺅﺭﻗﻨﻲ‬ ‫ﺴﻭﻑ ﺘﺯﻋﺞ ﻜل ﻁﻤﺄﻨﻴﻨﺔ ﺯﺍﺌﻔﺔ..‬ ‫ﱠ‬ ‫ﺨﺎﻨﻨﻲ ﻫﺎﺠﺱ‬ ‫ﺃﻨﻨﻲ ﻟﻡ ﺃﻜﻥ ﻭﺍﺜ ﹰﺎ ﺃﻨﻬﺎ ﺴﺘﺠﻲﺀ..‬ ‫ﻘ‬ ‫ﺃﻨﻬﺎ ﺴﺘﻜﻭﻥ ﺃﻤﺎﻤﻲ‬ ‫ﻭﻓﻲ ﻟﺤﻅﺔ.. ﺴﺘﻀﻲﺀ..‬ ‫ﹰ‬ ‫ﻭﺘﺭﺠﻊ ﺘﺤﻤل ﻤﺤﻨﺘﻬﺎ‬ ‫ﺜﻡ ﺘﺴﺄل:‬ ‫٦٥‬
‫ﻭﻴﺘﻤﺎﻥ!‬ ‫ﺃﻜﺎﻨﺕ ﻗﺼﺎﺌﺩﻩ ﻜﺎﺫﺒﺔ؟‬ ‫ﺃﻜﺎﻨﺕ ﺘﺯﻴﻔﻪ ﺠﻤﻠﺔ ﺨﺎﺩﻋﺔ؟‬ ‫ﻴﺎ ﺇﻟﻬﻲ:‬ ‫ﺴﺄﺭﺠﻊ ﺤﺘ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﺴﺄﺭﺠﻊ ﺘﺤﺕ ﺍﻨﻬﻤﺎﺭ ﺍﻟﺒﺭﻭﺩﺓ ﻭﺤﺩﻱ!‬ ‫ﺴﺄﺭﺠﻊ ﻤﻔﺠﻭ ‪‬ﺔ – ﻻ ﺨﻴﺎﺭ‬ ‫‪‬‬ ‫ﻋ‬ ‫ﻭﺃﺘﺭﻜﻪ ﻤﺜل ﻨﺼﻑ ﺍﻟﺤﻘﻴﻘﺔ‬ ‫ﺘﻨﻬﺸﻪ ﻟﻐﺔ ﺒﺎﺭﺩﺓ..‬ ‫ﹲ‬ ‫ﻭﺃﻫﺠﺭﻩ ﻗﺎﺘﻼ‬ ‫ﹰ‬ ‫ﺃﻭ ﻗﺘﻴﻼ‬ ‫ﹰ‬ ‫ﺘﻌﺫﺒﻪ ﺍﻟﺴﻨﻭﺍﺕ ﺍﻟﺜﻘﻴﻠﺔ..‬ ‫ﻭﺃﻨﺕ!‬ ‫ﹶ‬ ‫ﻟﻤﺎﺫﺍ ﺘﻁﺎﺭﺩﻙ ﺍﻵﻥ ﺃﻭﺩﻴﺕ؟‬ ‫ﺘﻨﺴﻑ ﺴﻘ ﹰﺎ ﻤﻥ ﺍﻟﺨﺸﺏ ﺍﻟﻤﺴﺘﻘﺭ‬ ‫ﻔ‬ ‫٧٥‬
‫ﻭﺘﻜﺴﺭ ﻋﺯﻟﺔ ﻋﺎﻟﻤﻙ ﺍﻟﻤﻁﻤﺌﻥ‬ ‫ﻭﺘﺩﺨل..‬ ‫ﻟﻤﺎﺫﺍ ﺘﻬﺩﺩﻙ ﺍﻵﻥ ﺼﻭﺭﺘﻬﺎ؟‬ ‫ﺒﻌﺩ ﺃﻥ ﺭﺤﻠﺕ ﺴﻜﺭﺍﺕ ﺍﻟﻭﺩﺍﺩ..‬ ‫‪‬‬ ‫ﹾ‬ ‫ﺒﻌﺩ ﺃﻥ ﻫﺠﺭﺘﻙ ﺼﺩﻴﻘﺘﻙ ﺍﻟﺸﺎﻋﺭﺓ..‬ ‫ﻁﺭﺩﺕ ﺼﻭﺭﺓ ﻟﻜﻴﺎﻨﻙ ﻤﻥ ﻗﻠﺒﻬﺎ‬ ‫ﹾ‬ ‫ﺒﻌﺩ ﻤﺎ ﻗﺭﺭﺕ ﺃﻥ ﺘﺭﻭﺡ ﻟﺨﻴﻤﺘﻬﺎ ﺼﺎﻏﺭﺓ..‬ ‫ﹾ‬ ‫ﻭﺒﻘﻴﺕ ﻭﺤﻴ ‪‬ﺍ!‬ ‫ﺩ‬ ‫ﹶ‬ ‫ﺘﻔﺘﺵ ﻋﻥ ﺠﻤﻠﺔ – ﺴﻘﻁﺕ – ﺼﺎﺌﺒﺔ.‬ ‫ٍ‬ ‫ﻟﺘﺒﺭﺭ ﻓﻌﻠﺘﻙ ﺍﻟﺨﺎﺌﺒﺔ.‬ ‫ﺴﺘﺭﺒﻜﻙ ﺍﻵﻥ..‬ ‫ﻜﻴﻑ؟‬ ‫ﺴﺘﺴﺄل ﻤﺜل ﺍﻟﻤﺠﺎﻨﻴﻥ‬ ‫ﻋﻥ ﻤﻔﺭﺩﺍﺕ ﺍﻟﺤﻴﺎﺓ.‬ ‫ﻭﻋﻥ ﺼﻴﻐﺔ ﻟﻠﻭﺠﻭﺩ..‬ ‫ٍ‬ ‫ﻭﺘﻠﻙ ﺍﻟﺸﻭﺍﺭﻉ‬ ‫ﺘﻐﺭﺱ ﻓﻲ ﺃﺭﻀﻬﺎ ﻤﺤﻨﺔ‬ ‫ﻭﻫل ﺘﺴﺘﻁﻴﻊ ﺘﺤ ‪‬ل ﻋﺸ ٍ؟‬ ‫ﻕ‬ ‫ﻤ‬ ‫٨٥‬
‫ﺘﻅل ﺍﻹﺠﺎﺒﺔ ﻏﺎﻤﻀﺔ‬ ‫ﹰ‬ ‫ﻭﺍﻟﺴﺅﺍل ﻤﺘﺎﻫﺔ ﺭﻭﺤﻲ..‬ ‫ﻜﺄﻨﻙ ﻤﺎﺯﻟﺕ ﻤﻠﺘﺒ ‪‬ﺎ‬ ‫ﺴ‬ ‫ﻭﺨﺠﻭﻻ‬ ‫ﹰ‬ ‫ﻭﻤﺎﺯﻟﺕ ﻤﻨﺩﻫ ﹰﺎ‬ ‫ﺸ‬ ‫ﺘﺘﻠﻌﺜﻡ ﺩﻭ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﻭﻤﺎ ﺯﻟﺕ ﺃﺼﻐﺭ ﻤﻥ ﺃﻥ ﺘﺠﻴﺏ‬ ‫ﻓﺘﺭﻗﺹ‬ ‫ﺃﻭ ﺘﺘﺭﺍﻗﺹ‬ ‫ﻓﻲ ﺤﻴﺯ ﻀﻴﻕ‬ ‫ٍ‬ ‫ٍ‬ ‫•‬ ‫ﺘﺘﺜﺎﺌﺏ‬ ‫• ١، ٢، ٣ ﻣﻘﺎﻃﻊ ﻣﻦ دﻳﻮان "أوراق اﻟﻌﺸﺐ " ﻟﻠﺸﺎﻋﺮ واﻟﺖ وﻳﺘﻤﺎن. ﺗﺮﺟﻤﺔ اﻟﺸﺎﻋﺮ‬ ‫ﺱﻌﺪي ﻳﻮﺱﻒ.‬ ‫٩٥‬

Recommended

4193
41934193
4193kotob arabia
 
4198
41984198
4198kotob arabia
 
3340
33403340
3340kotob arabia
 
4196
41964196
4196kotob arabia
 
5174
51745174
5174kotob arabia
 
6205
62056205
6205kotob arabia
 
898
898898
898kotob arabia
 
354
354354
354kotob arabia
 

Recommended

4193
41934193
4193kotob arabia
 
4198
41984198
4198kotob arabia
 
3340
33403340
3340kotob arabia
 
4196
41964196
4196kotob arabia
 
5174
51745174
5174kotob arabia
 
6205
62056205
6205kotob arabia
 
898
898898
898kotob arabia
 
354
354354
354kotob arabia
 
899
899899
899kotob arabia
 
6083
60836083
6083kotob arabia
 
960
960960
960kotob arabia
 
5697
56975697
5697kotob arabia
 
4538
45384538
4538kotob arabia
 
3151
31513151
3151kotob arabia
 
3154
31543154
3154kotob arabia
 
798
798798
798kotob arabia
 
4810
48104810
4810kotob arabia
 
1594
15941594
1594kotob arabia
 
6025
60256025
6025kotob arabia
 
4463
44634463
4463kotob arabia
 
4187
41874187
4187kotob arabia
 
1140
11401140
1140kotob arabia
 
745
745745
745kotob arabia
 
280
280280
280kotob arabia
 
799
799799
799kotob arabia
 
4195
41954195
4195kotob arabia
 
1262
12621262
1262kotob arabia
 
5112
51125112
5112kotob arabia
 
Keynote presentation hr_and_optimism
Keynote presentation hr_and_optimismKeynote presentation hr_and_optimism
Keynote presentation hr_and_optimismBusiness_and_Optimism
 
IPMA YC_Presentation
IPMA YC_PresentationIPMA YC_Presentation
IPMA YC_PresentationYC_SOVNET
 

More Related Content

What's hot

What's hot (20)

899
899899
899
 
6083
60836083
6083
 
960
960960
960
 
5697
56975697
5697
 
4538
45384538
4538
 
3151
31513151
3151
 
3154
31543154
3154
 
798
798798
798
 
4810
48104810
4810
 
1594
15941594
1594
 
6025
60256025
6025
 
4463
44634463
4463
 
4187
41874187
4187
 
1140
11401140
1140
 
745
745745
745
 
280
280280
280
 
799
799799
799
 
4195
41954195
4195
 
1262
12621262
1262
 
5112
51125112
5112
 

Viewers also liked

Keynote presentation hr_and_optimism
Keynote presentation hr_and_optimismKeynote presentation hr_and_optimism
Keynote presentation hr_and_optimismBusiness_and_Optimism
 
IPMA YC_Presentation
IPMA YC_PresentationIPMA YC_Presentation
IPMA YC_PresentationYC_SOVNET
 
Lfgsm brook 11_9_11
Lfgsm brook 11_9_11Lfgsm brook 11_9_11
Lfgsm brook 11_9_11lbrook
 
Artifact of construction project
Artifact of construction projectArtifact of construction project
Artifact of construction projectkathybliu
 
Individual sections development_exercise__3
Individual sections development_exercise__3Individual sections development_exercise__3
Individual sections development_exercise__3lazystudent
 

Viewers also liked (9)

Keynote presentation hr_and_optimism
Keynote presentation hr_and_optimismKeynote presentation hr_and_optimism
Keynote presentation hr_and_optimism
 
IPMA YC_Presentation
IPMA YC_PresentationIPMA YC_Presentation
IPMA YC_Presentation
 
Daf accommodation fund rules
Daf accommodation fund rulesDaf accommodation fund rules
Daf accommodation fund rules
 
premisa seminario
premisa seminariopremisa seminario
premisa seminario
 
Lfgsm brook 11_9_11
Lfgsm brook 11_9_11Lfgsm brook 11_9_11
Lfgsm brook 11_9_11
 
Reflection paper 1
Reflection paper 1Reflection paper 1
Reflection paper 1
 
Artifact of construction project
Artifact of construction projectArtifact of construction project
Artifact of construction project
 
Ready for change
Ready for changeReady for change
Ready for change
 
Individual sections development_exercise__3
Individual sections development_exercise__3Individual sections development_exercise__3
Individual sections development_exercise__3
 

More from kotob arabia

More from kotob arabia (20)

