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Solisten ®
Sound
Training
What is the Tomatis®
Method?
• A sound therapy that uses music to :
• train Listening
• help improve Sensory functioning
• help improve Cognitive and Neurological
functioning
• help improve Emotional wellbeing
Dr. Alfred Tomatis
3
• 1 January 1920 – 25 December 2001
• He was a French ENT doctor at
the Paris Faculty of Medicine, a specialist of
hearing and language disorders
• Several sound therapies are based on the
Tomatis method, e.g. Berard AIT and iLs
• Solisten is a trademark owned exclusively by
Tomatis Developpement SA
Who can benefit?
• Learning difficulties
• Attention disorders
• Developmental delays
• Communication and speech delays and disorders
• Pervasive developmental disorders
• Sensory integration disorder
• Auditory integration difficulties
• Anxiety and depression
• Helpful in the rehabilitation of stroke victims
Solisten®
Device
The Solisten device uses sound in the form of
engineered, processed music:
•Mozart
•Gregorian Chant
•Waltz.
5
The Types of Music
• Mozart, especially his works that are rich in
high harmonics for their brain-energising
function;
• Gregorian Chants that have a proven
regulating and calming effect on the autonomic
nervous system;
• Strauss waltzes that have a stimulating
effect on the vestibular system and promotes
the establishment of rhythm and balance.
Corrective Action
• The Tomatis
®
method acts on the 3 core
functions of the ear:
• Energy function
• Vestibular function
• Auditory function
Energy function
• Sound is needed for cortical stimulation.
• Especially sounds that are rich in high
harmonics, have the ability to stimulate
the reticular formation in the brain which
controls the overall activity level of the
brain.
Vestibular function
• Benefits posture, balance, motor
functions and muscle-tone.
• A well functioning vestibular system
is fundamental to learning.
The Auditory Function
• The ears contain structures for both the
sense of hearing and the sense of
balance.
Listening vs. hearing
• Listening is an active activity that involves
receiving, deciphering, and perceiving a message
with the intent to respond.
• Listening = purpose.
• Listening is to hearing what aiming is to sight.
(Tomatis)
Distortions of Listening
• Someone may hear well but listen poorly.
• Emotional disturbances
• Adjustment difficulties
• Factors in the acoustic environment
• A listening bias
• The sound message is correctly heard but poorly
analysed in an emotional framework.
• The brain protects itself by constructing barriers that
can result in the development or exacerbation of
various disorders.
A Pedagogical Tool
• ”The ear is learning to listen”.
• The Tomatis
®
Method stimulates the brain
and progressively helps it to analyse the sound
message more effectively.
Effect on the brain
• The ear is connected to 7 of the 12 pairs of
cranial nerves:
• II, III, IV and VI (the eyes and vision)
• VIII – the vestibulocochlear nerve
• X – the vagus nerve
• XI – the spino-accessory nerve
• Through the auditory pathways, the
Tomatis
®
Method affects the entire nervous
system
Cranial Nerve: Major Functions:
II Optic vision
III Oculomotor eyelid and eyeball movement
IV Trochlear innervates superior oblique
turns eye downward and laterally
VI Abducens turns eye laterally
VIII Vestibulo-cochlear
(auditory)
hearing and equilibrium sensation
X Vagus senses aortic blood pressure
slows heart rate
stimulates digestive organs
taste
XI Spinal Accessory controls trapezius & sternocleidomastoid
controls swallowing movements
The Ear as Sensory
Information Processing
Organ
• About 90% of sensory information processing
involves the ear.
• The sensory system functions as a whole:
• by stimulating the ear, we can have an effect
on the entire sensory system.
Sensory Processing
• How the brain registers, interprets and uses
information from the sensory systems.
• The sensory systems include:
• Sight (visual system)
• Hearing (auditory system)
• Taste (gustatory system)
• Touch (tactile system)
• Smell (olfactory system)
• Body awareness (proprioceptive system)
• Balance (vestibular system)
Regulation of Sensory
Input
• Our brain is constantly bombarded by sensory input.
• With the exception of smell, all other sensory input is
filtered by the brain stem before further dealt with. It is
either:
• Deemed insignificant and ignored.
• Deemed important, thus noticed and relayed to the
appropriate area of the brain for a response.
