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The Restoration and the
Eighteenth Century 1660-1785
“The Restoration” refers to the
period after the Interregnum when
Charles II regains the throne
STUART DYNASTY
1603-1625: Reign of James I
1625-1649: Reign of Charles I
1642-1649: Civil Wars between the three
kingdoms of England, Scotland, and Ireland.
INTERREGNUM
1649-1660
1649 Trial and Execution of Charles I
Begins period of parliamentary and
military rule under what is referred to
as the Commonwealth of England.
Commonwealth of England
1649-1653
The Protectorate under Oliver Cromwell
1653-1658
The Protectorate under Richard
Cromwell from 1658-1659
Second Period of Commonwealth of
England 1659-1660
Parliament Majority—Puritan
During the Interregnum
•Suppression of holidays
•Theatres were closed
•Gambling forbidden
•Arts censured.
Restoration of the House of Stuart
1660-1685 Reign of Charles II
• 1660 Theatres reopen (had been closed in 1642).
Literature and the arts flourish again.
• Passage of restrictive Acts of Uniformity (1662) and
other legislation known collectively as the Clarendon
Code were passed. They were designed to punish the
Puritans by excluding them from public office and
other institutions.
• 1679 Habeas Corpus Act Passed—designed to protect
individuals from unlawful detention and arbitrary state
action.
Cultural Developments and
Conflicts
THE AGE OF ENLIGHTENMENT
SCIENCE
ROYAL SOCIETY OF LONDON:
Created by Charles II in 1662
Isaac Newton’s Principia
Mathematica 1687
RELIGION
Protestant Charles II succeeded by
Catholic brother James II 1685-1688
THE GLORIOUS
REVOLUTION 1688-1689
Or “The Bloodless Revolution”
Dutch Protestant William of Orange
marries King James’ daughter Mary. James
is convinced to relinquish the throne.
William III and Mary II reign 1689-1694
William III 1694-1702 following Mary II’s
death.
LITERATURE
RISE OF THE MIDDLE CLASS
results in Rise of the
Reading Public
•Satire
•Wit
•Fancy
GENRES
NEWSPAPERS AND PERIODICALS
Addison and Steele
•Samuel Johnson
THE RISE OF THE NOVEL
Daniel Defoe (Moll Flanders, Robinson Crusoe)
Jonathan Swift (Gulliver’s Travels)
Samuel Richardson (Pamela, Clarissa)
Henry Fielding (Joseph Andrews, Tom Jones)
POETRY
John Dryden
Alexander Pope
Jonathon Swift
Lady Mary Wortley Montagu
Anne Ingram
Mary Leapor
HEROIC COUPLETS
Dominant poetic form of the 18th
century
• Iambic pentameter lines rhymed in pairs.
• Master of the form: Alexander Pope
JOHN DRYDEN
1631-1700
What do we know about Dryden that might
be important to consider when reading his
work?
• First important poem: “Heroic Stanzas”
commemorated the death of Oliver
Cromwell; however celebrated restoration
of Charles II in “Astraea Redux”
• Loyal to Charles II and successor James II
• A citizen of the world: His writing responds
to events, historical shifts, national as well
as global conditions.
John Dryden cont
• 1664-1681 predominantly a playwright
• Late in life discovers satire (i.e.
“MacFlecknoe”
• Defender of the Anglican church
• Against rationalism of Deism and
authoritarianism of Roman and Catholic
Church
• Brought the pleasures of reading to the
British Public. Dryden was very much a
“man of the people.”
Dryden’s “Annus Miribilis”
• The Great Fire of London 1666
Annus Mirabilis
• Acknowledges London’s reemergence from
the ashes of the Great Fire of London
• And the restoration of Charles II to the throne
• The poem resonates with strains of
nationalism, pride and anticipates British
Imperialism and arrogance: “deified from her
fires does rise.
What is the tone of this poem? How is London
characterized? What is Great Britain’s future
going to be like according to the speaker of
this poem?
Women and Literacy in the 18th
Century
GLANCING BACK: 16TH
CENTURY
• Unthinkable a woman could earn her living
writing. Money, education, class status, and
genre determined whether women were able
to write much less publish.
• Exception: 1578 Margaret Tyler was able to
publish her translation of a Spanish secular
tale of masculine chivalry. How do you think
she justified this publication?
Men on the other hand:
• Were able to profit from an “economy of
favor” and patronage as a way of furthering
their careers.
• Political, educational, material by men
published widely.
• Women, to the contrary, were discouraged
from writing anything beyond religious tracts
(prayers, meditations), conduct manuals
and/or domestic advice, letters. Women
limited to activities associated with domestic
roles.
