SlideShare a Scribd company logo
1 of 192
Download to read offline
1.(21~   L ')   {;l~C;U.;l~1"

                             GQlti




                     90000




9

    I SBN 0 - 19 -514956-4
[




i-     I




               ATHENAZE
           An Introduction to Ancient Greek

                           Second Edition

                              Book!




,.-.                    Maurice Balme
                                and

Ito-                     Gilbert Lawall
!'
                   with drawings by Catherine Balme




                     New York I Oxford
                 OXFORD UNIVERSITY PRESS
                                2003
PREFACE
                                                                                                  This second edition of Athenaze was produced on the basis of suggestions
                                                                                              made by anonymous reviewers contacted by Oxford University Press and
Oxford University Press                                                                       with inspiration from L. Miraglia and T. F. B6rri's Italian edition of
                                                                                              Athenaze. We are grateful to these teachers and professors and also to the fol-
Oxford New York                                                                               lowing, who read versions of the revised edition at various stages, offered in-
Auckland Bangkok Buenos Aires Cape Town Chennai
Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata
                                                                                              numerable helpful suggestions, and caught many errors, typographical and
Kuala Lumpur Madrid Melbourne Mexico City Mumbai                                              other: Elizabeth Baer of the Berkshire Country Day School, Jessica Mix Bar-
Nairobi Sao Paulo Shanghai Taipei Tokyo Toronto                                               rington of the Northfield Mount Hermon School, James Johnson of Austin
                                                                                              College, Cynthia King of Wright State University, Rosemary Laycock of
Copyright © 2003 by Oxford University Press, Inc.                                             Dalhousie University, Mark Riley of California State University at Sacra-
Published by Oxford University Press, Inc.                                                    mento, Kolbeinn Sremundsson of the Menntask61inn i Reykjavik, and Rex
198 Madison Avenue, New York, New York, 10016                                                 Wallace of the University of Massachusetts at Amherst. Thanks also go to
http://www.oup~usa.org                                                                        Latin teachers in Sunday afternoon Greek classes who used preliminary
                                                                                              versions of the revised chapters and made many useful observations.
Oxford is a registered trademark of Oxford University Press
                                                                                                  The new features of the revised textbooks include the following:
All rights reserved. No part of this publication may be 'reproduced,                            • Short passages from Classical and New Testament Greek in virtually
stored in a retrieval system, or transmitted, in any form or by ·any means,                       every chapter
electronic, mechanical, photocopying. recording, or otherwise,
without the prior pennission of Oxford University Press.                                        • A strand titled Greek Wisdom, with sayings of the seven wise men of Ar-
                                                                                                  chaic Greece at various points throughout Book I and fragments of Hera-
                                                                                                  clitus at various points throughout Chapters 18-28 in Book II (Greek Wis-
Library of Congress Cataloging-in-Publication Data
                                                                                                  dom in Chapter 29 contains material on Socrates)
                                                                                                • Some rearrangement of the sequence in which grammar is introduced, so
Balme, M. G,                                                                                      that the future tense and the passive voice are now introduced in Book I
    Athenaze : an introduction to ancient Greek, Book I I Maurice Balme and Gilbert Lawall        and the first three principal parts of verbs are now listed from Chapter 10,
  ; with drawings by Catherine Balme.-- 2nd ed.
        p.cm.                                                                                     with full sets of principal parts being given in Book II, as before
    Includes index.                                                                             • Fuller grammatical and linguistic explanations throughout, including
    ISBN 0-19-514956-4                                                                            material on accents provided along the way, as needed for completing ex-
     I. Greek language--Grammar. 2. Greek language--Readers. I. Lawall, Gilbert. II. Title.       ercises accurately
PA258.B3252003                                                                                  • New, descriptive terminology used for the tenses of verbs
488.2'421--dc21                                                                                 • Many new exercises, including periodic requests for students to photocopy
                                                                              2002045015          blank Verb Charts at the ends of Books I and II and to fill in forms of re-
                                                                                                  quested verbs, adding new forms as they are learned
                                                                                                • New insertions in Book I titled PRACTICE, requesting that students write
                                                                                                  out sets of nouns or sets of nouns and matching adjectives
                                                                                                • Presentation of most of the new grammar by Chapter 28 and consolidation
                                                                                                  of the extracts from Thucydides and Aristophanes' Acharnians in the last
                                                                                                  two chapters, 29 and 30
                                                                                                  The purposes of the course remain as they were in the first edition, as they
                                                                                              are spelled out in the Introduction. We hope that inclusion of Classical and
                                                                                              New Testament passages will attract more students to the study of Greek and
                                                                                              that this revised edition will help expand interest in the study of Greek in
                                                                                              North America.
                                                                                                                                        -Maurice Balme and Gilbert Lawall

Printing number: 9 8 7 6 5 4 3 2

Printed in the United States of America
on acid-free paper
CONTENTS
INTRODUCTION ix

    Readings                                Grammar

1   0 A1KAlOlIOAIl: (a) 2                   1.   Verb Forms: Stems and Endings
                                                   4
                                            2.   Nouns: Genders, Stems, End ~
                                                   ings, Cases, and Agreement 4
                                            3.   Labeling Functions of Words in
                                                   Sentences 6
                                            4.   Use of the Definite Article 6
    The Athenian Farmer 6
    o l1IKAIOlIOAIl:   (13) 8               5.   Accents 9
    o KAHPOl: 10
    Classicsl Greek: Heraclitus 11
    New Testament Greek:
      Title of the Gospel of Luke 11

2   0 EAN0IAl: (a) 12                       1.   Verb Forms: Indicative Mood;
                                                   1st, 2nd, and 3rd Persons Sin-
                                                   gular 13
                                            2.   Proclitics 14
                                            3.   The Imperative 15
    Slavery 15
    Greek Wisdom:
      Cleobulus of Lindos 16
    o EAN0IAl:    (13) 18                   4.   Articles, Ac:ljectives, and Nouns;
                                                   Singular, All Cases 20
                                            5.   Uses of the Cases 20
                                            6.   Persistent Accent of Nouns and
                                                   Adjectives 20
                                            7.   Recessive Accent of Verbs 21
    o l10YAOl:    22
    Classical Greek: Callimachus 23
    New Testament Greek: Luke 3.22 23

3   0 APafOl: (a) 24                        1.   Verb Forms: 3rd Person Plural,
                                                   Imperatives, and Infinitives
                                                   26
    The Deme and the Polis 28
    o APafOl:    (13) 30                    2.   Articles, Adjectives, and Nouns;
                                                  Singular and Plural, All Cases
                                                  31
                                            3.   Accent Shifting 32
    01 BOEl: 34
    Classical Greek: Menander 35
    New Testament Greek: Luke 6.46 35

                                        i
ii                              Athenaze: Book I
                                                                                                                           Contents                                            iii
 4   I1POl: THI KPHNHI (a) 36                   1.   Verb Forms: All Persons. Singu-
                                                       1ar and Plural 38                    o ElHl:EYl: THN APIAIINHN
                                                2.   Declensions of Nouns and Ad-             KATAAEII1EI 91
                                                       jectives 40                          Classical Greek: Marriage 93
                                                3.   Feminine Nouns and Adjectives          New Testament Greek: Luke 13.10-16 93
                                                       of the 1st Declension 40
     Women 43                                                                           7   0 KYKAQ'I' (a) 94                         1.   Substantive Use of Adjectives
     Greek Wisdom: Pittacus of Mitylene 45                                                                                                   96
     I1POl: THI KPHNHI (~) 46                   4.   Masculine Nouns ofthe 1st De-                                                    2.   Nouns: Declensions 97
                                                       clension 47                                                                    3.   3rd Declension Consonant Stem
                                                5.   Feminine Nouns of the 2nd De-                                                           Nouns: Velar and Dental
                                                       clension 48                                                                           Stems 97
                                                6.   1st and 2nd Declension Adjec-                                                    4.   Reflexive Pronouns 100
                                                       tives 48                             Homer 102
                                                7.   Formation of Adverbs 50                o KYKAO'l' (~) 104                        5.   3rd Declension Consonant Stem
                                                8.   The Definite Article as Case In-                                                        Nouns: Nasal Stems 106
                                                       dicator 50                                                                     6.   3rd Declension Consonant Stem
     AI rYNAIKEl: TOYl: ANIlPAl:                                                                                                             Nouns: Labial and Liquid
       I1EIElOnIN 51                                                                                                                         Stems 107
     Classical Greek: Callimachus 53                                                                                                  7.   A 3rd Declension Adjective:
     New Testament Greek: Luke 6.45 53                                                                                                       crrocpprov, cr&£ppov, Df sound
                                                                                                                                             mind; prudent; self-controlled
 5   0 AYKOl: (al 54                            1.   Contract Verbs in -a- 56
                                                                                                                                             107
                                                2.   Recessive Accent of Finite Verbs                                                 8.   The Interrogative Pronoun and
                                                       56                                                                                    Adjective 108
                                                3.   Article at the Beginoing of a
                                                                                                                                      9.   The Indefinite Pronoun and Ad-
                                                       Clause 58                                                                             jective 109
                                                4.   Elision 58                             o TOY ElHl:EOl: I1A THP
     Gods and Men 59                                                                          AI10ElNHIl:KEI 110
     Greek Wisdom: Chilon of Sparta 61                                                      Classical Greek: Sophocles 111
     o AYKOl: (~) 62                            5.   Agreement of Subject and Verb          Greek Wisdom: Thales of Miletus 111
                                                       64
                                                6.   Personal Pronouns 64               8   I1P0l: TO ALTY (a) 112                    1.   Participles: Present or Progres-
                                                7.   Attributive and Predicate Posi-                                                         sive: Middle Voice 114
                                                       tion 66                              Athens: A Historical Outline 117
                                                8.   Possessives 66

     o APrOl: TA I1POBATA l:QIZEI 69
                                                9.   The Adjective  a"'o,.-1. -0 68
                                                                                            Classical Greek: Archilochus 121
                                                                                            New Testament Greek: Luke 5.20-21 121
                                                                                            I1POl: TO Al:TY (~) 122                   2.   3rd Declension Consonant Stem
     Greek Wisdom: The Seven Wise Men 70
                                                                                                                                             Nouns: Stems in -p- 124
     Classical Greek: Anacreon 71
     New Testament Greek: Luke 4.22 and 24 71                                                                                         3.   Two Important Irregular
                                                                                                                                             Nouns: il )''UVTt. 'tfl~ YUVU1.1CO<;,
 6   o MYElOl: (a) 72                           1.   Verb Forms: X1l.£00 74                                                                  woman; wife, and i} XEtp, 'tile;
                                                2.   Verbs: Voice 75                                                                         XEtpo,. hand 125
                                                3.   Verb Forms: Middle Voice 76                                                      4.   1s1i3rd Declension Adjective
                                                4.   Deponent Verbs 78                                                                       1tae;, 1tacra, 1taV, all; every;
     Myth 81                                                                                                                                 whole 126
     o MYElOl: (~) 84                           5.   Middle Voice: Meaning 86               Greek Wisdom: Periander of Corinth 127    5.   Numbers 128
                                                6.   Some Uses of the Dative Case                                                     6.   Expressions of Time When, Du-
                                                       88                                                                                    ration of Time, and Time
                                                7.   Prepositions 89                                                                         within Which 128
                                                                                            o 011Yl:l:EYl: KAI 0 AIOAOl: 130
iv                               Athenaze:Book I                                                                                       Contents                                         v

     Classical Greek: Sappho: The Deserted Lover:                                                   New Testament Greek: Lnke 5.30-32 173
       A Girl's Lament 131
                                                                                               11   OIATPO);«X) 174                               1.   Verb Forms: Past Tense: The
9    H flANHITPI); «x) 132                          1.   Participles: Present or Progres-                                                                Aorist 176
                                                           sive: Active Voice 135                                                                 2.   Verb Forms: The Thematic 2nd
     The City of Athens 139                                                                                                                              Aorist 177
     H flANHITPI); (P) 142                          2.   3rd Declension Nonns with                                                                3.   Aspect 178
                                                           Stems Ending in -VT- 145                                                               4.   Thematic 2nd Aorist Active and
                                                    3.   3rd Declension Nouns with                                                                       Middle Participles 180
                                                           Stems Ending in a Vowel: it                                                            5.   Verb Forms: Common Verbs
                                                           1tOAt~   and 'to nat) 145                                                                   with Thematic 2nd Aorists
                                                    4.   3rd Declension Nouns with                                                                       180
                                                           Stems Ending in Diphthongs               Greek Science and Medicine 183
                                                                                                    Classical Greek: Theognis 185
                                                           or Vowels: " P(XC11AE,,<; and the
                                                           Irregular N auns i} vaue; and 0          New Testament Greek: Lnke 6.20-21:
                                                           poii<; 146                                 The Beatitudes 185
                                                    5.   Uses of the Genitive Case 147              o IATPO); (P) 186                             6.   Verbs with Thematic 2nd
                                                    6.   Some Uses of the Article 148                                                                   Aorists from Unrelated Stems
     o OAn);En KAI H KIPKH 149                                                                                                                           189
     Classical Greek: Simonides 151                                                                                                               7.   Accents on Thematic 2nd Aorist
     New Testament Greek: Lnke 6.31--33:                                                                                                                Active Imperatives 189
       The Sermon on the Mount 151                                                                                                                8.   Augment 190
                                                                                                    o AHMOKHAH); TON BA);IAEA
REVIEW OF VERB FORMS 152                                                                              IATPEYEI 192
                                                                                                    New Testament Greek: Luke 6.27-29:
PREVIEW OF NEW VERB FORMS 154                                                                        The Sermon on the Mount 193

