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American Red Cross
Photography
Better Communication Through
Better Photography
What we’re here to learn.
• A Picture is Worth A Thousand Words
– Better Communication Through Photographs
• Taking Great Red Cross Photos
– Light
– Visual Order
– Emotion
– Mindfulness and Planning
– Composition
2
Photos: Worth a Thousand Words?
• Photos are always the things people see first.
– Our eyes are drawn to color and contrast.
• Sometimes a photo is all you need to get the story.
– Our minds react strongly to visual cues.
• Photographs help the Red Cross’s mission.
– Our emotions become stronger in reaction to other
people’s emotions.
3
Working with Light
• Using flash:
– Useful, but should be your last choice.
3
Working with Light
• Using flash:
– Useful, but should be your last choice.
– Change in emotion, flash vs. natural light.
3
Working with Light
• Using flash:
– Useful, but should be your last choice.
– Change in emotion, flash vs. natural light.
• You can’t usually control where the light comes from or
how strong it is. But you can control where you are.
3
Working with Light
• Using flash:
– Useful, but should be your last choice.
– Change in emotion, flash vs. natural light.
• You can’t usually control where the light comes from or
how strong it is. But you can control where you are.
• Shadows are as important as light.
3
Working with Light
• Using flash:
– Useful, but should be your last choice.
– Change in emotion, flash vs. natural light.
• You can’t usually control where the light comes from or
how strong it is. But you can control where you are.
• Shadows are as important as light.
• Time of Day (and the magic hour).
3
Visual Order
• Relative size, focus and closeness.
– Bigger isn’t necessarily better, but a sense of scale
can tell its own story.
– What’s most dominant or obvious will be the first (and
hopefully most important) thing a viewer sees.
3
Composition 101
• The way we read is the way we see.
3
Composition 101
• The way we read is the way we see.
• Rule of thirds, the “power points.”
3
Composition 101
• The way we read is the way we see.
• Rule of thirds, the “power points.”
• Centering your subjects!
3
Composition 101
• The way we read is the way we see.
• Rule of thirds, the “power points.”
• Centering your subjects!
• Adjusting Angles.
3
Composition 101
• The way we read is the way we see.
• Rule of thirds, the “power points.”
• Centering your subjects!
• Adjusting Angles.
• Lines and perspective.
3
Composition 101
• The way we read is the way we see.
• Rule of thirds, the “power points.”
• Centering your subjects!
• Adjusting Angles.
• Lines and perspective.
• Vertical shots are important too!
3
Mindfulness and Planning
• The sports photographer, the bird-watcher.
– Patience is a virtue.
• A little position planning.
– Scouting before you shoot can do wonders.
• Ask, and you shall receive (but be respectful!).
– You’re there to help, and people know that.
3
Mindfulness and Planning
• The sports photographer, the bird-watcher.
– Patience is a virtue.
3
Mindfulness and Planning
• The sports photographer, the bird-watcher.
– Patience is a virtue.
• A little position planning.
– Scouting before you shoot can do wonders.
3
Mindfulness and Planning
• The sports photographer, the bird-watcher.
– Patience is a virtue.
• A little position planning.
– Scouting before you shoot can do wonders.
• Ask, and you shall receive (but be respectful!).
– You’re there to help, and people know that.
3
Emotional Impact
• Get your story straight.
– You’re trying to communicate a message.
• Make sure it’s appropriate to the situation.
– “Smile for the camera” doesn’t work all the time.
• Hey wait, where are the people?
– No faces? No problem.
3
Emotional Impact
• Get your story straight.
– You’re trying to communicate a message.
3
Emotional Impact
• Get your story straight.
– You’re trying to communicate a message.
• Make sure it’s appropriate to the situation.
– “Smile for the camera” doesn’t work all the time.
3
Emotional Impact
• Get your story straight.
– You’re trying to communicate a message.
• Make sure it’s appropriate to the situation.
– “Smile for the camera” doesn’t work all the time.
• Hey wait, where are the people?
– No faces? No problem.
3
End
• Get your story straight.
– You’re trying to communicate a message.
• Make sure it’s appropriate to the situation.
– “Smile for the camera” doesn’t work all the time.
• Hey wait, where are the people?
– No faces? No problem.