• Habituated or eventually ignored if the input is
constant, for example wearing a seatbelt.
Sensory Processing
Difficulties
• Can affect anybody
• Can range from mild to severe
• Tend to be more common in those with
conditions such as autism, Tourette syndrome,
Fragile X, ADHD, learning difficulties, etc.
Brain development and
function
• Sensory input is needed for our brain to
develop and to continue functioning
properly.
• Research indicates that sensory input
may improve the neural circuitry.
• We can use sensory input to change our
arousal state.
Bunty’s Wall Model
Parameters of the Tomatis®
Method
• Bone conduction
• Electronic gating
• C1 & C2
• Delay & precession
• Stapedial reflex
• Filtering
Bone Conduction
• Two types of sound conduction:
• Bone conduction
• through the skull
• vibrations directly inform the auditory nerve;
•
Air conduction
• airwaves cause the tympanic membrane to send
vibrations to the inner ear to stimulate the
vestibulo-cochlear nerve (auditory vestibular
nerve).
Bone conduction
• Sound travels faster through bone than
through air.
• BC prepares the body for the auditory
message delivered through Air Conduction.
• causes the whole body to assume the
“listening posture”
Gating
• 2 alternating circuits stem from the
amplifier:
 C1 : low frequencies which puts
the ear in a state of relaxation.
 When the music reaches a certain
intensity, a switch occurs to C2
whilst C1 cuts off.
 C2 : higher frequencies which
puts the ear in a state of effort.
 When the intensity drops the
system switches back. C1 opens
while C2 cuts off.
C1
C2
`
The switching is dependant on the
changes of intensity in the music,
and is therefore, unpredictable,
causing the brain and ear to be in a
constant state of alert
Gating: Delay
• There is a delay between the moment when the
“gate” is going to switch over and the moment when
it actually does switch over from C1 to C2.
• The delay allows the ear time to put itself in a
listening position, that is, to prepare for the auditory
message that is about to follow.
• We always start with the Basic program, which has
the longest delays allowing the ear enough time to
prepare for the sound message.
Precession
• Time needed for the Bone Conduction to precede
the Air Conduction.
• The cochlea has already received the sound
through BC and has made a first analysis.
• In response, it will adjust the tension of the tympanic
membrane in preparation for the airwave it is about
to receive.
• This period of precession allows the whole body to
prepare itself for listening.
Filtering
• It is the amplification or attenuation of the high
and/or low frequencies of the sound spectrum.
• Four types of filters:
 High pass filters
 Low pass filters
 Band pass filters
 Band rejection filters
Filtering
• No filtering is used in the Basic program.
• Three filtering levels are used in the remaining
programs:
• Filtering at 500 Hz with a 24dB/octave slope;
• Filtering at 1000 Hz with a 12 dB/ octave slope;
• Filtering at 2500 Hz with a 6 dB/ octave slope.
• Solisten uses “soft slopes” to makes the changes
brought about by gating and filters, easier on the
ear.
The Filters
• 500 Hz filtering is used in the programs
 Emotional
 Language
 Memory & Attention.
• 1000 Hz is used particularly in the Language program
to work on the 2nd
formant zone – the vowels area (750 Hz
to 3000 Hz) and in the Memory & Attention program to
stimulate verbal memory and attention.
• 2500 Hz is used particularly in the Language program
to work on the 3rd
and 4th
formants – the fricatives area (s, j,
ch, z, f). The fricatives area spreads widely in treble
frequencies.
Programmes
• Basic
• Emotional E1A E1B E2
• Memory & Attention MA1 MA2
• Language L1 L2
Sessions
• First intensive – 30 hours
2 hours a day over 15 days
4 week integration period
• Second intensive – 30 hours
2 hours a day over 15 days
4 - 8 week integration period
• ASD usually need more sessions
33
The Process
Clients with Autism Spectrum Disorder usually need more sessions
Repeat as needed
Intensive:
30 hours,
2 hours a day
over 15 days
Intensive:
30 hours
2 hours a day
over 15 days
4 week
integration
period
Initial Consultation
Pre-testing Post-testing
Parent feedback
4 week
integration
period
Exit
Cost
• R130 per hour
• Includes consultation, Solisten pre- and post
testing, and feedback
• Excludes any tests and evaluations by therapist
from other fields, e.g. OTs, psychologists or
speech therapists
• Total, including 60 hours of listening plus
testing, R8000
Thank You for
Listening!!