10   H );YM<I>OPA «x) 156                           1.   Verb Forms: Verbs with Sig-           12   flPO); TON flEIPAIA (a)   194                 1.   Verb Forms: Past Tense: The
                                                          matic Futures 158                                                                              Sigmatic 1st Aorist 196
                                                    2.   Verb Forms: The Asigmatic                                                                2.   Sigmatic 1st Aorist Active and
                                                          Contract Future of Verbs in                                                                    Middle Participles 199
                                                          -il;;", 159                               Trade and Travel 200
                                                    3.   Verb Forms: The Sigmatic Fu-               Classical Greek: Scolion:
                                                          ture of Contract Verbs 159                   The Four Best Things in Life 203
                                                    4.   Verb Forms: Verbs with Depo-               New Testament Greek: Lnke 15.3-7:
                                                          nent Futures 159                             The Parable of the Lost Sheep 203
     Festivals 162                                                                                  flPO); TON flEIPAIA (P) 204                   3.   Verb Forms: The Asigm'ltic 1st
     Classical Greek: Theognis 163                                                                                                                       Aorist of Verbs with Liquid
     New Testament Greek: Lnke 6.35--36:                                                                                                                 and Nasal Stems 207
       The Sermon on the Mount 163                                                                                                                4.   Irregular Sigmatic 1st Aorists
     H );YM<I>OPA (P) 164                           5.   Verb Forms: The Asigmatic                                                                       208
                                                           Contract Future of Verbs with                                                          5.   Verb Forms: Augment of Com-
                                                           Liqnid and Nasal Stems 166                                                                    pound Verbs 209
                                                    6.   The Irregular Verb .tl't 168               o KnAAIO); TON TAPTH););ON
                                                    7.   Future Participle to Express                 EYPI);KEI 210
                                                           Purpose 170                              Greek Wisdom: Bias of Priene 211
                                                    8.   Impersonal Verbs 170
                                                                                               13   flPO); THN );AAAMINA «x) 212                  1.   Verb Forms: The Imperfect or
                                                    9.   Review of Questions 171
     o OAYHEY); TOY); ETAIPOY);                                                                                                                          Past Progressive Tense 213
       Afl OAAY);IN 171                                                                                                                           2.   Aspect 216
     Classical Greek: Menander 173                                                                  The Rise of Persia 218
vi                               Athenaze: Book I
                                                                                                                          Contents                                           vii
     TIPOL THN LAAAMINA    (~)   222           3.    Relative Clauses 224
                                               4.    3rd Declension Nouns and Ad-         The Athenian Empire 271
                                                       jectives with Stems in -£0'-       META THN EN THI LAAAMINI
                                                       226                                  MAXHN (~) 274                             2.   Verbs with Athematic Presents
                                               5.    1stl3rd Declension Adjective                                                            and Imperfects: OUVlll-lat,
                                                       with 3rd Declension Stems in                                                         lCE1.llat, and E1tla-rIlj..Llll 276
                                                       -u- and -E- 227                    o 8EP8HL    TIPOL THN ALlAN
     o 8EP8HL TON EAAHLTIONTON                                                              ANAXQPEI 278
       ~IABAINEI 228                                                                      Classical Greek: Sappho: Love's Power 280
     Greek Wisdom: Solon of Athens 230                                                    Classical Greek: Simonides 281
     Classical Greek: Archilochus 231                                                     New Testament Greek: Luke 2.15-20:
     New Testament Greek: Luke 21.1-4:                                                      The Birth of Jesus (concluded) 281
       The Widow's Mite 231
                                                                                      VERB CHARTS 282
14   H EN TAIl: ElEPMOTIY AAIL
                                                                                      SYLLABLES AND ACCENTS 284
       MAXH (ex) 232                           1.    Comparison of Adjectives 234
                                               2.    Irregular Comparison of Adjec-   ENCLITICS AND PROCLITICS 285
                                                       tives 235
                                               3.    Comparison of Adverbs 236        FORMS 287
                                               4.    Uses of Comparatives and Su-     INDEX OF LANGUAGE AND GRAMMAR 312
                                                       perlatives 236
     The Rise of Athens 238                                                           GREEK TO ENGLISH VOCABULARY 323
     Classical Greek: Archilochus 241
     New Testament Greek: Luke 10.25-29:                                              ENGLISH TO GREEK VOCABULARY 341
       The Good Samaritan 241                                                         GENERAL INDEX 350
     H EN TAIL ElEPMOnYAAIL
       MAXH (~) 242                            5.    Demonstrative Adjectives 244     LIST OF MAPS 356
                                               6.    Interrogative and Indefinite
                                                       Pronouns, Adjectives, and      ACKNOWLEDGMENTS 356
                                                       Adverbs 246                    LIST OF ILLUSTRATIONS 357
     01 TIEPLAI TA YTIEP ElEPMOTIYAQN
       LTENA AIPOYLIN 247
     Classical Greek: Theognis 249
     New Testament Greek: Luke 10.30-37:
       The Good Samaritan (concluded) 249
15   H EN THI l:AAAMINI MAXH (ex) 250          1.    Athematic 2nd Aorists 252
                                               2.    More 3rd Declension Nouns
                                                       with Stems in -Ecr- 254
     Aeschylus's Persae 255
     New Testament Greek: Luke 2.1-14:
       The Birth of Jesus 257
     H EN THI LAAAMINI MAXH (~) 258            3.    Contract Verbs in -0- 2 6 1
                                               4.    Contract Nouns of the 2nd De-
                                                      clension 263
                                               5.    More Numbers 263
                                               6.    Uses of ro<; and Its Compounds
                                                       264
     OJ TIEPLAI TAL AElHNAL AIPOYl:IN 264
16   META THN EN THI l:AAAMINI
      MAXHN (ex) 266                            1.   The Passive Voice 269
INTRODUCTION
                                Part I:
                           About This Course
     The aim of Athenaze is to teach you to read ancient Greek as quickly,
thoroughly, and enjoyably as possible, and to do so within the context of an-
cient Greek culture. This means within the context of the daily life of the an-
cient Greeks as it was shaped and given meaning by historical develop-
ments, political events, and the life of the mind as revealed in mythology, re-
ligion, philosophy, literature, and art. The stories that you will read in Greek
provide the basic cultural context within which you will learn the Greek lan-
guage, and most of the chapters contain essays in English with illustrations
drawn from ancient works of art and with background information to deepen
your understanding of some aspects of the history and culture of the Greeks.
     The course begins with the story of an Athenian farmer named Dicaeopo-
lis and his family; they live in a village or deme called Cholleidae, located
north of Athens. The events are fictitious, but they are set in a definite histor-
ical context-autumn 432 B.C. to spring 431. The Athenian democracy, led by
Pericles, is at its height; the Athenians rule the seas and control an empire,
but their power has aroused the fears and jealousy of Sparta and her allies in
the Peloponnesus, especially Corinth. By spring 431, Athens and the Pelo-
ponnesian League are engaged in a war, which leads twenty-seven years
later to the defeat and downfall of Athens.
     The story begins with life in the country, but with Chapter 6 a subplot of
mythical narrative begins with the story of Theseus and the Minotaur. This
mythological subplot continues in Chapter 7 with the story of Odysseus and the
Cyclops and runs through Chapter 10 with further tales from the Odyssey
briefly told at the end of each chapter. The main plot continues in Chapter 8 as
the family visits Athens for a festival, and the tempo quickens.
     A terrible misfortune that strikes the family in Athens in Chapter 10 pre-
cipitates a plot that is interwoven with narratives of the great battles of the
Persian Wars, based on the accounts of the historian Herodotus. As the main
plot reaches its resolution in Chapters 18-20 of Book II, the family becomes
embroiled in the tensions between Athens and Corinth that triggered the Pelo-
ponnesian War, and this sets the stage for the remaining chapters.
     The experiences of the family of Dicaeopolis at the beginning of the Pelo-
ponnesian War in Chapters 21-23 are based on the accounts of the war written
by the historian Thucydides. When the son Philip is left behind in Athens to
fUrther his education, we hear something of Plato's views on education
(Chapter 24) and then read stories from a book of Herodotus's histories that
Philip's teacher gives to him (Chapters 25-28). These are some of the most
famous tales from Herodotus, including those dealing with Solon the Athe-
nian and his encounter with Croesus, king of Lydia. In Chapter 28 you will

                                        ix
x                               Athenaze: Book I                                                                        Introduction                               xi
 read the account by the lyric poet Bacchylides of Croesus's miraculous rescue       these basic principles and incorporated a coherent set of word building exer-
 from the funeral pyre. Chapter 29 returns us to the Peloponnesian War with          cises in this course.
 Thucydides's descriptions of naval battles and the brilliant victories of the           One of the widely recognized goals of classical language study is attain-
 Athenian general Phormio. The course concludes with extracts from Aristo-           ment of a better understanding of English. With regard to the study of Greek,
 phanes showing us Dicaeopolis the peacemaker. From there you will be                this means largely a knowledge of Greek roots, prefixes, and suffixes that
 ready to go on to read any Greek author of your choice with considerable con-       appear in English words. The influence of Greek on English has been espe-
 fidence in your ability to comprehend what the ancient Greeks had to say.           cially notable in scientific and medical terminology, but it is also evident in
     The Greek in much of the main story line has been made up to serve the          the language of politics, philosophy, literature, and the arts. We have accord-
instructional purposes of this book. Most of the subplots, however, are based        ingly incorporated word study sections in the chapters of this course, high-
 on the ancient Greek writings of Homer, Herodotus, and Thucydides. They             lighting the influence of Greek on English vocabulary and providing prac-
 move steadily closer to the Greek of the authors themselves. The extracts           tice in deciphering the meaning of English words derived from Greek ele-
from Bacchylides and Aristophanes are unaltered except for cuts.                     ments.
     The readings in the early chapters are simple in content and grammati-              Finally, at the end of almost every chapter and sometimes in the middle
cal structure. They are so constructed that with knowledge of the vocabulary         of a chapter you will find passages from a wide variety of Classical Greek
that is given before the reading passage and with help from the glosses that         authors and from the gospels of Luke and John in the New Testament. These
are given beneath each paragraph, you can read and understand the Greek              have been carefully chosen and are accompanied by glosses that will allow
before studying the formal elements of the grammar. After you have read the          you to read the passages at the points in the course where they are located. We
story out loud, understood and translated it, and discovered the new elements        have also included sayings of the seven wise men of Archaic Greece at vari-
of its grammar for yourself, you will study formal presentations of the              ous points throughout Book 1. You will thus be reading authentic Greek from
grammar that usually incorporate examples from the reading passage.                  the very beginning of the course and gaining access to the wisdom and the
There are then exercises of various sorts to help you consolidate your under-        style of writing and thinking of the ancient Greeks and of the writers of the
standing of the grammar and give you skill in manipUlating the new forms             gospels. This is the icing on the cake, and we hope that you will enjoy it thor-
and structures of the language as you learn them.                                    oughly and learn much from it.
     Grammar is introduced in small doses to start with and should be re-
viewed constantly. We also recommend frequent rereading of the stories
themselves-preferably out loud-as the best way to reinforce your fluency of
pronunciation, your knowledge of the grammar, and your skill in reading
new Greek at sight-which is the main goal of any course in Greek.
     At the beginning of each section of the narrative is a picture with a caption
in Greek. From the picture you should be able to deduce the meaning of the
Greek caption. Pay partiCUlar attention to these captions, since each has been
carefully written to include and reinforce a basic grammatical feature or
features of the Greek language that you will be learning in that particular
chapter. It may help even to memorize the captions!
     The vocabulary given in the lists before the reading passages is meant to
be learned thoroughly, both from Greek to English and from English to
Greek. Learning the vocabulary will be easier if the words are always stud-
ied aloud, combining the advantages of sight and sound. The words given in
glosses beneath the paragraphs in the readings are not meant to be mastered
actively, but you should be able to recognize the meaning of these words when
you see them again in context. Fluency of reading depends on acquiring a
large, working vocabulary as soon as possible.
     Important words are continually reintroduced in the readings in this
course to help you learn them. Your skill in recognizing the meaning of
Greek words that you have not met will be greatly enhanced by attention to                                   Myrrhine and her daughter Melissa,
some basic principles of word building. We have therefore laid out some of                            two characters from our story I and their dog Argus
xii                               Athenaze: Book I                                                                                             Introduction                                xiii
                                    Partll:                                                                    The symbol will occasionally be used over a Greek vowel to indicate a
                                                                                                                            v



