What's your photographic angle?

1. J O U R N A L I S M T R I G O N O M E T RY
T RY-A N G L E S TO R E M E M B E R W H E N T E L L I N G A S TO RY

2. T H E R U L E O F T H I R D S

3. Thirds
T H E R U L E O F T H I R D S“ “

4. – G E N E R A L D O U G L A S M A C A R T H U R
“Rules are mostly made to be broken and are too often
for the lazy to hide behind.”

5. T E L L A S T O RY
“Fish”, as freshman cadets are known, review
marching directions before performing in
their first halftime, Saturday, Sep. 29, 2012. Cadets
hid marching notes in pockets so that Seniors
wouldn’t see them studying on the sidelines.
N I K O N D 7 0 0 0
1 / 4 0 0
F 5
7 0 M M
I S O 4 0 0

6. T E L L A S T O RY
• All photos have a cutline or caption.
“Fish”, as freshman cadets are known, review
marching directions before performing in
their first halftime, Saturday, Sep. 29, 2012. Cadets
hid marching notes in pockets so that Seniors
wouldn’t see them studying on the sidelines.
N I K O N D 7 0 0 0
1 / 4 0 0
F 5
7 0 M M
I S O 4 0 0

7. T E L L A S T O RY
• All photos have a cutline or caption.
• Captions give context, not meaning.
“Fish”, as freshman cadets are known, review
marching directions before performing in
their first halftime, Saturday, Sep. 29, 2012. Cadets
hid marching notes in pockets so that Seniors
wouldn’t see them studying on the sidelines.
N I K O N D 7 0 0 0
1 / 4 0 0
F 5
7 0 M M
I S O 4 0 0

8. W I T H O U T A P R OT R AC TO R
CO M P O S I N G T H E S H OT W I T H W H AT YO U ’ V E G OT
N I K O N D 9 0
1 / 2 5 0
F 5 . 3
3 2 0 M M
I S O 3 2 0 0

9. – C H A S E J A R V I S
“The best camera is the one you have with you.”

10. N I K O N D 6 0 0
1 / 2 5 0
F 2 . 8
2 4 M M
I S O 4 0 0 0

11. N I K O N D 6 0 0
1 / 2 5 0
F 2 . 8
2 4 M M
I S O 4 0 0 0

12. Fibonacci Sequence

13. Fibonacci Sequence
12
3
1
5
8
13
21
39

14. Golden Spiral

15. N I K O N D 6 0 0
1 / 1 6 0
F 2 . 8
3 2 M M
I S O 1 6 0
N I K O N D 6 0 0
1 / 1 6 0
F 3 . 5
2 4 M M
I S O 4 0 0 0
N I K O N D 6 0 0
1 / 8 0 0
F 2
5 0 M M
I S O 5 0 0

16. N I K O N D 6 0 0
1 / 1 6 0
F 2 . 8
3 2 M M
I S O 1 6 0
N I K O N D 6 0 0
1 / 1 6 0
F 3 . 5
2 4 M M
I S O 4 0 0 0
N I K O N D 6 0 0
1 / 8 0 0
F 2
5 0 M M
I S O 5 0 0

17. N I K O N D 6 0 0
1 / 1 0 0
F 4
2 7 M M
I S O 5 0 0 0

18. S M A R T P H O N E

19. S M A R T P H O N E
S M A R T P H O N E
S M A R T P H O N E

20. F I N D T H E S T O RY
N I K O N D 7 0 0 0
1 / 3 2 0
F 5 . 6
1 0 5 M M
I S O 2 5 0

21. F I N D T H E S T O RY
• Photos don’t tell stories – you do.
N I K O N D 7 0 0 0
1 / 3 2 0
F 5 . 6
1 0 5 M M
I S O 2 5 0

22. F I N D T H E S T O RY
• Photos don’t tell stories – you do.
• Do you know everything about your
subject? Does your audience?
N I K O N D 7 0 0 0
1 / 3 2 0
F 5 . 6
1 0 5 M M
I S O 2 5 0

23. R E C I P R O C A L A N G L E S
U S I N G YO U R G R E AT E S T TO O L
N I K O N D 6 0 0
1 / 4 0 0
F 2 . 8
1 0 5 M M
I S O 1 6 0

24. – A L F R E D E I S E N S TA E D T
“It is more important to click with people than to
click the shutter.”

25. N I K O N D 6 0 0
1 / 2 0 0
F 2 . 8
2 4 M M
I S O 3 2 0 0

26. N I K O N D 6 0 0
1 / 1 6 0
F 4 . 5
3 5 M M
I S O 3 2 0

27. N I K O N D 6 0 0
1 / 2 0 0
F 2 . 8
5 5 M M
I S O 2 0 0 0
N I K O N D 6 0 0
1 / 1 0 0
F 4
2 4 M M
I S O 8 0 0
N I K O N D 6 0 0
1 / 6 0
F 2 . 8
1 7 5 M M
I S O 5 0 0 0

28. N I K O N D 6 0 0
1 / 2 0 0
F 2 . 8
5 5 M M
I S O 2 0 0 0
N I K O N D 6 0 0
1 / 1 0 0
F 4
2 4 M M
I S O 8 0 0
N I K O N D 6 0 0
1 / 6 0
F 2 . 8
1 7 5 M M
I S O 5 0 0 0