1086
10861086
1086
 
764
764764
764
 
6487
64876487
6487
 
942
942942
942
 
96
9696
96
 
5962
59625962
5962
 
763
763763
763
 
6486
64866486
6486
 
6204
62046204
6204
 
6435
64356435
6435
 
5961
59615961
5961
 
6182
61826182
6182
 
959
959959
959
 
941
941941
941
 
594
594594
594
 
762
762762
762
 
744
744744
744
 
6485
64856485
6485
 
6434
64346434
6434
 
6181
61816181
6181
 

3227

  • 1.
  • 2.       
  • 3. ‫ﻃﺒﻘﺎ ﻟﻘﻮﺍﻧﲔ ﺍﳌﻠﻜﻴﺔ ﺍﻟﻔﻜﺮﻳﺔ‬ ‫א‬ ‫א‬ ‫א‬ ‫.‬ ‫אא‬ ‫א‬ ‫)ﻋـﱪ ﺍﻻﻧﱰﻧـﺖ ﺃﻭ‬ ‫א‬ ‫אא‬ ‫ﻟﻠﻤﻜﺘﺒــﺎﺕ ﺍﻻﻟﻜﱰﻭﻧﻴــﺔ ﺃﻭ ﺍﻷﻗــﺮﺍﺹ ﺍﳌﺪﳎــﺔ ﺃﻭ ﺍﻯ‬ ‫א‬ ‫ﻭﺳﻴﻠﺔ ﺃﺧﺮﻯ (‬ ‫א‬ ‫א‬ ‫.‬ ‫.‬ ‫א א‬
  • 4. ‫‪‬‬ ‫ﺍﻟﺼﻔﺤﺔ‬ ‫ﺍﻟﻤﻭﻀﻭﻉ‬ ‫ﺨﺴﺎﺭﺓ ..................................................... ٤‬ ‫ﻋﻨﺩﻤﺎ ﺘﻜﺸﻑ ﺍﻷﺸﻴﺎﺀ ﻋﻥ ﻨﻔﺴﻬﺎ ............................. ٥‬ ‫‪‬‬ ‫ﺘﻅﻬﺭ ﻓﻲ ﺠﻤﻴﻊ ﺍﻟﺯﻭﺍﻴﺎ ..................................... ١١‬ ‫ﺘﻅﻬﺭ ﻓﻲ ﺍﻷﻗﻨﻌﺔ ........................................... ٥١‬ ‫ﺘﻅﻬﺭ.. ﻓﻴﺠﻥ............................................... ٩١‬ ‫‪‬‬ ‫ﻴﺨﻁﻁ ﻟﺴﺭﻗﺔ ﻗﻁﺘﻬﺎ......................................... ٥٢‬ ‫ﺴﺄﻜﻭﻥ ﺭﻭﻤﺎﻨﺴ ‪‬ﺎ ﺒﻌﺽ ﺍﻟﻭﻗﺕ .............................. ٩٢‬ ‫ﻴ‬ ‫ﻤﻥ ﺃﺠﻠﻬﺎ ﺴﻴﺭﺘل ............................................ ٣٣‬ ‫ﺤﻭﺍﺌﻁ ﻜﺎﻟﺤﺔ ............................................... ٧٣‬ ‫ﻜﺄﻨﻪ ﺍﻨﺘﻅﺎﺭ ﺃﺨﻴﺭ ........................................... ٢٤‬ ‫ﺇﻴﻘﺎﻋﺎﺕ ﻤﻥ ﺃﺠل ﺃﻭﺩﻴﺕ .................................... ٤٤‬ ‫٢‬
  • 5. ‫• ‪‬ﻠﻴﻙ ﺃﻥ ﺘﺭﻯ ﻨﻔﺴﻙ ‪‬ﺭﺓ ﺃﺨﺭﻯ‬ ‫ﻤ ﹰُ‬ ‫ﻋ ‪ ‬‬ ‫ﻓﻲ ﻤﺭﺁﺘﻙ ﺃﻨﺕ‬ ‫ﹶ‬ ‫ِ‬ ‫ﻭﺘ ِﻥ ﺍﻷﻤﻭﺭ ﺠﻴ ‪‬ﺍ‬ ‫‪ ‬ﺩ‬ ‫ﺯ‬ ‫ﻓﻤﻥ ﺍﻟﻀﺭﻭﺭﻱ‬ ‫ﺃﻥ ﺘﻜﻭﻥ ﺸﺭ ‪‬ﺎ ﺒﻌﺽ ﺍﻟﻭﻗﺕ‬ ‫ِ‬ ‫‪‬‬ ‫‪ ‬ﺴ‬ ‫‪‬‬ ‫ﻟﻜﻲ ﻻ ﺘﻜﻭﻥ ﺸﺭﻴ ‪‬ﺍ ﻜل ﺍﻟﻭﻗﺕ‬ ‫‪‬ﺭ ّ‬ ‫ﱠ‬ ‫ﺸﻌﺒﺎﻥ ﻴﻭﺴﻑ‬ ‫• ﺇﻻ ﺃﻥ ﻫﺫﺍ ﺍﻷﻤﺭ ﻟﻡ ﻴﻨل ﻤﻥ ‪‬ﺯﻴﻤ ِﻪ.‬ ‫‪  ‬ﹶْ ِ‪‬ﻋ ﺘ‬ ‫ﻓﻘﺩ ﻜﺎﻥ ‪‬ﻐﺭ ‪‬ﺎ ﺒﻤﺼﻴﺭﻩ ﺒﺤﻴﺙ ﺒﺩﺕ ﻟﻪ‬ ‫‪ ‬ﹾ‬ ‫ﻤ ‪‬ﻤ‬ ‫ﻁﺭﻴﻕ ﺍﻟ ‪‬ﻼﻙ ﻨﻔﺴﻬﺎ ﻏﺎﻴﺔ ﻓﻲ ﺍﻟ ﹸﺒل ﻭﺍﻟ ‪‬ﻤﺎل‬ ‫ﻨ ِ ﺠ ِ‬ ‫ﹲ‬ ‫ﹸ ﻬ ِ‬ ‫• ﻤﻴﻼﻥ ﻜﻭﻨﺩﻴﺭﺍ‬ ‫• ﻜﺘﺎﺏ ﺍﻟﻀﺤﻙ ﻭﺍﻟﻨﺴﻴﺎﻥ.‬ ‫٣‬
  • 6. ‫* ‪* ‬‬ ‫ﺃﺘﺨﺴﺭ ﻨﻔ ‪  ‬ﻓﻲ ﻅل:‬ ‫ِﱠ‬ ‫‪ ‬ﹶ ﹾﺴﻙ‬ ‫ﺃﻥ ﺘﺘﻭﺩﺩ ﻟﻶﺨﺭﻴﻥ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﺃﻭ ﺘﺘﺠﺩﺩ‬ ‫‪‬‬ ‫ﻓﻲ ﻜﺫﺏ ﻭﺍﻀﺢ؟‬ ‫ٍ‬ ‫ﺃ ﹶﺨﺴ ‪‬ﻫﺎ – ﺨﻠﺴ ﹰ؟‬ ‫ﺔ‬ ‫ﺘ ﺭ‬ ‫ﺜﻡ ﺘﻜﺴﺏ ﺒﻌ ‪‬ﺎ‬ ‫‪‬ﻀ‬ ‫ﻤﻥ ﺍﻟﻔ ‪‬ﺡ ﺍﻟﻤ ‪‬ﻋﻰ..‬ ‫ﹶﺭ ‪‬ﺩ‬ ‫ﻭ ﹸﺠ ﱢﺩ ﻁﺎﻗﺔ ﺭﻭﺤﻙ – ﻤﺭ ﹶﻔﺔ‬ ‫ِ ‪  ‬ﻏ ﹰ‬ ‫ﺘ ﻨ‪‬‬ ‫ﻭﺘ ‪‬ﻴ ﹸﻬﺎ – ﻋﺎﻤ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﺯﻔ‬ ‫ﻟﺘﻁﻴﺭ ﺇﻟﻰ ‪‬ﺩﻥ ﺸﺎﺌﻬﺔ‬ ‫ِِﹾ‬ ‫ﻤ‬ ‫ﺃ ﹶﺨﺴ ‪‬ﻫﺎ ﻜﱠﻤﺎ ﹶﻔﺯﺕ ﻓﻲ ﹶﻀﺎ ِﻠﻙ ُﻜﺫﻭﺒ ﹲ؟‬ ‫ﻓ ﺌ ﺃ ﺔ‬ ‫ﺘ ﺭ ﹸﻠ ﻗ ﹾ‬ ‫ﻭﺘ ‪‬ﻫﺞ ﻓﻲ ُﻤﺴﻴﺎﺕ ﺍﻟﻜﻼﻡ.. ﻜﻼ ‪‬؟‬ ‫ﻡ‬ ‫ِ‬ ‫ِ‬ ‫ﻭ ‪ ‬ﺃ‬ ‫ﻟﺴﺘﻘﻁ ﻜل ﺘﻭﺍﺭﻴﺨﻙ ﺍﻟﺘﺎﺌﻬﺔ‬ ‫ﹾ‬ ‫ِ‬ ‫ﹶ ﱞ‬ ‫٤‬
  • 7. ‫* ‪*     ‬‬ ‫‪‬‬ ‫ﻷﻨﻙ ﻟﻡ ﺘﺘﻔﻬﻡ ‪‬ﻤﻠ ﹶﻬﺎ‬ ‫ﺠ ﺘ‬ ‫ﻭﺘ ﱠﻨ ‪‬ﻫﺎ ﻜﻠﻤﺔ.. ﻜﻠﻤﺔ‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﹸﻔ ﺩ‬ ‫ﻭ ﹸﻘﻠ ‪‬ﻬﺎ. ﻓﺎﺤ ‪‬ﺎ‬ ‫ﺼ‬ ‫ﺘ ﱠﺒ‬ ‫ﻟﺘﺭﺩ ﻋﻠﻴﻬﺎ‬ ‫‪‬‬ ‫ﻭﺘﺴﺭﺩ ﻭﺍﻗﻌﺔ ﺃﺤﺩ‪‬ﺜﺕ ﻜل ﻫﺫﺍ ﺍﻟﺼﺨﺏ.‬ ‫‪‬‬ ‫ﱠ‬ ‫ﹰ‬ ‫ﻷﻨﻙ ‪‬ﺤﺕ ﺘﺩﻭﺭ‬ ‫‪‬‬ ‫‪‬ﺭ ﹶ‬ ‫ﻭﺘﻬﺫﻱ‬ ‫ﻭﺘﻔﺘﺢ ﺒﻭﺍﺒﺔ ﻻﻗﺘﺤﺎﻤﻙ‬ ‫ِ‪‬‬ ‫ﹰ‬ ‫‪‬‬ ‫ﺒﻭﺍﺒﺔ ﺘﺘﻘﺎﻁﺭ ﻤﻨﻬﺎ ﺍﻟﺸﻴﺎﻁﻴﻥ ﻤﺯﻫﻭﺓ‬ ‫ﹰ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻷﻨﻙ ﺘﻤﻸ ﻓﻲ ﻜل ﺜﺎﻨﻴﺔ ﻭﺭ ﹰﺎ‬ ‫ﱠ ٍ ﻗ‬ ‫ُ‬ ‫ﻭﺘﻜﺩﺱ ﻓﻲ ﺩﺭﺝ ﻤﻜ ِﺒﻙ ﺍﻟﺨﺸﺒﻲ‬ ‫‪  ِ‬ﺘ ‪‬‬ ‫‪‬‬ ‫ﺨﻁﺎﺒﺎﺘﻙ ﺍﻟﺤﺎﻟﻤﺔ‬ ‫ﻷﻨﻙ ﻓﻭﺠﺌﺕ‬ ‫ﹶ‬ ‫ﻭﺍﺴ‪‬ﺘﻠﺒﺘﻙ ﻓﺼﺎﺤ ﹸﻬﺎ‬ ‫ﺘ‬ ‫‪‬‬ ‫٥‬
  • 8. ‫ﻭﺍﺴﺘﻨﺩﺕ ﺇﻟﻰ ﻟ ِﺔ ﺍﻟﺯﺨﺭﻓﺔ‬ ‫ﹸﻐ‬ ‫ﹶ‬ ‫ﻫﺠﺭﺘﻙ‬ ‫ﻭﺤ ﱠﺕ ﻋﻠﻰ ﺠﺴﺩ ﺃﻨﻬﻜﺘﻪ ﺍﻟﻬﺯﺍﺌﻡ‬ ‫‪‬‬ ‫‪ٍ ‬‬ ‫ﻁ‬ ‫ﻓﻲ ﻏﺭﻓﺔ ﺼﺎﺨﺒﺔ‬ ‫ِﹾ‬ ‫ٍ‬ ‫ﻷﻨﻙ ‪‬ﻨﺫ ﺍﻨﺩﻓﻌﺕ ﺤﻤﻴ ‪‬ﺎ ﺃﻤﺎﻡ ﺘﻜﺎﺴِﻬﺎ‬ ‫ﻠ‬ ‫ﹶ ﻤ‬ ‫ﻤ‬ ‫ﻭﺍﻨﺠﺫﺒﺕ ﺸﺭﻴ ‪‬ﺍ ﹸﺭﺩﺩ ﻗﺼ ﹶﻬﺎ‬ ‫ﺩ ﺘ ‪ ‬ﺘ‬ ‫ﻭﺍﺭﺘﻤﻴﺕ ﻋﻠﻰ ﺃﺭﻀﻬﺎ ﻫﺎﺌ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﹶ‬ ‫ﺠ ‪‬ﺸﺕ ﺸ ‪‬ﻫﺎ‬ ‫‪‬ﻴ ﹾ ﺭ‬ ‫ﻟﺘﺤﺎﺼﺭ ﻜ ﱠ ﻤﺩﺍﺌ ِﻙ ﺍﻟﺒﺎﻗﻴﺔ‬ ‫ﹾ‬ ‫ﻨ‬ ‫‪ ‬ﹸل‬ ‫ﻷﻨﻙ ﹸﻨﺕ ﹸﻘﺒﹸﻬﺎ، ﻓﺘﺩﻭﺥ‬ ‫ﹸ‬ ‫ﻜ ﹶ ﺘ ‪‬ﻠ‬ ‫ﻭﺘﻐﺭﻕ ﻓﻲ ﺒﺌﺭ ‪‬ﺘﻌ ِﻬﺎ‬ ‫ِﻤ ﺘ‬ ‫ﹸ‬ ‫ﻓﺘﻌﺒﺙ ﻓﻴﻙ ﺍﻟﻬﻭﺍﺠﺱ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﺘﺴﻘﻁ ﺘﺤﺕ ﻋﻭﺍﻤﻴ ِﻫﺎ‬ ‫ﺩ‬ ‫ﹶ‬ ‫ﻫﺎﺘ ﹰﺎ:‬ ‫ﻔ‬ ‫ﻴﺎ ﻤﻼﻜﻲ.. ُﺤﺒﻙ‬ ‫ﺃ ‪ِ‬‬ ‫ﹸﻠﻘﻰ ﺒﻨﻔ ِﻙ ﺃﺴﻔﹶﻬﺎ‬ ‫ﻠ‬ ‫ﺴ‬ ‫ﺘ‬ ‫٦‬