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Karin's solisten presentation.pptx

  • 2. What is the Tomatis® Method? • A sound therapy that uses music to : • train Listening • help improve Sensory functioning • help improve Cognitive and Neurological functioning • help improve Emotional wellbeing
  • 3. Dr. Alfred Tomatis 3 • 1 January 1920 – 25 December 2001 • He was a French ENT doctor at the Paris Faculty of Medicine, a specialist of hearing and language disorders • Several sound therapies are based on the Tomatis method, e.g. Berard AIT and iLs • Solisten is a trademark owned exclusively by Tomatis Developpement SA
  • 4. Who can benefit? • Learning difficulties • Attention disorders • Developmental delays • Communication and speech delays and disorders • Pervasive developmental disorders • Sensory integration disorder • Auditory integration difficulties • Anxiety and depression • Helpful in the rehabilitation of stroke victims
  • 5. Solisten® Device The Solisten device uses sound in the form of engineered, processed music: •Mozart •Gregorian Chant •Waltz. 5
  • 6. The Types of Music • Mozart, especially his works that are rich in high harmonics for their brain-energising function; • Gregorian Chants that have a proven regulating and calming effect on the autonomic nervous system; • Strauss waltzes that have a stimulating effect on the vestibular system and promotes the establishment of rhythm and balance.
  • 7. Corrective Action • The Tomatis ® method acts on the 3 core functions of the ear: • Energy function • Vestibular function • Auditory function
  • 8. Energy function • Sound is needed for cortical stimulation. • Especially sounds that are rich in high harmonics, have the ability to stimulate the reticular formation in the brain which controls the overall activity level of the brain.
  • 9. Vestibular function • Benefits posture, balance, motor functions and muscle-tone. • A well functioning vestibular system is fundamental to learning.
  • 10. The Auditory Function • The ears contain structures for both the sense of hearing and the sense of balance.
  • 11.
  • 12. Listening vs. hearing • Listening is an active activity that involves receiving, deciphering, and perceiving a message with the intent to respond. • Listening = purpose. • Listening is to hearing what aiming is to sight. (Tomatis)
  • 13. Distortions of Listening • Someone may hear well but listen poorly. • Emotional disturbances • Adjustment difficulties • Factors in the acoustic environment • A listening bias • The sound message is correctly heard but poorly analysed in an emotional framework. • The brain protects itself by constructing barriers that can result in the development or exacerbation of various disorders.
  • 14. A Pedagogical Tool • ”The ear is learning to listen”. • The Tomatis ® Method stimulates the brain and progressively helps it to analyse the sound message more effectively.
  • 15. Effect on the brain • The ear is connected to 7 of the 12 pairs of cranial nerves: • II, III, IV and VI (the eyes and vision) • VIII – the vestibulocochlear nerve • X – the vagus nerve • XI – the spino-accessory nerve • Through the auditory pathways, the Tomatis ® Method affects the entire nervous system
  • 16. Cranial Nerve: Major Functions: II Optic vision III Oculomotor eyelid and eyeball movement IV Trochlear innervates superior oblique turns eye downward and laterally VI Abducens turns eye laterally VIII Vestibulo-cochlear (auditory) hearing and equilibrium sensation X Vagus senses aortic blood pressure slows heart rate stimulates digestive organs taste XI Spinal Accessory controls trapezius & sternocleidomastoid controls swallowing movements
  • 17. The Ear as Sensory Information Processing Organ • About 90% of sensory information processing involves the ear. • The sensory system functions as a whole: • by stimulating the ear, we can have an effect on the entire sensory system.
  • 18. Sensory Processing • How the brain registers, interprets and uses information from the sensory systems. • The sensory systems include: • Sight (visual system) • Hearing (auditory system) • Taste (gustatory system) • Touch (tactile system) • Smell (olfactory system) • Body awareness (proprioceptive system) • Balance (vestibular system)
  • 19. Regulation of Sensory Input • Our brain is constantly bombarded by sensory input. • With the exception of smell, all other sensory input is filtered by the brain stem before further dealt with. It is either: • Deemed insignificant and ignored. • Deemed important, thus noticed and relayed to the appropriate area of the brain for a response. • Habituated or eventually ignored if the input is constant, for example wearing a seatbelt.