3
Basic Photography Guidelines
• Before Shooting
– Ask Questions First, Shoot Later
• Elements that Can Change the Photo Drastically
– Quality, direction and strength of light
– Composition - cropping, focus, including/excluding elements
– Timing - hold that button!
• After Shooting
– Some Easy Editing Tips and Resources
3
American Red Cross
Photography
Q&A

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Red Cross Photo Presentation

  • 1. American Red Cross Photography Better Communication Through Better Photography
  • 2. What we’re here to learn. • A Picture is Worth A Thousand Words – Better Communication Through Photographs • Taking Great Red Cross Photos – Light – Visual Order – Emotion – Mindfulness and Planning – Composition 2
  • 3. Photos: Worth a Thousand Words? • Photos are always the things people see first. – Our eyes are drawn to color and contrast. • Sometimes a photo is all you need to get the story. – Our minds react strongly to visual cues. • Photographs help the Red Cross’s mission. – Our emotions become stronger in reaction to other people’s emotions. 3
  • 4. Working with Light • Using flash: – Useful, but should be your last choice. 3
  • 5.
  • 6.
  • 7.
  • 8. Working with Light • Using flash: – Useful, but should be your last choice. – Change in emotion, flash vs. natural light. 3
  • 9.
  • 10.
  • 11.
  • 12.
  • 13. Working with Light • Using flash: – Useful, but should be your last choice. – Change in emotion, flash vs. natural light. • You can’t usually control where the light comes from or how strong it is. But you can control where you are. 3
  • 14.
  • 15.
  • 16. Working with Light • Using flash: – Useful, but should be your last choice. – Change in emotion, flash vs. natural light. • You can’t usually control where the light comes from or how strong it is. But you can control where you are. • Shadows are as important as light. 3
  • 17.
  • 18.
  • 19. Working with Light • Using flash: – Useful, but should be your last choice. – Change in emotion, flash vs. natural light. • You can’t usually control where the light comes from or how strong it is. But you can control where you are. • Shadows are as important as light. • Time of Day (and the magic hour). 3
  • 20.
  • 21.
  • 22.
  • 23.
  • 24.
  • 25.
  • 26. Visual Order • Relative size, focus and closeness. – Bigger isn’t necessarily better, but a sense of scale can tell its own story. – What’s most dominant or obvious will be the first (and hopefully most important) thing a viewer sees. 3
  • 27.
  • 28.
  • 29.
  • 30.
  • 31.
  • 32.
  • 33.
  • 34.
  • 35.
  • 36. Composition 101 • The way we read is the way we see. 3
  • 37.
  • 38. Composition 101 • The way we read is the way we see. • Rule of thirds, the “power points.” 3
  • 39.
  • 40.
  • 41.
  • 42.
  • 43. Composition 101 • The way we read is the way we see. • Rule of thirds, the “power points.” • Centering your subjects! 3
  • 44.
  • 45.
  • 46.
  • 47. Composition 101 • The way we read is the way we see. • Rule of thirds, the “power points.” • Centering your subjects! • Adjusting Angles. 3
  • 48.
  • 49.
  • 50.
  • 51.
  • 52. Composition 101 • The way we read is the way we see. • Rule of thirds, the “power points.” • Centering your subjects! • Adjusting Angles. • Lines and perspective. 3
  • 53.
  • 54.
  • 55.
  • 56. Composition 101 • The way we read is the way we see. • Rule of thirds, the “power points.” • Centering your subjects! • Adjusting Angles. • Lines and perspective. • Vertical shots are important too! 3
  • 57.
  • 58.
  • 59.
  • 60. Mindfulness and Planning • The sports photographer, the bird-watcher. – Patience is a virtue. • A little position planning. – Scouting before you shoot can do wonders. • Ask, and you shall receive (but be respectful!). – You’re there to help, and people know that. 3
  • 61. Mindfulness and Planning • The sports photographer, the bird-watcher. – Patience is a virtue. 3
  • 62.
  • 63.
  • 64. Mindfulness and Planning • The sports photographer, the bird-watcher. – Patience is a virtue. • A little position planning. – Scouting before you shoot can do wonders. 3
  • 65.
  • 66.
  • 67.