  • 9. ‫ﺭﺍﻏ ‪‬ﺎ‬ ‫ﺒ‬ ‫ﻭﻤﻨﺴﺤ ‪‬ﺍ ﻓﻲ ﺤﻀﻭﺭ ﻤﺒﺎﻫﺠﻬﺎ،‬ ‫ِ‬ ‫ﺭ‬ ‫ﻗﺎﺭ ًﺎ ﻨ ‪‬ﻬﺎ‬ ‫ﺌ ﺼ‬ ‫ﻁﺭﺩﺘﻙ.. ﺒﻌﻴ ‪‬ﺍ‬ ‫ﺩ‬ ‫‪‬‬ ‫ﻷﻨﻙ ﻤﺴﺘﻠﺏ ﻟﻠﻘﺩﻴﻡ‬ ‫ِ‬ ‫‪‬‬ ‫ﻭ ‪‬ﺨﺘﺭﻕ ﻤﻥ ﺠﻤﻴﻊ ﺍﻟﺯﻭﺍﻴﺎ‬ ‫ِ‬ ‫ﻤ ﹶ‪‬ﹲ ‪‬‬ ‫ﻭ ‪‬ﻨﺠﺫﺏ ﺼﻭﺏ ﻓﺘﻨﺘﻬﺎ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻤ‬ ‫ﻭﺍﺭﺘﺒﻜﺕ ﺃﻤﺎﻡ ﺘﻔﺎﺼﻴﻠﻬﺎ‬ ‫ﹶ ‪‬‬ ‫ﺃﺸﹾﻌﻠﺘﻙ ﺘﻤﺎ ‪‬ﺎ‬ ‫‪ ‬ﻤ‬ ‫ﻭﺭﺍﺤﺕ ﺘﺩﺱ ﻜﻤﺎﺌ ﹶﻬﺎ – ﻋﻠ ﹰﺎ‬ ‫‪‬ﹶﻨ‬ ‫ﻨ‬ ‫‪‬‬ ‫ﹾ‬ ‫ﻭﺘﺩﺏ ﺃﺼﺎﺒ ‪‬ﻬﺎ ﻓﻲ ﻋﻴﻭ ِﻙ‬ ‫ﻨ‬ ‫ﻌ‬ ‫‪‬‬ ‫ﺠﺎﺀﺕ ﺒﻴﺴﺭ‬ ‫‪ٍ‬‬ ‫ﻭﺠ ‪‬ﺘﻙ ﻨﺤﻭ ﹸﺭﺍﻓ ِﻬﺎ‬ ‫ﺨ ﺘ‬ ‫ﺭ ‪‬‬ ‫ﻓﺎﻨﺠﺭﺭﺕ‬ ‫ﹶ‬ ‫ﻭ ‪‬ﺤﺕ‬ ‫ﺒ ﹶ‬ ‫ﻭ ﹸﻬﺕ‬ ‫ﺘ ﹶ‬ ‫ﻭﻏﺒﺕ ﻁﻭﻴ ﹰ،‬ ‫ﻼ‬ ‫ﹶ‬ ‫ﻭﺠﺌﺕ‬ ‫ﹶ‬ ‫٧‬
  • 10. ‫ﻓ ﹸﻠﺕ ﺍﻟﺫﻱ ﻟﻡ ﺘﺭﺩ ﺃﻥ ﺘﻘﻭل.‬ ‫َ‬ ‫ﹸ ِ‪‬‬ ‫ﻘ ﹶ‬ ‫ﻭﻗﻠﺕ ﻟﻬﺎ:‬ ‫ﹶ‬ ‫)ﺇﻥ ﻭﺍﺤﺩﺓ ﻤﻥ ﻤﻌﺎﺭﻓﻬﺎ.. ﺍﺸﺘﻌﻠﺕ‬ ‫ﹾ‬ ‫ﹰ‬ ‫ﻏﻴﺭ ﹰ، ﻭﺍﺴﺘﻔﺎﻀﺕ ﻟﺘﺸﺘ ‪‬ﻬﺎ، ﻭﺘﻘﱠﺏ‬ ‫ﻠ‬ ‫ﻤ‬ ‫ﹾ‬ ‫ﺓ‬ ‫ﻓﻲ ﺩﻓﺘﺭ ﺍﻟﺴﻴﺌﺎﺕ، ﺍ ‪‬ﻋﺕ ﺃﻨﻬﺎ ﺴﻭﻑ‬ ‫ﺩ‬ ‫ِ‬ ‫ﺘﻜﺸﻑ ﺃﺴﺭﺍﺭﻫﺎ ﺍﻟﻜﺎﻤﻠﺔﹾ، ﻭﺘﻬﺩﺩ‬ ‫‪‬‬ ‫ﻤﺭﻜﺯﻫﺎ ﻓﻲ ﺍﻟﺤﻴﺎ ِ، ﻭﺴﻭﻑ ﹸﺨ ‪‬ﺏ ﻜل‬ ‫ﺘ ﺭ ‪ ‬ﱠ‬ ‫ﺓ‬ ‫ﻤﻘﺎﺼﺩﻫﺎ.‬ ‫ﺜﻡ ﻗﻠﺕ ﻟﻬﺎ ﻋﺎﺸ ﹰﺎ:‬ ‫ﻘ‬ ‫ﹶ‬ ‫ﺇﻨﻨﻲ ﻓﻲ ﺠﻤﺎﻟﻙ ﺃﻋﺭﻑ ﺃﻥ ﺍﻟﺤﻴﺎﺓ ﺤﻘﻴﻘﻴﺔ‬ ‫ﹲ‬ ‫ﹶ‬ ‫ﻭﺍﻟﻁﺒﻴﻌﺔ ﻤﺠﺘﻤﻊ ﻜﺎﻤل‬ ‫ٌ‬ ‫‪‬‬ ‫ﹶ‬ ‫ﻭﺍﻟﻘﺭﻭﻥ ﺍﻟﺘﻲ ﺍﻨﺼﺭﻤﺕ‬ ‫ﹾ‬ ‫‪‬‬ ‫ﺴﻭﻑ ﹸﺼﺒﺢ ﺃﻗﺼﺭ ِﻥ ﻟﺤﻅﺔ‬ ‫ٍ‬ ‫‪‬ﻤ‬ ‫ﺘ ‪‬‬ ‫ﻓﻲ ﻫﻭﺍﻙ.‬ ‫ِ‬ ‫٨‬
  • 11. ‫ﺍﻨﺩﻟﻘﺕ‬ ‫ﹶ‬ ‫ﻭﺃﻏﺭﻗﺕ ﹸﺭﻓﺘﻬﺎ ﺒﺼﻬ ِﻠﻙ‬ ‫ﻴ ‪‬‬ ‫ﹶﻏ‬ ‫ﻭﺍﻨﻔﻀﺤﺕ ﻓﻲ ﺍﻟﺴﺭﻴﺭ ﺍﻟﻤﺭﺍﻭﻍ‬ ‫ِ‬ ‫ِ‬ ‫ﹾ‬ ‫ﺭﻏﺒ ﹸﻙ ﺍﻟﺠﺎﻤﺤﺔ.‬ ‫ﹾ‬ ‫ﺘ‬ ‫ﻷﻨﻙ ﺃﺴﻘﻁﺕ ﻤﻜ ‪‬ﺍ‬ ‫ﹶ ‪ ‬ﹾﺭ‬ ‫ﻭﻨﺤﻴﺕ ﹸﺒ ﹰﺎ‬ ‫‪ ‬ﹶﺨﺜ‬ ‫ﻭﺃﺤ‪‬ﺭﻗﺕ ﺸ ‪‬ﺍ‬ ‫ﹶ ﺭ‬ ‫ﻭﺃﻟﻘﻴﺕ ﺃﺴِﺤﺔ ﹸﻨﺕ ﺘﻜ ‪‬ﻫﻬﺎ‬ ‫ﹶ ﻠ ﹰﻜ ﹶ ﺭ‬ ‫َﻭﻗﻔﺘﻙ.. ﻀﻌﻴ ﹰﺎ‬ ‫ﻔ‬ ‫ﺃ ﹾ‪‬‬ ‫ﻭﺃﺒﻜﹾﺘﻙ‬ ‫‪‬‬ ‫ﺤﺘﻰ ﺃﻋﺎﺩﺘﻙ ﻁﻔﻼ ﻭﺩﻴ ‪‬ﺎ.‬ ‫ﹰ ﻌ‬ ‫‪‬‬ ‫ﻷﻨﻙ ﺘﻔﹾﻘﺩ ﻓﻲ ﻜل ﻴﻭﻡ‬ ‫ّ ٍ‬ ‫‪‬‬ ‫ﻤﺴﺎﺤﺔ ﻭﺩ ﻤﻊ ﺍﻵﺨﺭﻴﻥ‬ ‫‪‬‬ ‫ﻭﺘﺩﻓﻊ ﻨﻔ ‪‬ﻙ‬ ‫‪ ‬ﺴ‬ ‫ﻓﻲ ‪‬ﺯﻟﺔ ﻤﻭﺤﺸﺔ‬ ‫ﹾ‬ ‫ﻋ‬ ‫ﺴﺘﺨ ‪‬ﺭ ﺃﻴﺎ ‪‬ﻙ ﺍﻟﻘﺎﺩﻤﺔ..‬ ‫ﹾ‬ ‫ﺴ ﻤ‬ ‫٩‬
  • 12. ‫ﻷﻨﻙ ﺘﻌﺭﻑ ﺃﻥ ﺍﻟﻘﻭﺍﻤﻴﺱ ﺤﺭﻓﻴﺔ‬ ‫ﹲ‬ ‫‪‬‬ ‫ﹸ ‪‬‬ ‫ﻭﺍﻟﻤﻌﺎﺠﻡ ﻤﻴﺘﺔ ﻭﺤﺩﻫﺎ‬ ‫‪ ‬ﹲ‬ ‫ﺴﻭﻑ ﺘﺠﻬل ﺠﻤﻠ ﹶﻬﺎ – ﻋﺎﻤ ‪‬ﺍ‬ ‫ِﺩ‬ ‫ُ ﺘ‬ ‫ﻭﺘﻭﺩﻉ – ‪‬ﺒﺘﻤ ‪‬ﺎ – ﻟﻐﺔ‬ ‫ﹰ‬ ‫‪ ‬ﻤ ﺴ‬ ‫ﻓﺴﺩﺕ ﻓﻲ ﺠﻤﻴﻊ ﺍﻟﺠﻬﺎﺕ‬ ‫ﹾ‬ ‫ﹾ‬ ‫٠١‬
  • 13. ‫* ‪*    ‬‬ ‫ﺭﺒﻤﺎ – ﻓﻲ ﺴﺭﻴﺭﻱ‬ ‫ﺃﺩ ‪‬ﺏ ﻨﻔﺴﻲ ﻋﻠﻰ ﺃﻥ ﺃﻨﺎﻡ ﻭﺤﻴ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﺭ ‪‬‬ ‫ﻭﺃﻥ ﺃﺴﺘﻌﻴﺩ ﻁﻘﻭﺴﻲ ﺍﻟﻘﺩﻴﻤﺔ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﻁﻘﻭﺴﻲ ﺍﻟﺘﻲ – ﻤﻨﺫ ﻋﺸﺭﻴﻥ ﻋﺎ ‪‬ﺎ – ﻤﻀﺕ‬ ‫ﻤ‬ ‫ﺃﺩ ﹶﻠﺘﹾﻨﻲ ﺇﻟﻰ ًﺭﻑ‬ ‫ﻏ ٍ‬ ‫ﹸ‬ ‫ﺨ‬ ‫ﻭﺒﻴﻭﺕ‬ ‫ٍ‬ ‫ﻭﺴﺎﺤﺎﺕ ﻋﺸﻕ ﺘﻘﱠﺒﺕ ﻓﻴﻬﺎ.‬ ‫ِ ٍِ ﻠ‬ ‫ﻁﻘﻭﺴﻲ ﺍﻟﺘﻲ ﺃﺭﺒﻜﺘﻨﻲ‬ ‫ﻭ ﹸﻨﺕ ﺃﻤﺎﺭﺴﻬﺎ – ﻨﺯ ﹰﺎ – ﺩﺍﺌ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﹶ ِﻗ‬ ‫ﻜ ﹸ‬ ‫ﺒ ‪‬ﺩﺕ ﻁﺎﻗﺔ ﻤﺫ ِﻠﺔ..‬ ‫ﹰ ﻫ‬ ‫ﺩ ﹾ‬ ‫ﻭﺍﻨﺯﻭﺕ.‬ ‫ﹾ‬ ‫ﻗﻁ ‪‬ﺎ ﺴﻭﻑ ﺁﺨﺫ ﻭﻗ ﹰﺎ ﻁﻭﻴﻼ‬ ‫ﹰ‬ ‫ﺘ‬ ‫ﻌ‬ ‫ﻟﻜﻲ ﺃﻁﺭﺩ ﺍﻟﻘﻠﻕ ﺍﻟﻤﺘﻔﺠﺭ – ﻟﻴﻼ‬ ‫ﹰ‬ ‫ﹶ‬ ‫‪‬‬ ‫١١‬
  • 14. ‫ﻭﺁﻟﻑ ﻟﻠﻭﺤﺩﺓ ﺍﻟﻘﺎﺩﻤﺔ.‬ ‫ﻗﻁ ‪‬ﺎ..‬ ‫ﻌ‬ ‫ﺴﻭﻑ ﻴﻁﻠﺒﻨﻲ ﺃﺼﺩﻗﺎﺌﻲ‬ ‫ﻭﻴﺤﻜﻭﻥ ﻟﻲ ﻓﻲ ﺘﺭﺍﺥ ﺸﺩﻴﺩ – ﻜﻌﺎﺩﺍﺘﻬﻡ –‬ ‫ٍ‬ ‫ٍ‬ ‫ﻗﺼ ‪‬ﺎ ﻤﺯﻋﺠﺔ..‬ ‫ﹾ‬ ‫ﺼ‬ ‫ﻗﺼ ‪‬ﺎ ﺘﺠﻌل ﺍﻟﻤﺭﺀ – ﻴﺼﺭﺥ.‬ ‫‪‬‬ ‫ﺼ‬ ‫ﻴﻔﺯﻉ..‬ ‫ﺃﻭ ﻴﺴﺘﻐﻴﺙ ﺒﺭﺏ ﻜﺭﻴﻡ.‬ ‫ٍ‬ ‫‪‬‬ ‫ﺴﺄﻟﺠﺄ – ﺤﺘ ‪‬ﺎ – ﺇﻟﻰ ﺍﻤﺭﺃﺓ‬ ‫ٍ‬ ‫ﻤ‬ ‫ﺩﺒﺭﺕ ﻗﺼﺔ ﻟﻬﻼﻜﻲ.‬ ‫‪ ‬ﹾ‬ ‫ﺴﺘﹾﻤﺜل – ﺸﺎﺨﺼﺔ ﻓﻲ ﻓﻀﺎﺀ ﺍﻟﻤﻜﺎﻥ‬ ‫ِ‬ ‫ﹰ‬ ‫‪ ‬ﹸُ‬ ‫ﻭﺘﺤﺭﻤﻨﻲ ﻤﻥ ﻁﻤﺄﻨﻴﻨﺔ ﻁﺎﺭﺌﺔ‬ ‫ٍ‬ ‫ﻭ ﹸﺠ ﱠﺩ – ﻟﻲ – ﻓﻲ ﺍﻟﻬﻭﺍﺠﺱ‬ ‫ٍ‬ ‫ﺘ ﻨ‪‬‬ ‫ﺃﺸﺒﺎ ‪‬ﻬﺎ‬ ‫ﺤ‬ ‫ﺒﻌﺩ ﺃﻥ ﺃﻓﹾﺴﺩﺕ ﻜل ﺃﻨﺤﺎﺀ ﺭﻭﺤﻲ.‬ ‫ﹾ ﱠ‬ ‫ﺴﺘﻘﺒﻊ ﻓﻲ ﻜل ﺯﺍﻭﻴﺔ ﻤﻥ ﺯﺍﻭﻴﺎ ﺍﻟﺴﺭﻴﺭ.‬ ‫ﱢ‬ ‫ﻭﺘﻨﺸﺏ ﻓﻲ ﺠﺴﺩﻱ – ‪‬ﻠ ﹰﺎ – ﺸﻭ ﹰﺔ.‬ ‫ﻜ‬ ‫ﻋﻨ‬ ‫٢١‬
  • 15. ‫ﻤﺭﺓ – ﻗﻠﺕ – ﺃﺭﺼﺩﻫﺎ..‬ ‫ﹸ‬ ‫ﹰ‬ ‫‪‬ﺘﺴﻠﻠﺔ ﻤﻥ ﺜﻘﻭﺏ ﺍﻟﻨﻭﺍﻓﺫ‬ ‫ِ‬ ‫ﻤ ﹰ‬ ‫ﺃﻭ ﻓﻲ ﺠﻨﺎﺡ ﺒﻌﻭﻀﺔ.‬ ‫ﻤﺭﺓ – ﻗﻠﺕ – ﺃﻀﺒﻁﻬﺎ.‬ ‫ﹰ‬ ‫ﻭﻫﻲ ﺘﺭﻓل ﻓﻲ ﻜﺫﺏ‬ ‫ﱢ ٍ‬ ‫ﻋﻨﺩﻤﺎ ﺃﺘﻤﻠﺱ ﻀﻭﺀ ﺸ ‪‬ﺎﻉ‬ ‫‪ ‬ﻌ ٍ‬ ‫ﻴﺨﺵ ﺇﻟﻰ ﹸﺭﻓﺘﻲ‬ ‫ﻏ‬ ‫•‬ ‫) ُﺸﻜل ﻓﻴﻬﺎ ﺍﻷﺫﻯ(‬ ‫ﻷ ﹼَ‬ ‫ﻭﻓﺸﻠﺕ!!‬ ‫ﹸ‬ ‫ﻗﻁ ‪‬ﺎ..‬ ‫ﻌ‬ ‫ﺴﺄﻗﱢﺏ ﻓﻲ ﹸﺘﺏ ﺍﻟﺴﺤﺭ ﻭﺍﻟﻔﻠﻜﻠﻭﺭ..‬ ‫ِ‬ ‫ِ‬ ‫ﻠ ‪ ‬ﻜ‬ ‫ﻟﻜﻲ ﺃ ﱠﻘﻲ ﺸ ‪‬ﻫﺎ،‬ ‫ﺭ‬ ‫ﺘ‬ ‫ﻭﻟﻜﻲ ﺃﺘﻌﱠﻡ ﻓﻥ ﺍﻟﺘ ‪‬ﻭﺩ ﻭﺍﻟﺼﺒﺭ..‬ ‫ﻠ ﹶ‪ ‬ﻌ ِ‬ ‫ﻓﻥ ﺍﻟﻭﻗﻭﻑ ﻋﻠﻰ ﺍﻟﺭﺃﺱ‬ ‫ِ‬ ‫ِ‬ ‫‪‬‬ ‫ِﺭﻓﺔ ﺃﻥ ﺃﺘﻬﻴﺄ ﻟﻼﻨﺘﺤﺎﺭ..‬ ‫ﺤ ﹶ ‪‬‬ ‫ﻭﻻ ﺃﻨﺘﺤﺭ!‬ ‫• ﻣﻦ ﻋﻨﻮان دﻳﻮان )ﺗﺸﻜﻴﻞ اﻷذى( ﻟﻠﺸﺎﻋﺮة ﻣﻴﺴﻮن ﺻﻘﺮ اﻟﺼﺎدر ﻋﻦ دار ﺵﺮﻗﻴﺎت –‬ ‫٧٩٩١.‬ ‫٣١‬
  • 16. ‫ﻭُﻤﺎﺭﺱ ﻨﻭ ‪‬ﺎ ﻤﻥ ﺍﻟﺸﻌﻭﺫﺓ‬ ‫ﻋ‬ ‫ﺃ‬ ‫ﻭﺃﻤ ‪‬ﻥ ﻜل ﺤﻭﺍﺴﻲ..‬ ‫ﱠ‬ ‫ﺭ‬ ‫ﺃﻥ ﺘﻨﻌﺯل..‬ ‫ْ‬ ‫ﺴﺄﻜﻭﻥ ﺼﺒﺎ ‪‬ﺎ..‬ ‫ﺤ‬ ‫ﻜﻠﻭﺡ ﻤﻥ ﺍﻟﺜﻠﺞ‬ ‫ﺃﻭ ﻤﻥ ﺭﺨﺎﻡ‬ ‫ﻭﺃﻁﺭﺩ ﻜل ﺸﻴﺎﻁﻴﻨﻬﺎ ﻤﻥ ﺴﺭﻴﺭﻱ.‬ ‫‪ ‬ﱠ‬ ‫ﻟﺘﺒﺭﺃ ﺭﻭﺤﻲ‬ ‫ُ‬ ‫ﻭﺘﺼﻌﺩ ﻋﺎﺌﺩﺓ ﻤﻁﻤﺌﻨﺔ‬ ‫ﻭﺘﻘﺩﺭ ﻨﻔﺴﻲ ﺍﻟﻤﺭﻴﻀﺔ‬ ‫‪‬ﹸ‬ ‫ﺃﻥ ﺘﺴﺘﻌﺩ ﻟﻨﻭﻡ ﻁﻭﻴل‬ ‫ٍ‬ ‫‪ٍ ‬‬ ‫‪‬ﺨﻠ ‪‬ﻬﺎ ﻤﻥ ﻜﻭﺍﺭﺙ ﻫﺫﺍ ﺍﻟﺯﺤﺎﻡ.‬ ‫ﻴ ﱢﺼ‬ ‫٤١‬
  • 17. ‫ﺇﺫﻥ‬ ‫‪‬‬ ‫ﺴﺄﻜﻭﻥ ﻭﺤﻴ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﻭﻓﻲ ﺜﻘﺔ ﺒﺎﻟﻐﺔ‬ ‫ٍ‬ ‫ﺴﺄﻨﺎﻡ‬ ‫٥١‬
