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Theatrical & Festival Booking Contacts:
Nancy Gerstman & Emily Russo, Zeitgeist Films
nancy@zeitgeistfilms.com • emily@zeitgeistfilms.com
212-274-1989
A ZEITGEIST FILMS RELEASE
VITA ACTIVA
THE SPIRIT OF HANNAH ARENDT
	
  	
  
A brand new documentary about one of the most influential thinkers
of the 20th century.
The German-Jewish philosopher Hannah Arendt caused an uproar in the 1960s by
coining the subversive concept of the "Banality of Evil" when referring to the trial of
Adolph Eichmann, which she covered for the New Yorker magazine. Her private life
was no less controversial thanks to her early love affair with the renowned German
philosopher and Nazi supporter Martin Heidegger. This thought provoking and
spirited documentary, with its abundance of archival materials, offers an intimate
portrait of the whole of Arendt's life, traveling to places where she lived, worked,
loved, and was betrayed, as she wrote about the open wounds of modern times.
Through her books, which are still widely read, and the recent release of Margarethe
von Trotta's biopic Hannah Arendt (also a Zeitgeist Films release) there is renewed
interest in Arendt throughout the world, especially among young people who find her
insights into the nature of evil, totalitarianism, ideologies, and the perils faced by
refugees, more relevant than ever.
AN INTERVIEW WITH ADA USHPIZ
SCREEN DAILY
By Melanie Goodfellow
Documentary film-maker Ada Ushpiz tells Screen about charting the life
and fertile mind of a great thinker in her new film Vita Activa, The Spirit
Of Hannah Arendt.
When Ada Ushpiz’s timely documentary Vita Activa, The Spirit Of Hannah Arendt,
exploring the roots and legacy of the legendary philosopher’s thinking, premiered at
Munich International Film Festival earlier this year it played to a packed-out theatre.
“There was not a ticket to be had,” says respected film-maker Ushpiz, whose credits
include Good Garbage, Desert Brides and Detained. Today’s screening at Jerusalem
Film Festival, where the film is playing in the documentary competition, is also sold
out.
“They’re not just coming for the documentary,” declares Ushpiz. “They’re also drawn
by the figure of Hannah Arendt. She remains as popular, if not more popular, than
when she was alive because she was ahead of her time.”
“She is beyond post-modernism. She was a thinking person. She didn’t subscribe to
any set doctrine or school of thought but based her writings on experience and what
was really happening. She had the ability to universalise her personal experience.”
Arendt’s writings, notes the film-maker, have influenced movements as diverse as
Poland’s Solidarity and the pro-democracy Arab Spring. To this day, they also remain
a source of inspiration for the Jewish secular movement. The philosopher’s life-long
defence of the need for a plurality of thought and voices makes Arendt’s work
particularly timely, Ushpiz adds.
In Vita Activa, The Spirit Of Hannah Arendt, she hones in on Arendt’s early writings,
focusing in particular on her most famous work, Eichmann In Jerusalem, based on the
trial of Adolf Eichmann in 1961, for his role as an administrator supporting the
deportation and extermination of Jews during the Holocaust.
It was in this work that Arendt crystallised her theory about the “banality of evil”,
stemming from Eichmann’s assertion that he wasn’t guilty because he had simply been
carrying out orders. “I came to the whole thing because I was intrigued by the idea of
the banality of evil,” says Ushpiz. “The more I live in this world, the more I believe it is
relevant.”
The documentary traces how Arendt’s thinking and writing grew out of her
experiences growing up in Germany, leaving the country during the rise of the Nazi
party and subsequently living a peripatetic life across Europe.
She touched down in Prague, Geneva and Paris, and was briefly interned by the
Nazis in France before fleeing to the US in 1941. This period in Arendt’s life resulted
in her writings on what it meant to be a refugee.
Her theory that stateless people find themselves “superfluous” to society remains as
relevant now as it did at the time of its formulation in the late 1940s.
Ushpiz’s film also touches on Arendt’s complex relationship with her philosophy
professor Martin Heidegger, who was later discovered to be a Nazi sympathiser.
“Her relationship with Heidegger was complicated,” says the director. “Researchers
have recently come across lectures he gave in 1933 and 1934 while he was the
rector of the University of Freiburg. He speaks in real Nazi language, it’s really
terrible.”
Vita Activa intercuts archival audio and video footage of Adolf Hitler and his military
chief Hermann Göring, 1930s Europe, refugee conveys, the horrors uncovered in
post-war Europe and the Eichmann trial with contemporary interviews with academics
who either knew Arendt or have studied her writings in depth.
Arendt’s words on the subject of being a refugee, for example, run over footage of
people being loaded into lorries, a soup kitchen for Jewish refugees in Paris in the
1930s and images of Hitler addressing his followers.
Where possible, Arendt’s story is told through her own words, either by an actress
reading her writings and letters, or through television interviews. “I did a lot of
interviews but decided in the end it was important for her to tell her own story,
through her own words, either in interview or her writing,” explains Ushpiz. “She
writes very emotionally, which is nice.”
Having spent five years researching, financing and producing the documentary,
Ushpiz says she would like to make a second feature that would examine Arendt’s
work in the final decade of her life, and its impact in the subsequent decades. “For
me,” concludes Ushpiz, “the work of her final years was in many ways even more
interesting.”
ADA USHPIZ
Director and Producer
Ada Ushpiz is a renowned Israeli film producer and director. She has a B.A. in
philosophy and M.A. in history from Tel Aviv University and a significant journalistic
experience in political-social writing for the prestigious Ha'aretz newspaper. She
directed a number of remarkable documentaries in recent years - Detained (2001),
Bloody Engagement (2004), Desert Brides (2008) and Good Garbage (2012) - which
have been awarded numerous awards in Israel and around the world.
INA FICHMAN
Producer
For over twenty five years, Ina Fichman has been producing award-winning
documentary and fiction films for television and theatrical release. Recent productions
include Malls ‘R Us directed by Helene Klodawsky, Six Days in June directed by Ilan
Ziv, S&M: Short and Male directed by Howard Goldberg, and That's Poker by Hervé
Martin-Delpierre.
Other documentaries include Gemini Award winning feature Undying Love which also
won awards at the Int'l Jerusalem Film Festival, was nominated for 2 Prix Gemaux and
won both WGC and CSC Awards; Black Coffee and Being Dorothy.
Non-fiction youth TV credits include My Brand New Life/Je vie ta vie, La quee and
Active-Toi.
As a producer/executive producer of fiction, Ina has a number of credits including
the alternative drama Family Motel directed by Helene Klodawsky, the Mow la force
de l'age, and the teen series Vampire High.
Intuitive Pictures and AU Films present
VITA ACTIVA
THE SPIRIT OF HANNAH ARENDT
	