                               The Greek Alphabet                                                        vowel of short quantity. The symbol - indicates a vowel of long quantity (see
                                                                                                         ii, t, and ij in the right-hand column in the list above). Normally short vowels
                                                                                                         have neither mark above them (see a, t, and 1) in the right-hand column
      Many of the letters of the Greek alphabet will already be familiar to you.                         above). When these three vowels are long, they will usually be printed in
                                                                                                         Athenaze with long marks over them (ii, t, and ij). The long mark is referred
Letter         Name              Translit-    Pronunciation                                              to as a macron (Greek ~axp6v, long). A long vowel is held approximately
                                 eration                                                                 twice as long as a short vowel. The vowels 1] and OJ are always long and are
A      a                         alpha         " (short alpha), as the sound in top; a                   therefore not marked with macrons. The digraphs El and 01) represent two
                                                    (long alpha), as the sound in top,                   additional long vowels in Greek (see Long Vowel Digraphs below). The vow-
                                                    but held longer                                      els £ and 0 are always short.
B                                beta         =b                                                               All vowels marked with a circumflex accent C) or with an iota subscript
r                                gamma                                                                   (see below) are always long and will usually not be marked with macrons.
                                              =g     (but before y, 1(, ~, or X = the sound
                                                                                                               In the Greek names for the letters of the alphabet given on the previous
                                                     in sing)                                            page, identify all long and all short vowels. Practice pronouncing the names
A              1i,A,~a          delta        =d                                                         of the letters, paying special attention to proper pronunciation of the long and
E      E       £ 'VtAOV          epsIlon      as the sound in get                                        short vowels. Hold the long vowels for twice the length of time as the short
Z      S       sf~a             zeta         = cr + 0 = sd as in wisdom                                 vowels.
H      TJ      ~~a               eta          as the sound in bed, but held longer          f,t
e      e       ef~a             theta        = aspirated t as in top                                                                          Breathings
I      t       ionu              iota         t(short iota), as the sound in it; [(long                     There is no letter h in the Attic alphabet, but this sound occurs at the be-
                                                  iota), as the sound in keen                            ginning of many Greek words. It is indicated by a mark called a rough
K      x       K(bt1tu           kappa        = the sound of k (without aspiration),                     breathing or aspiration, written over the first vowel of a word (over the second
                                                     as in sack                                          vowel of a diphthong), e.g.:
A      A,      MJ.l~lia          lambda       =l                                                                I:v (pronounced hen)                ou (pronounced hou)
M      J.l     J.lil             mii          =m
N      v       vii               nii
                                                                                                         When an h sound is not to be pronounced at the beginning of a word begin-
                                              =n
                                                                                                         ning with a vowel or diphthong, a smooth breathing mark is used, e.g.:
               /;t               xi           = lC + cr =the sound of x in axe
o      o       {) J.ltKpoV       omIcron
                                  ~
                                              as the sound in boat or goat           IA v                       EV (pronounced en)                  ou (pronounced au)
II     tt      ttt               pI           = p (without aspiration), as in sap                        Thus, every word beginning with a vowel or a diphthong will have a rough or
P              pro               rho          = a trilled r                                              smooth breathing. Initial p always has a rough breathing, e.g., pa~30S, wand.
L              a{wa              sigma        = s as in sing, but = z before 13, y, 6, and
                                                     fL (written <; when last letter of a                                                      Diphthongs
                                                      word)                                                  Diphthongs are glides from one vowel sound to another within the same
T              ~ail              tau          =    t (without aspiration), as in sat                     syllable. Attic Greek has the following diphthongs:
Y              U 'lilA,6v        upsIlon      'U   (short upsilon), as the sound in French
                                                                                                         Diphthongs             Words                         Pronunciation
                                                     tu; i} (long upsilon), as the sound in
                                                     French tu, but held longer                          at                     aiy,s                         as the sound in high
<l>    <p      <pt               pm           = aspirated p as in pot                                    a1)
                                                                                                         £1)
                                                                                                                                a,,,oxpa~f]s                  as the sound in how
                                                                                                                                                              £ + 1) pronounced as one syllable
                                                                                                                                £uy£vf]s
X      X       xt                cm           = aspirated k as in kit
                                                                                                         T]1l                   1]up1]xa                      1] + 1) pronounced as one syllable
'P     IJI     IJIt              psI          =1t+cr=ps as in lips                                       Ot                     oix:ovoflID                   as the sound in foil
D.             rll     ~'ya     omega
                                  -           as the sound in caught, but held longer                                           ui6;                          1) + t pronounced as one syllable
       (J)                                                                                               1)1
                                                                                                  ~I'.
xiv                                       Athenaze: Book I
                                                                                                                          Introduction                             xv
                                   Long Vowel Digraphs                                                              Consonant Sounds
    Digraphs are combinations of letters that represent a single sound. Two
                                                                                       Nasals       ~  v and y when followed by y, K, ~, or X
long vowel sounds are represented in Greek by the following digraphs:
                                                                                       Liquids      A p
Digraphs                   Words                        Pronunciation                  Spirant      cr
                                                                                       Stops        Voiceless   Voiced     Voiceless Aspirated
€I                                                      as the sound in they               Labial   It          ~          'I'
0"                                                      as the sound in mood               Dental   ,           Ii         6
                                                                                           Velar    K           y          X
                                          Iota Subscript
                                                                                       Double       1;   ~   '"
    Sometimes the letter t (iota) is written under a vowel, e.g., q" 11, and 'l'                                    Stops Followed by a
(these combinations are referred to as long diphthongs); when so written it is
called iota subscript. In classical Greek this iota was written on the line after         Labial: ~ or It or '1', when followed by cr, becomes ",.
the vowel and was pronounced as a short iota. Its pronunciation ceased in                 Dental: Ii or 1; or 6 or" when followed by cr, is lost.
post-classical Greek, and we usually do not pronounce it now. When it ap-                 Velar: y or Kor X, when followed by cr, becomes~.
pears in a word that is written entirely in capital letters (as in the titles to the   Compare what is said about the double consonants ~ and", above. These lin-
readings in this book), it is written on the line as a capital iota. Thus ltpO, "ti   guistic phenomena will be very important in understanding certain forms of
KP1vll > IIPOL THI KPHNHI. Note that accents and breathing marks are not              nouns and verbs.
used when all letters are capitalized.
                                                                                                                        Punctuation
                                     Paired Consonants                                       The period and the comma are written as in English. A dot above the line
   Paired consonants such as AA, ~~, ltlt, and t t should be pronounced double         ( .) is the equivalent of an English semicolon or colon. A mark that looks like
and held approximately twice as long as the single consonant, e.g., the ~~ in          an English semicolon (;) is used at the end of a sentence as a question mark.
ya~~a.
    Exceptions are yy, yK, y~, and YX (where the first y is pronounced as the ng                                           Accents
in sing), as in aYYEAo" messenger, and aYK"pa, anchor.
                                                                                            Nearly every word in Greek bears an accent mark: an acute (,(,), a grave
                                                                                       (,0), or a circumflex (bp&). These marks seldom affect the sense. They were
                                     Double Consonants                                 invented as symbols to provide written aid for correct pronunciation; origi-
                                                                                       nally they indicated a change in pitch, e.g., the acute accent showed that the
   Three consonants represent combinations of other sounds and are called              syllable on which it fell was pronounced at a higher pitch than the preceding
double consonants:                                                                     or following syllables. Later stress replaced pitch, and now ancient Greek is
     /;,=cr+1i                                                                         usually pronounced with stress on the accented syllables (with no distinction
     ~ = K + cr or y + cr or X + cr                                                    among the three kinds of accents) instead of varying the pitch of the voice.
     '" = It + cr or ~ + cr or 'I' + cr                                                For those who wish to use the pitch accent, we recommend the recording of
                                                                                       Stephen Daitz, mentioned below.
                                                                                            Note that the grave accent stands only on the final syllable of a word. It
                                  Aspirated Consonants                                 usually replaces an acute accent on the final syllable of a word when that
    Three consonants represent certain sounds followed by an h sound or as-            word is followed immediately by another word with no intervening punctua-
piration:                                                                              tion, e.g., instead of,61i&pov, we write ,0 Ii&pov.

     6 = an aspirated,
     'I' = an aspirated It
     X= an aspirated K
xvi                              Athenaze: Book I                                                                                 Introduction                                             xvii
                                 Transliteration                                                        A             E           I                      K                   N         0
      Note the following standard transliteration of Greek into English letters:                        at            £           t                      K                   V         0

      a=a                l1=e                 v=n                  "=t
                                                                                                             S                    S                 S,               5                S
      ~=b                8=th                 s= x                 u=uory
      y= g
      8=d
      E=e
      S=z
                         t=i
                         K= k
                         A=l
                         Jl= m
                                              0=0
                                              1t=p
                                              p=r
                                              a.~=s
                                                                   <p=ph
                                                                   x= ch
                                                                   1jI = ps
                                                                    ro=o
                                                                                              rCX                 fE:S tL                      'id +/2                                ()
                                                                                                        II            I:                   T                 Y                   n
Remember the following: yy = ng; yK = nk; ys = nx, and yx = nch; atU, £u, llU, ou,
m = au, eu, eu, ou, ui, but when u is not in a diphthong it is usually transliter-                      1t                                                   U                   OJ
ated as y, And note that Cf, 11, and 'l' are transliterated ai, ei, and iii, to distin-                               "                    "
guish them from the short diphthongs, ott, n, and Ot, transliterated ai, ei, and                        5,   S,           5   f-                     S                   S


                                                                                                                                                                     tWt
                                                                                                                                      S,
oi.
[The recommendations for pronunciation given above (the restored pronunciation) are
based on W. Sidney Allen, Vox Graeca: A Guide to the Pronunciation of Classical Greek,
                                                                                                  t?'Jl      ~    { J~        5:-     r~            J(       l!
Cambridge University Press, 3rd ed., 1988, pages 177-179. For demonstration of the re-
stored pronunciation, including the pitch accents, students should consult the cassette   Note that v has a point at the bottom, whereas u is round.
recording of Stephen G. Daitz, The Pronunciation and Reading of Ancient Greek: A
                                                                                              (2) Three of the Greek small letters rest on the line of writing but are
Practical Guide, 2nd ed., 1984, Audio Forum, Guilford, CT 06437 (U.s.A.).]
                                                                                          twice as high as the letters in group 1:

                                                                                                                                      e                          A

                                                                                                                                      8




                               Part ill:
                        Writing Greek Letters                                                 (3) Seven of the Greek small letters rest on the line of writing and extend
                                                                                          below it, but do not extend above the letters of group 1:
     Certain conventions may be observed in writing Greek letters. With prac-
tice one can write them with ease and speed. There should be no difficulty in                       r             H           M                II                                      x
imitating the printed forms of the capitals; the small letters may be written as
indicated below. A small "s" indicates the point where each letter should be                        y                                          p                                       x
begun ("S1>" "S2," etc., are used if it is necessary to lift the pen or pencil), and
an arrowhead (---» indicates the direction in which the pen or pencil should
move. For convenience, the letters may be divided into four groups:                           5
     (1) Eleven of the Greek small letters do not extend below the line of writ-
ing,and are approximately as wide as they are high (cf. English a, c, e, etc.).
(The corresponding capitals are given first, then the printed forms of the small
letters, then the "diagrams" for imitation.)
Introduction                                   xix
xviii                           Athenaze: Book I
                                                                                             Copy the following names, practice pronouncing the Greek, imitating
      (4) Four of the Greek small letters extend both above and below the line of
                                                                                          your teacher, and write the standard English spelling of each name:
writing:
                                                                                          The Twelve Olympians
                     B                    z
                                                                                          ZEU~                         "Ap'tEllt~                    "H q>CXt(j'to~
                                                                                          "Hpa                         TIOO'EtOIDV                   "Apll~
                                                                                          'ASllva                      'Aq>pOOl'tll                  dtOVUO'O~
                                                                                          'AnoAArov                    'EpIlTl~                    d 1l1l" 'tTl P
                                                                                          The Nine Muses

              t                                                                           KAEtm
                                                                                          EU'tEpn ll
                                                                                                                       MEAnollEVll
                                                                                                                       TEP'IItXOPU
                                                                                                                                                     IIOAUIlVtcx
                                                                                                                                                     OuPCXVtU
              s
                                                                                          8aAEtcx                      'Epcx'tm                      KaAAtOnll
                                                                                          The Three Graces
    Students will, of course, develop their own writing style, and slight varia-
                                                                                          'Ay'}.,xi{a                  Euq>poO"uVll                  8aAEtcx
tions from the method of forming the letters that has just been described will
not, in general, cause confusion.                                                         The Three Fates
IMost of the material in the above section is taken from The Language of the New          KAroSm                       AaXEO"t~                      "A'tpono~
Testament by Eugene Van Ness Goetchius, © Reprinted by permission of Pearson
Education, Inc., Upper Saddle River, NJ.J                                                     Practice reading the following passage of Greek, imitating your teacher,
                                                                                          and then copy the first two sentences. In writing the Greek, it will be helpful
                                                                                          always to insert the macron over the vowel to which it belongs. As with the ac-
                                                                                          cent and breathing mark, the macron should be considered an integral part
                                                                                          of the spelling of the word.
                             Partw:
                                                                                             6 dtKcxtonOAt~ 'ASllvcxto~ EO"nv' OtKEt liE 6 dtKCXtOnOAte; OUK EV 'tCXte;
              Practice in Pronunciation and Writing
                                                                                          'AS"Vat~ aAt..a. EV 'tot~ aypot~· au'toupyoe; yap EO"ttv. YEroPYEt dlV 'tOY
   Practice pronouncing the following words, imitating your teacher. Then
copy the Greek words onto a sheet of paper; write the English transliteration of          KATlPOV KCXt nOVel EV 'tOt~ aypot~.            xcxAEno~      OE EO"'ttv 6 PtOe;' 6 yap
each Greek word, and give an English derivative of each.                                  KATlPOe; EO"n IltKPO~, IlCXKpOe; oE       6 novo~.    aet 01)V nOVEt        6 dtKatonOAte;
 1.     alVtYlla 11.                      21.                    31.                      Kat nOAAaKte; (j'tEvat;n KCXt AEyn·            "ih    ZEU, XCXAEnoc; EO"nv 6 PtOe;'
                           06Yllcx              ll aS llll a
                                                   ,                   PEUllcx
                                                                           ,
 2. a~trollcx    12.       Opallcx        22.   Il tcx a Il cx   32.   O"'ttYIlCX         anEpcxv'tO~ yap EO'nv         6   novo~, IltKpoe; OE       6   KATlPO~ KCXt ou 1i:OAUV
                                                   ,                     ,
 3. "
    aprollcx     13.       EIlP Allll a   23.   VOlltO"IlCX      33.   O"ulln't ro IlCX   O't'tOV       ncxpExEt."   aAAu to"xupoe; EO"nv        6    avSpronos KCXt aOKVOe;'
                                                                         ,
 4. aO"Sllcx     14.       t;EUYIlCX      24.   "
                                                OVOIlCX          34.   o"u 0"'t1l1l cx    nOAAaKt~ 01)V xatpEt· EAEUSEPO~ yap EO"n Kat au'tOupyo~' q>tAEt OE 'tOY
        ,
 5. ypcxJ.LJ.La  15.       SEllcx         25.   nAaO"llcx        35.   O"XTl J.LCX
                                                                                                                            6   KATlPO~ KCXt ahoy ncxpEXEt ou nOAvv aAAu
 6. OEpJ.LCX
 7. otaollJ.Lcx
                 16.
                 17.
                           S Em Pll J.LCX 26.
                           tOtroJ.LCX     27.
                                                nv EUJ.La
                                                npayJ.Lcx
                                                                 36.
                                                                 37.
                                                                           ,
                                                                       O"XtO"J.LCX
                                                                       O"IDJ.LCX
                                                                                          .
                                                                                          OtKOV.
                                                                                                 ,
                                                                                          tKCXVOV.
                                                                                                        KCXAOe; yap EO"nv