Women’s Literacy
• Female literacy highest in the aristocratic
classes. (Aristocratic benefactors)
• During the 17th
century there is an increase in
the number of women learning to read and
write.
• Previous 14th
& 15th
centuries there had been a
“humanist” emphasis on the education of
women. Women were taught classical and
pious texts; however, they generally were not
encouraged to learn classical languages or
Women’s Literacy cont’
to study classical texts as these were not
deemed relevant to religious teachings to
which women’s education was most often
limited.
Limitations were placed on what women could
and could not study/read.
Women’s Education
• Education and training focused on what
women needed to know so as to fulfill their
social status and function, which was
secondary to men as wives, mothers, and
helpmates.
• Religious and legal texts barred women from
having status as legal subjects within either
society at large or the family
• Women were deemed property/objects
rather than agents able to act in their own
SHIFT BEGINS mid to late 17th
century on into 18th
century
• APHRA BEHN: 1640?-1689. Dramatist, poet,
novelist
• Led an unconventional life. Wrote fearlessly
about sexuality and sexual morality.
• Paid for her writing.
• Her counterpart the more chaste Katherine
Phillips (1632-1664) whose poetry was
published as a “suitable model for women”
RESTORATION OF CHARLES II 1660:
• Relationship between women and literary
production continues to shift.
• Expansion of print, rise of middle class reading
public, increase in variety of genres all
contributed to this shift.
• Women had also played a role—though not a
publically sanctioned one—in England’s Civil
Wars.
• Women began contributing to periodicals and
corresponding with editors defying social
restrictions.
RESTORATION AND MOVING INTO
THE 18TH
CENTURY CONT’
• Women began being addressed directly as
readers
• Literature and access to—as well as available
education—continued to be restrained by
social conventions.
RELEVANT WEBSITES:
WEBSITE providing excellent background and
interactive cites addressing what it was like to
be a woman in 18th
century England:
http://www.umich.edu/~ece/showcase/gender.htm
Timeline:
http://mason.gmu.edu/~ayadav/historical%20outlin
Jonathan Swift (1667-1745)
Lady Mary Wortley Montagu
(1689-1762)
Key Enlightenment Ideas
• LIBERTY: What were the origins of the term?
– Originated with the Roman Republic
– Originated with the “Gothic” Constitution of Pre-
Norman England (the Norman Conquest was in
1066)
– Liberty believed to be a consequence of the
“modern era.” It came into being as an ideal as a
result of the English Civil Wars, the
Commonwealth, the Glorious Revolution. In
America the colonies assertion of independence.
HOW IS LIBERTY TO BE ACHIEVED?
• PRIVATE OWNERSHIP:
INDEPENDENT
LANDOWNERS
• THROUGH COMMERCE
AND A FREE MARKET
ECONOMY – what we
have come to know as
CAPITALISM.
NEW SOCIAL ETHOS EMERGES
IN THE 18TH
CENTURY
• UNDER THE AEGIS OF LIBERTY CAME:
–REASON
–CIVILITY
–INDIVIDUAL RIGHTS/THE SANCTITY OF
THE INDIVIDUAL
–THE “COMMON GOOD”– HUMAN
RIGHTS
ETHOS MEANS? AN APPEAL TO?
• LOGOS:
• PATHOS:
• ETHOS:
– An Ethic suggests a mode of behavior: “Do unto
others as you would have them do unto you.”
•ABSTRACT
IDEAL/POLITICAL
IDEOLOGY
•CONCRETE
EXPRESSION=SOCIAL
POLICY/LAW
–DISCREPANCY BETWEEN THESE
TWO YIELDS:
1. HISTORICAL IRONY:
circumstances that conflict with
the abstract ideal or political
ideology as stated or which
violate the social ethic such an
ideal assumes
2. HYPOCRISY/HYPOCRITE:
Someone who mimes a
position or pretends to be
what they are not. Someone
who says one thing and does
another.
HYPOCRISY IS REVEALED WHEN:
• SOCIAL POLICIES OR ACTIONS
RUN COUNTER TO THE ABSTRACT
IDEALS OR POLITICAL IDEOLOGY
AS IT HAS BEEN STATED.