  
a film by Ada Ushpiz
Produced by Ina Fichman, Ada Ushpiz
Director & Writer Ada Ushpiz
Directors of Photography Itai Neeman, German Gutierrez, Philippe Lavalette
Editor Hadas Ayalon
Original Music John Wilson
Sound Design Michel Lambert
Alison Darcy as Hannah Arendt’s voice
Associate Producer Christine Rocheleau
Executive Producers Hedva Goldschmidt, Stefan Pannen
World Sales Go2Films
Israel/Canada - 2015 - 125 mins - Color and B&W
In German, English and Hebrew with English subtitles
A ZEITGEIST FILMS RELEASE
www.zeitgeistfilms.com

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Vita activa presskit

  • 1.   Theatrical & Festival Booking Contacts: Nancy Gerstman & Emily Russo, Zeitgeist Films nancy@zeitgeistfilms.com • emily@zeitgeistfilms.com 212-274-1989 A ZEITGEIST FILMS RELEASE
  • 2. VITA ACTIVA THE SPIRIT OF HANNAH ARENDT     A brand new documentary about one of the most influential thinkers of the 20th century. The German-Jewish philosopher Hannah Arendt caused an uproar in the 1960s by coining the subversive concept of the "Banality of Evil" when referring to the trial of Adolph Eichmann, which she covered for the New Yorker magazine. Her private life was no less controversial thanks to her early love affair with the renowned German philosopher and Nazi supporter Martin Heidegger. This thought provoking and spirited documentary, with its abundance of archival materials, offers an intimate portrait of the whole of Arendt's life, traveling to places where she lived, worked, loved, and was betrayed, as she wrote about the open wounds of modern times. Through her books, which are still widely read, and the recent release of Margarethe von Trotta's biopic Hannah Arendt (also a Zeitgeist Films release) there is renewed interest in Arendt throughout the world, especially among young people who find her insights into the nature of evil, totalitarianism, ideologies, and the perils faced by refugees, more relevant than ever.
  • 3. AN INTERVIEW WITH ADA USHPIZ SCREEN DAILY By Melanie Goodfellow Documentary film-maker Ada Ushpiz tells Screen about charting the life and fertile mind of a great thinker in her new film Vita Activa, The Spirit Of Hannah Arendt. When Ada Ushpiz’s timely documentary Vita Activa, The Spirit Of Hannah Arendt, exploring the roots and legacy of the legendary philosopher’s thinking, premiered at Munich International Film Festival earlier this year it played to a packed-out theatre. “There was not a ticket to be had,” says respected film-maker Ushpiz, whose credits include Good Garbage, Desert Brides and Detained. Today’s screening at Jerusalem Film Festival, where the film is playing in the documentary competition, is also sold out. “They’re not just coming for the documentary,” declares Ushpiz. “They’re also drawn by the figure of Hannah Arendt. She remains as popular, if not more popular, than when she was alive because she was ahead of her time.” “She is beyond post-modernism. She was a thinking person. She didn’t subscribe to any set doctrine or school of thought but based her writings on experience and what was really happening. She had the ability to universalise her personal experience.” Arendt’s writings, notes the film-maker, have influenced movements as diverse as Poland’s Solidarity and the pro-democracy Arab Spring. To this day, they also remain a source of inspiration for the Jewish secular movement. The philosopher’s life-long defence of the need for a plurality of thought and voices makes Arendt’s work particularly timely, Ushpiz adds.
  • 4. In Vita Activa, The Spirit Of Hannah Arendt, she hones in on Arendt’s early writings, focusing in particular on her most famous work, Eichmann In Jerusalem, based on the trial of Adolf Eichmann in 1961, for his role as an administrator supporting the deportation and extermination of Jews during the Holocaust. It was in this work that Arendt crystallised her theory about the “banality of evil”, stemming from Eichmann’s assertion that he wasn’t guilty because he had simply been carrying out orders. “I came to the whole thing because I was intrigued by the idea of the banality of evil,” says Ushpiz. “The more I live in this world, the more I believe it is relevant.” The documentary traces how Arendt’s