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Barbara Jane Reyes

•   Born in Manilla, Philippines
•   Raised in SF Bay Area
•   Educated: UC Berkeley/SF State
•   Currently an assistant professor at Mills
    College
Orient
Dis-Orient
Re-Orient
Some Ideas about Regions

  •       Brechin-the contado
  •       Snyder-the Watershed
  •       Reyes-the Contact Zone
      •    circulation of products, ideas, images,
           languages
see also
foreshadowing of
this in Ginsberg’s
  America poem
Obvious U.S. involvement with Philippines

  •   1898 Philippines wins independence from Spain
  •   But this is during Spanish American War which
      Spain loses
  •   America decides that Philippines is a spoil of war,
      and theirs
  •   Philippines is a “territory” or semi-autonomous
      commonwealth until 1946 when it gains
      independence
  •   It continues to be used as a military base during the
      cold war and up until our own times.
Bayabar
Tagalog
English
   +
Spanish
   &
 others
Poeta en San Francisco/Poeta in New York




•   “Foreigners” writing about US cities
    during a time of crisis
•   Felt a certain horror and disgust (Lorca
    during Great Depression/Reyes during
    times of War)
•   Not just revulsion and rejection but a
    surrealistic overlay.
[state of emergency]


To honor movement in crescendos of text, combing through
ashes for fragments of human bone, studying maps drawn for
the absurdity of navigation — what may be so edgy about this
state of emergency is my lack of apology for what I am bound
to do. For instance, if I dream the wetness of your mouth an
oyster my tongue searches for the taste of ocean, if I crave
the secret corners of your city on another continent, in
another time, in series of circular coils extending outward,
then it is only because I continue to harbor the swirls of
galaxies in the musculature and viscera of my body. You will
appear because I have mouthed your name in half-wish,
reluctant to bring myself to you. You will appear for me,
because you always do, with earthen skin outside the
possibility of human causation.
[lakas sambayan 2003]
                                                  p.98
stone torch in nation’s fist fractures
dictator’s face wings flutter yellow paint
streaming from the giant’s lachrymal ducts
inventoried war crimes swiss bank accounts
dialysis paparazzi copycats bless american way
iron tanks cannot deter nuns wailing
novenas guarding ballot boxes with rosaries
remember the agong as woman’s breast
remember generala silang brandishing bolo knife
riding bareback where confluence of fishmarket
freeways prefab housing squares meet basketball
courts liquor stores cornrowed b-ballers sport
saggin sean john bling bling knuckles
lowering rice rockets scraping tha pavement
vinta colors billow island monsoon sky
street chrome exhaust pipes black smoke
pimpin boyz flip they caps sideways
faraway spectacle this commissioned stone face
no rushmore mere quick dry cement
block amnesia exile nation cannot dismantle
stone torch in nation’s fist fractures
dictator’s face wings flutter yellow paint
streaming from the giant’s lachrymal ducts
Isn’t it clear what this mural is doing in San Francisco?
Spirit of ‘68?


                                        San Francisco=
                                       people power over
                                         governments
1986 People’s Power
    Revolution
      (EDSA)




      non-violent revolution
=




inventoried war crimes swiss bank accounts
dialysis paparazzi copycats bless american way
                                                 ...remember generala silang
But maybe the mural is here as a protest against US
                             imperialism...




                Marcos’ and Ronald Regan
                 (the toppling of a regime
                     supported by US)
                                                                                     Swiss Bank Accounts
                                                                                  Marcos’ are called “copycats”
                                                                                      of American Values



                                                            This is not
                                                       a french woman’s fist

General Aguinaldo pictured
here is famous for resisting
US occupation in 1899

1899-1902: Philippine-
American War

(Aguinaldo surrenders--
official end of the war--                                                         A US-designed military tank?
fighting continues)


                                   There’s a red flag in the choice to name the
                                   mural in Tagalog rather than in English
Which side to choose?
 Brechin or Bennet?




             “You will appear for me, because
             you always do, with earthen
             skin outside the possibility of
             human causation.”
providing patterns for and learning from others
remember the agong as woman’s breast
remember generala silang brandishing bolo knife
riding bareback where confluence of fishmarket
riding bareback where confluence of fishmarket
freeways prefab housing...
....confluence of fishmarket
freeways prefab housing squares meet basketball
courts
basketball
courts
             liquor stores

                      cornrowed
....b-ballers sport
sagging sean john bling bling knuckles
Rice Rockets (and other modified imports &
exports)



    street chrome                                              pimpin boyz



                                                  cannot dismantle?


    lowering rice rockets scraping tha pavement
    vinta colors billow island monsoon sky
    street chrome exhaust pipes black smoke
    pimpin boyz they flip they cap sideways
twist (someone’s) cap v. phr. 1. to amaze, astonish, or enlighten.
                 2. (in hip-hop) to kill someone; to beat, outwit, or get the better of someone.
                          Also twist (someone’s) cap back. Subjects: English, Hip-Hop, Slang




pimpin boyz they flip they cap sideways
faraway spectacle this commissioned stone face
no rushmore mere quickdry cement
Fate of the Mural




block amnesia exile nation cannot dismantle
stone torch in nation’s fist fractures
dictator’s face wings flutter yellow paint
streaming from the giant’s lachrymal ducts
inventoried war crimes swiss bank accounts
dialysis paparazzi copycats bless american way
iron tanks cannot deter nuns wailing
novenas guarding ballot boxes with rosaries
remember the agong as woman’s breast
remember generala silang brandishing bolo knife
riding bareback where confluence of fishmarket
freeways prefab housing squares meet basketball
courts liquor stores cornrowed b-ballers sport
saggin sean john bling bling knuckles
lowering rice rockets scraping tha pavement
vinta colors billow island monsoon sky
street chrome exhaust pipes black smoke
pimpin boyz flip they caps sideways
faraway spectacle this commissioned stone face
no rushmore mere quick dry cement
block amnesia exile nation cannot dismantle