                              ,                     ,
 8. otaq>pcxYlla 18.       KtVllJ.LCX     28.   notllJ.Lcx       38.   q>AEyJ.LCX
                                                    ,                    ,
 9. OtAllJ.LJ.La 19.       KAtJ.La        29.   nptalla          39.   xaaJ.La
                              ,
10. OtnAroJ.LCX  20.       KOJ.LIlCX      30.   npop AllJ.LCX    40.   XpiOJ.Lcx
xx                         Athenaze: Book I

                               Part V:
                            Date Chart
BRONZE AGE
                    Minos, king of Crete; Theseus, king of Athens
   Ca. 1220 B.C.    Sack of Troy by Agamemnon of Mycenae
DARK AGE
   Ca. 1050 B.C.    Emigration of Ionians to Asia Minor
RENAISSANCE
   Ca. 850 B. C .   Formation of city states (Sparta, Corinth, etc.)
   776B.C.          First Olympic Games
   Ca. 750-500 B.C. Trade and colonization
   Ca. 725 B.C.     Composition of Iliad and Odyssey by Homer (Ionia)
   Ca. 700 B.C.     Composition of Works and Days by Hesiod (Boeotia)
   Ca. 657-625 B.C. Cypselus, tyrant of Corinth
   Ca. 594 B.C.     Solon's reforms in Athens
PERSIAN INVASIONS
   546 B. C .       Defeat of Croesus of Lydia and Greeks in Asia Minor
                        by Cyrus of Persia
   507B.C.          Foundation of democracy in Athens by Cleisthenes
   490B.C.          Expedition sent against Athens by Darius of Persia;
                        battle of Marathon
   480B.C.          Invasion of Greece by Xerxes: Thermopylae (480),
                        Salamis (480), Plataea (479)
                    Simonides, poet
IMPERIAL ATHENS
   478B.C.          Foundation of Delian League, which grows into Athe-
                        nian Empire                                        Greece and the Aegean Sea
   472B.C.          Aeschylus's Persians
   461-429 B.C.     Pericles dominant in Athens: radical democracy and
                        empire
                    War between Athens and Sparta
   446 B.C.         Thirty Years Peace with Sparta
                    Parthenon and other buildings
                    Herodotus, History
PELOPONNESIAN WAR
   431B.C.          Outbreak of war between Athens and the Pelopon-
                        nesian League
   430-429 B.C.     Plague at Athens; death of Pericles
   425B.C.          Aristophanes' Acharnians
   421B.C.          Temporary peace between Athens and Sparta
   415B.C.          Athenian expedition to Sicily
   413B.C.          Sicilian expedition defeated; war between Athens and
                        Sparta
   404B.C.          Surrender of Athens
                    Thucydides, Histories
1.   0   dlKAIOIIOAIL (a)                                        3
                                                                                                                fore aspirated vowels or aspirated           ***These words are always "placed
                                                                                                                diphthongs (e.g., OUX aipei, he / she           after" and never occur first in their
                                                     1                                                          does not take)
                                                                                                                                  .
                                                                                                                                                                clause.

                 o ilIKAI orr OAIL                                                 (a)                        b dUCatOnOAt<;      'AST]vato<; ECinv' OiKEt     8i: b dtKatOnOAt<; OUK EV "Cat<;
                                                                                                         'ASf]vat<;     ana EV "COtt; aypott;·      au"CoupyOt; yap ECinv. YE<OPYEt 01)V "Cov
                                                                                                         KAllPOV Kat nOVEl EV "COt<; aypot<;.            xaAEno<;       b ~io<;· b yap
                                                                                                                                                                       liE   ECinv
                                                                                                         'KAllP0<; ECin ,.iIKPO<;, ~aKpo<; 8i: b novo<;. aEt o1)v nOVEt b dtKatOnOAt<;
                                                                                                          Kat nOAAaKt<; CI"CEVaSEt Kat AEYEt· "ib ZEU, xaAEno<; ECinv b ~io<;·                             5

                                                                                                          anEpav'tO<; yap ECinv b novo<;, ~tKPO<; 8i: b KAllPO<; Kat ou nOAUv
                                                                                                          Clt"COV napExEt." aAAa iClXup0<; ECinv b uvSp<ono<; Kat UOKVO<;'
                                                                                                          nOAAaKt<; oilv XaiPEt· EAEUSEPO<; yap ECin Kat au"Coupyo<;' qltAEt 8i: "Cov
                                                                                                          OtKOV. KaAo<; yap ECinv b KAllPO<; KatO''i"tov napExEt ou nOAuv aAAa
                                                                                                         ,     ,
                                                                                                         tKavov.                                                                                           10

                                                                                                         [Ev <oi~ a'Ypoi~, in the country (!it., in the fields) TEmpT.i, he farms, cultivates <bv
                 o   At.KCXlO1tOA.tC;   a:u'to'UpI'OC; ea'ttv' cpepEt SE   'tOY   p,ocrxov.             d.ijpov, the (= his) farm      xaAE"b~, hard          ;, P(o~, the (= his) life ael, always
                                                                                                         KOAAcXK'LC;,   often    O''tEV6.~El, groans    ct, Zeu, 0 Zeus         a'Jte.pav't'oc;, endless
VOCABULARY                                                                                               napexEt, provides         iaXilpoc;, strong    a.OXVOC;,   energetic     EAEU9EPOC;, free
                                                                                                         h:avov, enough]
Verbs                                                     Adverbs
    Ead(v), helshelit is                                     au, oinc t oux, ** not
   A.£Y8t, he I she says; he I she tells;                    o~v, a connecting adverb, post-
      he I she speaks                                           positive, *** so (i.e., because of
   oilCei, he I she lives; he I she                             this); then (Le., after this)
      dwells                                              Conjunctions
   ltovei, he I she works                                    cXA.AcX, but
   Q)tA.8t, he I she loves                                   yap, postpositive, *** for                  WORD STUDY
   xaipet, he I she rejoices                                 lCai, and                                   Many English words are derived from Greek. Often these derivatives are
Nouns                                                     Particle                                       scientific and technical terms formed in English from Greek stems because
   II cXyp6~, * field                                        lit, postpositive, *** and, but             the precision of the Greek language makes it possible to express a complex
   II av9pmlto~, man; human be-                           Proper Names and Adjectives                    concept in a single word.
      ing; person                                            'A9"vato~, Athenian
   b ail~oupy6~, farmer                                      b AtICat6ltoA.t~, Dicaeopolis                   What Greek words from the story at the beginning of this chapter do you
   b OtICO~, house; home; dwelling                                                                       recognize in the following English words? Define the words, using your
   II 1t6vo~, toil, work                                        *6 is the definite article, the; when    knowledge of the Greek:
   II at~o~, grain; food                                         the noun is used as an object, the
                                                                 article becomes 'tov. Sometimes         1.   anthropology
Adjectives                                                       the article need not be translated in
   ICaA.6~, beautiful
                                                                                                         2.   polysyllabic
                                                                 English; sometimes it can best be       3.   philosophy
   l1aICp6~, long; large                                         translated as a possessive adjective,
   I1lICp6~, small                                               e.g., his. There is no indefinite
                                                                                                         4.   microscope
   n:OA..uC;, much; pI., many                                    article in Greek.                           English words such as those above often contain more than one Greek
Prepositional Phrase                                           **0,) before consonants, oi)le before     stem. Which of the words above contain stems of the following Greek words?
   F.V ~ai~ 'A9,;vat~, in Athens                                 vowels or diphthongs, and DUX be-


                                                      2
4                                   Athenaze: Book I                                                                 1.     0    d I K A I 0 II 0 A I 1: (a)                     5
1.   GlC01te'i, he I she looks at, examines                                                          other words such as aypoS is not determined by the gender of the thing
2.   O'ocpia, wisdom                                                                                 referred to. Such words have what is called grammatical gender, this
3.   /..6yoS, word; study                                                                            one being masculine. In learning vocabulary, always learn the arti-
                                                                                                     cle with the noun; this will tell you its gender: 6 for masculine; it for
                                                                                                     feminine; and <0 for neuter. In this chapter all the nouns listed in the
GRAMMAR                                                                                              Vocabulary are masculine and are therefore accompanied by the
                                                                                                     masculine definite article, o.
1. Verb Forms: Stems and Endings
         Greek verbs have stems, which give the meaning of the word, and
                                                                                                b. Stems, Endings, and Cases
     variable endings, which show such things as number and person. In ad-
     dition to singular and plural number, Greek has dual number, used when                               Greek nouns, pronouns, and adjectives have stems, which give the
     referring to two people or things; it is fairly rare, however, and will not be                  meaning of the word, and variable endings, which show the function
     taught in this course.                                                                          of the word in the sentence. The endings of nouns, pronouns, and ad-
         Number:                    Singular                          Plural                         jectives are called cases.
                                                                                                         There are five cases in Greek (nominative, genitive, dative, ac-
         Person:       1st          I                                 we                             cusative, and vocative); in this chapter we focus on the use of two of
                       2nd          you                               you                            them-the nominative and the accusative.
                       3rd          he, she, it                       they
                                                                                                         SteDl: lCATlPO-, farm
          This chapter introduces only the third person singular of the present
     tense, e.g., helshelit is.                                                                          Nominative Ending: -so lCATlPO- + -s > lCAfipos. This case is used
                                                                                                         for the subject of the verb and the complement after the verb "is,"
          The Greek verb for loosen, loose will serve as an example of a regular
                                                                                                         e.g.:
     Greek verb; the verb for love will serve as an example of a contract verb (a
     type of verb in which the vowel at the end ofthe stem contracts with the ini-                           ~ect                       Verb                   CODlpleDlent
     tial vowel of the ending). The irregular verb for be is also given.                                     6lCAfipos                                 fttlCPo.·
         SteDl: AU-, loosen, loose                                                                           The farm                                  small.
         3rd singular      A;l-et                 he I she loosens, is loosening, does loosen            Accusative Ending: -v. lCATlPO- + -v > lCAfipov. This case is used
                                                                                                         for the direct object of the verb, e.g.:
         SteDl: <ptAe-, love
         3rd singular       cptAE-Et > q>tAit he I she loves, is loving, does love                           ~ect                       Verb                   Direct O~ect
                             Note that> means "becomes."                                                     6 (iv8pomoc;               yecopye'i              <ov lCAfipov.
         SteDl: EG-, be                                                                                      The man                    cultivates          the farm.
         3rd singular                             he I she litis                                         Note that it is the endings of the words and not the order in which
     *EO"dv is used when followed by a word beginning with a vowel or when coming as                 they are placed in the sentence that builds the meaning of the sen-
      the last word in a clause. The -v is called movable v. The word £O''tt(v) is enclitic,         tence. The first sentence above could be written fttKPOS EGnv 6 lCAfipos
      which means that it ''leans upon" the previous word and often loses its accent. The            (the definite article marks 6 lCAfipos as the subject). The second sen-
      rules for accenting enclitics and the words that precede them will be presented as             tence could be written <ov lCAfipov yecopye'i 6 iiv8pco1tos, with a change in
      needed for writing Greek in the exercises.                                                     emphasis but no change in basic meaning.

2. Nouns: Genders, Stems, Endings, Cases, and Agreement                                         c.   Agreement
     a. Grammatical Gender                                                                               Definite articles and adjectives agree with the nouns they go with
                                                                                                     in gender, number (singular or plural), and case, e.g.:
              Greek nouns are usually masculine or feminine or neuter
         (neither masculine nor feminine) in gender. Some words such as                                  6 lCaMS aypOS: masculine singular nominative
         dtlCat01tOAtS, which is masculine, have natural gender; the gender of                           'tov IltlCPOV otlCOV: masculine singular accusative
6                                      Athenaze: Book I                                                    1.   0   III K A I 0 IT 0 A I L   (a)                   7
3. Labeling Functions of Words in Sentences                                         vasion of 431 B.C. "the evacuation was difficult for them since the majority
        In exercises you will be asked to label the functions of words in sen-      had always been accustomed to living in the country."
    tences. Label the subject S, the complement C, and the direct object DO.             Most of these people were farmers like Dicaeopolis. Their farms were
    Label linking verbs such as Ea,i(v) LV. Verbs that take direct objects,         small; ten to twenty acres would be the average size. What they grew on their
    such as YEroPYEt in the sentence above, are transitive and are to be labeled    farms would depend partly on the district in which they lived. On the plain
    TV (Transitive Verb); verbs that do not take direct objects, such as OiKEt in   near Athens no doubt the staple products would have been vegetables and
    the sentence below, are intransitive and are to be labeled IV (Intransitive     grain, but most of Attica is hilly; this poorer land would be more suitable for
    Verb):                                                                          grape vines, olive trees, sheep, and goats (cows were not kept for milk). All
                                                                                    farmers aimed at self-sufficiency, but few would have attained it (two-thirds
                S        IV                                                         of the grain consumed by the Athenians was imported). If they had a surplus,
        b IltKat01tOAtS oiK" EV 'OtS aypOtS.                                        e.g., of olive oil or wine, they would take it to the market in Athens for sale
        Note that the complement can be either an adjective as in the sentence      and buy what they could not produce themselves.
    b KAfipos Ean J.llKPOS above or a noun as in the following sentence:                 For purposes of administration, the Athenian citizens were divided into
                                                                                    four classes, based on property. The top class, the pentacosiomedimnoi or
                S                C      LV                                          "millionaires," a very small class, were those whose estates produced five
                                                                                    hundred medimnoi of grain a year (a medimnos = about one and a half
                                                                                    bushels or fifty-two to fifty-three liters). The second class, also s'mall, were
4. Use of the Definite Article                                                      the hippeis, "knights," whose estates could support a horse (t1t1toS); these pro-
                                                                                    vided the cavalry for the army (see illustration, page 162). The third and
        The definite article is sometimes used in Greek where it is not used in     largest class were the farmers like Dicaeopolis, called the zeugitai, who kept
    English, e.g., b IltKat01tOAtS = Dicaeopolis, and sometimes it can be trans-    a team of oxen U;EiiyoS). These provided the heavy infantry of the army. The
    lated with a possessive adjective in English, e.g.:                             fourth class were the thetes, "hired laborers," who owned no land or not
                                                                                    enough to support a family.
             b iiv8pro1toS YEropy" TOV KAfipov.
                                                                                         Our sources represent the farmers as the backbone of the Athenian democ-
             The man cultivates his farm.                                           racy-sturdy, industrious, thrifty, and simple, but shrewd. In the comedies of
                                                                                    Aristophanes they are often contrasted with self-seeking politicians, deca-
    Exercise la                                                                     dent knights, and grasping traders. The name of our main character, Di-
    Copy the following sentences and label the function of each noun and verb       cae opolis, contains the concepts oiKalO-, just, and 1tOAtS, city, and means
    by writing S, C, DO, LV, Tv, or N above the appropriate words (do not la-       something like honest citizen. He is taken from a comedy of Aristophanes
    bel words in prepositional phrases). Then translate the sentences into          called the Acharnians; the play was produced in 425 B.C., and at the end of
    English:                                                                        this course you will read extracts from it.