  • 20. Sensory Processing Difficulties • Can affect anybody • Can range from mild to severe • Tend to be more common in those with conditions such as autism, Tourette syndrome, Fragile X, ADHD, learning difficulties, etc.
  • 21. Brain development and function • Sensory input is needed for our brain to develop and to continue functioning properly. • Research indicates that sensory input may improve the neural circuitry. • We can use sensory input to change our arousal state.
  • 23. Parameters of the Tomatis® Method • Bone conduction • Electronic gating • C1 & C2 • Delay & precession • Stapedial reflex • Filtering
  • 24. Bone Conduction • Two types of sound conduction: • Bone conduction • through the skull • vibrations directly inform the auditory nerve; • Air conduction • airwaves cause the tympanic membrane to send vibrations to the inner ear to stimulate the vestibulo-cochlear nerve (auditory vestibular nerve).
  • 25. Bone conduction • Sound travels faster through bone than through air. • BC prepares the body for the auditory message delivered through Air Conduction. • causes the whole body to assume the “listening posture”
  • 26. Gating • 2 alternating circuits stem from the amplifier:  C1 : low frequencies which puts the ear in a state of relaxation.  When the music reaches a certain intensity, a switch occurs to C2 whilst C1 cuts off.  C2 : higher frequencies which puts the ear in a state of effort.  When the intensity drops the system switches back. C1 opens while C2 cuts off. C1 C2 ` The switching is dependant on the changes of intensity in the music, and is therefore, unpredictable, causing the brain and ear to be in a constant state of alert
  • 27. Gating: Delay • There is a delay between the moment when the “gate” is going to switch over and the moment when it actually does switch over from C1 to C2. • The delay allows the ear time to put itself in a listening position, that is, to prepare for the auditory message that is about to follow. • We always start with the Basic program, which has the longest delays allowing the ear enough time to prepare for the sound message.
  • 28. Precession • Time needed for the Bone Conduction to precede the Air Conduction. • The cochlea has already received the sound through BC and has made a first analysis. • In response, it will adjust the tension of the tympanic membrane in preparation for the airwave it is about to receive. • This period of precession allows the whole body to prepare itself for listening.
  • 29. Filtering • It is the amplification or attenuation of the high and/or low frequencies of the sound spectrum. • Four types of filters:  High pass filters  Low pass filters  Band pass filters  Band rejection filters
  • 30. Filtering • No filtering is used in the Basic program. • Three filtering levels are used in the remaining programs: • Filtering at 500 Hz with a 24dB/octave slope; • Filtering at 1000 Hz with a 12 dB/ octave slope; • Filtering at 2500 Hz with a 6 dB/ octave slope. • Solisten uses “soft slopes” to makes the changes brought about by gating and filters, easier on the ear.
  • 31. The Filters • 500 Hz filtering is used in the programs  Emotional  Language  Memory & Attention. • 1000 Hz is used particularly in the Language program to work on the 2nd formant zone – the vowels area (750 Hz to 3000 Hz) and in the Memory & Attention program to stimulate verbal memory and attention. • 2500 Hz is used particularly in the Language program to work on the 3rd and 4th formants – the fricatives area (s, j, ch, z, f). The fricatives area spreads widely in treble frequencies.
  • 32. Programmes • Basic • Emotional E1A E1B E2 • Memory & Attention MA1 MA2 • Language L1 L2
  • 33. Sessions • First intensive – 30 hours 2 hours a day over 15 days 4 week integration period • Second intensive – 30 hours 2 hours a day over 15 days 4 - 8 week integration period • ASD usually need more sessions 33
  • 34. The Process Clients with Autism Spectrum Disorder usually need more sessions Repeat as needed Intensive: 30 hours, 2 hours a day over 15 days Intensive: 30 hours 2 hours a day over 15 days 4 week integration period Initial Consultation Pre-testing Post-testing Parent feedback 4 week integration period Exit
  • 35. Cost • R130 per hour • Includes consultation, Solisten pre- and post testing, and feedback • Excludes any tests and evaluations by therapist from other fields, e.g. OTs, psychologists or speech therapists • Total, including 60 hours of listening plus testing, R8000