29. Triangle

30. N I K O N D 6 0 0
1 / 6 0
F 5
1 3 5 M M
I S O 5 0 0
N I K O N D 6 0 0
1 / 6 0
F 5
4 5 M M
I S O 8 0 0

31. N I K O N D 6 0 0
1 / 6 0
F 5
1 3 5 M M
I S O 5 0 0
N I K O N D 6 0 0
1 / 6 0
F 5
4 5 M M
I S O 8 0 0

32. Golden Ratio

33. C O M P L E T E T H E
S T O RY
N I K O N D 6 0 0
1 / 2 5 0 0
F 1 . 4
5 0 M M
I S O 4 0 0 0

34. C O M P L E T E T H E
S T O RY
• Good photos tell a complete story.
N I K O N D 6 0 0
1 / 2 5 0 0
F 1 . 4
5 0 M M
I S O 4 0 0 0

35. C O M P L E T E T H E
S T O RY
• Good photos tell a complete story.
• Great photos tell new perspectives.
N I K O N D 6 0 0
1 / 2 5 0 0
F 1 . 4
5 0 M M
I S O 4 0 0 0

36. S U M O F A N G L E S
I N CO M P L E T E S TO R I E S A R E B O R I N G
N I K O N D 7 0 0 0
1 / 4 0 0
F 5
6 2 M M
I S O 2 0 0

37. – D O N M C C U L L I N
“To know ahead of time what you’re looking for means
you’re then only photographing your own
preconceptions, which is very limiting, and often false.”

38. N I K O N D 7 0 0 0
1 / 6 4 0
F 1 . 4
5 0 M M
I S O 5 0 0 0

39. N I K O N D 6 0 0
1 / 6 0
F 2 . 8
2 7 M M
I S O 5 0 0 0

40. N I K O N D 6 0 0
1 / 1 2 5
F 4
6 0 M M
I S O 5 0 0 0

41. N I K O N D 6 0 0
1 / 1 2 5
F 4
6 0 M M
I S O 5 0 0 0

42. Diagonal

43. F E E L T H E S T O RY
N I K O N D 7 0 0 0
1 / 8 0 0
F 3 . 5
7 0 M M
I S O 4 0 0 0

44. F E E L T H E S T O RY
• Put yourself in different shoes, bring
your camera with you.
N I K O N D 7 0 0 0
1 / 8 0 0
F 3 . 5
7 0 M M
I S O 4 0 0 0

45. F E E L T H E S T O RY
• Put yourself in different shoes, bring
your camera with you.
• Photos you create bring the shoes to
your audience.
N I K O N D 7 0 0 0
1 / 8 0 0
F 3 . 5
7 0 M M
I S O 4 0 0 0

46. L AW O F TA N G E N T S
S E E K I N G O U T ( O F -T H E - B OX ) P E R S P E C T I V E S
N I K O N D 6 0 0
1 / 5 0 0
F 5
5 0 M M
I S O 2 0 0

47. L AW O F TA N G E N T S
S E E K I N G O U T ( O F -T H E - B OX ) P E R S P E C T I V E S
N I K O N D 6 0 0
1 / 5 0 0
F 5
5 0 M M
I S O 2 0 0

48. – A N S E L A D A M S
“A good photograph is knowing where to stand.”

51. N I K O N D 6 0 0
1 / 1 0 0
F 2 . 8
3 5 M M
I S O 1 6 0 0

52. N I K O N D 6 0 0
1 / 1 0 0
F 2 . 8
3 5 M M
I S O 1 6 0 0

53. N I K O N D 8 1 0
1 / 2 ”
F 4
2 4 M M
I S O 5 0 0 0

54. N I K O N D 6 0 0
2 ”
F 5
4 5 M M
I S O 5 0 0

55. O W N T H E S T O RY
N I K O N D 9 0
1 / 2 0 0
F 1 6
5 0 M M
I S O 5 0 0

56. O W N T H E S T O RY
• Use your experience to help you find
the story.
N I K O N D 9 0
1 / 2 0 0
F 1 6
5 0 M M
I S O 5 0 0

57. O W N T H E S T O RY
• Use your experience to help you find
the story.
• Use your perspective to help you
connect with people.
N I K O N D 9 0
1 / 2 0 0
F 1 6
5 0 M M
I S O 5 0 0

58. N I K O N D 6 0 0
1 / 2 0 0
F 5
5 0 M M
I S O 1 0 0
Q U E S T I O N S ?
T H A N K YO U !

59. N I K O N D 6 0 0
1 / 1 0 0 0
F 3 . 5
2 4 M M
I S O 1 0 0
Q U E S T I O N S ?
T H A N K YO U !

60. N I K O N D 6 0 0
1 / 6 0
F 4
3 8 M M
I S O 5 0 0 0
Q U E S T I O N S ?
T H A N K YO U !

61. N I K O N D 6 0 0
1 / 2 0 0
F 8
5 0 M M
I S O 1 2 5
Q U E S T I O N S ?
T H A N K YO U !

62. N I K O N D 6 0 0
1 / 4 0 0
F 5
1 8 0 M M
I S O 3 2 0
Q U E S T I O N S ?
T H A N K YO U !

63. N I K O N D 6 0 0
1 / 1 6 0
F 5
4 4 M M
I S O 4 0 0
Q U E S T I O N S ?
T H A N K YO U !

64. Q U E S T I O N S ?
T H A N K YO U !
N I K O N D 6 0 0
4 ”
F 2 . 8
2 4 M M
I S O 5 0 0 0

65. T H A N K YO U !
F E E L F R E E TO CO N TAC T M E
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66. J O S H . M C K E N N A @ AG G I E N E T W O R K . CO M
T H A N K YO U !
F E E L F R E E TO CO N TAC T M E
–