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Digital Research at
the British Library
Dr James Baker
Curator, Digital Research
@j_w_baker
www.bl.uk 2
www.bl.uk 3
www.bl.uk 4
www.bl.uk 5
www.bl.uk 6
www.bl.uk 7
You are free to:
–Copy, share, adapt, or re-mix
–Photograph, film, or broadcast
–Blog, live-blog, or post video of;
this presentation provided that:
–You attribute the work to its author
and respect the rights and licences
associated with its components
–You distribute the resulting work only
under the same or similar license to
this one
Text attribution Greg Wilson, Two Solitudes, SPLASH 2013 (29 October 2013)
http://www.slideshare.net/gvwilson/splash-2013
This work is licensed under a
Creative Commons Attribution-
ShareAlike 3.0 Unported License
unless stated otherwise.
www.bl.uk 8
www.bl.uk 9
“Literary scholars and historians have in the past been limited in their
analyses of print culture by the constraints of physical archives and human
capacity. A lone scholar cannot read, much less make sense
of, millions of newspaper pages. With the aid of computational
linguistics tools and digitized corpora, however, we are working toward a
large-scale, systemic understanding of how texts were valued and
transmitted during this period”
David A. Smith, Ryan Cordell, and Elizabeth Maddock Dillon, ‘Infectious Texts:
Modeling Text Reuse in Nineteenth-Century Newspapers’ (2013)
http://www.ccs.neu.edu/home/dasmith/infect-bighum-2013.pdf
www.bl.uk 10
discipline
camp and
camps sentence
www.bl.uk 11
‘[...] en histoire, comme ailleurs, ce qui
compte, ce n’est pas la machine, mais le
problème. La machine n’a d’intérêt que dans
la mesure où elle permet d’aborder des
questions neuves, originales par les
méthodes, les contenus et surtout l’ampleur’
Emmanuel Le Roy Ladurie,
‘L’historien et l’ordinateur’, Le
territoire de l’historien (Paris 1973)
‘In history, as elsewhere, what
counts is not the machine, but
the problem. The machine is only
interesting insofar as it allows to tackle
new questions that are original
because of their methods, content and
especially scale’
www.bl.uk 12
www.bl.uk 13
www.bl.uk 14
www.bl.uk 15
www.bl.uk 16
www.bl.uk 17
www.bl.uk 18
Michael Hancher: blog, exercise
www.bl.uk 19
© Nicola
Demonte
www.bl.uk 20
www.bl.uk 21
© David
Normal
www.bl.uk 22
Who are these
digital historians?
Dr James Baker
Curator, Digital Research
@j_w_baker
www.bl.uk 24
www.bl.uk 25
www.bl.uk 26
What is Digital
History? (and how
does it differ from DH)
Dr James Baker
Curator, Digital Research
@j_w_baker
www.bl.uk 28
Historians accustomed to accept only things
proved by irrefutable documentation, quite
justifiably find these uncertain methods
disturbing. Statisticians share neither their
misgivings nor their timidity.
Fernand Braudel, Capitalism and Material Life 1400-1800, (1967), 6-7.
www.bl.uk 29
Newspaper Man photograph courtesy of
Flickr user Ed Stevenson / Creative
Commons Licensed
www.bl.uk 30
www.bl.uk 31
‘Early users of medieval books of
hours and prayer books left signs
of their reading in the form of
fingerprints in the margins. The
darkness of their
fingerprints correlates to
the intensity of their use
and handling. A densitometer
-- a machine that measures the
darkness of a reflecting surface --
can reveal which texts a reader
favored.’
Kathryn M. Rudy, ‘Dirty Books: Quantifying
Patterns of Use in Medieval Manuscripts
Using a Densitometer’, Journal of
Historians of Nederlandish Art (2010)
www.bl.uk 32
Virtual St Paul’s
Cross Project
Notes from talk at Institute of
Historical Research, 18 February
2014.
www.bl.uk 33
www.bl.uk 34
Bob Nicholson, ‘Counting Culture; or, How to
Read Victorian Newspapers from a Distance’,
Journal of Victorian Culture 17:2 (2012)
“Faced with this mountain of print, we have two choices: to
continue subjecting tiny fragments of Victorian culture to close
reading, or to supplement this approach by exploring a much
larger proportion of the archive through ‘distant reading’.”
www.bl.uk 35
www.bl.uk 36
www.bl.uk 37
www.bl.uk 38
The emergence of the new digital humanities
isn’t an isolated academic phenomenon. The
institutional and disciplinary changes are part
of a larger cultural shift, inside and outside the
academy, a rapid cycle of emergence and
convergence in technology and culture
Steven E Jones, Emergence of the Digital Humanities (2014)
My review at Reviews in History
www.bl.uk 39
www.bl.uk 40
Thank you!
