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In Martin Scorsese’s film, “Raging Bull” (1980), the director makes use of powerful

cinematic devises to achieve a deeper emotional connection between Robert Deniro’s

tragic character, Jake LaMotta, and the audience. In the hands of a competent director

like Scorsese, devises such as lighting, intricate camerawork, sound (or absence thereof),

editing and even costuming become ways of evoking pity or even sympathy from

viewers. Two scenes in particular make use of these devises, Jake LaMotta’s time in the

Dade County Stockade and the final fight between Jake LaMotta and Sugar Ray

Robinson.

       In the first scene Jake LaMotta is dragged into a prison cell by two guards. Jake

sits down to take a few breaths and then walks towards the wall. He leans on the wall

with his head down to think about everything. His wife, his children, and his career are

now all gone. Jake physically punishes himself by smashing his head repeatedly against

the wall and also punching it. He then cries childishly and slides down on his seat.

       The Stockade’s use of environmental lighting is immediately obvious. Darkness

is usually associated with bad things or in this case the lowest point in Jake’s life.

Scorsese uses as little lighting as possible to maintain his famed realistic style as well as

to emphasize Jack’s isolation from the outside world.          It also draws the viewers

sympathy, since the cell’s lack of light is representative of the lack of good luck in Jake’s

life. When Jake starts to cry, the shadows cover his face and body but his arm and

shoulder is still visible. This shows that he is not human but an animal and that he can’t

show his face to the world. One quote that supports this is…
When Jake begins to beat himself, the camera zooms in. The magnification of his face as

he bashed it against the wall in frustration absorbs the viewer’s attention and elevates the

importance of the moment, suggesting symbolic significance. Also, Scorsese wants the

audience to focus on the details, expression, and the reaction of Jake. Scorsese does not

use the extreme close-up because he wants to emphasize his arms and his head, not his

face.

        Sound is a very important factor of this scene because it shows pain and anger.

When Jake sits down there is silence for a few seconds. He starts to breathe heavier and

heavier to show that he is building anger inside of him. He stands up and starts to abuse

his body by banging his head and punching the wall. Sound effects are used to show that

Jake is using all his strength to release his emotions like he always does in the boxing

ring.

        Costuming in this scene is essential because Jake LaMotta’s costume has his

stomach sticking out with dirty clothes. He is no longer wealthy and he is suffering.

Costumes can reveal class, self-image, and even psychological states.(footnote ryan)

Jake is a nobody in society and he is forced to do stand up comedy which is not really

important to him. He lost his family, money, and fame. Another significant about Jake’s

costume is that Robert Deniro transformed his body to fit this scene to show the passage

of time and physical changes.

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Intro

  • 1. In Martin Scorsese’s film, “Raging Bull” (1980), the director makes use of powerful cinematic devises to achieve a deeper emotional connection between Robert Deniro’s tragic character, Jake LaMotta, and the audience. In the hands of a competent director like Scorsese, devises such as lighting, intricate camerawork, sound (or absence thereof), editing and even costuming become ways of evoking pity or even sympathy from viewers. Two scenes in particular make use of these devises, Jake LaMotta’s time in the Dade County Stockade and the final fight between Jake LaMotta and Sugar Ray Robinson. In the first scene Jake LaMotta is dragged into a prison cell by two guards. Jake sits down to take a few breaths and then walks towards the wall. He leans on the wall with his head down to think about everything. His wife, his children, and his career are now all gone. Jake physically punishes himself by smashing his head repeatedly against the wall and also punching it. He then cries childishly and slides down on his seat. The Stockade’s use of environmental lighting is immediately obvious. Darkness is usually associated with bad things or in this case the lowest point in Jake’s life. Scorsese uses as little lighting as possible to maintain his famed realistic style as well as to emphasize Jack’s isolation from the outside world. It also draws the viewers sympathy, since the cell’s lack of light is representative of the lack of good luck in Jake’s life. When Jake starts to cry, the shadows cover his face and body but his arm and shoulder is still visible. This shows that he is not human but an animal and that he can’t show his face to the world. One quote that supports this is…
  • 2. When Jake begins to beat himself, the camera zooms in. The magnification of his face as he bashed it against the wall in frustration absorbs the viewer’s attention and elevates the importance of the moment, suggesting symbolic significance. Also, Scorsese wants the audience to focus on the details, expression, and the reaction of Jake. Scorsese does not use the extreme close-up because he wants to emphasize his arms and his head, not his face. Sound is a very important factor of this scene because it shows pain and anger. When Jake sits down there is silence for a few seconds. He starts to breathe heavier and heavier to show that he is building anger inside of him. He stands up and starts to abuse his body by banging his head and punching the wall. Sound effects are used to show that Jake is using all his strength to release his emotions like he always does in the boxing ring. Costuming in this scene is essential because Jake LaMotta’s costume has his stomach sticking out with dirty clothes. He is no longer wealthy and he is suffering. Costumes can reveal class, self-image, and even psychological states.(footnote ryan) Jake is a nobody in society and he is forced to do stand up comedy which is not really important to him. He lost his family, money, and fame. Another significant about Jake’s costume is that Robert Deniro transformed his body to fit this scene to show the passage of time and physical changes.