  • 68. Mindfulness and Planning • The sports photographer, the bird-watcher. – Patience is a virtue. • A little position planning. – Scouting before you shoot can do wonders. • Ask, and you shall receive (but be respectful!). – You’re there to help, and people know that. 3
  • 69.
  • 70. Emotional Impact • Get your story straight. – You’re trying to communicate a message. • Make sure it’s appropriate to the situation. – “Smile for the camera” doesn’t work all the time. • Hey wait, where are the people? – No faces? No problem. 3
  • 71. Emotional Impact • Get your story straight. – You’re trying to communicate a message. 3
  • 72.
  • 73.
  • 74.
  • 75.
  • 76.
  • 77.
  • 78. Emotional Impact • Get your story straight. – You’re trying to communicate a message. • Make sure it’s appropriate to the situation. – “Smile for the camera” doesn’t work all the time. 3
  • 79.
  • 80.
  • 81.
  • 82. Emotional Impact • Get your story straight. – You’re trying to communicate a message. • Make sure it’s appropriate to the situation. – “Smile for the camera” doesn’t work all the time. • Hey wait, where are the people? – No faces? No problem. 3
  • 83.
  • 84. End • Get your story straight. – You’re trying to communicate a message. • Make sure it’s appropriate to the situation. – “Smile for the camera” doesn’t work all the time. • Hey wait, where are the people? – No faces? No problem. 3
  • 85. Basic Photography Guidelines • Before Shooting – Ask Questions First, Shoot Later • Elements that Can Change the Photo Drastically – Quality, direction and strength of light – Composition - cropping, focus, including/excluding elements – Timing - hold that button! • After Shooting – Some Easy Editing Tips and Resources 3

Editor's Notes

  1. Victim + Shelter + Red Cross symbol
  2. Victim + Shelter + Red Cross worker
  3. Victim + Shelter + Red Cross worker emotional help
  4. damage
  5. damage
  6. Victim + Shelter + Red Cross worker emotional help
  7. Victim + Shelter + Red Cross worker emotional help
  8. damage
  9. damage
  10. Red Cross + victim + damage
  11. Red Cross + victim + damage
  12. Light: evokes a feeling Elements: simple and recognizable Timing: early morning or late afternoon light is beautiful
  13. damage
  14. damage
  15. damage
  16. Damage that you can recognize The role of light
  17. Closer to the damage Recognize shapes and can relate
  18. Too far from the important part of the photo Too many elements in the photo that distract and not add to the message
  19. Same photo op, different result
  20. Victim and damage
  21. Victim and damage
  22. Victim and damage
  23. Red Cross + damage Hierarchy of elements on the photo. Red Cross first, damage second. Clear, and close up, this photo can be printed small and still legible.
  24. Red Cross + damage This is a good photo, good light, clear elements. Both main elements, damage and Red Cross, have similar importance
  25. Red Cross + damage
  26. Victim + Damage + Red Cross help
  27. Victim and damage
  28. Victim and damage
  29. Victim and damage
  30. Victim and damage
  31. Victim + Damage + Red Cross help
  32. Victim + Damage + Red Cross help
  33. Victim + Damage + Red Cross help
  34. Victim + Shelter + Red Cross worker
  35. Victim + Shelter + Red Cross worker
  36. Victim + Shelter + Red Cross worker
  37. Victim + Red Cross help
  38. Victim + Shelter + Red Cross symbol
  39. Victim + Shelter + Red Cross symbol
  40. Victim + Shelter + Red Cross symbol
  41. Victim + Shelter + Red Cross worker emotional help
  42. Victim + Shelter + Red Cross worker emotional help
  43. Victim + Shelter + Red Cross worker emotional help
  44. damage
  45. damage
  46. Red Cross + damage
  47. Red Cross + damage
  48. Red Cross + damage
  49. Victim + Red Cross + simplest form + essence of the red cross + it becomes evergreen, a classic shot
  50. Victim + Red Cross help
  51. Victim + Shelter + Red Cross worker emotional help
  52. Red Cross at work + diversity
  53. Red Cross + Partner + action
  54. Victim + Shelter + Red Cross worker help
  55. Victim + Shelter + Red Cross worker
  56. victim
  57. victim
  58. victim
  59. Closer to the damage Recognize shapes and can relate