@j_w_baker
james.baker@bl.uk
http://britishlibrary.typepad.co.uk/digital-scholarship/
Slides: http://www.slideshare.net/drjwbaker/

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Digital History @ British Library (University of Kent, School of History, HI878 Methods and Interpretations in Historical Research)

  • 1. Digital Research at the British Library Dr James Baker Curator, Digital Research @j_w_baker
  • 7. www.bl.uk 7 You are free to: –Copy, share, adapt, or re-mix –Photograph, film, or broadcast –Blog, live-blog, or post video of; this presentation provided that: –You attribute the work to its author and respect the rights and licences associated with its components –You distribute the resulting work only under the same or similar license to this one Text attribution Greg Wilson, Two Solitudes, SPLASH 2013 (29 October 2013) http://www.slideshare.net/gvwilson/splash-2013 This work is licensed under a Creative Commons Attribution- ShareAlike 3.0 Unported License unless stated otherwise.
  • 9. www.bl.uk 9 “Literary scholars and historians have in the past been limited in their analyses of print culture by the constraints of physical archives and human capacity. A lone scholar cannot read, much less make sense of, millions of newspaper pages. With the aid of computational linguistics tools and digitized corpora, however, we are working toward a large-scale, systemic understanding of how texts were valued and transmitted during this period” David A. Smith, Ryan Cordell, and Elizabeth Maddock Dillon, ‘Infectious Texts: Modeling Text Reuse in Nineteenth-Century Newspapers’ (2013) http://www.ccs.neu.edu/home/dasmith/infect-bighum-2013.pdf
  • 11. www.bl.uk 11 ‘[...] en histoire, comme ailleurs, ce qui compte, ce n’est pas la machine, mais le problème. La machine n’a d’intérêt que dans la mesure où elle permet d’aborder des questions neuves, originales par les méthodes, les contenus et surtout l’ampleur’ Emmanuel Le Roy Ladurie, ‘L’historien et l’ordinateur’, Le territoire de l’historien (Paris 1973) ‘In history, as elsewhere, what counts is not the machine, but the problem. The machine is only interesting insofar as it allows to tackle new questions that are original because of their methods, content and especially scale’
  • 23. Who are these digital historians? Dr James Baker Curator, Digital Research @j_w_baker
  • 27. What is Digital History? (and how does it differ from DH) Dr James Baker Curator, Digital Research @j_w_baker
  • 28. www.bl.uk 28 Historians accustomed to accept only things proved by irrefutable documentation, quite justifiably find these uncertain methods disturbing. Statisticians share neither their misgivings nor their timidity. Fernand Braudel, Capitalism and Material Life 1400-1800, (1967), 6-7.
  • 29. www.bl.uk 29 Newspaper Man photograph courtesy of Flickr user Ed Stevenson / Creative Commons Licensed
  • 31. www.bl.uk 31 ‘Early users of medieval books of hours and prayer books left signs of their reading in the form of fingerprints in the margins. The darkness of their fingerprints correlates to the intensity of their use and handling. A densitometer -- a machine that measures the darkness of a reflecting surface -- can reveal which texts a reader favored.’ Kathryn M. Rudy, ‘Dirty Books: Quantifying Patterns of Use in Medieval Manuscripts Using a Densitometer’, Journal of Historians of Nederlandish Art (2010)
  • 32. www.bl.uk 32 Virtual St Paul’s Cross Project Notes from talk at Institute of Historical Research, 18 February 2014.
  • 34. www.bl.uk 34 Bob Nicholson, ‘Counting Culture; or, How to Read Victorian Newspapers from a Distance’, Journal of Victorian Culture 17:2 (2012) “Faced with this mountain of print, we have two choices: to continue subjecting tiny fragments of Victorian culture to close reading, or to supplement this approach by exploring a much larger proportion of the archive through ‘distant reading’.”
  • 38. www.bl.uk 38 The emergence of the new digital humanities isn’t an isolated academic phenomenon. The institutional and disciplinary changes are part of a larger cultural shift, inside and outside the academy, a rapid cycle of emergence and convergence in technology and culture Steven E Jones, Emergence of the Digital Humanities (2014) My review at Reviews in History