  • 18. ‫* ‪*   ‬‬ ‫ﺴﺭﻴﺭ‬ ‫‪‬‬ ‫ﻭﻤﺎﺌﺩﺓ‬ ‫ﹲ‬ ‫ﻭﺭﻓﻭﻑ‬ ‫ﹲ‬ ‫ﻭﺴﺠﺎﺩﺓ ﺘﺴﺘﻁﻴل‬ ‫ُ‬ ‫ﹲ‬ ‫ﻭ ﹶﻤﺘﺩ‬ ‫ﺘ ‪‬‬ ‫ﺘﻤﺘﺩ‬ ‫‪‬‬ ‫ﻻ ﺘﻨﺘﻬﻲ.‬ ‫ﺒﻴﻨﻤﺎ – ﻓﻲ ﺍﻟﺤﻘﻴﺒﺔ –‬ ‫ِ‬ ‫ﻴﺠﻠﺱ ﺒﻌﺽ ﻤﻥ ﺍﻟ ﱞﻌﺭﺍﺀ‬ ‫ﺸ ِ‬ ‫‪‬‬ ‫‪‬‬ ‫ﻴﻔ ﹼﻭﻥ ﺸﻔﺭﺓ ﻟﻐﺯ ﻴﺤﻴﺭﻫﻡ‬ ‫ٍ‬ ‫ﻜ‬ ‫ﻭﻴﻭﺘﺭ ﺒﻬﺠﺘﻬﻡ..‬ ‫ﻓﺠﺄﺓ‬ ‫ﹰ‬ ‫ﻴﺘﺩﺨل ﻗﺎﺹ ﻤﻜﻴﺭ‬ ‫ﻟﻴﻌﺭﺽ ﻤﻭﻫﺒﺔ ﺍﻟﺴﺭﺩ‬ ‫ﻁﺎﻗﺔ ﻜﺴﺭ ﺍﻟﺤﻜﺎﻴﺔ‬ ‫٦١‬
  • 19. ‫ﻴﻜﺸﻑ – ﻋﻥ ﺜﻘﺔ – ﻜل ﺃﻭﺭﺍﻗﻪ‬ ‫ﱠ‬ ‫ﺜﻡ ﻴﻁﻠﻕ ﺃﺒﻁﺎﻟﻪ‬ ‫ﹸ‬ ‫ﻭﺍﺤ ‪‬ﺍ.. ﻭﺍﺤ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﺩ‬ ‫ﻭﻴﺅﻟﻑ ﺃﻗﺼﻭﺼﺔ ﻤﺎﺭﻗﺔ‬ ‫ﹰ‬ ‫ﻭ ‪‬ﻤ ﱢل ﺃﻜﺜﺭ ﻤﻥ ﻤﺸﻬﺩ..‬ ‫ٍ‬ ‫ﻴ ﺜُ‬ ‫ﻴﺘﻤﺎﺩﻯ‬ ‫ﻭﻴﺨﺭﺝ ﻋﻥ ‪‬ﻭ ِﻩ‬ ‫ﺩ ﺭ‬ ‫‪‬‬ ‫- ﻻﻋ ﹰﺎ ﺼﻔﺔ ﺍﻻﻟﺘﺯﺍﻡ –‬ ‫ﻨ‬ ‫ﻟﻴﺒﺩﻉ ﻨ ‪‬ﺎ‬ ‫ﺼ‬ ‫ﻴﻌ ‪‬ﻀﻪ ﻟﻤﺴﺎﺀﻟﺔ ﺍﻟﺸﻌﺭﺍﺀ.‬ ‫ﺭ‬ ‫ﺴﺭﻴﺭ ﺘﻨﺎﻡ ﻋﻠﻴﻪ ﺍﻟﻘﺼﻴﺩﺓ‬ ‫ﹸ‬ ‫‪‬‬ ‫ﺘﺨﻠﻊ ﻜل ﻤﻼﺒﺴﻬﺎ‬ ‫ﱠ‬ ‫ﺜﻡ ﺘﻨﺸﺏ ﺩﻫﺸﺘﻬﺎ ﻓﻲ ﻋﻴﻭﻥ ﺍﻟﺠﻤﻴﻊ‬ ‫ِ‬ ‫ِ‬ ‫‪‬‬ ‫ﺘ ‪‬ﺭﺏ ﺘﻨﻘﻴﺔ ﺍﻟ ‪‬ﺭﻯ‬ ‫ﻌ‬ ‫ﹸﺠ ‪‬‬ ‫٧١‬
  • 20. ‫ﺃﻭ ﺘﻴﻤﺔ ﺍﻷﻗﻨﻌﺔ‬ ‫ﹶ‬ ‫ﻭﻓﻲ ﹸﻐﺔ ﺍﻻﻨﻔﻌﺎل‬ ‫ِ‬ ‫ﻟ‬ ‫ﺴﺘﺭﻗﺹ ﻤﺠﻨﻭﻨﺔ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﺘﺘﺼﺎﻋﺩ ﻨﺤﻭ ﺴ ‪‬ﺎﺀ ﺒﻌﻴﺩﺓ‬ ‫ﹾ‬ ‫‪‬ﻤ‬ ‫‪‬‬ ‫ﻭﺘﻬﺒﻁ..‬ ‫ﹸ‬ ‫ﻋﺎﺭﻴﺔ‬ ‫ﹰ‬ ‫ﺘﺘﻘﱠﺏ ﻓﻲ ﺭﻏﺒﺔ ﺍﻻﻨﻔﺠﺎﺭ‪،‬‬ ‫ِ‬ ‫ﻠ ‪‬‬ ‫ﻭﻻ ﺘﻨﻔﺠﺭ.‬ ‫ﻭﻤﺎﺌﺩﺓ ﺘﺘﻜ ‪‬ﺱ ﺒﺎﻟﻤﻤﻜﻨﺎﺕ‬ ‫ِ‬ ‫ﹲ ﺩ ‪‬‬ ‫ﻭﺘﺴ ﹸﺭ ﺘﺤﺕ ﺼﻨﻭﻑ ﺍﻟﻤﻠ ﱠﺍﺕ‬ ‫ِ ﺫ ِ‬ ‫ﹶ‬ ‫ﹶ ‪‬ﻜ‬ ‫ﺘﻬﺘﺯ ﺃﻗﺩﺍ ‪‬ﻬﺎ‬ ‫‪ ‬ﻤ‬ ‫ﻭﺍﻟﻘﺼﻴﺩﺓ ﺘ ِﺭﺽ ﻓﻲ ﺜﻘﺔ ﻨﻔﺴﻬﺎ‬ ‫ٍ‬ ‫ﹸ ﻌ ‪‬‬ ‫٨١‬
  • 21. ‫ﺘﺘﻭﺘﺭ‬ ‫ﺘﻌﻠﻭ‬ ‫ﻭﺘﺩﻨﻭ‬ ‫ﻭﺘﻔﺘﺢ ﺃﺫﺭﻋﺔ ﻻﺤﺘﻀﺎﻥ ﺍﻟﻔﻀﺎﺀ..‬ ‫ﹰ‬ ‫ﻭﺘﺭﻓﺽ ﺃﻥ ﺘﺨﺘﻔﻲ ﻓﻲ ﻜﺘﺎﺏ.‬ ‫ﺭﻓﻭﻑ ﺘﺤﺎﻭل ﺃﻥ ﺘﺘﻤﺎﺴﻙ‬ ‫‪‬‬ ‫ُ ‪‬‬ ‫ﹲ‬ ‫ﺘﺤﺕ ﻀﺠﻴﺞ ﺍﻟ ﹸﺘﺏ‬ ‫ِ ﻜ ‪‬‬ ‫ﹶ‬ ‫ﻭﺘﺼﺭﺥ ﺘﺤﺕ ﻜﺌﻭﺱ ﺍﻟﺸﺭﺍﺏ‬ ‫ﹸ‬ ‫ﻭﻓﻲ ﺍﻟﻠﻴل ﺘﻨﺤل ﻤﻔﻜﻭ ﹰﺔ‬ ‫ﻜ‬ ‫ﱞ‬ ‫ﻤﻥ ﺃﻤﺎﻜ ِﻬﺎ‬ ‫ﻨ‬ ‫ﻭﺘﺩﻭﺭ‬ ‫‪‬‬ ‫ﻭﻻ ﺘﺴﺘﺭﻴﺢ‬ ‫ﹸﺩﻴﺭ ﺤﻭﺍ ‪‬ﺍ ﻁﻭﻴﻼ.‬ ‫ﹰ‬ ‫ﺭ‬ ‫ﺘ‬ ‫ﻓﻴﺨﺭﺝ ﺴﻘﺭﺍﻁ‬ ‫ﹸ‬ ‫ﻴﺭﻓﻊ ﺤﻜﻤﺘﻪ‬ ‫ﻭﺘﺠﻲﺀ ﺍﻟﻴﻤﺎﻤﺔ.. ﻋﺎﺌﺸﺔ ﺒﻨﺕ ﻁﻠﺤﺔ، ﻭﻋﺭﻭﺓ..‬ ‫ﻴﺄﺘﻲ ﻜﺜﻴﺭﻭﻥ‬ ‫٩١‬
  • 22. ‫ﻓﻲ ﻋﺠل.. ﻴﺨﺘﻔﻭﻥ..‬ ‫ٍ‬ ‫ﺴﺭﻴﺭ ﻴﻀﻴﻕ‬ ‫ﻭﻤﺎﺌﺩﺓ ﺘﻨﻔﻌل‬ ‫ﻭﺍﻟﺤﻘﻴﺒﺔ ﺘﻨﺸﻕ – ﻨﺎﺯﻓﺔ –‬ ‫ﹰ‬ ‫ﻭﺍﻟﺭﻓﻭﻑ.. ﺘﺭﻓﺭﻑ‬ ‫ﹸ‬ ‫ﹸ‬ ‫ﻭﺍﻟﻜﺎﺌﻨﺎﺕ ﺍﻟﺘﻲ ﺘﺘﻨﺎﺴﺦ ﻤﻥ ﺒﻌﻀﻬﺎ‬ ‫ﹸ‬ ‫ﺘﺘﻘﺎ ﹸﺯ‬ ‫ﻓ‬ ‫ﺘﺨﺭﺝ ﻤﻥ ﹸﻐﺔ ﺍﻻﻨﻁﻭﺍﺀ‬ ‫‪ ‬ﻟ ِ‬ ‫ﻭﺘﺩﺨل ﻓﻲ ﹸﻐﺔ ﻤﺩﻫﺸﺔ‬ ‫ﹾ‬ ‫ُ ﻟ ٍ‬ ‫٠٢‬
  • 23. ‫* ‪*   .. ‬‬ ‫‪   ‬‬ ‫ﻓﻲ ﺍﻟﺴﺭﻴﺭ ﺍﻟﺫﻱ ﻜﺎﻥ ﻓﻭﻀﻰ‬ ‫ﻭﺃﺘﺭﺒﺔ‬ ‫ﹰ‬ ‫ﻭﻏﺒﺎ ‪‬ﺍ‬ ‫ﺭ‬ ‫ﻭﺃﺤﺠﺒﺔ ﺘﻤﻨﻊ ﺍﻟﺤﺴﺩ ﺍﻟ ‪‬ﺘﻜﺭﺭ‬ ‫‪  ‬ﻤ ‪‬‬ ‫ﹰ‬ ‫ﻜﺎﻥ‬ ‫ﻴﺨﺒ ُﻬﺎ ﻓﻲ ﺍﻟﻤﻼﺀﺓ ﺤﻴ ﹰﺎ‬ ‫ﻨ‬ ‫ﺌ‬ ‫ﻭﺤﻴ ﹰﺎ ﻴﺩﺤﺭﺠﻬﺎ ﺘﺤﺘﻪ.‬ ‫ﻨ‬ ‫ﺴﺭﻴﺭ ﹸﻘﱢﺒﻪ ﺍﻟﺭﻏﺒﺎﺕ ﺍﻟﻌﻨﻴﺩﺓ‬ ‫ﹸ‬ ‫ﺘﻠ‬ ‫ﻭﺍﻟﺸﻁﺤﺎﺕ ﺍﻟﻘﻭﻴﺔ‬ ‫ﹸ‬ ‫ﹸ‬ ‫ﻭﺍﻟﺼﺭﺨﺎﺕ ﺍﻟﺘﻲ ﺍﻨﺩﻓﻌﺕ ﻤﺭﺓ‬ ‫ﹰ‬ ‫ﹸ‬ ‫ﻜ ‪‬ﺭﺕ ﺨﺸﺏ ﺍﻟﻨﺎﻓﺫﺓ‬ ‫ﺴ‬ ‫ﻭﺒﻴﻥ ﻭﺴﺎﺌﺩﻩ ﺍﻨﺩﻓﻨﺕ ﻁﺎﻗﺔ ﻤﻥ ﺤﻨﻴﻥ‬ ‫ٍ‬ ‫ﹲ‬ ‫ﻭﺃﺴﺌﻠﺔ ﺤﺎﺌﺭﺓ.‬ ‫ﹾ‬ ‫ﺴﺭﻴﺭ ﺴﻴﺫﻫﺏ ﻴﻭ ‪‬ﺎ ﺇﻟﻰ ﺍﷲ‬ ‫ﻤ‬ ‫١٢‬
  • 24. ‫ﻴﺸﻜﻭ‬ ‫ﻭﻴﻌﻠﻥ ﺘﻭﺘﺒﻪ‬ ‫ﻭ ‪‬ﺠﺭﺠﺭ ﺨﻠﻑ ﺃﺴﺎﻁﻴ ِﻩ‬ ‫ﺭ‬ ‫‪‬‬ ‫ﻴ‬ ‫ﺠﺴ ‪‬ﺍ ﺨﺭ ‪‬ﺎ‬ ‫ﺒ‬ ‫ﺩ‬ ‫ﺜﻡ ﻴﺸﻬﺩ: "ﺃﻥ ﺍﻟﺤﻴﺎﺓ ﺍﻨﺘﻬﺕ ﻋﻠﻰ ﻋﺘﺒﺎﺕ ﺍﻤﺭﺃﺓ".‬ ‫ﻓﻲ ﺍﻟﺴﺭﻴﺭ ﺍﻟﺫﻱ ﺴﻴﺅﺴﺱ ﻗﺼﺘﻪ – ﻋﺎﻤ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﺘﺭﺘﺒﻪ ﺍﻤﺭﺃﺓ ﻨﺎﻫﺩﺓ..‬ ‫ﹾ‬ ‫ﹲ‬ ‫ﺘﺘﺭﺠﺭﺝ ﻗﺒﺘﻬﺎ ﺍﻟﻤﺸﺭﺌﺒﺔ‬ ‫ﹸ‬ ‫ﻨﺤﻭ ﺍﻟﻴﻤﻴﻥ‬ ‫ﻭﻨﺤﻭ ﺍﻟﻴﺴﺎﺭ..‬ ‫‪‬‬ ‫ﻓﺠﺄﺓ..‬ ‫ﺴﻴﻜﺒﻠﻬﺎ ﺭﺠل ﺒﺫﺭﺍﻋﻴﻪ‬ ‫ﻴﻘﻀﻡ ﻤﻥ ﺠﺴﻤﻬﺎ ﻗﻁﻌﺔ‬ ‫ﹰ‬ ‫ﻭﻴﻤﺯﻕ ﻜل ﻤﻼﺒﺴﻬﺎ‬ ‫ﹸ ﱠ‬ ‫ﻭﻴﺸﻭﻩ ﻜل ﺘﻔﺎﺼﻴﻠﻬﺎ‬ ‫ﱠ‬ ‫ﻭ ‪‬ﺨﻁ ﹸ ﻓﻭﻕ ﺍﻟﺠﺩﺍﺭ‬ ‫ﻴ ﻁ‬ ‫ﻭﻴﻜﺘﺏ:‬ ‫)ﻫﺫﺍ ﺠﻨﺎﻩ ﺃﺒﻲ ﻋﻠﻲ‬ ‫‪‬‬ ‫٢٢‬
  • 25. ‫ﻭﻤﺎ ﺠﻨﻴﺕ ﻋﻠﻰ ﺃﺤﺩ(*.‬ ‫ﹸ‬ ‫ﻭﻴﺭﺴﻡ ﻋﺼﻔﻭﺭﺓ ﺘﺘﺴﺎﻗﻁ‬ ‫- ﻤﺫﻫﻭﻟﺔ –‬ ‫ﹰ‬ ‫ﻭﻴﺩﻭﺭ‬ ‫ﻭﻴﻁﻠﻕ ﺼﺭﺨﺘﻪ ﻓﻲ ﺍﻟﻔﻀﺎﺀ!!‬ ‫‪‬‬ ‫ﻫ ‪‬ﻫﺎ..‬ ‫ﺯ‬ ‫ﺸﻬ ‪‬ﻫﺎ ﻨﺤﻭﻩ..‬ ‫ﺩ‬ ‫"ﻗل ﻫﻭ ﺍﷲ ﺃﺤﺩ.."‬ ‫ﺜﻡ ﺃﻓﺭﻍ ﻓﻲ ﺭﺃﺴﻬﺎ‬ ‫ﹶ‬ ‫ﺠﻤﻠﺔ ﻤﻥ ﺭﺼﺎﺹ.‬ ‫‪‬‬ ‫ﹰ‬ ‫ﻫﻜﺫﺍ ﻴﺘﺨﻠﺹ ﻤﻨﻬﺎ‬ ‫‪‬ﺠ ‪‬ﺩ ﻓﻲ ﻜل ﻴﻭﻡ ﺨﺭﺍﻓﺘﻪ‬ ‫ﱢ‬ ‫ﻴ ﺩ‬ ‫ﺜﻡ ﻴﻠﻘﻲ ﺒﻜﺘﻠﺘﻪ ﻓﻭﻕ ﻤﻘﻌﺩﻩ ﺍﻟﺨﺸﺒﻲ‬ ‫ﻭﻴﺒﻜﻲ‬ ‫ﻭﻴﺴﻜﺏ ﻨﻬ ‪‬ﺍ ﻤﻥ ﺍﻟﺩﻤﻊ‬ ‫ﺭ‬ ‫ﺤﺘﻰ ﺘﻀﻴﻕ ﺍﻟﺴﺠﺎﺠﻴﺩ‬ ‫٣٢‬
  • 26. ‫ﺘﻌﻠﻭ..‬ ‫ﺭﻭﻴ ‪‬ﺍ.. ﺭﻭﻴ ‪‬ﺍ..‬ ‫ﺩ‬ ‫ﺩ‬ ‫ﻭﺘﻔﻠﺕ ﻋﺼﻔﻭﺭﺓ ﻤﻥ ﺨﻁﻭﻁ ﺍﻟﺠﺩﺍﺭ‬ ‫ﻤﺯﻗﺯﻗﺔ..‬ ‫ﺤ ‪‬ﺔ‬ ‫ﻴ‬ ‫ﻭﺤﺘﻰ ﻴﻔﻙ ﺍﻟﺭﻫﻴﻥ ﻤﺤﺎﺒﺴﻪ..‬ ‫‪‬‬ ‫‪‬‬ ‫ﻭﻴﻔﻴﻕ ﻟﻭﺤﺩﺘﻪ‬ ‫ﻭﻴﺠﻲﺀ ﺇﻟﻰ ﺍﻟﻌﺎﺌﺩﺓ‬ ‫ﻫل ﺴﻴﺸﺭﺏ؟‬ ‫ﺃﻡ..‬ ‫‪‬‬ ‫ﺴﻭﻑ ﻴﺨﻠﻁ ﺒﻌ ‪‬ﺎ ﻤﻥ ﺍﻷﻤﻨﻴﺎﺕ ﺍﻟﺒﻐﻴﻀﺔ ﺒﺎﻟﺩﻡ؟‬ ‫ﻀ‬ ‫ﻫل‬ ‫ﺴﻭﻑ ﻴﻌﺭﻑ ﺃﻥ ﺍﻟﺴﺭﻴﺭ ﺍﻟﺫﻱ ﻫ ‪‬ﻩ ﻤﺭﺓ‬ ‫ﹲ‬ ‫ﺩ‬ ‫ﺜﻡ ﺃﻤﺘﻌﻪ‬ ‫ﺜﻡ ﻏﻴ ‪‬ﻪ‬ ‫ﺒ‬ ‫ﺜﻡ ﺃﺩﺨﻠﻪ ﻓﻲ ﻨﻌﻴﻡ ﺍﻟﻤﺠ ‪‬ﺍﺕ‬ ‫ﺭ ِ‬ ‫٤٢‬
  • 27. ‫ﻭﺴﻭﻑ ﻴﺼﻴﺭ ﺠﺤﻴ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﻭﻤﻬﺯﻟﺔ‬ ‫ﹲ‬ ‫ﻭﺠﺭﻴﻤﺔﹾ؟‬ ‫ﻟﻴﺭﺴل ﺠﻤﻠﺘﻪ ﺼﺎﺌ ‪‬ﺎ:‬ ‫ﺤ‬ ‫ﻫﺎ ﻫﻨﺎ ﺠﺴﺩ‬ ‫ﻴﺘﻤﺯﻕ ﺘﺤﺕ ﺴﻴﺎﻁ ﻤﻥ ﺍﻟﻔﺭﺡ ﺍﻟ ‪‬ﺩ ‪‬ﻰ.‬ ‫ﻤﻋ‬ ‫ﻫﺎ ﻫﻨﺎ ﺼﺭﺨﺔ‬ ‫ﺘﺘﻔﺸﻰ‬ ‫ﻭﺘﺼﻌﺩ ﻨﺤﻭ ﺍﻟﺴﻤﺎﺀ – ﻤﺠﺎﺯ ﹰﺔ‬ ‫ِﻓ‬ ‫ﻭﺍﻟﺭﻓﻭﻑ..‬ ‫ﹸ‬ ‫ﺍﻟﺭﻓﻭﻑ ﺍﻟﺘﻲ ﻫ ‪‬ﻫﺎ ﻨﺯﻕ ﺍﻟ ﱞﻌﺭﺍﺀ‬ ‫ﺩ ﹶ‪‬ﹸ ﺸ ِ‬ ‫ﹸ‬ ‫ﻭﺠﻠﺠﹸﺔ ﺍﻟﻔﻠﺴﻔﺔ‬ ‫ﹾ‬ ‫ﻠ‬ ‫ﺍﻟﺭﻓﻭﻑ ﺍﻟﺘﻲ ﻓﻭﻗﻬﺎ، ﻜﺘﺏ ﻤﻘﺭﻓﺔ.‬ ‫ﹾ‬ ‫ﻓﻜﻬﺎ..‬ ‫ﻭﺍﻨﺘﻬﻰ‬ ‫ﻭﺍﺴﺘﻔﺎﺽ – ﻟﺘﻨﻬﺽ ﹸﻁﺒ ﹸﻪ –‬ ‫‪‬ﺨ ﺘ‬ ‫ﻫﻜﺫﺍ:‬ ‫٥٢‬