    1.   0 1tovo<; ea'tt )lCllCpOC;.
    2.   lCCXA6C; eG'ttv 6 o1:leOe;.
    3.   b IltlCat01tOAtS Tbv OiKOV <ptAEt.
    4.   1tOAUV ahoy 1tapEXEt b KAfipos.
    5.   b iiv8pro1toS ou 1tOVEt EV 'OtS aypOtS·


                                  The Athenian Farmer
    Dicaeopolis lives in a village in Attica called Cholleidae, about ten miles
or sixteen kilometers north of Athens. Although Athens and its port, the Pi-
raeus, formed a very large city by ancient standards, the majority of the
Athenian people lived and worked in the country. The historian Thucydides
(2.14) says that when Attica had to be evacuated before the Peloponnesian in-                          Scenes of plowing and sowing on a Greek vase
8                                         Athenaze: Book I                                                                              1.     0   L'!. I K A I 0 II 0 A IL   (13)                   9

                      o       LiIKAIOIIOAIL                                (~)                                WORD BUILDING
                                                                                                              What is the relationship between the words in the following sets? You have
                                                                                                              not yet met two of these words (",{Ao, and yewpy6,). Try to deduce their mean-
                                                                                                              ings (they both refer to people) from studying the relationship between the
                                                                                                              words in each set:
                                                                                                              1.    oit(Et        6 oIKo~
                                                                                                              2.    1tOVel.       61t6vo~
                                                                                                              3.    yeIDpyel      " YeIDpyO,
                                                                                                              4.    CjltAel·      " cpiA.o,




                     (, .6.tKat01tOAU; flEYUV Ateov atpet Kcd EX: 'tot) arpot) <pepn.


VOCABULARY
                                                                                                              GRAMMAR
Verbs                                                     b Xp6vo~, time
     arp."       he / she lifts                        Pronoun                                                5. Accents
     palH~El,       he / she walks; he / she              ai)'tov, him
          goes                                         Adjectives                                                      Attic Greek has three kinds of accent marks: acute', grave', and cir-
   1<aai~." he / she sits                                 iaxilp6~, strong
                                                                                                                   cumflex ". The acute accent will be found only on one of the last three syl-
   !pep.', he / she carries                               xaA.n6~, difficult
                                                                                                                   lables of a word, e.g.: iiv8pID1tO,. AEYet, ~(j;KPO,. An acute accent on the final
Nouns                                                  Preposition                                                 syllable of a word will be changed to a grave accent if it is followed im-
   b iAlO~, sun                                          7tpOC; + acc., to, toward                                mediately by another word with no punctuation (comma, semicolon, or
                                                                                                                   period) in between, thus aX)"'&' + KuA6, > uAM. KuA6,.
                                                                                                                       An important exception to this rule occurs when enclitics, words such
     (,   ~tKatOnOAt~        EV 'Ci? aypi? nOVEL' 'COV yap aypov crK(l7I'CEt. llaKpo~
                                                                                                                   as e("i(v), which usually lose their accent and instead "lean upon" the
Ecrnv (, novo~ Kat xaAE1tO~' 'COU~ yap Ai80u~ 10K 'COU aypou !pEPEt.                                               previous word for their accent, follow words with an acute accent on their
                                                                                                                   final syllable, e.g.:
IlEyav Ai80v arpEt Kat !PEPEt npo~ 'Co eplla. icrXijpo~ Ecrnv (, av8p(Ono~
                                                                                                                        xaAe1tO, + e,,,i(v) becomes xaAeno, eatl(v).
aAAa nOAUV Xpovov nOVEL Kat IlUAa KUIlVEt. !PAEYEt yap (,                               f1Ato~    Kat                   The acute on the final syllable of XUAe1tO, does not cbange to a grave
Ka'Ca'C pi~Et alnov. Ka8i~Et Otlv uno 'Ci? liEVlip!)l Kat i]cruXU~Et OU                                   5             when the word is followed by an enclitic, and the enclitic loses its ac-
                                                                                                                        cent.
noA:uv Xpovov. lit' oAiyou yap EnaipEt Eau'Cov Kat novel. 'CEAO~ liE
                                                                                                                   Note also what happens when words accented like iiv8pIDno,. novo" and
Ka'CalillvEt 6 f1Ato~. oUKEn Otlv nOVEL 6 ~tKatOnOAt~ aAAa npo~ 'Cov                                               OtKO, are followed by enclitics:
OtKOV ~alii~Et.                                                                                                         iiv8pdl1tO, + I:,,,i(v) becomes iiv8pID1tO, eatl(v).
[ev <ijI ciypijl. in the field       ,,,(ci~<",, he is digging    <ou<; ... AI90,,<;, the stones ~K                     An acute accent is added to iiv8pdl1tO" and the enclitic loses its accent.
'tou arpoll, out ofthe/ield J.1Eyav, big to Epp.a, the stone heap                  1tOAUV xpovov,                       novo, + ea~i(v) remains novo,     ea~i(v).
for a long time       p,cXAa lCclJ.lVE1., he is very tired     ,AErEl, is blazing       X:ll'tlltpipE1,
                                                                                                                        The enclitic keeps its accent.
wears out         into tip Bev8pcp, under the tree i1O'uxa~E, he rests           8t' OA{yOU, soon
E1tatpE1. elllltoV, he lifts himself, gets up           tEJ,.O~, adv., finally     lCa'taS.fivEt., sets                 atKa, + ea~i(v) becomes ot.:o, eatl(v).
oi>1c£1'1., no longer]                                                                                                  An acute accent is added to OtKO" and the enclitic loses its accent.
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction
Ancient Greek Introduction

More Related Content

What's hot

What's hot (20)

Legendary creatures
Legendary creaturesLegendary creatures
Legendary creatures
 
Oedipus the King
Oedipus the KingOedipus the King
Oedipus the King
 
Julius Caesar
Julius CaesarJulius Caesar
Julius Caesar
 
The chorus
The chorusThe chorus
The chorus
 
The Fall Of Troy
The Fall Of TroyThe Fall Of Troy
The Fall Of Troy
 
GREEK MYTHOLOGY;GODS OF WATER AND THE UNDERWORLD
GREEK MYTHOLOGY;GODS OF WATER AND THE UNDERWORLDGREEK MYTHOLOGY;GODS OF WATER AND THE UNDERWORLD
GREEK MYTHOLOGY;GODS OF WATER AND THE UNDERWORLD
 
New historisism and cultural materialism
New historisism and cultural materialismNew historisism and cultural materialism
New historisism and cultural materialism
 
Aeschylus
AeschylusAeschylus
Aeschylus
 
Ode to the West Wind ppt.pptx
Ode to the West Wind ppt.pptxOde to the West Wind ppt.pptx
Ode to the West Wind ppt.pptx
 
Mythology and folklore
Mythology and folkloreMythology and folklore
Mythology and folklore
 
The Trojan War
The Trojan WarThe Trojan War
The Trojan War
 
John keats
John keatsJohn keats
John keats
 
Hades
HadesHades
Hades
 
The trojan-war
The trojan-warThe trojan-war
The trojan-war
 
Roman mythology
Roman mythologyRoman mythology
Roman mythology
 
Shadows of the Pomegranate Tree
Shadows of the Pomegranate TreeShadows of the Pomegranate Tree
Shadows of the Pomegranate Tree
 
South korea
South koreaSouth korea
South korea
 
Racial Discrimination In the poem Telephonic Conversation
Racial Discrimination In the poem Telephonic Conversation Racial Discrimination In the poem Telephonic Conversation
Racial Discrimination In the poem Telephonic Conversation
 
Greek literature
Greek literatureGreek literature
Greek literature
 
Elizabethan Tragedy
Elizabethan TragedyElizabethan Tragedy
Elizabethan Tragedy
 

Viewers also liked

La llengua grega
La llengua gregaLa llengua grega
La llengua gregaNikitis
 
El mundo intelectual: Oratoria
El mundo intelectual: OratoriaEl mundo intelectual: Oratoria
El mundo intelectual: OratoriaMertxu Ovejas
 
ΟΣΤΙΣ  ΕΙΜΙ  ΕΓΩ 
ΟΣΤΙΣ  ΕΙΜΙ  ΕΓΩ  ΟΣΤΙΣ  ΕΙΜΙ  ΕΓΩ 
ΟΣΤΙΣ  ΕΙΜΙ  ΕΓΩ  Ana Ovando
 
Historia llengua grega
Historia llengua gregaHistoria llengua grega
Historia llengua gregasemgrec
 
Tema 5. la prosa griega: historiografía y oratoria
Tema 5. la prosa griega: historiografía y oratoriaTema 5. la prosa griega: historiografía y oratoria
Tema 5. la prosa griega: historiografía y oratoriaELENA GALLARDO PAÚLS
 

Viewers also liked (6)

La llengua grega
La llengua gregaLa llengua grega
La llengua grega
 
El mundo intelectual: Oratoria
El mundo intelectual: OratoriaEl mundo intelectual: Oratoria
El mundo intelectual: Oratoria
 
ΟΣΤΙΣ  ΕΙΜΙ  ΕΓΩ 
ΟΣΤΙΣ  ΕΙΜΙ  ΕΓΩ  ΟΣΤΙΣ  ΕΙΜΙ  ΕΓΩ 
ΟΣΤΙΣ  ΕΙΜΙ  ΕΓΩ 
 
Historia llengua grega
Historia llengua gregaHistoria llengua grega
Historia llengua grega
 
Tema 5. la prosa griega: historiografía y oratoria
Tema 5. la prosa griega: historiografía y oratoriaTema 5. la prosa griega: historiografía y oratoria
Tema 5. la prosa griega: historiografía y oratoria
 
Arte griego y romano
Arte griego y romanoArte griego y romano
Arte griego y romano
 

Similar to Ancient Greek Introduction

Witness and Perspective; a Quest for the Original Order of the Chapters in 1 ...
Witness and Perspective; a Quest for the Original Order of the Chapters in 1 ...Witness and Perspective; a Quest for the Original Order of the Chapters in 1 ...
Witness and Perspective; a Quest for the Original Order of the Chapters in 1 ...Hugo Louter
 
A HISTORY OF ART IN ANCIENT EGYPT.pdf
A HISTORY OF ART IN ANCIENT EGYPT.pdfA HISTORY OF ART IN ANCIENT EGYPT.pdf
A HISTORY OF ART IN ANCIENT EGYPT.pdfJessica Navarro
 
Alphabetic Writing In The Mediterranean World Transmission And Approriation
Alphabetic Writing In The Mediterranean World  Transmission And ApproriationAlphabetic Writing In The Mediterranean World  Transmission And Approriation
Alphabetic Writing In The Mediterranean World Transmission And ApproriationAudrey Britton
 
An Introduction to Literary Studies .pdf
An Introduction to Literary Studies .pdfAn Introduction to Literary Studies .pdf
An Introduction to Literary Studies .pdfAmir Abdalla
 
A Historian S History Of Ancient Egyptian Science
A Historian S History Of Ancient Egyptian ScienceA Historian S History Of Ancient Egyptian Science
A Historian S History Of Ancient Egyptian ScienceNat Rice
 
A Synopsis of English Syntax.pdf
A Synopsis of English Syntax.pdfA Synopsis of English Syntax.pdf
A Synopsis of English Syntax.pdfSaulSilmar
 
(Modern French identities 38) Camus, Albert_ Foxlee, Neil_ Camus, Albert - Al...
(Modern French identities 38) Camus, Albert_ Foxlee, Neil_ Camus, Albert - Al...(Modern French identities 38) Camus, Albert_ Foxlee, Neil_ Camus, Albert - Al...
(Modern French identities 38) Camus, Albert_ Foxlee, Neil_ Camus, Albert - Al...NegruCorneliu
 
Ancient Epistolary Theory a Brief Overview.pdf
Ancient Epistolary Theory  a Brief Overview.pdfAncient Epistolary Theory  a Brief Overview.pdf
Ancient Epistolary Theory a Brief Overview.pdfCarrie Tran
 
Origins of humanism Reading (PDF)
Origins of humanism Reading (PDF)Origins of humanism Reading (PDF)
Origins of humanism Reading (PDF)Alicia Wallace
 
Record of buddhistic kingdoms by fa hien
Record of buddhistic kingdoms by fa hienRecord of buddhistic kingdoms by fa hien
Record of buddhistic kingdoms by fa hienSyamsul Noor
 
TGG Summary.pdf
TGG Summary.pdfTGG Summary.pdf
TGG Summary.pdfBadrRajih
 
A HISTORY OF OLD ENGLISH LITERATURE.pdf
A HISTORY OF OLD ENGLISH LITERATURE.pdfA HISTORY OF OLD ENGLISH LITERATURE.pdf
A HISTORY OF OLD ENGLISH LITERATURE.pdfYolanda Ivey
 
Calakmul
Calakmul Calakmul
Calakmul Chalex
 
The Egyptian Book of the Dead.pdf
The Egyptian Book of the Dead.pdfThe Egyptian Book of the Dead.pdf
The Egyptian Book of the Dead.pdfssuser2bc9b71
 
Alan c. dessen_recovering_shakespeares_theatrical_vocabulary__1995
Alan c. dessen_recovering_shakespeares_theatrical_vocabulary__1995Alan c. dessen_recovering_shakespeares_theatrical_vocabulary__1995
Alan c. dessen_recovering_shakespeares_theatrical_vocabulary__1995Savu Ioan Alexandru
 
Comprehensive history of linguistics
Comprehensive history of linguisticsComprehensive history of linguistics
Comprehensive history of linguisticsJordán Masías
 
Topics for paper #1 possible topics for paper #1 a)
Topics for paper #1 possible topics for paper #1   a) Topics for paper #1 possible topics for paper #1   a)
Topics for paper #1 possible topics for paper #1 a) SALU18
 

Similar to Ancient Greek Introduction (19)

Archimedes
ArchimedesArchimedes
Archimedes
 
Witness and Perspective; a Quest for the Original Order of the Chapters in 1 ...
Witness and Perspective; a Quest for the Original Order of the Chapters in 1 ...Witness and Perspective; a Quest for the Original Order of the Chapters in 1 ...
Witness and Perspective; a Quest for the Original Order of the Chapters in 1 ...
 