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Reyes2

  • 1. Barbara Jane Reyes • Born in Manilla, Philippines • Raised in SF Bay Area • Educated: UC Berkeley/SF State • Currently an assistant professor at Mills College
  • 3. Some Ideas about Regions • Brechin-the contado • Snyder-the Watershed • Reyes-the Contact Zone • circulation of products, ideas, images, languages
  • 4. see also foreshadowing of this in Ginsberg’s America poem
  • 5. Obvious U.S. involvement with Philippines • 1898 Philippines wins independence from Spain • But this is during Spanish American War which Spain loses • America decides that Philippines is a spoil of war, and theirs • Philippines is a “territory” or semi-autonomous commonwealth until 1946 when it gains independence • It continues to be used as a military base during the cold war and up until our own times.
  • 6. Bayabar Tagalog English + Spanish & others
  • 7. Poeta en San Francisco/Poeta in New York • “Foreigners” writing about US cities during a time of crisis • Felt a certain horror and disgust (Lorca during Great Depression/Reyes during times of War) • Not just revulsion and rejection but a surrealistic overlay.
  • 8. [state of emergency] To honor movement in crescendos of text, combing through ashes for fragments of human bone, studying maps drawn for the absurdity of navigation — what may be so edgy about this state of emergency is my lack of apology for what I am bound to do. For instance, if I dream the wetness of your mouth an oyster my tongue searches for the taste of ocean, if I crave the secret corners of your city on another continent, in another time, in series of circular coils extending outward, then it is only because I continue to harbor the swirls of galaxies in the musculature and viscera of my body. You will appear because I have mouthed your name in half-wish, reluctant to bring myself to you. You will appear for me, because you always do, with earthen skin outside the possibility of human causation.
  • 9. [lakas sambayan 2003] p.98 stone torch in nation’s fist fractures dictator’s face wings flutter yellow paint streaming from the giant’s lachrymal ducts inventoried war crimes swiss bank accounts dialysis paparazzi copycats bless american way iron tanks cannot deter nuns wailing novenas guarding ballot boxes with rosaries remember the agong as woman’s breast remember generala silang brandishing bolo knife riding bareback where confluence of fishmarket freeways prefab housing squares meet basketball courts liquor stores cornrowed b-ballers sport saggin sean john bling bling knuckles lowering rice rockets scraping tha pavement vinta colors billow island monsoon sky street chrome exhaust pipes black smoke pimpin boyz flip they caps sideways faraway spectacle this commissioned stone face no rushmore mere quick dry cement block amnesia exile nation cannot dismantle
  • 10. stone torch in nation’s fist fractures dictator’s face wings flutter yellow paint streaming from the giant’s lachrymal ducts
  • 11. Isn’t it clear what this mural is doing in San Francisco?
  • 12. Spirit of ‘68? San Francisco= people power over governments 1986 People’s Power Revolution (EDSA) non-violent revolution
  • 13. = inventoried war crimes swiss bank accounts dialysis paparazzi copycats bless american way ...remember generala silang
  • 14. But maybe the mural is here as a protest against US imperialism... Marcos’ and Ronald Regan (the toppling of a regime supported by US) Swiss Bank Accounts Marcos’ are called “copycats” of American Values This is not a french woman’s fist General Aguinaldo pictured here is famous for resisting US occupation in 1899 1899-1902: Philippine- American War (Aguinaldo surrenders-- official end of the war-- A US-designed military tank? fighting continues) There’s a red flag in the choice to name the mural in Tagalog rather than in English
  • 15. Which side to choose? Brechin or Bennet? “You will appear for me, because you always do, with earthen skin outside the possibility of human causation.”
  • 16. providing patterns for and learning from others
  • 17. remember the agong as woman’s breast remember generala silang brandishing bolo knife riding bareback where confluence of fishmarket
  • 18. riding bareback where confluence of fishmarket freeways prefab housing...
  • 19. ....confluence of fishmarket freeways prefab housing squares meet basketball courts
  • 20. basketball courts liquor stores cornrowed
  • 21. ....b-ballers sport sagging sean john bling bling knuckles
  • 22. Rice Rockets (and other modified imports & exports) street chrome pimpin boyz cannot dismantle? lowering rice rockets scraping tha pavement vinta colors billow island monsoon sky street chrome exhaust pipes black smoke pimpin boyz they flip they cap sideways
  • 23. twist (someone’s) cap v. phr. 1. to amaze, astonish, or enlighten. 2. (in hip-hop) to kill someone; to beat, outwit, or get the better of someone. Also twist (someone’s) cap back. Subjects: English, Hip-Hop, Slang pimpin boyz they flip they cap sideways
  • 24. faraway spectacle this commissioned stone face no rushmore mere quickdry cement
  • 25. Fate of the Mural block amnesia exile nation cannot dismantle
  • 26. stone torch in nation’s fist fractures dictator’s face wings flutter yellow paint streaming from the giant’s lachrymal ducts inventoried war crimes swiss bank accounts dialysis paparazzi copycats bless american way iron tanks cannot deter nuns wailing novenas guarding ballot boxes with rosaries remember the agong as woman’s breast remember generala silang brandishing bolo knife riding bareback where confluence of fishmarket freeways prefab housing squares meet basketball courts liquor stores cornrowed b-ballers sport saggin sean john bling bling knuckles lowering rice rockets scraping tha pavement vinta colors billow island monsoon sky street chrome exhaust pipes black smoke pimpin boyz flip they caps sideways faraway spectacle this commissioned stone face no rushmore mere quick dry cement block amnesia exile nation cannot dismantle