  • 28. ‫ﺇﻨﻨﻲ ﺃﻨﺘﺤﺭ‬ ‫‪‬‬ ‫ﻭﺃﻋﻠﻕ ﹶﻔﺴﻲ – ﺫﻟﻴﻼ‬ ‫ﹰ‬ ‫ﹸﻨ‬ ‫ﻋﻠﻰ ﺒﺎﺏ ِﻜﻤ ِﻬﺎ – ‪‬ﺭﻏ ‪‬ﺎ‬ ‫ﻤ ﻤ‬ ‫ِﺤ ﺘ‬ ‫ﻓﻲ ﺍﻟﺨﺭﺍﺏ ﺍﻟﺫﻱ ﺸ ‪‬ﻨﻲ‬ ‫ﺩ‬ ‫ِ‬ ‫ﻭﺃﺤﺎﻁ ﺒﻌﺎﺌﻠﺘﻲ‬ ‫ﹶ‬ ‫ﻤ ‪‬ﻨﻲ ﻟﻠﻔﺭﺍﻍ ﺍﹸﻤﺩ ‪‬ﻱ‬ ‫ﻟ ﻭ‬ ‫ﺩ‬ ‫ﺍﻟﻔﺭﺍﻍ ﺍﻟﻌﻤﻴﻕ ﺍﹸﻤ ‪‬ﻴﺭ..‬ ‫ِ ﻟﺤ ِ‬ ‫ِ‬ ‫ﺃﺭﻗﺒﻬﺎ‬ ‫ﻭﺃﺭﺍﻗﺏ ﻨﻔﺴﻲ:‬ ‫‪‬‬ ‫ﻜﻴﻑ ﺃﺤ ‪‬ل ﻤﺎﺩ ﹶﻬﺎ‬ ‫ُ ﻭُ ﺘ‬ ‫ﻤﻥ ﺤﻴﺎﺓ ﺘﻔﻴﺽ ‪‬ﻻﻻ‬ ‫‪‬ﺩ ﹰ‬ ‫ٍ‬ ‫•‬ ‫ﺇﻟﻰ ﹶﻁﻌ ٍ ﻤﻥ ‪‬ﺠﺭ‬ ‫ﻗ ﺔ ِ‪‬ﺤ ‪‬‬ ‫• ﻣﻦ ﺵﻌﺮ )أﺑﻮ اﻟﻌﻼء اﻟﻤﻌﺮي( – رهﻴﻦ اﻟﻤﺤﺒﺴﻴﻦ‬ ‫٦٢‬
  • 29. ‫* ‪*  ‬‬ ‫ﻫ ‪‬ﻨﻲ‬ ‫ﺯ‬ ‫ﺃﻨﻨﻲ‬ ‫ﻜﱠﻤﺎ ﻫﺭﺒﺕ ِﻜﻤﺘﻲ‬ ‫ﹾﺤ‬ ‫ﹸﻠ‬ ‫ﺃﺘﻬﺎﻭﻯ‬ ‫ﻭﺃﺼﻌﺩ ﺴﻠﻡ ﻤﻨﺯﻟﻬﺎ ﻓﻲ ﺠﻨﻭﻥ‬ ‫ٍ‬ ‫‪ ‬ﱠ ‪‬‬ ‫ﻭﺃﻜﺘﻡ ﺼﻭﺕ ﻤﺤﺒﺘﻬﺎ‬ ‫ﻓﻲ ﻁﺭﻴﻘﻲ ﺇﻟﻴﻬﺎ‬ ‫ﻟﺘﺴﻘﻁ ﻜل ﺍﻟﻭﺠﻭﻩ ﺍﻟﺘﻲ ﺩﻤﺭﺕ ﺒﻬﺠﺘﻲ.‬ ‫‪‬‬ ‫ﱡ‬ ‫ﺴﺄﺩﺨل ﺸﻘﺘﻬﺎ‬ ‫ﻜﺎﺴ ‪‬ﺍ ﺒﺎﺒﻬﺎ‬ ‫ﺭ‬ ‫‪‬ﻌﻠ ﹰﺎ: ﺃﻨﻨﻲ ﺴﻭﻑ ﺃﺭﺒﻁﻬﺎ ﻓﻲ ﺍﻟﺴﺭﻴﺭ‬ ‫ﻤ ﻨ‬ ‫ﻭﺃﺠﻠﺩﻫﺎ ﻤﺜل ﺯﺍﻨﻴﺔ!!‬ ‫ﺇﻥ ﻋﻼ ﺼﻭ ﹸﻬﺎ،‬ ‫ﺘ‬ ‫ﻭﺃﺸﺭﺏ ﻤﻥ ﺩ ِﻬﺎ‬ ‫ﻤ‬ ‫ﺠﺭﻋﺔ.. ﺠﺭﻋﺔ‬ ‫ﹰ‬ ‫ﹰ‬ ‫٧٢‬
  • 30. ‫ﻫ ‪‬ﻨﻲ.‬ ‫ﺯ‬ ‫)ﻓﻲ ﺍﻟﺼﺒﺎﺡ ﺍﻟﺒﻌﻴﺩ.. ﺍﻟﺒﻌﻴﺩ‬ ‫ِ‬ ‫ِ‬ ‫ﺤﻠﻤﺕ ﺒﻬﺎ‬ ‫ﹸ‬ ‫ﻭﺭﺴﻤﺕ ﻟﻬﺎ ﻟﻭﺤﺔ ﺯﺍﻫﻴﺔﹾ،‬ ‫ﹰ‬ ‫ﹸ‬ ‫ﺒﻌﺩ ﺃﻥ ﺸﺭﺒﺕ ﻤﻥ ﻨﺒﻴﺫﻱ‬ ‫ﹾ‬ ‫ﺃﻗﻤﺕ ﻟﻬﺎ ﻓﺭﺤﺎ‬ ‫‪‬‬ ‫ﹸ‬ ‫ﻭﻭﻫﺒﺕ ﻟﻬﺎ ﺠﺴﺩﻱ ﻜﺎﻤﻼ‬ ‫ﹰ‬ ‫ﹾ‬ ‫ﺤﻴﻥ ﻜﻨﺕ ﺃﻗ ‪‬ﻠﻬﺎ ﻋﻠ ﹰﺎ‬ ‫ﻨ‬ ‫ﹸ ﺒ‬ ‫ﻓﻲ ﺍﻟﺸﻭﺍﺭﻉ ﻭﺍﻟﻌﺭﺒﺎﺕ‬ ‫ﻭﺁﺨﺫﻫﺎ ِﻠﺴﺔ ﻓﻲ ﺍﻟﻤﺼﺎﻋﺩ ﺤﻴ ﹰﺎ‬ ‫ﻨ‬ ‫ﺨ ﹰ‬ ‫ﻭﺤﻴﻥ ﺸﺘﻤﺕ ﺍﻟﻁﺒﻴﺏ ﺍﻟﻤﻬﺫﺏ‬ ‫ﹸ‬ ‫ﻭﻫﻭ ﻴﻘﻭل ﻟﻨﺎ: ﺇﻨﻨﻲ ﺃﻤﺘﻨﻊ.‬ ‫ﻗﺎﺩﻨﺎ ﺍﻟﺼﻴﺩﻟﻲ ﺍﻟﺫﻱ ﻜﺎﻥ ﺃﻜﺜﺭ ﻤﻥ ﻋﺎﻗل‬ ‫ٍ‬ ‫‪‬‬ ‫)- ﺘﺫﻜﺭﻴﻥ؟(‬ ‫ﺇﻟﻰ ﺍﻟﻤﻌﻤل ﺍﻟﺩﺍﺨﻠﻲ‬ ‫ﻭﺃﻨﻬﻰ ﺍﻟﺤﻜﺎﻴﺔ ﻓﻲ ‪‬ﺭ ٍﺔ ﻤﺫﻫﻠﺔ..‬ ‫ﺴ ﻋ‬ ‫ﻓﺼﺭﺨﺕ‬ ‫ﻭﺃﻁﻠﻘﺕ ﺯﻏﺭﻭﺩﺓ‬ ‫ﹰ‬ ‫٨٢‬
  • 31. ‫ﻭﺼﺩﺤﺕ‬ ‫ﻭﻗﻠﺕ ﻟﻬﺎ: ﺃﻓﺘﺩ ِﻙ!!(.‬ ‫ﻴ‬ ‫ﹸ‬ ‫ﺼﺎﺩﻨﻲ ﻫﺎﺠﺱ‬ ‫‪‬‬ ‫ﻭﺍﺤﺘﻭﺍﻨﻲ‬ ‫ﻭﺃﺤﻜﻡ ﻗﺒﻀﺘﻪ ﺠﻴ ‪‬ﺍ..‬ ‫ﺩ‬ ‫ﻫﺯﻨﻲ‬ ‫ﺃﻨﻨﻲ‬ ‫ﻓﻲ ﺍﻟﻤﺴﺎﺀ ﺍﻟﻘﺭﻴﺏ‬ ‫ﺴﺄﺤﺒﻙ ﹸﻁﺔ ﺴﺭ ِﺔ ﻗﻁﺘﻬﺎ‬ ‫‪  ِ‬ﺨ ﹶ ﻗ‬ ‫ﻷﺠﺭﺏ ﻓﻲ ﺠﺴﻤﻬﺎ ﹶﻘﻤﺘﻲ‬ ‫ﻨ‬ ‫‪ ‬‬ ‫ﺴﻭﻑ ﺃﻨﺯﻉ ﻓﺭﻭﺘﻬﺎ‬ ‫‪‬‬ ‫ﺜﻡ ﺃﺸﻨﻘﻬﺎ‬ ‫ﻭُﻋﻠ ﹸﻬﺎ ﻓﻭﻕ ﺸﺒﺎﻜﻬﺎ ﺍﻟﺨﺸﺒﻲ‬ ‫ﺃ ﱢﻘ‬ ‫ﻭﺃﺭﻗﺹ‬ ‫ﺃﺭﻗﺹ‬ ‫ﺤﺘﻰ ﺘﺠﻲﺀ ﻭﺘﺴﻘﻁ ﻤﻔﺯﻭﻋﺔ‬ ‫ﹰ‬ ‫ﻷﺩﺠﺞ ﻓﻴﻬﺎ ﺸﺭﻭﺭﻱ.‬ ‫٩٢‬
  • 32. ‫ﺴﺘﻌﺭﻑ ﺃﻥ ﺭﺯﺍﻨﺘﻬﺎ‬ ‫ﻜﺫﺏ‬ ‫‪‬‬ ‫ﻭﺘﻌﻘﻠﻬﺎ‬ ‫ﺴﻴﻜﻭﻥ ﺨﺭﺍ ‪‬ﺎ‬ ‫ﺒ‬ ‫ﻭﺃﻏﺭﺒﺔ ﺤﱠﻘﺕ ﻓﻲ ﺍﻟﺴﻤﺎﺀ‬ ‫ﹰ ﻠ ﹾ‬ ‫ﻭﺃﻥ ﺠﻨﻭﻨﻲ ﺍﻟﻤﻔﺎﺠﺊ‬ ‫- ﺤﺘ ‪‬ﺎ –‬ ‫ﻤ‬ ‫ﺒﻌﺩ ﺃﻥ ﺘﻔﻠﺕ ﺍﻟﻜﻠﻤﺎﺕ ﺍﻟﺒﻐﻴﻀﺔ‬ ‫ِ ﹶ‬ ‫ﻤﻥ ﻓﻤﻬﺎ ﺍﻟﻤﺴﺘﺒﺩ‬ ‫‪ ‬‬ ‫ﻭﻤﻥ ﺤﻜﻤﺔ ﺍﻻﻨﺯﻭﺍﺀ‬ ‫‪‬‬ ‫٠٣‬
  • 33. ‫* ‪*    ‬‬ ‫ﺴﺄﻓﻀ ‪‬ﻬﺎ ﻜﱠﻤﺎ ‪‬ﻨﺤﺕ ﹸﺭﺼﺔ‬ ‫ﺤ ﹸﻠ ﺴ ﹾ ﻓ ﹲ‬ ‫ﻭﺃﻋ ‪‬ﻱ ﺘﻔﺎﺼﻴل ﻗﺼﺘﻬﺎ ﻟﻠﺠﻤﻴﻊ‬ ‫ُ ﺭ‬ ‫ﺴﺄﺫ ﹸﺭ ﻟﻭﻥ ﻤﻼﺒ ِﻬﺎ‬ ‫ﺴ‬ ‫‪‬‬ ‫ﻜ‬ ‫ﻭﺭﻗﺔ ﻤﻠﻤ ِﻬﺎ..‬ ‫ﹶ ﺴ‬ ‫ﻭﺠﻨﻭﻥ )ﺴﻭﺍﻋ ِﻫﺎ(!‬ ‫ﺩ‬ ‫‪‬‬ ‫ﺤﻴﻨﻤﺎ ﺘﺘﻭﻗﺩ ﻓﻲ ﺠﺴ ِﻬﺎ ﺭﻏﺒﺔ ﻋﺎ ِﻤﺔ.‬ ‫ﹲ ﺭ ﹾ‬ ‫ﻤ‬ ‫‪‬‬ ‫ﺴﻭﻑ ﺃﻜﺸﻑ ﻜل ﻜﻤﺎﺌ ِﻬﺎ ﺍﻟﻤﻁﻤﺌﻨﺔ‬ ‫ِ‬ ‫‪‬‬ ‫ﻨ‬ ‫ﹸ ﱠ‬ ‫ﺃﻭ ﺭﻗﻡ ﺸﻘﺘﻬﺎ – ﻤﺜﻼ -‬ ‫ﹰ‬ ‫ﹾ‪‬‬ ‫ﻭﺃﻓﺘﺕ ﹲﺭ ﹶﺘﻬﺎ: ﻗﻁﻌﺔ..‬ ‫ﹰ‬ ‫ﻏ ﻓ‬ ‫ﻕ. ﻁ.. ﻉ.. ـﺔ...‬ ‫ﹰ‬ ‫ﻓﻲ ﻨﻬﺎﺭ ﺴﻴﺼﺒﺢ ﺃﺴﻭﺩ ﻴﻭﻡ ﻴﻤﺭ ﻋﻠﻴﻬﺎ.‬ ‫‪ ٍ ‬‬ ‫ٍ‬ ‫ﺴﺘﻜﺭﻫﻨﻲ.. ﺭﺒﻤﺎ‬ ‫ﻭﺴﺘﺫﻫﺏ ﻟﻸﺼﺩﻗﺎﺀ‬ ‫ٍ‬ ‫‪‬‬ ‫ﻭ ﹸﻌﻠﻥ ﺩﻫ ﹶﺘﻬﺎ‬ ‫ﺘ ‪ ‬ﺸ‬ ‫ﻭﺘﻭﻟﻑ – ﻓﻲ ﺜﻘﺔ – ﻗﺼﺔ ﻜﺎﺫﺒﺔ.‬ ‫ﹾ‬ ‫ﹰ‬ ‫ٍ‬ ‫ﹸ‬ ‫١٣‬
  • 34. ‫ﺴﺘﻘﻭل ﻟﻬﻡ: ﺇﻨﻨﻲ ﻓﻲ ﺫﻫﻭل‬ ‫ٍ‬ ‫ﻭﺘﺭﺩﻑ: ﺇﻥ ‪‬ﻼﻗ ﹶﻨﺎ ﻟﻡ ﺘﻜﻥ ﺠﻴﺩﺓ!‬ ‫ﹾ‬ ‫ﻋ ﺘ‬ ‫ﻭ ﹸﻠﻤﺢ ﻓﻲ ﺤﺴﺭ ٍ، ﺃﻨﻨﻲ ﻟﻡ ﺃﻜﻥ ﻋﺎﻗﻼ!‬ ‫ﹰ‬ ‫‪‬‬ ‫ﺓ‬ ‫ﺘ ‪‬‬ ‫)ﻭﻜﺎﻨﺕ ﹸﺫ ‪‬ﺏ ِﺤ ﹶﺘﻬﺎ‬ ‫ﺘﻭ ﻤ ﻨ‬ ‫ﻓﻲ ﻗﻠﻴل ﻤﻥ ﺍﻟﺘﺒﻎ‬ ‫ٍ‬ ‫ﺘﻔﺘﺢ ﺸﺒﺎﻜﻬﺎ‬ ‫ﺜﻡ ﺘﺭﺴل ﻨﻅﺭ ﹶﻬﺎ: ﻁﺎﺌ ‪‬ﺍ‬ ‫ﺭ‬ ‫ﺘ‬ ‫ُ‬ ‫ﺘﺘﻁﻭﺡ – ﺤﺎﺌﺭﺓ – ﻓﻲ ﻓﻀﺎﺀ ﻓﺴﻴﺢ‬ ‫ٍ‬ ‫ٍ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﻭﺘﺨﺭﺝ ﻤﻥ ﺠﻠ ِﻫﺎ – ﺘﺎﺭﺓ‬ ‫ﹰ‬ ‫ﺩ‬ ‫‪‬‬ ‫ﻭﺘﻜ ‪‬ﻡ ﺒﻌﺽ ﻫﻭﺍﺠﺴﻬﺎ – ﺘﺎﺭﺓ‬ ‫ﹰ‬ ‫‪‬‬ ‫ﹸ ﻭ‪‬‬ ‫ﻭﺘﺤﺩﻕ ﻓﻲ ﺍﻟﻼﻨﻬﺎﻴﺔ – ﻤﺫﹾﻫﻭﻟﺔ – ﺘﺎﺭﺓ ﺜﺎﻟﺜﺔ..‬ ‫ﹰ ﹾ‬ ‫ﹰ‬ ‫ِ ‪‬‬ ‫ﻭﺘﺭﺍﻭﻍ ﻭﻫ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﻭﺘﺠﻌﹸﻪ ﺒﻁﻼ ﺩﺍﺌ ‪‬ﺎ(.‬ ‫ﹰ ﻤ‬ ‫ﻠ‬ ‫ﻟﻡ ﺃﻜﻥ – ﻓﻲ ﺍﻟﺤﻘﻴﻘﺔ –‬ ‫‪ ‬ﹸ‪‬‬ ‫ﺃﻋﺭﻑ ﺃﻥ ﺍﻟﺫﻴﻥ ﻴﻤﺩﻭﻥ ﺃﻴﺩﻴﻬﻡ ﻟﻠﺘﺤﻴﺔ‬ ‫ِ‬ ‫ﹸ‬ ‫ﻤﺤﺽ ﺨﻴﺎ ٍ، ﻭﺃﻜﺫﻭﺒﺔ..‬ ‫ﹲ‬ ‫‪ ‬ل‬ ‫ﻟﻡ ﺃ ﹸﻥ ﺤﺎﻟ ًﺎ‬ ‫ﻤ‬ ‫ِ‬ ‫‪ ‬ﻜ‬ ‫ﺃﻭ ﻤﺭﻴ ‪‬ﺎ ﻷﻫﺫﻱ‬ ‫ﻀ‬ ‫٢٣‬
  • 35. ‫ﻭﺃﻁﻠﻕ ﺯﻭﺒﻌﺔ ﻓﻲ ﺍﻟﻬﻭﺍ ِ،‬ ‫ﺀ‬ ‫ﹰ‬ ‫ﻭﻟﻜﻨﻨﻲ ﺃﺘﺠ ‪‬ﺩ‬ ‫ﺭ‪‬‬ ‫ﻴﻭ ‪‬ﺎ.. ﻓﻴﻭ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﻤ‬ ‫ﻤﻥ ﺍﻟﻭﺭﻉ ﺍﻟﻤ ‪‬ﻋﻰ‬ ‫‪‬ﺩ‬ ‫ﻭﻤﻥ ﺤﻜﻤﺔ ﺜﺎﺒﺘﺔ‬ ‫ٍ‬ ‫ِ‪‬‬ ‫ﻟﻡ ﺃ ﹸﻥ ﻗﺩ ﺘﻤﺭﺴﺕ – ﺭﻏﻡ ﺍﻟﺤﻴﺎﺓ ﺍﻟﻌﺭﻴﻀﺔ –‬ ‫ِ‬ ‫ﹸ‬ ‫‪ ‬ﻜ‬ ‫ﺃﻥ ﺃﻓﻬﻡ ﺍﻟﻨﺎﺱ.‬ ‫‪ ‬‬ ‫ﺃﻭ ﺃﺘﻌﻠﻡ ﺃﻟﻌﺎﺒﻬﻡ‬ ‫ﱠ‪‬‬ ‫ﻭﺃ ‪‬ﺭﻥ ﺫﺍﺌﻘﺘﻲ ﻟﺘﺴﺎﻭﻡ..‬ ‫‪‬‬ ‫ُﻤ ‪‬‬ ‫ﻜل ﺍﻟﻠﻐﺎﺕ ﻋﺩﻭ ﻟﺫﺍﺘﻲ‬ ‫ِ ‪‬‬ ‫ﱡ‬ ‫ﻭﻜل ﺍﻟﻀﻤﺎﺌﺭ ﺯﺍﺌﻔﺔ.‬ ‫ﹲ‬ ‫ِ‬ ‫ﱞ‬ ‫ﻟﻡ ﺃﻜﻥ ﻨﺎﺒ ‪‬ﺎ.. ﺁﺒ ‪‬ﺎ ﺒﺎﻟﻜﻼﻡ – ﻭﻻ ﻋﺎﺸ ﹰﺎ‬ ‫ﻘ‬ ‫ﻬ‬ ‫ﹸ‪ ‬ﻬ‬ ‫ﻟﻠﺤﻘﻴﻘﺔ.. )ﻜل ﺍﻟﺤﻘﺎﺌﻕ ِﺴﺒﻴﺔ(. ﻟﻡ ﺃﻜﻥ‬ ‫ﹸ‪‬‬ ‫ﻨ ﹲ‬ ‫ﺤﺎﺴ ‪‬ﺍ، ﺤﺎﻗ ‪‬ﺍ، ﻁﺎﻫ ‪‬ﺍ ﻤﻥ ﺫﻨﻭ ٍ، ﻭﻟﻡ‬ ‫ﺏ‬ ‫ﺭ‬ ‫ﺩ‬ ‫ﺩ‬ ‫ﺍﺩﻉ ‪‬ﻁﻠﻘﺎ ﺃﻨﻨﻲ ﻤﺎﻫﺭ ﻓﻲ ﻗﻴﺎﺩﺓ ﺭﻭﺤﻲ..‬ ‫‪‬ﻤ ﹰ‬ ‫ﹸﺭﺤﺕ ﻷﻏﺭﻕ ﻓﻲ ﻤﻬﺭﺠﺎﻥ ﺃﻨﻭﺜ ِﻬﺎ،‬ ‫ِ ﺘ‬ ‫ﹶ‬ ‫ﹸ‬ ‫ﻓ‬ ‫ﻭﺃﺫﻭﺏ ﺘﻤﺎ ‪‬ﺎ،‬ ‫ﻤ‬ ‫ﻭﺃﺒﻠﻊ ﻁﻌﻡ ﻓﺼﺎﺤﺘﻬﺎ..‬ ‫‪ ‬ﹸ ‪‬‬ ‫٣٣‬