18th
Century Contradictions
• A Revolutionary Period of ideas: reason, the
art of persuasion, new freedoms associated
with writing, a new social ethos, censorship
rejected, liberty from literary restraints being
encouraged
• Hypocrisy rampant as well: Those who
cavalierly used the words LIBERTY and
REASON also espoused policies that belied
their meanings
CONTRADICTIONS BETWEEN
RHETORIC AND ACTION
• SLAVERY/SLAVES
• WOMEN
• NEITHER SLAVES OR WOMEN
HAD RIGHTS AS CITIZENS OR
STATUS AS LEGAL SUBJECTS

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The restoration wk1

  • 1. The Restoration and the Eighteenth Century 1660-1785
  • 2. “The Restoration” refers to the period after the Interregnum when Charles II regains the throne
  • 3. STUART DYNASTY 1603-1625: Reign of James I 1625-1649: Reign of Charles I 1642-1649: Civil Wars between the three kingdoms of England, Scotland, and Ireland.
  • 4. INTERREGNUM 1649-1660 1649 Trial and Execution of Charles I Begins period of parliamentary and military rule under what is referred to as the Commonwealth of England.
  • 5. Commonwealth of England 1649-1653 The Protectorate under Oliver Cromwell 1653-1658 The Protectorate under Richard Cromwell from 1658-1659 Second Period of Commonwealth of England 1659-1660
  • 6. Parliament Majority—Puritan During the Interregnum •Suppression of holidays •Theatres were closed •Gambling forbidden •Arts censured.
  • 7. Restoration of the House of Stuart 1660-1685 Reign of Charles II • 1660 Theatres reopen (had been closed in 1642). Literature and the arts flourish again. • Passage of restrictive Acts of Uniformity (1662) and other legislation known collectively as the Clarendon Code were passed. They were designed to punish the Puritans by excluding them from public office and other institutions. • 1679 Habeas Corpus Act Passed—designed to protect individuals from unlawful detention and arbitrary state action.
  • 9. SCIENCE ROYAL SOCIETY OF LONDON: Created by Charles II in 1662 Isaac Newton’s Principia Mathematica 1687
  • 10. RELIGION Protestant Charles II succeeded by Catholic brother James II 1685-1688
  • 11. THE GLORIOUS REVOLUTION 1688-1689 Or “The Bloodless Revolution” Dutch Protestant William of Orange marries King James’ daughter Mary. James is convinced to relinquish the throne. William III and Mary II reign 1689-1694 William III 1694-1702 following Mary II’s death.
  • 12. LITERATURE RISE OF THE MIDDLE CLASS results in Rise of the Reading Public •Satire •Wit •Fancy
  • 13. GENRES NEWSPAPERS AND PERIODICALS Addison and Steele •Samuel Johnson THE RISE OF THE NOVEL Daniel Defoe (Moll Flanders, Robinson Crusoe) Jonathan Swift (Gulliver’s Travels) Samuel Richardson (Pamela, Clarissa) Henry Fielding (Joseph Andrews, Tom Jones)
  • 14. POETRY John Dryden Alexander Pope Jonathon Swift Lady Mary Wortley Montagu Anne Ingram Mary Leapor
  • 15. HEROIC COUPLETS Dominant poetic form of the 18th century • Iambic pentameter lines rhymed in pairs. • Master of the form: Alexander Pope
  • 17. What do we know about Dryden that might be important to consider when reading his work? • First important poem: “Heroic Stanzas” commemorated the death of Oliver Cromwell; however celebrated restoration of Charles II in “Astraea Redux” • Loyal to Charles II and successor James II • A citizen of the world: His writing responds to events, historical shifts, national as well as global conditions.
  • 18. John Dryden cont • 1664-1681 predominantly a playwright • Late in life discovers satire (i.e. “MacFlecknoe” • Defender of the Anglican church • Against rationalism of Deism and authoritarianism of Roman and Catholic Church • Brought the pleasures of reading to the British Public. Dryden was very much a “man of the people.”
  • 19. Dryden’s “Annus Miribilis” • The Great Fire of London 1666
  • 20. Annus Mirabilis • Acknowledges London’s reemergence from the ashes of the Great Fire of London • And the restoration of Charles II to the throne • The poem resonates with strains of nationalism, pride and anticipates British Imperialism and arrogance: “deified from her fires does rise. What is the tone of this poem? How is London characterized? What is Great Britain’s future going to be like according to the speaker of this poem?
  • 21. Women and Literacy in the 18th Century
  • 22. GLANCING BACK: 16TH CENTURY • Unthinkable a woman could earn her living writing. Money, education, class status, and genre determined whether women were able to write much less publish. • Exception: 1578 Margaret Tyler was able to publish her translation of a Spanish secular tale of masculine chivalry. How do you think she justified this publication?