A HISTORY OF ART IN ANCIENT EGYPT.pdf
A HISTORY OF ART IN ANCIENT EGYPT.pdfA HISTORY OF ART IN ANCIENT EGYPT.pdf
A HISTORY OF ART IN ANCIENT EGYPT.pdf
 
Alphabetic Writing In The Mediterranean World Transmission And Approriation
Alphabetic Writing In The Mediterranean World  Transmission And ApproriationAlphabetic Writing In The Mediterranean World  Transmission And Approriation
Alphabetic Writing In The Mediterranean World Transmission And Approriation
 
An Introduction to Literary Studies .pdf
An Introduction to Literary Studies .pdfAn Introduction to Literary Studies .pdf
An Introduction to Literary Studies .pdf
 
A Historian S History Of Ancient Egyptian Science
A Historian S History Of Ancient Egyptian ScienceA Historian S History Of Ancient Egyptian Science
A Historian S History Of Ancient Egyptian Science
 
Timoshenko
TimoshenkoTimoshenko
Timoshenko
 
A Synopsis of English Syntax.pdf
A Synopsis of English Syntax.pdfA Synopsis of English Syntax.pdf
A Synopsis of English Syntax.pdf
 
(Modern French identities 38) Camus, Albert_ Foxlee, Neil_ Camus, Albert - Al...
(Modern French identities 38) Camus, Albert_ Foxlee, Neil_ Camus, Albert - Al...(Modern French identities 38) Camus, Albert_ Foxlee, Neil_ Camus, Albert - Al...
(Modern French identities 38) Camus, Albert_ Foxlee, Neil_ Camus, Albert - Al...
 
Ancient Epistolary Theory a Brief Overview.pdf
Ancient Epistolary Theory  a Brief Overview.pdfAncient Epistolary Theory  a Brief Overview.pdf
Ancient Epistolary Theory a Brief Overview.pdf
 
Origins of humanism Reading (PDF)
Origins of humanism Reading (PDF)Origins of humanism Reading (PDF)
Origins of humanism Reading (PDF)
 
Record of buddhistic kingdoms by fa hien
Record of buddhistic kingdoms by fa hienRecord of buddhistic kingdoms by fa hien
Record of buddhistic kingdoms by fa hien
 
TGG Summary.pdf
TGG Summary.pdfTGG Summary.pdf
TGG Summary.pdf
 
A HISTORY OF OLD ENGLISH LITERATURE.pdf
A HISTORY OF OLD ENGLISH LITERATURE.pdfA HISTORY OF OLD ENGLISH LITERATURE.pdf
A HISTORY OF OLD ENGLISH LITERATURE.pdf
 
Calakmul
Calakmul Calakmul
Calakmul
 
The Egyptian Book of the Dead.pdf
The Egyptian Book of the Dead.pdfThe Egyptian Book of the Dead.pdf
The Egyptian Book of the Dead.pdf
 
Alan c. dessen_recovering_shakespeares_theatrical_vocabulary__1995
Alan c. dessen_recovering_shakespeares_theatrical_vocabulary__1995Alan c. dessen_recovering_shakespeares_theatrical_vocabulary__1995
Alan c. dessen_recovering_shakespeares_theatrical_vocabulary__1995
 
Comprehensive history of linguistics
Comprehensive history of linguisticsComprehensive history of linguistics
Comprehensive history of linguistics
 
Topics for paper #1 possible topics for paper #1 a)
Topics for paper #1 possible topics for paper #1   a) Topics for paper #1 possible topics for paper #1   a)
Topics for paper #1 possible topics for paper #1 a)
 

More from Caio Grimberg

Resenha critica do fedro (caio grimberg)
Resenha critica do fedro (caio grimberg)Resenha critica do fedro (caio grimberg)
Resenha critica do fedro (caio grimberg)Caio Grimberg
 
Trabalho de etica (kant) (Caio Grimberg)
Trabalho de etica (kant) (Caio Grimberg)Trabalho de etica (kant) (Caio Grimberg)
Trabalho de etica (kant) (Caio Grimberg)Caio Grimberg
 
Transtornos de aprendizagem são bento - 25112010 - alunos
Transtornos de aprendizagem  são bento - 25112010 - alunosTranstornos de aprendizagem  são bento - 25112010 - alunos
Transtornos de aprendizagem são bento - 25112010 - alunosCaio Grimberg
 
Tdha th t ansiedade retardo mental e aprendizagem
Tdha  th  t ansiedade retardo mental e aprendizagemTdha  th  t ansiedade retardo mental e aprendizagem
Tdha th t ansiedade retardo mental e aprendizagemCaio Grimberg
 
Piaget vygotshy wallon (teorias psicogeneticas em discussão la taille kohl ...
Piaget  vygotshy  wallon (teorias psicogeneticas em discussão la taille kohl ...Piaget  vygotshy  wallon (teorias psicogeneticas em discussão la taille kohl ...
Piaget vygotshy wallon (teorias psicogeneticas em discussão la taille kohl ...Caio Grimberg
 
Desenvolvimento emocional 09 2010
Desenvolvimento emocional 09 2010Desenvolvimento emocional 09 2010
Desenvolvimento emocional 09 2010Caio Grimberg
 
Teoria sócio historica
Teoria sócio historicaTeoria sócio historica
Teoria sócio historicaCaio Grimberg
 
Transtornos de atenção e de aprendizagem
Transtornos de atenção e de aprendizagemTranstornos de atenção e de aprendizagem
Transtornos de atenção e de aprendizagemCaio Grimberg
 
Vygotsky e o desenvolvimento humano
Vygotsky e o desenvolvimento humanoVygotsky e o desenvolvimento humano
Vygotsky e o desenvolvimento humanoCaio Grimberg
 
Vygostsky e as teorias de aprendizagem 1
Vygostsky e as teorias de aprendizagem 1Vygostsky e as teorias de aprendizagem 1
Vygostsky e as teorias de aprendizagem 1Caio Grimberg
 
O amor é uma falácia - Lógica
O amor é uma falácia - LógicaO amor é uma falácia - Lógica
O amor é uma falácia - LógicaCaio Grimberg
 
Desenvolvimento emocional 09 2010
Desenvolvimento emocional 09 2010Desenvolvimento emocional 09 2010
Desenvolvimento emocional 09 2010Caio Grimberg
 
Desenvolvimento cognitivo e neuropsicomotor 08 2010
Desenvolvimento cognitivo e neuropsicomotor 08 2010Desenvolvimento cognitivo e neuropsicomotor 08 2010
Desenvolvimento cognitivo e neuropsicomotor 08 2010Caio Grimberg
 
Desenvolvimento humano
Desenvolvimento humanoDesenvolvimento humano
Desenvolvimento humanoCaio Grimberg
 
Aula familia (Professora Maria Cecilia)
Aula familia (Professora Maria Cecilia)Aula familia (Professora Maria Cecilia)
Aula familia (Professora Maria Cecilia)Caio Grimberg
 
Os criticos de freud
Os criticos de freudOs criticos de freud
Os criticos de freudCaio Grimberg
 
Para Entender a Obra do Mestre
Para Entender a Obra do MestrePara Entender a Obra do Mestre
Para Entender a Obra do MestreCaio Grimberg
 
Armadilhas do inconsciente (sgmund freud)
Armadilhas do inconsciente (sgmund freud)Armadilhas do inconsciente (sgmund freud)
Armadilhas do inconsciente (sgmund freud)Caio Grimberg
 
Em busca da ciência da psique ( educação da psicologia)
Em busca da ciência da psique ( educação da psicologia)Em busca da ciência da psique ( educação da psicologia)
Em busca da ciência da psique ( educação da psicologia)Caio Grimberg
 

More from Caio Grimberg (20)

Resenha critica do fedro (caio grimberg)
Resenha critica do fedro (caio grimberg)Resenha critica do fedro (caio grimberg)
Resenha critica do fedro (caio grimberg)
 
Trabalho de etica (kant) (Caio Grimberg)
Trabalho de etica (kant) (Caio Grimberg)Trabalho de etica (kant) (Caio Grimberg)
Trabalho de etica (kant) (Caio Grimberg)
 
Transtornos de aprendizagem são bento - 25112010 - alunos
Transtornos de aprendizagem  são bento - 25112010 - alunosTranstornos de aprendizagem  são bento - 25112010 - alunos
Transtornos de aprendizagem são bento - 25112010 - alunos
 
Tdha th t ansiedade retardo mental e aprendizagem
Tdha  th  t ansiedade retardo mental e aprendizagemTdha  th  t ansiedade retardo mental e aprendizagem
Tdha th t ansiedade retardo mental e aprendizagem
 
Piaget vygotshy wallon (teorias psicogeneticas em discussão la taille kohl ...
Piaget  vygotshy  wallon (teorias psicogeneticas em discussão la taille kohl ...Piaget  vygotshy  wallon (teorias psicogeneticas em discussão la taille kohl ...
Piaget vygotshy wallon (teorias psicogeneticas em discussão la taille kohl ...
 
Desenvolvimento emocional 09 2010
Desenvolvimento emocional 09 2010Desenvolvimento emocional 09 2010
Desenvolvimento emocional 09 2010
 
Teoria sócio historica
Teoria sócio historicaTeoria sócio historica
Teoria sócio historica
 
Transtornos de atenção e de aprendizagem
Transtornos de atenção e de aprendizagemTranstornos de atenção e de aprendizagem
Transtornos de atenção e de aprendizagem
 
Vygotsky e o desenvolvimento humano
Vygotsky e o desenvolvimento humanoVygotsky e o desenvolvimento humano
Vygotsky e o desenvolvimento humano
 
Vygostsky e as teorias de aprendizagem 1
Vygostsky e as teorias de aprendizagem 1Vygostsky e as teorias de aprendizagem 1
Vygostsky e as teorias de aprendizagem 1
 
O amor é uma falácia - Lógica
O amor é uma falácia - LógicaO amor é uma falácia - Lógica
O amor é uma falácia - Lógica
 
Desenvolvimento emocional 09 2010
Desenvolvimento emocional 09 2010Desenvolvimento emocional 09 2010
Desenvolvimento emocional 09 2010
 
Desenvolvimento cognitivo e neuropsicomotor 08 2010
Desenvolvimento cognitivo e neuropsicomotor 08 2010Desenvolvimento cognitivo e neuropsicomotor 08 2010
Desenvolvimento cognitivo e neuropsicomotor 08 2010
 
Desenvolvimento humano
Desenvolvimento humanoDesenvolvimento humano
Desenvolvimento humano
 
Logicomix1
Logicomix1Logicomix1
Logicomix1
 
Aula familia (Professora Maria Cecilia)
Aula familia (Professora Maria Cecilia)Aula familia (Professora Maria Cecilia)
Aula familia (Professora Maria Cecilia)
 
Os criticos de freud
Os criticos de freudOs criticos de freud
Os criticos de freud
 
Para Entender a Obra do Mestre
Para Entender a Obra do MestrePara Entender a Obra do Mestre
Para Entender a Obra do Mestre
 
Armadilhas do inconsciente (sgmund freud)
Armadilhas do inconsciente (sgmund freud)Armadilhas do inconsciente (sgmund freud)
Armadilhas do inconsciente (sgmund freud)
 
Em busca da ciência da psique ( educação da psicologia)
Em busca da ciência da psique ( educação da psicologia)Em busca da ciência da psique ( educação da psicologia)
Em busca da ciência da psique ( educação da psicologia)
 

