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When TEI Verse becomes linked 
data: using TEI tags as a model to 
build a linked poetry system 
Elena González-Blanco, UNED-LINHD 
egonzalezblanco@flog.uned.es 
Gimena del Río Riande, SECRIT-CONICET 
gdelrio@conicet.gov.ar
Technical structure 
RELATIONAL 
DATABASE
What is a metrical 
repertoire?
Print repertoires 
• Gaston Raynaud, Bibliographie des 
chansonniers français des XIIIe et XIVe 
siècles, 1884. 
• Gotthold Naetebus, Die nicht lyrischen 
Strophenformen des Altfranzösischen, 
1891. 
• Pillet & Carstens, Bibliographie des 
Troubadours, 1933
Linking repertoires…
Interoperability – or how to link repertoires… 
• Issues to consider 
– Different structure and level of complexity 
– Different content and time 
– Different technological systems 
• SQL databases 
• Propietary RDBMS systems 
• XML tagged text 
– Different levels of access
Interoperability & TEI
The Linked Data Challenge 
Linking Data Challenge
Why a linked data model 
Why a linked data model 
• Based on metadata added to existing databases 
• Does not alter the internal structure of each 
repertoire 
• Code is published as linked data available on the 
web 
• Extensible and flexible model
ReMetCa’s Ontology 
Available at: http://www.purl.org/net/remetca 
and http://datahub.io/dataset/remetca-ontology
Some Issues 
Some issues 
• No previous ontology on poetry existed 
• Need of standardization of some fields (eg: 
metrical and rhythmical scheme) 
• Need to create controlled vocabularies to 
organize information
Classes
POEM 
Author 
Title 
Incipit 
Manuscript 
Post quem 
Ante quem 
Language 
Topics 
Edition 
Online edition 
Work 
CCllaassseess 
POEM 
Isometrism 
Isostrophism 
Metrical scheme 
Rhyme scheme 
Rhyme 
Musical notation 
Number of 
stanzas 
Number of lines 
Poetic form 
<author> 
<origDate> 
<notBefore> 
<notAfter> 
<edition> 
<msItem> 
<l> 
<lg type=“poem”> 
<lg> 
<syll> 
<listBibl>
POEM 
Author 
Title 
Incipit 
Manuscript 
Post quem 
Ante quem 
Language 
Topics 
Edition 
Online edition 
Work 
PProroppieedratideess 
POEM 
Isometrism 
Isostrophism 
Metrical scheme 
Rhyme scheme 
Rhyme 
Musical notation 
Number of 
stanzas 
Number of lines 
Poetic form
POEM 
Author 
Title 
Incipit 
Manuscript 
Post quem 
Ante quem 
Language 
Topics 
Edition 
Online edition 
Work 
DatAat prirboupteorsties 
POEM 
Isometrism 
Isostrophism 
Metrical scheme 
Rhyme scheme 
Rhyme 
Musical notation 
Number of 
stanzas 
Number of lines 
Poetic form
From SQFrLo tmo SRQDLF tuosiRnDgFKARMA
From SQFrLo tmo SRQDLF tuosiRnDgFKARMA
Berners Lee’s Star rating system 
LOD principles 
 Information is available on theWeb (any format) 
under an open license 
 Information is available as structured data (e.g. Excel 
instead of an image scan of a table) 
 Non-proprietary formats are used (e.g. CSV instead 
of Excel) 
 URI identification is used so that people can point at 
individual data 
 Data is linked to other data to provide context
Metadata universe is big… 
Metadata universe is big… 
image from http://www.dlib.indiana.edu/~jenlrile/metadatamap/
ReMetCa Ontology 
Available at: http://www.purl.org/net/remetca 
and http://datahub.io/dataset/remetca-ontology
Our decision for mapping 
Me quedo aquí… 
REMETCA TEI CIDOC 
Data post quem <origDate notBefore="1450"> E63 Beginning of existence 
REMETCA TEI CIDOC 
Date <creation> E50 
REMETCA TEI DC 
Bibliographical references <listBibl> BibliographicCitation 
REMETCA TEI CIDOC 
Author <author> E21 Person 
REMETCA TEI CIDOC 
Data ante quem < origDate notAfter="1450"> E64 End of existence 
REMETCA CIDOC 
composedBy P94 has created (was created 
by) 
REMETCA CIDOC 
hasDate P92 was brought into 
existence 
OBJECT PROPERTIES
http://vocabularios.caicyt.gov.ar/pmc/
http://vocabularios.caicyt.gov.ar/pmc/
http://vocabularios.caicyt.gov.ar/pmc/
Library of Congress, Rosenwald 4, 5r, ca. 1410. 