thinking and writing grew out of her experiences growing up in Germany, leaving the country during the rise of the Nazi party and subsequently living a peripatetic life across Europe. She touched down in Prague, Geneva and Paris, and was briefly interned by the Nazis in France before fleeing to the US in 1941. This period in Arendt’s life resulted in her writings on what it meant to be a refugee. Her theory that stateless people find themselves “superfluous” to society remains as relevant now as it did at the time of its formulation in the late 1940s. Ushpiz’s film also touches on Arendt’s complex relationship with her philosophy professor Martin Heidegger, who was later discovered to be a Nazi sympathiser. “Her relationship with Heidegger was complicated,” says the director. “Researchers have recently come across lectures he gave in 1933 and 1934 while he was the rector of the University of Freiburg. He speaks in real Nazi language, it’s really terrible.” Vita Activa intercuts archival audio and video footage of Adolf Hitler and his military chief Hermann Göring, 1930s Europe, refugee conveys, the horrors uncovered in post-war Europe and the Eichmann trial with contemporary interviews with academics who either knew Arendt or have studied her writings in depth.
  • 5. Arendt’s words on the subject of being a refugee, for example, run over footage of people being loaded into lorries, a soup kitchen for Jewish refugees in Paris in the 1930s and images of Hitler addressing his followers. Where possible, Arendt’s story is told through her own words, either by an actress reading her writings and letters, or through television interviews. “I did a lot of interviews but decided in the end it was important for her to tell her own story, through her own words, either in interview or her writing,” explains Ushpiz. “She writes very emotionally, which is nice.” Having spent five years researching, financing and producing the documentary, Ushpiz says she would like to make a second feature that would examine Arendt’s work in the final decade of her life, and its impact in the subsequent decades. “For me,” concludes Ushpiz, “the work of her final years was in many ways even more interesting.”
  • 6. ADA USHPIZ Director and Producer Ada Ushpiz is a renowned Israeli film producer and director. She has a B.A. in philosophy and M.A. in history from Tel Aviv University and a significant journalistic experience in political-social writing for the prestigious Ha'aretz newspaper. She directed a number of remarkable documentaries in recent years - Detained (2001), Bloody Engagement (2004), Desert Brides (2008) and Good Garbage (2012) - which have been awarded numerous awards in Israel and around the world. INA FICHMAN Producer For over twenty five years, Ina Fichman has been producing award-winning documentary and fiction films for television and theatrical release. Recent productions include Malls ‘R Us directed by Helene Klodawsky, Six Days in June directed by Ilan Ziv, S&M: Short and Male directed by Howard Goldberg, and That's Poker by Hervé Martin-Delpierre. Other documentaries include Gemini Award winning feature Undying Love which also won awards at the Int'l Jerusalem Film Festival, was nominated for 2 Prix Gemaux and won both WGC and CSC Awards; Black Coffee and Being Dorothy. Non-fiction youth TV credits include My Brand New Life/Je vie ta vie, La quee and Active-Toi. As a producer/executive producer of fiction, Ina has a number of credits including the alternative drama Family Motel directed by Helene Klodawsky, the Mow la force de l'age, and the teen series Vampire High.
  • 7. Intuitive Pictures and AU Films present VITA ACTIVA THE SPIRIT OF HANNAH ARENDT   a film by Ada Ushpiz Produced by Ina Fichman, Ada Ushpiz Director & Writer Ada Ushpiz Directors of Photography Itai Neeman, German Gutierrez, Philippe Lavalette Editor Hadas Ayalon Original Music John Wilson Sound Design Michel Lambert Alison Darcy as Hannah Arendt’s voice Associate Producer Christine Rocheleau Executive Producers Hedva Goldschmidt, Stefan Pannen World Sales Go2Films Israel/Canada - 2015 - 125 mins - Color and B&W In German, English and Hebrew with English subtitles A ZEITGEIST FILMS RELEASE www.zeitgeistfilms.com