  • 23. Men on the other hand: • Were able to profit from an “economy of favor” and patronage as a way of furthering their careers. • Political, educational, material by men published widely. • Women, to the contrary, were discouraged from writing anything beyond religious tracts (prayers, meditations), conduct manuals and/or domestic advice, letters. Women limited to activities associated with domestic roles.
  • 24. Women’s Literacy • Female literacy highest in the aristocratic classes. (Aristocratic benefactors) • During the 17th century there is an increase in the number of women learning to read and write. • Previous 14th & 15th centuries there had been a “humanist” emphasis on the education of women. Women were taught classical and pious texts; however, they generally were not encouraged to learn classical languages or
  • 25. Women’s Literacy cont’ to study classical texts as these were not deemed relevant to religious teachings to which women’s education was most often limited. Limitations were placed on what women could and could not study/read.
  • 26. Women’s Education • Education and training focused on what women needed to know so as to fulfill their social status and function, which was secondary to men as wives, mothers, and helpmates. • Religious and legal texts barred women from having status as legal subjects within either society at large or the family • Women were deemed property/objects rather than agents able to act in their own
  • 27. SHIFT BEGINS mid to late 17th century on into 18th century • APHRA BEHN: 1640?-1689. Dramatist, poet, novelist • Led an unconventional life. Wrote fearlessly about sexuality and sexual morality. • Paid for her writing. • Her counterpart the more chaste Katherine Phillips (1632-1664) whose poetry was published as a “suitable model for women”
  • 28. RESTORATION OF CHARLES II 1660: • Relationship between women and literary production continues to shift. • Expansion of print, rise of middle class reading public, increase in variety of genres all contributed to this shift. • Women had also played a role—though not a publically sanctioned one—in England’s Civil Wars. • Women began contributing to periodicals and corresponding with editors defying social restrictions.
  • 29. RESTORATION AND MOVING INTO THE 18TH CENTURY CONT’ • Women began being addressed directly as readers • Literature and access to—as well as available education—continued to be restrained by social conventions.
  • 30. RELEVANT WEBSITES: WEBSITE providing excellent background and interactive cites addressing what it was like to be a woman in 18th century England: http://www.umich.edu/~ece/showcase/gender.htm Timeline: http://mason.gmu.edu/~ayadav/historical%20outlin
  • 32. Lady Mary Wortley Montagu (1689-1762)
  • 33. Key Enlightenment Ideas • LIBERTY: What were the origins of the term? – Originated with the Roman Republic – Originated with the “Gothic” Constitution of Pre- Norman England (the Norman Conquest was in 1066) – Liberty believed to be a consequence of the “modern era.” It came into being as an ideal as a result of the English Civil Wars, the Commonwealth, the Glorious Revolution. In America the colonies assertion of independence.
  • 34. HOW IS LIBERTY TO BE ACHIEVED? • PRIVATE OWNERSHIP: INDEPENDENT LANDOWNERS • THROUGH COMMERCE AND A FREE MARKET ECONOMY – what we have come to know as CAPITALISM.
  • 35. NEW SOCIAL ETHOS EMERGES IN THE 18TH CENTURY • UNDER THE AEGIS OF LIBERTY CAME: –REASON –CIVILITY –INDIVIDUAL RIGHTS/THE SANCTITY OF THE INDIVIDUAL –THE “COMMON GOOD”– HUMAN RIGHTS
  • 36. ETHOS MEANS? AN APPEAL TO? • LOGOS: • PATHOS: • ETHOS: – An Ethic suggests a mode of behavior: “Do unto others as you would have them do unto you.”
  • 38. 1. HISTORICAL IRONY: circumstances that conflict with the abstract ideal or political ideology as stated or which violate the social ethic such an ideal assumes
  • 39. 2. HYPOCRISY/HYPOCRITE: Someone who mimes a position or pretends to be what they are not. Someone who says one thing and does another.
  • 40. HYPOCRISY IS REVEALED WHEN: • SOCIAL POLICIES OR ACTIONS RUN COUNTER TO THE ABSTRACT IDEALS OR POLITICAL IDEOLOGY AS IT HAS BEEN STATED.
  • 41. 18th Century Contradictions • A Revolutionary Period of ideas: reason, the art of persuasion, new freedoms associated with writing, a new social ethos, censorship rejected, liberty from literary restraints being encouraged • Hypocrisy rampant as well: Those who cavalierly used the words LIBERTY and REASON also espoused policies that belied their meanings
  • 42. CONTRADICTIONS BETWEEN RHETORIC AND ACTION • SLAVERY/SLAVES • WOMEN • NEITHER SLAVES OR WOMEN HAD RIGHTS AS CITIZENS OR STATUS AS LEGAL SUBJECTS