Ancient Greek Introduction

  • 1. 1.(21~ L ') {;l~C;U.;l~1" GQlti 90000 9 I SBN 0 - 19 -514956-4
  • 2. [ i- I ATHENAZE An Introduction to Ancient Greek Second Edition Book! ,.-. Maurice Balme and Ito- Gilbert Lawall !' with drawings by Catherine Balme New York I Oxford OXFORD UNIVERSITY PRESS 2003
  • 3. PREFACE This second edition of Athenaze was produced on the basis of suggestions made by anonymous reviewers contacted by Oxford University Press and Oxford University Press with inspiration from L. Miraglia and T. F. B6rri's Italian edition of Athenaze. We are grateful to these teachers and professors and also to the fol- Oxford New York lowing, who read versions of the revised edition at various stages, offered in- Auckland Bangkok Buenos Aires Cape Town Chennai Dar es Salaam Delhi Hong Kong Istanbul Karachi Kolkata numerable helpful suggestions, and caught many errors, typographical and Kuala Lumpur Madrid Melbourne Mexico City Mumbai other: Elizabeth Baer of the Berkshire Country Day School, Jessica Mix Bar- Nairobi Sao Paulo Shanghai Taipei Tokyo Toronto rington of the Northfield Mount Hermon School, James Johnson of Austin College, Cynthia King of Wright State University, Rosemary Laycock of Copyright © 2003 by Oxford University Press, Inc. Dalhousie University, Mark Riley of California State University at Sacra- Published by Oxford University Press, Inc. mento, Kolbeinn Sremundsson of the Menntask61inn i Reykjavik, and Rex 198 Madison Avenue, New York, New York, 10016 Wallace of the University of Massachusetts at Amherst. Thanks also go to http://www.oup~usa.org Latin teachers in Sunday afternoon Greek classes who used preliminary versions of the revised chapters and made many useful observations. Oxford is a registered trademark of Oxford University Press The new features of the revised textbooks include the following: All rights reserved. No part of this publication may be 'reproduced, • Short passages from Classical and New Testament Greek in virtually stored in a retrieval system, or transmitted, in any form or by ·any means, every chapter electronic, mechanical, photocopying. recording, or otherwise, without the prior pennission of Oxford University Press. • A strand titled Greek Wisdom, with sayings of the seven wise men of Ar- chaic Greece at various points throughout Book I and fragments of Hera- clitus at various points throughout Chapters 18-28 in Book II (Greek Wis- Library of Congress Cataloging-in-Publication Data dom in Chapter 29 contains material on Socrates) • Some rearrangement of the sequence in which grammar is introduced, so Balme, M. G, that the future tense and the passive voice are now introduced in Book I Athenaze : an introduction to ancient Greek, Book I I Maurice Balme and Gilbert Lawall and the first three principal parts of verbs are now listed from Chapter 10, ; with drawings by Catherine Balme.-- 2nd ed. p.cm. with full sets of principal parts being given in Book II, as before Includes index. • Fuller grammatical and linguistic explanations throughout, including ISBN 0-19-514956-4 material on accents provided along the way, as needed for completing ex- I. Greek language--Grammar. 2. Greek language--Readers. I. Lawall, Gilbert. II. Title. ercises accurately PA258.B3252003 • New, descriptive terminology used for the tenses of verbs 488.2'421--dc21 • Many new exercises, including periodic requests for students to photocopy 2002045015 blank Verb Charts at the ends of Books I and II and to fill in forms of re- quested verbs, adding new forms as they are learned • New insertions in Book I titled PRACTICE, requesting that students write out sets of nouns or sets of nouns and matching adjectives • Presentation of most of the new grammar by Chapter 28 and consolidation of the extracts from Thucydides and Aristophanes' Acharnians in the last two chapters, 29 and 30 The purposes of the course remain as they were in the first edition, as they are spelled out in the Introduction. We hope that inclusion of Classical and New Testament passages will attract more students to the study of Greek and that this revised edition will help expand interest in the study of Greek in North America. -Maurice Balme and Gilbert Lawall Printing number: 9 8 7 6 5 4 3 2 Printed in the United States of America on acid-free paper
  • 4. CONTENTS INTRODUCTION ix Readings Grammar 1 0 A1KAlOlIOAIl: (a) 2 1. Verb Forms: Stems and Endings 4 2. Nouns: Genders, Stems, End ~ ings, Cases, and Agreement 4 3. Labeling Functions of Words in Sentences 6 4. Use of the Definite Article 6 The Athenian Farmer 6 o l1IKAIOlIOAIl: (13) 8 5. Accents 9 o KAHPOl: 10 Classicsl Greek: Heraclitus 11 New Testament Greek: Title of the Gospel of Luke 11 2 0 EAN0IAl: (a) 12 1. Verb Forms: Indicative Mood; 1st, 2nd, and 3rd Persons Sin- gular 13 2. Proclitics 14 3. The Imperative 15 Slavery 15 Greek Wisdom: Cleobulus of Lindos 16 o EAN0IAl: (13) 18 4. Articles, Ac:ljectives, and Nouns; Singular, All Cases 20 5. Uses of the Cases 20 6. Persistent Accent of Nouns and Adjectives 20 7. Recessive Accent of Verbs 21 o l10YAOl: 22 Classical Greek: Callimachus 23 New Testament Greek: Luke 3.22 23 3 0 APafOl: (a) 24 1. Verb Forms: 3rd Person Plural, Imperatives, and Infinitives 26 The Deme and the Polis 28 o APafOl: (13) 30 2. Articles, Adjectives, and Nouns; Singular and Plural, All Cases 31 3. Accent Shifting 32 01 BOEl: 34 Classical Greek: Menander 35 New Testament Greek: Luke 6.46 35 i
  • 5. ii Athenaze: Book I Contents iii 4 I1POl: THI KPHNHI (a) 36 1. Verb Forms: All Persons. Singu- 1ar and Plural 38 o ElHl:EYl: THN APIAIINHN 2. Declensions of Nouns and Ad- KATAAEII1EI 91 jectives 40 Classical Greek: Marriage 93 3. Feminine Nouns and Adjectives New Testament Greek: Luke 13.10-16 93 of the 1st Declension 40 Women 43 7 0 KYKAQ'I' (a) 94 1. Substantive Use of Adjectives Greek Wisdom: Pittacus of Mitylene 45 96 I1POl: THI KPHNHI (~) 46 4. Masculine Nouns ofthe 1st De- 2. Nouns: Declensions 97 clension 47 3. 3rd Declension Consonant Stem 5. Feminine Nouns of the 2nd De- Nouns: Velar and Dental clension 48 Stems 97 6. 1st and 2nd Declension Adjec- 4. Reflexive Pronouns 100 tives 48 Homer 102 7. Formation of Adverbs 50 o KYKAO'l' (~) 104 5. 3rd Declension Consonant Stem 8. The Definite Article as Case In- Nouns: Nasal Stems 106 dicator 50 6. 3rd Declension Consonant Stem AI rYNAIKEl: TOYl: ANIlPAl: Nouns: Labial and Liquid I1EIElOnIN 51 Stems 107 Classical Greek: Callimachus 53 7. A 3rd Declension Adjective: New Testament Greek: Luke 6.45 53 crrocpprov, cr&£ppov, Df sound mind; prudent; self-controlled 5 0 AYKOl: (al 54 1. Contract Verbs in -a- 56 107 2. Recessive Accent of Finite Verbs 8. The Interrogative Pronoun and 56 Adjective 108 3. Article at the Beginoing of a 9. The Indefinite Pronoun and Ad- Clause 58 jective 109 4. Elision 58 o TOY ElHl:EOl: I1A THP Gods and Men 59 AI10ElNHIl:KEI 110 Greek Wisdom: Chilon of Sparta 61 Classical Greek: Sophocles 111 o AYKOl: (~) 62 5. Agreement of Subject and Verb Greek Wisdom: Thales of Miletus 111 64 6. Personal Pronouns 64 8 I1P0l: TO ALTY (a) 112 1. Participles: Present or Progres- 7. Attributive and Predicate Posi- sive: Middle Voice 114 tion 66 Athens: A Historical Outline 117 8. Possessives 66 o APrOl: TA I1POBATA l:QIZEI 69 9. The Adjective a"'o,.-1. -0 68 Classical Greek: Archilochus 121 New Testament Greek: Luke 5.20-21 121 I1POl: TO Al:TY (~) 122 2. 3rd Declension Consonant Stem Greek Wisdom: The Seven Wise Men 70 Nouns: Stems in -p- 124 Classical Greek: Anacreon 71 New Testament Greek: Luke 4.22 and 24 71 3. Two Important Irregular Nouns: il )''UVTt. 'tfl~ YUVU1.1CO<;, 6 o MYElOl: (a) 72 1. Verb Forms: X1l.£00 74 woman; wife, and i} XEtp, 'tile; 2. Verbs: Voice 75 XEtpo,. hand 125 3. Verb Forms: Middle Voice 76 4. 1s1i3rd Declension Adjective 4. Deponent Verbs 78 1tae;, 1tacra, 1taV, all; every; Myth 81 whole 126 o MYElOl: (~) 84 5. Middle Voice: Meaning 86 Greek Wisdom: Periander of Corinth 127 5. Numbers 128 6. Some Uses of the Dative Case 6. Expressions of Time When, Du- 88 ration of Time, and Time 7. Prepositions 89 within Which 128 o 011Yl:l:EYl: KAI 0 AIOAOl: 130
  • 6. iv Athenaze:Book I Contents v Classical Greek: Sappho: The Deserted Lover: New Testament Greek: Lnke 5.30-32 173 A Girl's Lament 131 11 OIATPO);«X) 174 1. Verb Forms: Past Tense: The 9 H flANHITPI); «x) 132 1. Participles: Present or Progres- Aorist 176 sive: Active Voice 135 2. Verb Forms: The Thematic 2nd The City of Athens 139 Aorist 177 H flANHITPI); (P) 142 2. 3rd Declension Nonns with 3. Aspect 178 Stems Ending in -VT- 145 4. Thematic 2nd Aorist Active and 3. 3rd Declension Nouns with Middle Participles 180 Stems Ending in a Vowel: it 5. Verb Forms: Common Verbs 1tOAt~ and 'to nat) 145 with Thematic 2nd Aorists 4. 3rd Declension Nouns with 180 Stems Ending in Diphthongs Greek Science and Medicine 183 Classical Greek: Theognis 185 or Vowels: " P(XC11AE,,<; and the Irregular N auns i} vaue; and 0 New Testament Greek: Lnke 6.20-21: poii<; 146 The Beatitudes 185 5. Uses of the Genitive Case 147 o IATPO); (P) 186 6. Verbs with Thematic 2nd 6. Some Uses of the Article 148 Aorists from Unrelated Stems o OAn);En KAI H KIPKH 149 189 Classical Greek: Simonides 151 7. Accents on Thematic 2nd Aorist New Testament Greek: Lnke 6.31--33: Active Imperatives 189 The Sermon on the Mount 151 8. Augment 190 o AHMOKHAH); TON BA);IAEA REVIEW OF VERB FORMS 152 IATPEYEI 192 New Testament Greek: Luke 6.27-29: PREVIEW OF NEW VERB FORMS 154 The Sermon on the Mount 193 10 H );YM<I>OPA «x) 156 1. Verb Forms: Verbs with Sig- 12 flPO); TON flEIPAIA (a) 194 1. Verb Forms: Past Tense: The matic Futures 158 Sigmatic 1st Aorist 196 2. Verb Forms: The Asigmatic 2. Sigmatic 1st Aorist Active and Contract Future of Verbs in Middle Participles 199 -il;;", 159 Trade and Travel 200 3. Verb Forms: The Sigmatic Fu- Classical Greek: Scolion: ture of Contract Verbs 159 The Four Best Things in Life 203 4. Verb Forms: Verbs with Depo- New Testament Greek: Lnke 15.3-7: nent Futures 159 The Parable of the Lost Sheep 203 Festivals 162 flPO); TON flEIPAIA (P) 204 3. Verb Forms: The Asigm'ltic 1st Classical Greek: Theognis 163 Aorist of Verbs with Liquid New Testament Greek: Lnke 6.35--36: and Nasal Stems 207 The Sermon on the Mount 163 4. Irregular Sigmatic 1st Aorists H );YM<I>OPA (P) 164 5. Verb Forms: The Asigmatic 208 Contract Future of Verbs with 5. Verb Forms: Augment of Com- Liqnid and Nasal Stems 166 pound Verbs 209 6. The Irregular Verb .tl't 168 o KnAAIO); TON TAPTH););ON 7. Future Participle to Express EYPI);KEI 210 Purpose 170 Greek Wisdom: Bias of Priene 211 8. Impersonal Verbs 170 13 flPO); THN );AAAMINA «x) 212 1. Verb Forms: The Imperfect or 9. Review of Questions 171 o OAYHEY); TOY); ETAIPOY); Past Progressive Tense 213 Afl OAAY);IN 171 2. Aspect 216 Classical Greek: Menander 173 The Rise of Persia 218
  • 7. vi Athenaze: Book I Contents vii TIPOL THN LAAAMINA (~) 222 3. Relative Clauses 224 4. 3rd Declension Nouns and Ad- The Athenian Empire 271 jectives with Stems in -£0'- META THN EN THI LAAAMINI 226 MAXHN (~) 274 2. Verbs with Athematic Presents 5. 1stl3rd Declension Adjective and Imperfects: OUVlll-lat, with 3rd Declension Stems in lCE1.llat, and E1tla-rIlj..Llll 276 -u- and -E- 227 o 8EP8HL TIPOL THN ALlAN o 8EP8HL TON EAAHLTIONTON ANAXQPEI 278 ~IABAINEI 228 Classical Greek: Sappho: Love's Power 280 Greek Wisdom: Solon of Athens 230 Classical Greek: Simonides 281 Classical Greek: Archilochus 231 New Testament Greek: Luke 2.15-20: New Testament Greek: Luke 21.1-4: The Birth of Jesus (concluded) 281 The Widow's Mite 231 VERB CHARTS 282 14 H EN TAIl: ElEPMOTIY AAIL SYLLABLES AND ACCENTS 284 MAXH (ex) 232 1. Comparison of Adjectives 234 2. Irregular Comparison of Adjec- ENCLITICS AND PROCLITICS 285 tives 235 3. Comparison of Adverbs 236 FORMS 287 4. Uses of Comparatives and Su- INDEX OF LANGUAGE AND GRAMMAR 312 perlatives 236 The Rise of Athens 238 GREEK TO ENGLISH VOCABULARY 323 Classical Greek: Archilochus 241 New Testament Greek: Luke 10.25-29: ENGLISH TO GREEK VOCABULARY 341 The Good Samaritan 241 GENERAL INDEX 350 H EN TAIL ElEPMOnYAAIL MAXH (~) 242 5. Demonstrative Adjectives 244 LIST OF MAPS 356 6. Interrogative and Indefinite Pronouns, Adjectives, and ACKNOWLEDGMENTS 356 Adverbs 246 LIST OF ILLUSTRATIONS 357 01 TIEPLAI TA YTIEP ElEPMOTIYAQN LTENA AIPOYLIN 247 Classical Greek: Theognis 249 New Testament Greek: Luke 10.30-37: The Good Samaritan (concluded) 249 15 H EN THI l:AAAMINI MAXH (ex) 250 1. Athematic 2nd Aorists 252 2. More 3rd Declension Nouns with Stems in -Ecr- 254 Aeschylus's Persae 255 New Testament Greek: Luke 2.1-14: The Birth of Jesus 257 H EN THI LAAAMINI MAXH (~) 258 3. Contract Verbs in -0- 2 6 1 4. Contract Nouns of the 2nd De- clension 263 5. More Numbers 263 6. Uses of ro<; and Its Compounds 264 OJ TIEPLAI TAL AElHNAL AIPOYl:IN 264 16 META THN EN THI l:AAAMINI MAXHN (ex) 266 1. The Passive Voice 269