Conclusions 
…As dwarfs standing on the shoulders of 
giants (nanos gigantum humeris insidentes) 
www.remetca.uned.es

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When TEI Verse becomes Linked Data

  • 1. When TEI Verse becomes linked data: using TEI tags as a model to build a linked poetry system Elena González-Blanco, UNED-LINHD egonzalezblanco@flog.uned.es Gimena del Río Riande, SECRIT-CONICET gdelrio@conicet.gov.ar
  • 2.
  • 4.
  • 5.
  • 6. What is a metrical repertoire?
  • 7. Print repertoires • Gaston Raynaud, Bibliographie des chansonniers français des XIIIe et XIVe siècles, 1884. • Gotthold Naetebus, Die nicht lyrischen Strophenformen des Altfranzösischen, 1891. • Pillet & Carstens, Bibliographie des Troubadours, 1933
  • 8.
  • 9.
  • 11. Interoperability – or how to link repertoires… • Issues to consider – Different structure and level of complexity – Different content and time – Different technological systems • SQL databases • Propietary RDBMS systems • XML tagged text – Different levels of access
  • 13. The Linked Data Challenge Linking Data Challenge
  • 14. Why a linked data model Why a linked data model • Based on metadata added to existing databases • Does not alter the internal structure of each repertoire • Code is published as linked data available on the web • Extensible and flexible model
  • 15. ReMetCa’s Ontology Available at: http://www.purl.org/net/remetca and http://datahub.io/dataset/remetca-ontology
  • 16. Some Issues Some issues • No previous ontology on poetry existed • Need of standardization of some fields (eg: metrical and rhythmical scheme) • Need to create controlled vocabularies to organize information
  • 18. POEM Author Title Incipit Manuscript Post quem Ante quem Language Topics Edition Online edition Work CCllaassseess POEM Isometrism Isostrophism Metrical scheme Rhyme scheme Rhyme Musical notation Number of stanzas Number of lines Poetic form <author> <origDate> <notBefore> <notAfter> <edition> <msItem> <l> <lg type=“poem”> <lg> <syll> <listBibl>
  • 19. POEM Author Title Incipit Manuscript Post quem Ante quem Language Topics Edition Online edition Work PProroppieedratideess POEM Isometrism Isostrophism Metrical scheme Rhyme scheme Rhyme Musical notation Number of stanzas Number of lines Poetic form
  • 20. POEM Author Title Incipit Manuscript Post quem Ante quem Language Topics Edition Online edition Work DatAat prirboupteorsties POEM Isometrism Isostrophism Metrical scheme Rhyme scheme Rhyme Musical notation Number of stanzas Number of lines Poetic form
  • 21. From SQFrLo tmo SRQDLF tuosiRnDgFKARMA
  • 22. From SQFrLo tmo SRQDLF tuosiRnDgFKARMA
  • 23. Berners Lee’s Star rating system LOD principles  Information is available on theWeb (any format) under an open license  Information is available as structured data (e.g. Excel instead of an image scan of a table)  Non-proprietary formats are used (e.g. CSV instead of Excel)  URI identification is used so that people can point at individual data  Data is linked to other data to provide context
  • 24. Metadata universe is big… Metadata universe is big… image from http://www.dlib.indiana.edu/~jenlrile/metadatamap/
  • 25. ReMetCa Ontology Available at: http://www.purl.org/net/remetca and http://datahub.io/dataset/remetca-ontology
  • 26. Our decision for mapping Me quedo aquí… REMETCA TEI CIDOC Data post quem <origDate notBefore="1450"> E63 Beginning of existence REMETCA TEI CIDOC Date <creation> E50 REMETCA TEI DC Bibliographical references <listBibl> BibliographicCitation REMETCA TEI CIDOC Author <author> E21 Person REMETCA TEI CIDOC Data ante quem < origDate notAfter="1450"> E64 End of existence REMETCA CIDOC composedBy P94 has created (was created by) REMETCA CIDOC hasDate P92 was brought into existence OBJECT PROPERTIES
  • 30. Library of Congress, Rosenwald 4, 5r, ca. 1410. Conclusions …As dwarfs standing on the shoulders of giants (nanos gigantum humeris insidentes) www.remetca.uned.es