  • 36. ‫ﻭﺍﻋﺘﻘﺩﺕ ﺒﺄﻥ ﺼﺭﺍﺤ ﹶﻬﺎ ﻤﻴﺯﺓ‬ ‫ﹲ‬ ‫ﺘ‬ ‫ﹸ‬ ‫ﻭﺃﻥ ﻭﻀﻭﺡ ﻤﻘﺎﺼ ِﻫﺎ‬ ‫ﺩ‬ ‫‪‬‬ ‫ﺴﻭﻑ ﻴﻔﺘﺢ ﺃﺒﻭﺍ ‪‬ﻬﺎ،‬ ‫ﺒ‬ ‫ﻭﺃﻥ ﺍﻟﺴﻠﻭﻙ ﺍﹸﻤﺒﺭﻤﺞ‬ ‫‪ ‬ﻟ‬ ‫‪‬‬ ‫ﻴﺼﻨﻊ ﺤﺭﻴﺔ‬ ‫ﹰ‬ ‫ﻫ ‪‬ﺩﺘﻨﻲ‬ ‫ﺩ‬ ‫ﻭﺃﻓﺸﺕ ﻫﻭﺍﻤﺵ ﻗ ِﺘﻨﺎ ﻟﻠﺠﻤﻴﻊ.‬ ‫ﹶ ﺼ‬ ‫ﺴﺄﻓﻀﺤﻬﺎ – ﻜﱠﻤﺎ ﺍ ﹶﺴﻊ ﺍﻟﻭﻗﺕ‬ ‫ﹸ‬ ‫ﹸﻠ ﺘ ‪‬‬ ‫ﻭﺍﺸﺘﻌﻠﺕ ﻓﻲ ﺍﻟﺠﻭﺍﻨﺢ ﻜﺫﺒﺘﻬﺎ‬ ‫ﹾ‬ ‫ﻭﻓﺠﺎﺠﺘﻬﺎ.‬ ‫ﺴﻭﻑ ﺃﻁﺭﺩﻫﺎ ﻤﻥ ﺤﺩﻴﻘﺔ ﺭﻭﺤﻲ‬ ‫ﻭﺃﺭﺴل ﺃﻭﺭﺍﻗﻬﺎ ﻟﻠﺤﺭﻴﻕ..‬ ‫ﹾ‬ ‫ﻭُﻅﻬﺭ ﻜل ﺠﺭﺍﺌﻤﻬﺎ ﺍﻟﻜﺎﻤﻠﺔ‬ ‫ﺃ ِ‪‬‬ ‫٤٣‬
  • 37. ‫* ‪*   ‬‬ ‫ﻫﺎ ﻫﻲ ﺃﻗﺒﻠﺕ‬ ‫ﻫﺎ ﻫﻲ ﺃﺩﺒﺭﺕ‬ ‫ﻭﺘﺨﻠﺕ ﻋﻥ ﺍﻻﺸﺘﺒﺎﻙ ﻤﻌﻙ‬ ‫ﻭﺍﺴﺘﻌﺎﺩﺕ ﺘﻔﺎﺼﻴل ﻗﺼﺘﻬﺎ ﻤﺭﺓ ﻭﺍﺤﺩﺓ‬ ‫ﻭﺃﻟﻘﺕ ﺒﺄﻭﺭﺍﻗﻨﺎ ﻓﻲ ﺍﻟﻬﻭﺍﺀ.‬ ‫ﻤﺭﺓ ﻭﺍﺤﺩﺓ‬ ‫ﹾ‬ ‫ﺘﺭﻜﺕ ﻏﺭﻓﺔ ﺍﻟﻭﺭﺩ‬ ‫ﹶ‬ ‫ﻭﺍﺼﻁﺤﺒﺕ ﺠﺴ ‪‬ﺍ.. ﺴﻴﺩﺍ‬ ‫‪‬‬ ‫ﹾ ﺩ‬ ‫ﺠﺴ ‪‬ﺍ ﺴﻴﺅﺠﺞ ﺸﻬﻭﺘﻙ ﺍﻟﺤﺎﺭﻗﺔ‬ ‫ﺩ‬ ‫ﻭﺭﺍﺤﺕ ﺘﺠﺭﺏ ﻓﻴﻙ ﺍﻟﻌﺒﺙ‬ ‫ﺴﻭﻑ ﺘﻀﺒﻁﻬﺎ‬ ‫ﻭﻫﻲ ﺠﺎﻟﺴﺔ ﻓﻲ ﺤﺩﻴﻘﺔ ﻤﻨﺯﻟﻬﺎ‬ ‫ﺘﺘﺄﻤل ﺴﺭ ‪‬ﺎ ﻤﻥ ﺍﻷﺒﺭﻴﺎﺀ‬ ‫ﺒ‬ ‫ﻴﻬﺯﻭﻥ ﺃﺠﺴﺎﺩﻫﻡ ﻁﺭ ‪‬ﺎ ﻟﻤﺠﻲﺀ ﺴﻌﺎﺩﺘﻬﺎ‬ ‫ﺒ‬ ‫ﻭﻫﻲ ﺘﻨﻅﺭ ﻓﻲ ﻏﻀﺏ‬ ‫ٍ‬ ‫٥٣‬
  • 38. ‫ﻭﺘﺤﺩﻕ‬ ‫ﺃﻭ ﺘﺘﻔﻘﺩ ﺃﻭﺠﻬﻬﻡ‬ ‫ﺜﻡ ﺘﺠﻠﺩﻫﻡ‬ ‫ﻭﺍﺤ ‪‬ﺍ... ﻭﺍﺤ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﺩ‬ ‫ﻭﺘﻤﺎﺭﺱ ﺸﻬﻭﺘﻬﺎ‬ ‫ﻓﻲ ﻟﻔﻴﻑ ﻤﻥ ﺍﻟﺨﻠﻕ – ﻟﻴﻼ‬ ‫ﹰ‬ ‫ٍ‬ ‫ﺘﺩﺤﺭﺠﻬﻡ ﻓﻲ ﺸﺭﻴﻁ ﻁﻭﻴل‬ ‫ٍ‬ ‫ٍ‬ ‫ﻭﺘﻘﺫﻓﻬﻡ – ﻏﻴﺭ ﺁﺴﻔﺔ –‬ ‫ﻟﻠﺭﺼﻴﻑ‬ ‫ﺴﺘﺫﻫﺏ ﺤﺘ ‪‬ﺎ ﺇﻟﻴﻬﺎ‬ ‫ﻤ‬ ‫ﻟﺘﻘﻠﻘﻬﺎ ﻓﻲ ﺍﻟﻬﺯﻴﻊ ﺍﻷﺨﻴﺭ ﻤﻥ ﺍﻟﻠﻴل‬ ‫ﺘﻔﺯﻋﻬﺎ – ﻤﺜﻠﻤﺎ ﺃﻓﺯﻋﺘﻙ‬ ‫ﻭﺘﻤﻸ ﺒﺴﺘﺎ ﹶﻬﺎ ﺍﻟﻤﺘﻐﻁﺭﺱ‬ ‫ﻨ‬ ‫ﺒﺎﻟﺤﺸﺭﺍﺕ ﺍﻟﺩﻗﻴﻘﺔ‬ ‫ﺘﺯﺤﻑ ﺒﻴﻥ ﺸﺠﻴﺭﺍﺘﻪ‬ ‫ﻭ ﹸﺴ ‪‬ﺏ ﺒﻴﻥ ﺤﺸﺎﺌﺸﻪ ﺸﺭ ‪‬ﺍ ﺤﺎﺭ ﹰﺎ‬ ‫ﻗ‬ ‫ﺭ‬ ‫ﺘ ﺭ ‪‬‬ ‫ﻭﺘﺨﺒﺊ ﺴ ‪‬ﻙ ﻓﻲ ﻋﺴل‬ ‫ٍ‬ ‫‪‬ﻤ‬ ‫ﻭﺘﺫ ‪‬ﺒﻪ ﻤﺜل – ﻤﺤﺘﺭﻑ – ﻗﺎﺘل‬ ‫ٍ‬ ‫ﻭ‬ ‫٦٣‬
  • 39. ‫ﻭﺘﻘﻭل ﻟﻬﺎ – ﻓﻲ ﺍﻨﻀﺒﺎﻁ ﺴﻴﺭﻋﺒﻬﺎ – ﺤﺎﺯ ‪‬ﺎ:‬ ‫ﻤ‬ ‫"ﻤﻀﻰ ﺤﻴﻨﺎ ﻭﺍﻨﻘﻀﻰ"‬ ‫ﹰ‬ ‫ﻤﺭﺓ ﻭﺍﺤﺩﺓ‬ ‫ﺴﻭﻑ ﺘﺘﺭﻜﻬﺎ ﻓﻲ ﺫﻫﻭل‬ ‫ﻭﺘﻤﻀﻲ‬ ‫ﺴﺘﻜﺴﺭ ﺸﻭﻜﺘﻬﺎ‬ ‫ﻗﺒل ﺃﻥ ﺘﻨﺤﻨﻲ.‬ ‫ﻭﺘﻘﺒل ﺃﻗﺩﺍﻤﻙ ﺍﻟﺨﺎﺌﺭﺓ‬ ‫ﺜﻡ ﺘﺨﺭﺝ ﻤﻥ ﺒﺎﺏ ﻏﺭﻓﺘﻬﺎ – ﻫﺎﺩ ًﺎ..‬ ‫ﺌ‬ ‫ﺴﻭﻑ ﺘﺩﻋﻭ ﺸﻴﺎﻁﻴﻨﻙ ﺍﻟﻜﺎﻤﻨﺔ‬ ‫ﻭﺘﺠﻬﺯ ﺤﻔﻼ ﻜﺒﻴ ‪‬ﺍ‬ ‫ﹰ ﺭ‬ ‫ﻟﺘﺭﻗﺹ ﻓﻴﻪ ﺍﻟﺜﻌﺎﻟﺏ‬ ‫‪‬‬ ‫‪‬‬ ‫ﺘﺸﺩﻭ ﺍﻟﻌﻘﺎﺭﺏ‬ ‫‪‬‬ ‫ﺘﺴﻬﺭ ﻜل ﺫﺌﺎﺒﻙ ﺤﺘﻰ ﺍﻟﺼﺒﺎﺡ‬ ‫‪ ‬ﱞ‬ ‫ﻭﺘﺴﻜﺭ ﻨﺎﻫﺸﺔ ﻟﺤﻤﻬﺎ.‬ ‫٧٣‬
  • 40. ‫ﻭﺒﻌﺩ ﺍﻨﻔﻀﺎﺽ ﺍﻟﺠﻤﻴﻊ‬ ‫ﺴﺘﺴﺄل ﺭﺒﺎ ﻜﺭﻴ ‪‬ﺎ‬ ‫‪‬ﹰ ﻤ‬ ‫ﻭﻋﺎﺌﻠﺔ ﻁﻴﺒﺔ:‬ ‫ﺃﻤﺎ ﺯﻟﺕ ﺘﺸﻐل ﻨﻔﺴﻙ؟‬ ‫ﹶ‬ ‫ﺘﻐﺭﻕ ﺤﺒﺭﻙ ﻓﻲ ﺴﺭﺩ ﻗﺼﺘﻬﺎ؟‬ ‫ﺒﻌﺩ ﺃﻥ ﺘﺭﻜﺘﻙ‬ ‫‪‬‬ ‫ﻓﺭﻴﺴﺔ ﺃﻫﻭﺍﺌﻬﺎ‬ ‫ﺃﻁﻠﻘﺕ ﺸﺭﻫﺎ ﻓﻲ ﻜﻴﺎﻨﻙ.‬ ‫ِ ‪‬‬ ‫ﹾ ﱠ‬ ‫ﺘﺴﺄل ﺤﻜﻤﺘﻙ ﺍﻟﻬﺎﺭﺒﺔ:‬ ‫ﺃﻤﺎ ﺯﻟﺕ ﺘﺴﻘﻁ ﺘﺤﺕ ﻋﻭﺍﻤﻴﺩﻫﺎ‬ ‫ﹶ‬ ‫ﻟﺘﺭﺘل ﺃﺩﻋﻴﺔ ﻟﻠﺼﻼﺓ.‬ ‫ﹾ‬ ‫ﹰ‬ ‫ﺃﻨﺕ ﻀﻠﱠﺕ ﻗﻠﺒﻙ‬ ‫‪‬‬ ‫ﻠ‬ ‫ﻀ ‪‬ﻌﺕ ﺒﻌ ‪‬ﺎ ﻤﻥ ﺍﻟﻭﻗﺕ ﻓﻲ ﺭﺤﻠﺔ ﺨﺎﺴﺭﺓ‬ ‫ﹾ‬ ‫ﻴ ﹶ ﻀ‬ ‫ﻭﺍﻨﻀﻤﻤﺕ ﺇﻟﻰ ﺍﻟﻭﺍﻗﻔﻴﻥ ﻋﻠﻰ ﺒﺎﺒﻬﺎ‬ ‫ﹶ‬ ‫ﺘﺘﺴﻭل ﻀﺤﻜﺘﻬﺎ‬ ‫ﻭﻓﺠﺎﺠﺘﻬﺎ‬ ‫ﻭﺃﻨﻭﺜﺘﻬﺎ‬ ‫ﻜﻠﻤﺔ ﻭﺍﺤﺩﺓ..‬ ‫ﹰ‬ ‫٨٣‬
  • 41. ‫ﻭﺍﻨﻜﺴﺭﺕ ﺘﻤﺎ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﻟﺘﺸﻐل ﺃﻭﻗﺎﺘﻙ ﺍﻟﻔﺎﺭﻏﺔ..‬ ‫ﻫﺎ ﻫﻲ ﺃﻗﺒﻠﺕ‬ ‫ﹾ‬ ‫ﻫﺎ ﻫﻲ ﺃﺩﺒﺭﺕ‬ ‫ﹾ‬ ‫•‬ ‫ﻭﺘﺨﻠﺕ ﻋﻥ ﺍﻻﺸﺘﺒﺎﻙ ﻤﻌﻙ‬ ‫• ﻣﻦ ﺵﻌﺮ ﺻﻼح ﻋﺒﺪ اﻟﺼﺒﻮر‬ ‫٩٣‬
  • 42. ‫* ‪*  ‬‬ ‫ﺴﺄﻜﻤل ﻓﻴﻬﺎ ﺍﻟﻌﻨﺎﻕ‬ ‫ﻭﺃﺸﺭﺡ ﻟﻠﺨﺎﺭﺠﻴﻥ ﻤﻥ ﺍﻟﺒﻴﺕ ﻤﺒﺘﺴﻤﻴﻥ‬ ‫ﻭﻤﺒﺘﻬﺠﻴﻥ:‬ ‫ﺇﻥ ﺍﻟﺤﻘﻴﻘﺔ ﻜﺎﺭﺜﺔ‬ ‫ﹲ‬ ‫ﻭﺍﻟﺤﻴﺎﺓ ﺍﻟﺘﻲ ﻗﺘﻠﺘﻨﺎ: ﻤﺯﻴﻔﺔ، ﻭﻤﺭﻴﻌﺔ‬ ‫ﻭﺸﻜل ﺍﻟﻭﺩﺍﺩ ﺍﻟﻤﺭﺍﻭﻍ:‬ ‫ﺃﻜﺫﻭﺒﺔ ﻓﺎﺠ ‪‬ﺔ.‬ ‫ﻌ‬ ‫ﺴﺄﺼﺤﺒﻬﺎ ﻓﻲ ﻫﺩﻭﺀ‬ ‫ٍ‬ ‫ﺇﻟﻰ ﺒﻴﺕ ﺃﻤﻲ،‬ ‫ﻭﺃﺠﻠﺴﻬﺎ ﻓﻭﻕ ﻤﻘﻌﺩﻫﺎ ﺍﻟﺨﺸﺒﻲ ﺍﻟﻘﺩﻴﻡ‬ ‫ﻟﺘﺸﻬﺩ ﻤﺎ ﺼﻨﻌﺘﻪ ﺍﻟﻌﻁﻭﺭ ﺍﻟﻜﺭﻴﻬﺔ،‬ ‫ﻓﻲ ﻏﺭﻓﺔ ﺍﻷﺼﺩﻗﺎﺀ‬ ‫ﻭﻤﺎ ﺨﺭﺒﺘﻪ ﺍﻟﻤﺴﺎﺤﻴﻕ ﻭﺍﻷﻗﻨﻌﺔ.‬ ‫ﺴﺄﺴﺭﺩ ﻗﺼﺔ: "ﻜﻴﻑ ﺘﻬﺩﻤﺕ ﺍﻟﺴﻨﻭﺍﺕ"‬ ‫ﹸ‬ ‫ﻭﺭﺍﺤﺕ ﻫﺒﺎﺀ‬ ‫‪‬‬ ‫٠٤‬
  • 43. ‫ﻭﻨﻬ ‪‬ﺎ ﻷﻏﺭﺒﺔ‬ ‫ٍ‬ ‫ﺒ‬ ‫ﺤﻠﻘﺕ ﺒﻴﻨﻨﺎ‬ ‫ﻭﺼﺎﺭﺕ ﻜﻤﺸﻨﻘﺔ ﻗﺎﺌﻤﺔ".‬ ‫ٍ‬ ‫ﺴﺄﺼﺭﺥ ﻓﻲ ﻏﻀﺏ ﻋﺎﺭ ٍ،‬ ‫ﻡ‬ ‫ٍ‬ ‫ﻭﻤﻔﺘﻌﻼ ﻀﺠﺔ:‬ ‫ﹰ‬ ‫"ﻫﺫﻩ ﻏﺭﻓﺘﻲ‬ ‫ﻭﻫﺫﺍ ﺴﺭﻴﺭﻱ ﺍﻟﺫﻱ ﺃﺘﻜﻭﻡ ﻓﻴﻪ ﻜﻀﻔﺩ ٍﺔ ﻫﺎﺭﺒﺔ..‬ ‫ﹾ‬ ‫ﻋ‬ ‫ﻭﻫﺫﺍ ﺍﻟﻠﺤﺎﻑ ﻴﺩﺜﺭﻨﻲ ﻓﻲ ﺍﻟﻤﺴﺎﺀ‬ ‫ﻭﺃﺠﻌﻠﻪ ﻓﻲ ﺍﻟﻨﻬﺎﺭ ﻜﻤﻘﻌﺩﺓ ﻟﻠﻀﻴﻭﻑ‬ ‫ٍ‬ ‫ﻭﻫﺫﺍ ﻗﻤﻴﺼﻲ ﺍﻟﻤﻤﺯﻕ‬ ‫ﺃﺨﻔﻴﻪ ﺩﻭ ‪‬ﺎ..‬ ‫ﻤ‬ ‫ﻭﺘﻠﻙ ﺭﺴﻭﻤﺎﺕ ﻤﻥ ﺃﻁﻠﻘﺕ ﺭﻭﺤﻬﺎ‬ ‫ﻓﺭ ‪‬ﺎ ﺠﺎﻤ ‪‬ﺎ ﻓﻲ ﺍﻟﺤﻴﺎﺓ، ﻭﻤﻥ ﺃﺸﻌﻠﺕ ﺭﻭﺤﻪ ﻭﻁ ﹰﺎ ﻜﺎﻤﻼ‬ ‫ﹰ‬ ‫ﻨ‬ ‫ﺤ‬ ‫ﺴ‬ ‫ﻭﺘﻠﻙ – ﺃﺨﻴ ‪‬ﺍ – ﻤﻔﺎﺘﻴﺢ ﺒﻴﺘﻲ‬ ‫ﺭ‬ ‫ﺃﻗﺩﻤﻬﺎ ﻟﺤﻀﻭﺭﻙ: ﺨﺎﻀﻌ ﹰ، ﻭﺩﻟﻴﻼ ﻋﻠﻰ ﻁﺎﻋﺘﻲ".‬ ‫ﹰ‬ ‫ﺔ‬ ‫١٤‬
  • 44. ‫ﺴﺘﺩﺭﻙ ﻟﺤﻅﺘﻬﺎ:‬ ‫ﺃﻥ ﻫﺫﺍ ﺍﻟﺒﺭﻴﻕ ﺍﻟﺫﻱ ﻴﺘﺼﺎﻋﺩ ﻤﻥ ﺒﻴﻥ ﻋﻴﻨﻲ‬ ‫ﻟﻴﺱ ﻤﺯﺍ ‪‬ﺎ.‬ ‫ﺤ‬ ‫ﻭﻟﻴﺱ ﺍﻨﺒﻬﺎ ‪‬ﺍ ﺘﺒﺭﺭﻩ ﺍﻟﻘﺒﻼﺕ ﺍﻟﻌﻨﻴﻔﺔ – ﻟﻴﻼ.‬ ‫ﹰ‬ ‫ﺭ‬ ‫ﺴﺄﺼﺤﺒﻬﺎ – ﻗﱠﻤﺎ ﻭﺍﻓﻘﺕ –‬ ‫ﹾ‬ ‫ﻠ‬ ‫ﻤﻥ ﻴﺩﻴﻬﺎ‬ ‫ﻷﻗﻨﻌﻬﺎ ﻓﻲ ﺘﺭﻭ ﺸﺩﻴﺩ‬ ‫ٍ‬ ‫ٍ‬ ‫ﺒـ "ﺃﻥ ﺍﻟﺒﻴﻭﺕ ﺍﻟﺘﻲ ﺴﻜﻨﺘﻨﺎ‬ ‫ﻤﺠﺭﺩ ﺃﻗﺒﻴﺔ ﻫﺯﻤﺘﻨﺎ..‬ ‫ﻨﻔﺘﻨﺎ..‬ ‫ﻭﺃﻓﹾﻨﺕ ﻁﺭﻴﻘﺔ ﺃﺤﻼﻤﻨﺎ‬ ‫ﹾ‬ ‫ﺘﺭﻜﺘﻨﺎ: ﻨﺭﺘﺏ ﺃﻭﻫﺎﻤﻨﺎ،‬ ‫ﻗﺎﻨﻌﻴﻥ ﺒﺄﺤﺫﻴﺔ ﺴﺤﻘﺕ - ﻓﻲ ﺍﻟﻤﺴﺎﺀ – ﺸﻌﺎﺭﺍﺘﻨﺎ‬ ‫ﹾ‬ ‫ﻭﺠﻠﺴﻨﺎ – ﺼﻔﻭ ﹰﺎ.. ﺼﻔﻭ ﹰﺎ.‬ ‫ﻓ‬ ‫ﻓ‬ ‫ﻨﻘﺒﻠﻬﺎ‬ ‫ﻨﺘﻠﺫﺫ ﺤﺘﻰ ﺍﻟﻐﻴﺎﺏ‬ ‫ﻭﻨﻬﺘﻑ – ﺩﻭ ‪‬ﺎ – ﺒﻘﻭﺘﻬﺎ‬ ‫ﻤ‬ ‫ﻭﺭﺸﺎﻗﺘﻬﺎ ﻓﻲ ﺍﻟﺘﻨﻘل‬ ‫٢٤‬
  • 45. ‫ﻓﻲ ﺨ ٍﺔ ﺭﺍﺌﻌﺔ".‬ ‫ﹾ‬ ‫ﻔ‬ ‫ﺴﺘﺤﺯﻥ – ﻗﻁ ‪‬ﺎ –‬ ‫ﻌ‬ ‫ﻭﺘﺫﺭﻑ ﺒﻌ ‪‬ﺎ ﻤﻥ ﺍﻟﺩﻤﻊ‬ ‫ٍ‬ ‫ﻀ‬ ‫ﺤﻴﻥ ﺘﺸﺎﻫﺩ ﺒﻌ ‪‬ﺎ ﻤﻥ ﺍﻟﻠﺤﻡ ﻗﺩ ﻴﺘﻜﻭﻡ‬ ‫ﻀ‬ ‫ﻓﻲ ﻅﻠﻤﺔ ﻨﺎﺌﻴﺔ،‬ ‫ٍ‬ ‫ﻭﺼﻭﺭﺓ ﺸﻴﺦ ﺍﻟﻁﺭﻴﻘﺔ ﻭﻫﻭ ﻴﻁل ﻋﻠﻴﻬﺎ ﻤﻥ ﺍﻟﺴﻘﻑ‬ ‫ﻤﻨﺒﻬ ‪‬ﺍ ﺒﺜﻴﺎﺏ ﻤﺠﻨﺤﺔ ﻭﻨﻅﻴﻔﺔ،‬ ‫ٍ‬ ‫ﺭ‬ ‫ﺴﺘﻠﺤﻅ ﺃﻥ ﺤﻭﺍﺌﻁ ﻏﺭﻓﺘﻪ ﻜﺎﻟﺤﺔ‬ ‫ﹾ‬ ‫ﻭﺃﻥ ﻤﺼﺎﺒﻴﺤﻬﺎ ﻻ ﺘﻀﻲﺀ ﺒﻘﺩﺭ ﻜﺒﻴﺭ..‬ ‫ﻭﺃﻥ ﺒﺒﺎﺒﻴﻬﺎ "ﺸﺨﺒﻁﺔ" ﻭﺭﺴﻭﻡ ﻗﺩﻴﻤﺔ‬ ‫ﻭﺸﺒﺎﻜﻬﺎ ﻻ ﻴﻠﻴﻕ ﺒﻪ ﻤﻁﻠﻘﺎ..‬ ‫ﹰ‬ ‫ﺴ ﹸﺨﺭﺝ – ﺤﺘ ‪‬ﺎ – ﺯﺠﺎﺠﺔ ﺒﺎﺭﻓﺎﻨﻬﺎ ﻟﻴﻔﻭﺡ‬ ‫ﻤ‬ ‫ﺘ‬ ‫ﻭﻴﺼﻌﺩ ﻟﻠﺴﻘﻑ..‬ ‫ﺜﻡ ﻴﺒﺩﺩ ﺒﻌ ‪‬ﺎ ﻤﻥ ﺍﻟﻌﻔﻥ ﺍﻟﻤﺘﻜﺩﺱ.‬ ‫‪‬‬ ‫ﻀ‬ ‫ﻭﺤﻴﻥ ﺃﺒﺎﻏﺘﻬﺎ ﺒﻨﺯﻴﻔﻲ ﺴﺘﺼﺤﻭ!!‬ ‫ﺴﺘﺤﺯﻥ.. ﺒﻌ ‪‬ﺎ ﻤﻥ ﺍﻟﻭﻗﺕ‬ ‫ﻀ‬ ‫ﺤﺘﻰ ﺘﻁﺎﺭﺩﻫﺎ ﺍﻟﺤﺸﺭﺍﺕ ﺍﻟﺩﻗﻴﻘﺔ ﻭﺍﻟﻤﺅﺫﻴﺔ‬ ‫٣٤‬
  • 46. ‫ﻭﺘﺭﺤل ﺁﺴﻔﺔ!‬ ‫)ﻫﻜﺫﺍ: ﺴﻭﻑ ﺘﻘﻁﻊ ﻜل ﻋﻼﻗﺘﻬﺎ‬ ‫ﱠ‬ ‫ﺒﺼﺩﻴﻘﺎﺘﻬﺎ ﺍﻟﻤﺘﺭﻓﺎﺕ!!‬ ‫ﻭﺘﻠﻘﻲ ﻤﺴﺎﺤﻴﻘﻬﺎ ﺍﻟﻜﺎﺫﺒﺔ!‬ ‫- ﺃﺨﻤﻥ ﺫﻟﻙ!!‬ ‫ﺃﻭ ﺴﻭﻑ ﺘﺸﻌل ﺴﺠﻴﺎﺭﺓ ﻤﺎﺭﻟﺒﻭﺭﻭ‬ ‫ﹰ‬ ‫ﻭﺘﻁﻠﻕ ﺩﺨﺎﻨﻬﺎ ﻓﻲ ﺍﻟﻬﻭﺍﺀ ﺍﻟﻤﺩﺠﺞ ﺒﺎﻷﻭﺒﺌﺔ(.‬ ‫ﻭﻟﻜﻨﻬﺎ – ﺴﻭﻑ ﺘﺒﻘﻰ ﻋﻠﻴﻪ – ﻜﺄﻟﻌﻭﺒﺔ،‬ ‫ﺘﺘﺴﻠﻰ ﺒﻬﺎ ﻓﻲ ﺍﻟﻔﻀﺎﺀ ﺍﻟﺫﻱ ﻴﺘﺭﻫل‬ ‫ﻓﻲ ﻏﺭﻓﺔ ﻭﺍﺴﻌﺔ‬ ‫٤٤‬
  • 47. ‫* ‪*   ‬‬ ‫ﻜﺄﻨﻙ ﺘﺴﻤﻌﻬﺎ‬ ‫ﻭﺘﺼﺩﻗﻬﺎ‬ ‫ﻭ ﹸﻘﱠﺏ ﻓﻲ ﺩﻓﺘﺭ ﺍﻟﻤﻤﻜﻨﺎﺕ‬ ‫ِ‬ ‫ﺘﻠ ‪‬‬ ‫ﻜﺄﻨﻙ ﺘﻔﻘﺩ ﻭﺠ ‪‬ﺎ ﺤﻤﻴ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﻬ‬ ‫ﻭﻗﻠ ‪‬ﺎ‬ ‫ﺒ‬ ‫ﻭﺫﺍﻜﺭﺓ‬ ‫ﹰ‬ ‫ﻭﺤﻨﻴ ﹰﺎ‬ ‫ﻨ‬ ‫ﻭﺃﺫﺭﻋﺔ ﻁ ‪‬ﻗﺕ ﺠﺴ ‪‬ﺍ ﻓﺎﺭ ‪‬ﺎ.‬ ‫ﻋ‬ ‫ﹰ ﻭ ﹾ ‪ ‬ﺩ‬ ‫ﻜﺄﻨﻙ ﺘﻭﻗ ﹸﻬﺎ ﻓﻲ ﻓﻀﺎﺀ ﺍﻟﺘﺭﺍﻨﺯﻴﺕ‬ ‫ِ‬ ‫ِ‬ ‫ﻔ‬ ‫ﹸﺨﺒ ‪‬ﻫﺎ ﺒﺎﻟﻘﺭﺍﺭ ﺍﻟﻤﻔﺎﺠﺊ‬ ‫ٍ‬ ‫ﺘ ﺭ‬ ‫ﹸﻨﺩ ‪‬ﻫﺎ ﺒﺎﻨﺘﻅﺎﺭ ﺃﺨﻴﺭ!!‬ ‫ٍ‬ ‫ٍ‬ ‫ﺘ ﺭ‬ ‫ﻭﺘﻔﻀﻲ ﺒﺄﺴﺭﺍﺭ ﻟﻴﻠﺘﻙ ﺍﻟﺴﺎﺒﻘﺔ‬ ‫ﺘﻌﺎﺘﺒﻬﺎ‬ ‫ﺴﺘﻭﻀﺢ ﺃﻨﻙ ﻟﻡ ﺘﺘﻨﺒﻪ‬ ‫ﺤﻴﻨﻤﺎ ﺨﺭﺠﺕ ﺠﻤﻠﺔ – ﺨﻁﺄ‬ ‫ً‬ ‫ﹲ‬ ‫٥٤‬
  • 48. ‫ﻫﺭﺒﺕ – ﻓﺠﺄﺓ‬ ‫ﹲ‬ ‫ﹾ‬ ‫ﺴﺘﻤﻨﻊ ﻨﻔﺴﻙ‬ ‫ﻤﻥ ﺃﻥ ﺘﻌﺎﻨ ﹶﻬﺎ‬ ‫ِ‪  ‬ﻘ‬ ‫ﺃﻭ ﺘﺨﻭﺭ ﻭﺘﻬﺫﻱ‬ ‫ﺘﻠﻤﻠﻡ ﺒﻌﺽ ﻗﻭﺍﻙ ﺍﻟﻘﺩﻴﻤﺔ‬ ‫ﺜﻡ ﺘﻘﺎﻭﻡ ﺘﺄﺜﻴﺭ ُﻟﻔ ِﻬﺎ – ﻓﻲ ﺜﺒﺎﺕ‬ ‫ٍ‬ ‫ﺃ ﺘ‬ ‫ﺴﺘﺩﺭﻙ ﺃﻥ ﺴﻠﻭﻜﻙ ﻤﻔﺘﻌل‬ ‫ٌ‬ ‫ﻭﺴﺨﻴﻑ‬ ‫ﹲ‬ ‫ﻭﺃﻨﻙ ﻤﺒﺘﺫل‬ ‫ٌ‬ ‫ﺤﻴﻥ ﹸﻠﻘﻰ ﺒﻨﻔﺴﻙ ﻓﻲ ﺼﺩﺭﻫﺎ‬ ‫ﺘ‬ ‫ﻟﺘﺫﻭﺏ.‬ ‫‪‬‬ ‫ﺴﺘﺸﻌﺭ ﺃﻨﻙ ﻤﺭﺘﺒﻙ‬ ‫ﺤﻴﻨﻤﺎ ﺘﺘﻬﺎﺩﻯ ﺇﻟﻴﻙ‬ ‫ﻜﻌﺎﺸﻘﺔ ﻭﺃﻟﻴﻔﺔ.‬ ‫ﹾ‬ ‫ﻜﺄﻨﻙ ﺘﺭﺴﻤﻬﺎ ﻤﺸﻬ ‪‬ﺍ ﻓﻲ ﻗﺼﻴﺩﺓ‬ ‫ﺩ‬ ‫ﻭﺘﻜﺘﺒﻬﺎ ﺁﻴﺔ ﻓﻲ ﻜﺘﺎﺏ ﻤﻘﺩﺱ.‬ ‫ٍ‬ ‫ﹰ‬ ‫ﻜﺄﻨﻙ ﺘﻔﻌل ﺫﻟﻙ ﻓﻲ ﺜﻘﺔ‬ ‫ٍ‬ ‫ﻭﺘﻜﺭﺭﻩ ﻓﻲ ﻨﻅﺎﻡ ﺒﻠﻴﺩ‬ ‫ٍ‬ ‫٦٤‬
  • 49. ‫* ‪*    ‬‬ ‫ﻜﺄﻨﻙ ﺘﺨﻠﻁ ﻭﻴﺘﻤﺎﻥ‬ ‫ﺒﺒﻌﺽ ﺍﻟﻘﺼﺎﺌﺩ ﻟﻴﻼ.‬ ‫ﹰ‬ ‫ﻜﺄﻨﻙ ﺘﻤﺯﺠﻪ ﺒﻘﻠﻴل ﻤﻥ ﺍﻟﺸﻌﺭ‬ ‫ٍ‬ ‫ﺘﺒﺭﺯﻩ ﻁﺎﻟ ‪‬ﺎ‬ ‫ﻌ‬ ‫ﻭﻫﻭ ﻴﻨﺸﺩ ﺃﻏﻨﻴﺔ ﻏﺎﻤﻀﺔ.‬ ‫ﹾ‬ ‫ﹸ‬ ‫ﻜﺄﻨﻙ ﺘﻌﺯﻑ ﻤﻘﻁﻭﻋﺔ ﻓﻲ ﺍﻟﺸﺘﺎﺀ‬ ‫ِ‬ ‫ﹰ‬ ‫ﻭﺘﺠﻠﺱ ﺃﻨﺕ ﻭﺒﻌﺽ ﺍﻟﺭﻓﺎﻕ‬ ‫ﻭﺘﻨﺴل ﻤﺭﺘﺒ ﹰﺎ ﺒﺎﻟﻤﺭﺍﺭﺓ‬ ‫ﻜ‬ ‫ﻭﺍﻟﻭﺤﺩﺓ ﺍﻟﻘﺎﺘﻤﺔ‬ ‫ﻜﺄﻨﻙ ﹸﻔﻠﺕ ﹶﻔﺴ ‪ /‬ﺭﻭﺤﻙ‬ ‫ﺘ ﹸﻨ ﻙ‬ ‫ﻤﻥ ﺼﺨﺏ ﻤﺴﺘﻤﺭ‬ ‫ِ‬ ‫ٍ‬ ‫ﻭﺠﻠﺠﻠﺔ ﻜﺎﺫﺒﺔ.‬ ‫ٍ‬ ‫ﺜﻡ ﺘﺤﻜﻲ‬ ‫ﻭﻓﻲ ﺃﺩﺏ ﻭﻫﺩﻭﺀ‬ ‫ٍ‬ ‫ٍ‬ ‫ﺘﺤﺎﻭل ﻓﻙ ﺭﻤﻭﺯ ﻗﺩﻴﻤﺔ،‬ ‫ٍ‬ ‫ُ ‪‬‬ ‫٧٤‬
  • 50. ‫ﻭﺘﻨﻔﺽ ﻋﻨﻬﺎ ﺍﻟﻐﺒﺎﺭ.‬ ‫‪‬‬ ‫‪‬‬ ‫ﺴﺘﺤﻜﻲ ﻟﺴﻠﻭﻯ:‬ ‫"ﺤﻜﺎﻴﺔ ﺃﻭﺩﻴﺕ"،‬ ‫ﺃﻭ ﻤﺎ ﺘﺒﻘﻰ ﻤﻥ ﺍﻷﻏﻨﻴﺎﺕ‬ ‫ﻭﺘﺭﺴل ﺸﺠﻭﻙ‬ ‫ﻭﻫﻲ ﺘﻐﺭﺩ ﻓﻲ ﺸﺠﺭ ﺍﻟﺒﺭﺘﻘﺎل‬ ‫ﺴﺘﺤﻜﻲ ﻟﻬﺎ ﻋﻥ ﺯﻤﺎﻥ ﻴﺠﺭﺩ ﻭﺠﻬﻙ ﻤﻥ ‪‬ﻤﺭﺓ‬ ‫ﺤ ٍ‬ ‫ٍ‬ ‫ﺜﻡ ﺘﺄﺨﺫ ﺯﺍﻭﻴﺔ‬ ‫ﹰ‬ ‫ﻓﻲ ﻤﻜﺎﻥ ﻗﺭﻴﺏ ﻤﻥ ﺍﻷﺼﺩﻗﺎﺀ‬ ‫ٍ‬ ‫ٍ‬ ‫ﻭﺤﻭﻟﻜﻤﺎ ﻀﺠﺔ ﻓﺎﺭﻏﺔ.‬ ‫ﺴﻭﻑ ﺘﺒﺩﺃ ﻋﺯ ﹰﺎ ﻋﻠﻰ ﻭﺘﺭ ﺠﺎﺭﺡ:‬ ‫ٍ‬ ‫ٍ‬ ‫ﻓ‬ ‫)ﻓﺎﺠﺄﺘﻨﻲ ﻋﻠﻰ ﺍﻟﻬﺎﺘﻑ‬ ‫ﺃﻨﺎ ﺃﻭﺩﻴﺕ‬ ‫ﻟﻥ ُﺯﻋﺞ ﺨﻴﺎﻟﻙ ﻜﺜﻴ ‪‬ﺍ‬ ‫ﺭ‬ ‫ﺃ ِ‪‬‬ ‫ﻟﻜﻲ ﺘﺘﺼﻭﺭﻨﻲ‬ ‫ﻭﺘﺭﺴﻡ ﺸﻜﻼ ﻏﺎﻤ ‪‬ﺎ ﻟﻲ‬ ‫ﹰ ﻀ‬ ‫ﺴﺄﺼﻑ ﻟﻙ ﻤﺎ ﻴﺘﻴﺴﺭ ﻤﻥ ﺼﻭﺭﺘﻲ‬ ‫٨٤‬
  • 51. ‫ﻭﻋﺩ‪‬ﻨﻲ:‬ ‫ِ‬ ‫ﺃﻨﻙ ﺴﺘﺸﻡ ﻟﻲ ﺘﺭﺍﺏ ﺒﻼﺩﻱ‬ ‫ﻭ ﹸﻘ ‪‬ل ﺃﺭﻀﻬﺎ‬ ‫ﺘﺒُ‬ ‫ﺃﻨﺎ ﻭﺍﺤﺩﺓ ﺃﻋﻴﺵ ﻫﻨﺎ‬ ‫ﻤﻨﺫ ﻋﺸﺭﻴﻥ ﻋﺎ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﻤﻨﺫ ﺨﻤﺴﻴﻥ ﻜﺎﺭﺜﺔ‬ ‫" ﺃﻨﺎ ﺃﻋﻠﻡ ﺃﻥ ﻴﺩ ﺍﷲ‬ ‫ﻫﻲ ﻭﻋﺩ ﻴﺩﻱ‬ ‫ﻭﺃﻋﻠﻡ ﺃﻥ ﺭﻭﺡ ﺍﷲ‬ ‫ﺸﻘﻴﻘﺔ ﺭﻭﺤﻲ")١(.‬ ‫ﻜﻨﺎ ﺍﺜﻨﻴﻥ‬ ‫ﺜﻡ ﺼﺭﻨﺎ ﺜﻼﺜﺔ‬ ‫ﻭﺃﺼﺒﺤﺕ ﺍﻵﻥ ﻭﺍﺤﺩﺓ‬ ‫ﹰ‬ ‫ﹸ‬ ‫ﻭﺍﺤﺩﺓ ﻓﻘﻁ، ﻭﻭﺤﻴﺩﺓ!!‬ ‫"ﺒﻌﻴ ‪‬ﺍ ﻋﻥ ﺍﻟﺸﺩ ﻭﺍﻟﺠﺫﺏ‬ ‫‪‬‬ ‫ﺩ‬ ‫ﻴﻘﻑ ﻤﺎ ﻫﻭ ﺃﻨﺎ‬ ‫ﻴﻘﻑ: ﺩﻫ ﹰﺎ، ﺭﻀ ‪‬ﺎ‬ ‫ﻴ‬ ‫ﺸ‬ ‫ﻤﺘﺩﻓ ﹰﺎ، ﻋﺎﻁ ﹰ، ﻤﺘﻭﺤ ‪‬ﺍ")٢(.‬ ‫ﺩ‬ ‫ﻼ‬ ‫ﻘ‬ ‫٩٤‬
  • 52. ‫ﺃﻋﻤل ﻓﻲ ﻤﺼﻨﻊ ﻹﻨﺘﺎﺝ ﺍﻟﻌﺩﺴﺎﺕ‬ ‫ﺭﺒﻤﺎ ﻴﺠﻌﻠﻨﻲ ﺫﻟﻙ ﻤﺘﻭﺜﺒﺔ ﺍﻟﺨﻴﺎل.. ﺭﺒﻤﺎ!!!‬ ‫ﺃﺴﺄﻟﻙ: ﻫل ﺍﻟﺨﻴﺎل ﻗﺭﻴﻥ ﺃﺒﺩﻱ ﻟﻠﻭﺤﺩﺓ؟‬ ‫ﺃﺭﻴﺩ ﺃﻥ ﺃﺸﺤﻥ ﺘﻠﻙ ﺍﻟﻌﺩﺴﺎﺕ‬ ‫ﺒﻘﺒﺱ ﻤﻥ ﺭﻭﺤﻲ‬ ‫ﻷﻤﻸﻫﺎ ﺒﺒﻌﺽ ﻤﻥ ﺠﻨﻭﻨﻲ.‬ ‫ٍ‬ ‫ﺃﻗﻀﻲ ﻋﺸﺭ ﺴﺎﻋﺎﺕ ﻜﺎﻤﻠﺔ‬ ‫ﻫل ﺘﻌﺭﻑ ﻤﻌﻨﻰ ﺃﻥ ﺘﻘﻀﻲ ﻜل ﻫﺫﺍ ﺍﻟﻭﻗﺕ‬ ‫ﻓﻲ ﻨﻴﻭﻴﻭﺭﻙ‬ ‫ﻻ ﺃﻅﻥ ﺃﻥ ﺨﻴﺎل ﻭﻴﺘﻤﺎﻥ ﺨﺼﺏ ﺇﻟﻰ ﻫﺫﻩ ﺍﻟﺩﺭﺠﺔ!‬ ‫ﺃﻨﺘﻡ ﻫﻨﺎﻙ‬ ‫ﻩ..ﻨـ..ـﺎﻙ..‬ ‫ﺘﺤﺕ ﺩﻑﺀ ﺸﻤﺱ ﺴﺎﻁﻌﺔ..‬ ‫ٍ‬ ‫ﻭﺃﻨﺎ ﻫﻨﺎ ﻓﻲ ﻤﻭﺍﺠﻬﺔ ﺍﻟﺒﺭﺩ‬ ‫ﻻ ﺘﻀﺤﻙ‬ ‫ﺃﻟﻴﺴﺕ ﺸﻤﺱ ﺒﻼﺩﻱ ﺴﺎﻁﻌﺔ ﻓﻌﻼ!‬ ‫ﹰ‬ ‫ﻭﺠﻤﻴﻠﺔ!(.‬ ‫٠٥‬
  • 53. ‫ﻜﺄﻨﻙ ﺘﺴﻤﻌﻬﺎ ﻤﻥ ﻗﺭﻴﺏ‬ ‫ٍ‬ ‫ﹸﻘﺒﱞﻬﺎ‬ ‫ﺘ ﻠ‬ ‫ﻭﺘﻘﺒﻠﻬﺎ ﻓﻲ ﺤﺭﺍﺭﺓ ﺠﺴﻤﻙ‬ ‫ﱢ‬ ‫ﺘﺄﺨﺫﻫﺎ ﻓﻲ ﺯﻭﺍﻴﺎ ﻤﻥ ﺍﻟﻨﻔﺱ‬ ‫- ﻭﻗﺘﺎ ﻁﻭﻴﻼ –‬ ‫ﹰ‬ ‫ﹰ‬ ‫ﻟﺘﻔﻬﻤﻬﺎ.‬ ‫ﺜﻡ ﺘﺠﻠﺴﻬﺎ ﻤﺜل ﻭﻴﺘﻤﺎﻥ‬ ‫ﻭﺘﻤﻠﻲ ﻗﺼﻴﺩﺘﻪ:‬ ‫"ﺃﻴﻬﺎ ﺍﻟﻐﺭﻴﺏ‬ ‫ﺤﻴﻥ ﺘﻤﺭ ﺒﻲ، ﻭﺘﺭﻴﺩ ﺃﻥ ﺘﺤﺩﺜﻨﻲ‬ ‫ﻟﻡ ﻻ ﹸﺤﺩﺜﻨﻲ‬ ‫‪ ‬ﺘ‬ ‫ﻭﻟﻡ ﻻ ُﺤﺩﺜﻙ؟")٣(.‬ ‫ﺃ‬ ‫ﹸﻘ ‪‬ﺏ ﺃﺫﻨﻙ ﻤﻨﻬﺎ‬ ‫ﺘﺭ ‪‬‬ ‫ﺃﻗﺼﺩ: ﺭﻭﺤﻙ‬ ‫ﺘﻨﺼﺕ،‬ ‫ﻭﻫﻲ ﺘﻔﺘﺵ – ﻓﻲ ﻭﻟﻊ – ﻋﻥ ﻜﻼﻡ‬ ‫ٍ‬ ‫ٍ‬ ‫ﻭﻋﻥ ﺠﻤﻠﺔ ﺼﺎﺌﺒﺔ،‬ ‫ٍ‬ ‫ﻟﺘﺸﺭﺡ ﺤﺎﻟﺘﻬﺎ ﺍﻟﻔﺎﺭﻗﺔ.‬ ‫١٥‬
  • 54. ‫ﺴﺘﺤﻜﻲ ﻟﺴﻠﻭﻯ‬ ‫ﻭﻴﺄﺨﺫﻙ ﺍﻟﻭﺠﺩ ﺤﻴ ﹰﺎ‬ ‫ﻨ‬ ‫ﻓﺘﺭﻓﻊ ﺼﻭﺘﻙ:‬ ‫- ﻭﺍﺤﺩﺓ ﻤﻥ ﺒﻼﺩﻱ‬ ‫ﻭﻭﺍﺤﺩﺓ ﺘﺤﺕ ﺸﻤﺱ ﻜﺴﻭل‬ ‫ٍ‬ ‫ﺘﺭﺘﺏ ﺃﻭﻗﺎﺘﻬﺎ ﻓﻲ ﻅﻼﻡ ﺍﻟﻨﻬﺎﺭ‬ ‫ﻭﺘﺭﺴﻡ ﻭﺤﺩﺘﻬﺎ ﻤﻥ ﻫﻨﺎﻙ‬ ‫ﻭﺘﺤﻠﻡ!!‬ ‫ﺘﺭﺴﻡ ﺒﺎﻟﻭﻫﻡ: ﺃﺫﺭﻋﺔ‬ ‫ﹰ‬ ‫ﻭﻭﺠﻭ ‪‬ﺎ،‬ ‫ﻫ‬ ‫ﺭﺠﺎﻻ ﺸﺩﺍ ‪‬ﺍ‬ ‫ﹰ ﺩ‬ ‫ﻭﺃﻓﺌﺩﺓ ﺘﺘﺤﺭﻕ ﺸﻭ ﹰﺎ ﻟﻤﺼﺭ‬ ‫ﻗ‬ ‫ﹰ‬ ‫ﻭﺫﺍﻜﺭﺓ ﺘﺸﺘﻌل‬ ‫ْ‬ ‫ﹰ‬ ‫ﺜﻡ ﺘﻔﺘﺢ ﻗﻭﺱ ﻤﺤﺒﺘﻬﺎ ﻟﻠﺠﻤﻴﻊ:‬ ‫‪‬ﺭﺤﺒﺔ ﺒﺎﻟﻤﻭﺩﺓ‬ ‫ِ‬ ‫ﻤ ﹰ‬ ‫ﻭﺍﻟﺩﻑﺀ‬ ‫ِ‬ ‫ﻻ ﻏﻴﺭ.‬ ‫)ﺤﻜﻴﺕ ﻟﻙ ﻋﻥ ﻋﻤﻠﻲ، ﻭﻅﺭﻭﻓﻲ‬ ‫٢٥‬
  • 55. ‫ﻭﻟﻡ ﺃﺼﻑ ﺒﻌﺽ ﻨﻔﺴﻲ‬ ‫ﻭﺒﻌ ‪‬ﺎ ﻤﻥ ﺼﻭﺭﺘﻲ.‬ ‫ﻀ‬ ‫ﺃﻨﺎ ﻓﻲ ﺤﺎﺠﺔ ﻟﻜﻲ ُﻓ ِﻍ ﺘﻠﻙ ﺍﻟﻨﻔﺱ‬ ‫ﺃﺭﹶ‬ ‫ﻓﻲ ﺼﺩﺭ ﺭﺠل ﺩﺍﻓﺊ‬ ‫ٍ‬ ‫ٍ‬ ‫ﺩﺍﻓﺊ ﻓﻘﻁ!‬ ‫ٍ‬ ‫ﺃﺤﺘﺎﺝ ﺃﻥ ﺃﺒﻭﺡ ﺃﻤﺎﻡ ﺃﺤﺩ‬ ‫ٍ‬ ‫ﺃﺤﺘﺎﺝ ﺃﻥ ﺃﻗﻭل ﻟﻙ ﺍﻟﻜﺜﻴﺭ‬ ‫ﻟﺴﺕ ﺒﺎﻟﺠﻤﻴﻠﺔ ﺠ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﹸ‬ ‫ﻭﺍﺤﺩﺓ ﻤﺼﺭﻴﺔ ﻤﺄﻟﻭﻓﺔ..‬ ‫ﺃﻭﺩ ﺃﻥ ﺃﺭﺴﻡ ﺼﻭﺭﺘﻲ – ﺒﺎﻟﻀﺒﻁ –‬ ‫ﻓﻲ ﻋﻴﻨﻴﻙ:‬ ‫- ﺃﻨﺎ ﻤﺘﻭﺴﻁﺔ ﺍﻟﻁﻭل‬ ‫ﺍﺭﺘﺩﻱ ﻨﻅﺎﺭﺓ..‬ ‫ﺠﺴﻤﻲ ﻤﻤﺘﻠﺊ ﻗﻠﻴﻼ‬ ‫ٌ ﹰ‬ ‫ﻟﻭﻨﻲ ﺨﻤﺭﻱ‬ ‫ﻭﻋﻴﻨﺎﻱ ﺴﻭﺩﺍﻭﺍﻥ‬ ‫ﻭﺃﺤﺏ ﺍﻟﻤﺭﺡ!!!‬ ‫٣٥‬
  • 56. ‫ﻟﻜﻥ ﻭﺍﻟﺕ ﻭﻴﺘﻤﺎﻥ ﺩﺍﺌ ‪‬ﺎ ﻴﺭﺒﻙ ﻓﺭﺤﻲ‬ ‫ﻤ‬ ‫ﺃﺼﻭﻟﻲ ﻤﻥ ﺃﺭﻤﻨﺕ.‬ ‫ﻫل ﺘﻌﺭﻓﻬﺎ؟‬ ‫ﻓﻲ ﺍﻟﻘﺎﻫﺭﺓ ﻋﺸﺕ ﻁﻔﻭﻟﺘﻲ‬ ‫ﹾ‬ ‫ﻭﺩﻟﻘﺕ ﻜل ﺼﺒﺎﻱ ﻓﻲ ﺸﻭﺍﺭﻋﻬﺎ‬ ‫ﻭﺃﻨﺎ ﻤﺎ ﺯﺍﻟﺕ ﺃﺤﺘﻔﻅ ﺒﺭﺍﺌﺤﺔ ﻤﻨﻬﺎ‬ ‫ﻓﻲ ﻤﻨﺎﺩﻴﻠﻲ‬ ‫ﻭﻤﺨﺩﺍﺘﻲ‬ ‫ﻭﺴﺭﻴﺭﻱ ﺍﻟﻭﺤﻴﺩ‬ ‫ﺴﻜﻨﺕ ﻓﻲ ﺸﻭﺍﺭﻉ ﺍﻟﻜﻭﺭﺒﺔ‬ ‫ﹸ‬ ‫ﻭﺠﺭﻴﺕ..‬ ‫ﹸ‬ ‫ﻟﻌﺒﺕ..‬ ‫ﹸ‬ ‫ﻋﺸﻘﺕ..(.‬ ‫ﹸ‬ ‫ﻜﺄﻨﻙ ﺘﺄﺨﺫﻫﺎ ﻓﻲ ﻋﻨﺎﻕ ﺤﻤﻴﻡ‬ ‫ٍ‬ ‫ٍ‬ ‫ﻭﺘﻭﻗﻔﻬﺎ ﻤﺜل ﻋﺎﺭﻴﺔ ﻓﻲ ﻓﻀﺎﺌﻠﻙ‬ ‫ﺘﺼﺭﺥ ﻓﻴﻬﺎ: ﺘﻌﺎل‬ ‫ِ‬ ‫ﺕ..ﻉ..ـﺎ..ل‬ ‫ِ‬ ‫ﻓﺘﻠﻙ ﺍﻟﺒﻼﺩ ﺍﻟﺒﻌﻴﺩﺓ ﻟﻴﺴﺕ ﻟﻨﺎ‬ ‫٤٥‬
  • 57. ‫ﻭﺘﻠﻙ ﺍﻟﺸﻭﺍﺭﻉ ﻟﻴﺴﺕ ﻷﻗﺩﺍﻤﻨﺎ‬ ‫ﻭﺫﺍﻙ ﺍﻟﻬﻭﺍﺀ‬ ‫ﻭﺘﻠﻙ ﺍﻟﺒﺭﻭﺩﺓ ﻟﻴﺴﺕ ﻷﺠﺴﺎﺩﻨﺎ‬ ‫ﻭﺍﻟﻤﺼﺎﻨﻊ‬ ‫ﻭﺍﻷﻤﻡ ﺍﻟﻤﺨﺘﺭﻋﺔ‬ ‫ﹸ‬ ‫‪‬‬ ‫ﻭﺍﻟﻤﺭﻋﺒﺔ‬ ‫ﹾ‬ ‫ﻭﺘﻤﺜﺎﻟﻬﻡ..‬ ‫ﻭﺍﻟﺕ ﻭﻴﺘﻤﺎﻥ – ﻓﻘﻁ –‬ ‫ﺴﻭﻑ ﻴﺒﻘﻰ ﻟﻨﺎ‬ ‫ﻤﺜل ﺸﻤﺱ ﹸﻀﻲﺀ.‬ ‫ﺘ‬ ‫ﺴﺄﺤﻜﻲ ﻟﺴﻠﻭﻯ‬ ‫ﻭﺃﺨﺭﺝ ﻋﻥ ﺼﻤﺕ ﻨﻔﺴﻲ‬ ‫ﻭﺃﺼﺤﺒﻬﺎ ﻓﻲ ﺃﺯﻗﺔ ﺭﻭﺤﻲ.‬ ‫ﻭﺃﺸﻜﻭ ﻟﻬﺎ:‬ ‫ﻗﺒل ﺃﻥ ﻴﺘﻤﻜﻥ ﻤﻨﻲ ﺍﻟﺨﺭﺍﺏ‬ ‫‪‬‬ ‫ﻭﻴﻨﺸﺏ ﻭﺤﺸﺘﻪ‬ ‫ﻭﻴﺅﺴﺱ ﻤﻤﻠ ﹰﺔ ﻓﻲ ﺍﻟﺒﻼﺩ‬ ‫ﻜ‬ ‫٥٥‬
  • 58. ‫ﻭﺃﻜﺘﺏ ﻗﺼﺔ ﺃﻭﺩﻴﺕ ﻜﺎﻤﻠﺔ‬ ‫ﹰ‬ ‫ً‬ ‫ﻭﺃﻓﻀﻔﺽ..‬ ‫ﺨﻴﺒﺘﻨﺎ ﺩﺍﺌ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﺃﻨﻨﺎ ﻻ ﻨﺒﻭﺡ.‬ ‫ﻭﺃﻭﺩﻴﺕ‬ ‫ﺘﻠﻙ ﺍﻟﺠﻤﻴﻠﺔ‬ ‫ﺘﻬﺫﻱ:‬ ‫ﺃﻴﻥ ﺒﻼﺩﻱ؟‬ ‫ﻭﺘﻔﺘﺢ ﻨﺒﺭﺘﻬﺎ ﻓﻲ ﺍﻟﺴﻤﺎﺀ ﺍﻟﺒﻌﻴﺩﺓ ﺜﻘ ‪‬ﺎ..‬ ‫ﺒ‬ ‫ﹸ‬ ‫ﻭﺃﻨﺼﺕ ﻤﺭﺘﻌ ‪‬ﺍ‬ ‫ﺩ‬ ‫ﻤﻥ ﻤﺼﻴﺭ ﻴﺅﺭﻗﻨﻲ‬ ‫ﺴﻭﻑ ﺘﺯﻋﺞ ﻜل ﻁﻤﺄﻨﻴﻨﺔ ﺯﺍﺌﻔﺔ..‬ ‫ﱠ‬ ‫ﺨﺎﻨﻨﻲ ﻫﺎﺠﺱ‬ ‫ﺃﻨﻨﻲ ﻟﻡ ﺃﻜﻥ ﻭﺍﺜ ﹰﺎ ﺃﻨﻬﺎ ﺴﺘﺠﻲﺀ..‬ ‫ﻘ‬ ‫ﺃﻨﻬﺎ ﺴﺘﻜﻭﻥ ﺃﻤﺎﻤﻲ‬ ‫ﻭﻓﻲ ﻟﺤﻅﺔ.. ﺴﺘﻀﻲﺀ..‬ ‫ﹰ‬ ‫ﻭﺘﺭﺠﻊ ﺘﺤﻤل ﻤﺤﻨﺘﻬﺎ‬ ‫ﺜﻡ ﺘﺴﺄل:‬ ‫٦٥‬
  • 59. ‫ﻭﻴﺘﻤﺎﻥ!‬ ‫ﺃﻜﺎﻨﺕ ﻗﺼﺎﺌﺩﻩ ﻜﺎﺫﺒﺔ؟‬ ‫ﺃﻜﺎﻨﺕ ﺘﺯﻴﻔﻪ ﺠﻤﻠﺔ ﺨﺎﺩﻋﺔ؟‬ ‫ﻴﺎ ﺇﻟﻬﻲ:‬ ‫ﺴﺄﺭﺠﻊ ﺤﺘ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﺴﺄﺭﺠﻊ ﺘﺤﺕ ﺍﻨﻬﻤﺎﺭ ﺍﻟﺒﺭﻭﺩﺓ ﻭﺤﺩﻱ!‬ ‫ﺴﺄﺭﺠﻊ ﻤﻔﺠﻭ ‪‬ﺔ – ﻻ ﺨﻴﺎﺭ‬ ‫‪‬‬ ‫ﻋ‬ ‫ﻭﺃﺘﺭﻜﻪ ﻤﺜل ﻨﺼﻑ ﺍﻟﺤﻘﻴﻘﺔ‬ ‫ﺘﻨﻬﺸﻪ ﻟﻐﺔ ﺒﺎﺭﺩﺓ..‬ ‫ﹲ‬ ‫ﻭﺃﻫﺠﺭﻩ ﻗﺎﺘﻼ‬ ‫ﹰ‬ ‫ﺃﻭ ﻗﺘﻴﻼ‬ ‫ﹰ‬ ‫ﺘﻌﺫﺒﻪ ﺍﻟﺴﻨﻭﺍﺕ ﺍﻟﺜﻘﻴﻠﺔ..‬ ‫ﻭﺃﻨﺕ!‬ ‫ﹶ‬ ‫ﻟﻤﺎﺫﺍ ﺘﻁﺎﺭﺩﻙ ﺍﻵﻥ ﺃﻭﺩﻴﺕ؟‬ ‫ﺘﻨﺴﻑ ﺴﻘ ﹰﺎ ﻤﻥ ﺍﻟﺨﺸﺏ ﺍﻟﻤﺴﺘﻘﺭ‬ ‫ﻔ‬ ‫٧٥‬
  • 60. ‫ﻭﺘﻜﺴﺭ ﻋﺯﻟﺔ ﻋﺎﻟﻤﻙ ﺍﻟﻤﻁﻤﺌﻥ‬ ‫ﻭﺘﺩﺨل..‬ ‫ﻟﻤﺎﺫﺍ ﺘﻬﺩﺩﻙ ﺍﻵﻥ ﺼﻭﺭﺘﻬﺎ؟‬ ‫ﺒﻌﺩ ﺃﻥ ﺭﺤﻠﺕ ﺴﻜﺭﺍﺕ ﺍﻟﻭﺩﺍﺩ..‬ ‫‪‬‬ ‫ﹾ‬ ‫ﺒﻌﺩ ﺃﻥ ﻫﺠﺭﺘﻙ ﺼﺩﻴﻘﺘﻙ ﺍﻟﺸﺎﻋﺭﺓ..‬ ‫ﻁﺭﺩﺕ ﺼﻭﺭﺓ ﻟﻜﻴﺎﻨﻙ ﻤﻥ ﻗﻠﺒﻬﺎ‬ ‫ﹾ‬ ‫ﺒﻌﺩ ﻤﺎ ﻗﺭﺭﺕ ﺃﻥ ﺘﺭﻭﺡ ﻟﺨﻴﻤﺘﻬﺎ ﺼﺎﻏﺭﺓ..‬ ‫ﹾ‬ ‫ﻭﺒﻘﻴﺕ ﻭﺤﻴ ‪‬ﺍ!‬ ‫ﺩ‬ ‫ﹶ‬ ‫ﺘﻔﺘﺵ ﻋﻥ ﺠﻤﻠﺔ – ﺴﻘﻁﺕ – ﺼﺎﺌﺒﺔ.‬ ‫ٍ‬ ‫ﻟﺘﺒﺭﺭ ﻓﻌﻠﺘﻙ ﺍﻟﺨﺎﺌﺒﺔ.‬ ‫ﺴﺘﺭﺒﻜﻙ ﺍﻵﻥ..‬ ‫ﻜﻴﻑ؟‬ ‫ﺴﺘﺴﺄل ﻤﺜل ﺍﻟﻤﺠﺎﻨﻴﻥ‬ ‫ﻋﻥ ﻤﻔﺭﺩﺍﺕ ﺍﻟﺤﻴﺎﺓ.‬ ‫ﻭﻋﻥ ﺼﻴﻐﺔ ﻟﻠﻭﺠﻭﺩ..‬ ‫ٍ‬ ‫ﻭﺘﻠﻙ ﺍﻟﺸﻭﺍﺭﻉ‬ ‫ﺘﻐﺭﺱ ﻓﻲ ﺃﺭﻀﻬﺎ ﻤﺤﻨﺔ‬ ‫ﻭﻫل ﺘﺴﺘﻁﻴﻊ ﺘﺤ ‪‬ل ﻋﺸ ٍ؟‬ ‫ﻕ‬ ‫ﻤ‬ ‫٨٥‬
  • 61. ‫ﺘﻅل ﺍﻹﺠﺎﺒﺔ ﻏﺎﻤﻀﺔ‬ ‫ﹰ‬ ‫ﻭﺍﻟﺴﺅﺍل ﻤﺘﺎﻫﺔ ﺭﻭﺤﻲ..‬ ‫ﻜﺄﻨﻙ ﻤﺎﺯﻟﺕ ﻤﻠﺘﺒ ‪‬ﺎ‬ ‫ﺴ‬ ‫ﻭﺨﺠﻭﻻ‬ ‫ﹰ‬ ‫ﻭﻤﺎﺯﻟﺕ ﻤﻨﺩﻫ ﹰﺎ‬ ‫ﺸ‬ ‫ﺘﺘﻠﻌﺜﻡ ﺩﻭ ‪‬ﺎ‬ ‫ﻤ‬ ‫ﻭﻤﺎ ﺯﻟﺕ ﺃﺼﻐﺭ ﻤﻥ ﺃﻥ ﺘﺠﻴﺏ‬ ‫ﻓﺘﺭﻗﺹ‬ ‫ﺃﻭ ﺘﺘﺭﺍﻗﺹ‬ ‫ﻓﻲ ﺤﻴﺯ ﻀﻴﻕ‬ ‫ٍ‬ ‫ٍ‬ ‫•‬ ‫ﺘﺘﺜﺎﺌﺏ‬ ‫• ١، ٢، ٣ ﻣﻘﺎﻃﻊ ﻣﻦ دﻳﻮان "أوراق اﻟﻌﺸﺐ " ﻟﻠﺸﺎﻋﺮ واﻟﺖ وﻳﺘﻤﺎن. ﺗﺮﺟﻤﺔ اﻟﺸﺎﻋﺮ‬ ‫ﺱﻌﺪي ﻳﻮﺱﻒ.‬ ‫٩٥‬