  • 8. INTRODUCTION Part I: About This Course The aim of Athenaze is to teach you to read ancient Greek as quickly, thoroughly, and enjoyably as possible, and to do so within the context of an- cient Greek culture. This means within the context of the daily life of the an- cient Greeks as it was shaped and given meaning by historical develop- ments, political events, and the life of the mind as revealed in mythology, re- ligion, philosophy, literature, and art. The stories that you will read in Greek provide the basic cultural context within which you will learn the Greek lan- guage, and most of the chapters contain essays in English with illustrations drawn from ancient works of art and with background information to deepen your understanding of some aspects of the history and culture of the Greeks. The course begins with the story of an Athenian farmer named Dicaeopo- lis and his family; they live in a village or deme called Cholleidae, located north of Athens. The events are fictitious, but they are set in a definite histor- ical context-autumn 432 B.C. to spring 431. The Athenian democracy, led by Pericles, is at its height; the Athenians rule the seas and control an empire, but their power has aroused the fears and jealousy of Sparta and her allies in the Peloponnesus, especially Corinth. By spring 431, Athens and the Pelo- ponnesian League are engaged in a war, which leads twenty-seven years later to the defeat and downfall of Athens. The story begins with life in the country, but with Chapter 6 a subplot of mythical narrative begins with the story of Theseus and the Minotaur. This mythological subplot continues in Chapter 7 with the story of Odysseus and the Cyclops and runs through Chapter 10 with further tales from the Odyssey briefly told at the end of each chapter. The main plot continues in Chapter 8 as the family visits Athens for a festival, and the tempo quickens. A terrible misfortune that strikes the family in Athens in Chapter 10 pre- cipitates a plot that is interwoven with narratives of the great battles of the Persian Wars, based on the accounts of the historian Herodotus. As the main plot reaches its resolution in Chapters 18-20 of Book II, the family becomes embroiled in the tensions between Athens and Corinth that triggered the Pelo- ponnesian War, and this sets the stage for the remaining chapters. The experiences of the family of Dicaeopolis at the beginning of the Pelo- ponnesian War in Chapters 21-23 are based on the accounts of the war written by the historian Thucydides. When the son Philip is left behind in Athens to fUrther his education, we hear something of Plato's views on education (Chapter 24) and then read stories from a book of Herodotus's histories that Philip's teacher gives to him (Chapters 25-28). These are some of the most famous tales from Herodotus, including those dealing with Solon the Athe- nian and his encounter with Croesus, king of Lydia. In Chapter 28 you will ix
  • 9. x Athenaze: Book I Introduction xi read the account by the lyric poet Bacchylides of Croesus's miraculous rescue these basic principles and incorporated a coherent set of word building exer- from the funeral pyre. Chapter 29 returns us to the Peloponnesian War with cises in this course. Thucydides's descriptions of naval battles and the brilliant victories of the One of the widely recognized goals of classical language study is attain- Athenian general Phormio. The course concludes with extracts from Aristo- ment of a better understanding of English. With regard to the study of Greek, phanes showing us Dicaeopolis the peacemaker. From there you will be this means largely a knowledge of Greek roots, prefixes, and suffixes that ready to go on to read any Greek author of your choice with considerable con- appear in English words. The influence of Greek on English has been espe- fidence in your ability to comprehend what the ancient Greeks had to say. cially notable in scientific and medical terminology, but it is also evident in The Greek in much of the main story line has been made up to serve the the language of politics, philosophy, literature, and the arts. We have accord- instructional purposes of this book. Most of the subplots, however, are based ingly incorporated word study sections in the chapters of this course, high- on the ancient Greek writings of Homer, Herodotus, and Thucydides. They lighting the influence of Greek on English vocabulary and providing prac- move steadily closer to the Greek of the authors themselves. The extracts tice in deciphering the meaning of English words derived from Greek ele- from Bacchylides and Aristophanes are unaltered except for cuts. ments. The readings in the early chapters are simple in content and grammati- Finally, at the end of almost every chapter and sometimes in the middle cal structure. They are so constructed that with knowledge of the vocabulary of a chapter you will find passages from a wide variety of Classical Greek that is given before the reading passage and with help from the glosses that authors and from the gospels of Luke and John in the New Testament. These are given beneath each paragraph, you can read and understand the Greek have been carefully chosen and are accompanied by glosses that will allow before studying the formal elements of the grammar. After you have read the you to read the passages at the points in the course where they are located. We story out loud, understood and translated it, and discovered the new elements have also included sayings of the seven wise men of Archaic Greece at vari- of its grammar for yourself, you will study formal presentations of the ous points throughout Book 1. You will thus be reading authentic Greek from grammar that usually incorporate examples from the reading passage. the very beginning of the course and gaining access to the wisdom and the There are then exercises of various sorts to help you consolidate your under- style of writing and thinking of the ancient Greeks and of the writers of the standing of the grammar and give you skill in manipUlating the new forms gospels. This is the icing on the cake, and we hope that you will enjoy it thor- and structures of the language as you learn them. oughly and learn much from it. Grammar is introduced in small doses to start with and should be re- viewed constantly. We also recommend frequent rereading of the stories themselves-preferably out loud-as the best way to reinforce your fluency of pronunciation, your knowledge of the grammar, and your skill in reading new Greek at sight-which is the main goal of any course in Greek. At the beginning of each section of the narrative is a picture with a caption in Greek. From the picture you should be able to deduce the meaning of the Greek caption. Pay partiCUlar attention to these captions, since each has been carefully written to include and reinforce a basic grammatical feature or features of the Greek language that you will be learning in that particular chapter. It may help even to memorize the captions! The vocabulary given in the lists before the reading passages is meant to be learned thoroughly, both from Greek to English and from English to Greek. Learning the vocabulary will be easier if the words are always stud- ied aloud, combining the advantages of sight and sound. The words given in glosses beneath the paragraphs in the readings are not meant to be mastered actively, but you should be able to recognize the meaning of these words when you see them again in context. Fluency of reading depends on acquiring a large, working vocabulary as soon as possible. Important words are continually reintroduced in the readings in this course to help you learn them. Your skill in recognizing the meaning of Greek words that you have not met will be greatly enhanced by attention to Myrrhine and her daughter Melissa, some basic principles of word building. We have therefore laid out some of two characters from our story I and their dog Argus
  • 10. xii Athenaze: Book I Introduction xiii Partll: The symbol will occasionally be used over a Greek vowel to indicate a v The Greek Alphabet vowel of short quantity. The symbol - indicates a vowel of long quantity (see ii, t, and ij in the right-hand column in the list above). Normally short vowels have neither mark above them (see a, t, and 1) in the right-hand column Many of the letters of the Greek alphabet will already be familiar to you. above). When these three vowels are long, they will usually be printed in Athenaze with long marks over them (ii, t, and ij). The long mark is referred Letter Name Translit- Pronunciation to as a macron (Greek ~axp6v, long). A long vowel is held approximately eration twice as long as a short vowel. The vowels 1] and OJ are always long and are A a alpha " (short alpha), as the sound in top; a therefore not marked with macrons. The digraphs El and 01) represent two (long alpha), as the sound in top, additional long vowels in Greek (see Long Vowel Digraphs below). The vow- but held longer els £ and 0 are always short. B beta =b All vowels marked with a circumflex accent C) or with an iota subscript r gamma (see below) are always long and will usually not be marked with macrons. =g (but before y, 1(, ~, or X = the sound In the Greek names for the letters of the alphabet given on the previous in sing) page, identify all long and all short vowels. Practice pronouncing the names A 1i,A,~a delta =d of the letters, paying special attention to proper pronunciation of the long and E E £ 'VtAOV epsIlon as the sound in get short vowels. Hold the long vowels for twice the length of time as the short Z S sf~a zeta = cr + 0 = sd as in wisdom vowels. H TJ ~~a eta as the sound in bed, but held longer f,t e e ef~a theta = aspirated t as in top Breathings I t ionu iota t(short iota), as the sound in it; [(long There is no letter h in the Attic alphabet, but this sound occurs at the be- iota), as the sound in keen ginning of many Greek words. It is indicated by a mark called a rough K x K(bt1tu kappa = the sound of k (without aspiration), breathing or aspiration, written over the first vowel of a word (over the second as in sack vowel of a diphthong), e.g.: A A, MJ.l~lia lambda =l I:v (pronounced hen) ou (pronounced hou) M J.l J.lil mii =m N v vii nii When an h sound is not to be pronounced at the beginning of a word begin- =n ning with a vowel or diphthong, a smooth breathing mark is used, e.g.: /;t xi = lC + cr =the sound of x in axe o o {) J.ltKpoV omIcron ~ as the sound in boat or goat IA v EV (pronounced en) ou (pronounced au) II tt ttt pI = p (without aspiration), as in sap Thus, every word beginning with a vowel or a diphthong will have a rough or P pro rho = a trilled r smooth breathing. Initial p always has a rough breathing, e.g., pa~30S, wand. L a{wa sigma = s as in sing, but = z before 13, y, 6, and fL (written <; when last letter of a Diphthongs word) Diphthongs are glides from one vowel sound to another within the same T ~ail tau = t (without aspiration), as in sat syllable. Attic Greek has the following diphthongs: Y U 'lilA,6v upsIlon 'U (short upsilon), as the sound in French Diphthongs Words Pronunciation tu; i} (long upsilon), as the sound in French tu, but held longer at aiy,s as the sound in high <l> <p <pt pm = aspirated p as in pot a1) £1) a,,,oxpa~f]s as the sound in how £ + 1) pronounced as one syllable £uy£vf]s X X xt cm = aspirated k as in kit T]1l 1]up1]xa 1] + 1) pronounced as one syllable 'P IJI IJIt psI =1t+cr=ps as in lips Ot oix:ovoflID as the sound in foil D. rll ~'ya omega - as the sound in caught, but held longer ui6; 1) + t pronounced as one syllable (J) 1)1 ~I'.
  • 11. xiv Athenaze: Book I Introduction xv Long Vowel Digraphs Consonant Sounds Digraphs are combinations of letters that represent a single sound. Two Nasals ~ v and y when followed by y, K, ~, or X long vowel sounds are represented in Greek by the following digraphs: Liquids A p Digraphs Words Pronunciation Spirant cr Stops Voiceless Voiced Voiceless Aspirated €I as the sound in they Labial It ~ 'I' 0" as the sound in mood Dental , Ii 6 Velar K y X Iota Subscript Double 1; ~ '" Sometimes the letter t (iota) is written under a vowel, e.g., q" 11, and 'l' Stops Followed by a (these combinations are referred to as long diphthongs); when so written it is called iota subscript. In classical Greek this iota was written on the line after Labial: ~ or It or '1', when followed by cr, becomes ",. the vowel and was pronounced as a short iota. Its pronunciation ceased in Dental: Ii or 1; or 6 or" when followed by cr, is lost. post-classical Greek, and we usually do not pronounce it now. When it ap- Velar: y or Kor X, when followed by cr, becomes~. pears in a word that is written entirely in capital letters (as in the titles to the Compare what is said about the double consonants ~ and", above. These lin- readings in this book), it is written on the line as a capital iota. Thus ltpO, "ti guistic phenomena will be very important in understanding certain forms of KP1vll > IIPOL THI KPHNHI. Note that accents and breathing marks are not nouns and verbs. used when all letters are capitalized. Punctuation Paired Consonants The period and the comma are written as in English. A dot above the line Paired consonants such as AA, ~~, ltlt, and t t should be pronounced double ( .) is the equivalent of an English semicolon or colon. A mark that looks like and held approximately twice as long as the single consonant, e.g., the ~~ in an English semicolon (;) is used at the end of a sentence as a question mark. ya~~a. Exceptions are yy, yK, y~, and YX (where the first y is pronounced as the ng Accents in sing), as in aYYEAo" messenger, and aYK"pa, anchor. Nearly every word in Greek bears an accent mark: an acute (,(,), a grave (,0), or a circumflex (bp&). These marks seldom affect the sense. They were Double Consonants invented as symbols to provide written aid for correct pronunciation; origi- nally they indicated a change in pitch, e.g., the acute accent showed that the Three consonants represent combinations of other sounds and are called syllable on which it fell was pronounced at a higher pitch than the preceding double consonants: or following syllables. Later stress replaced pitch, and now ancient Greek is /;,=cr+1i usually pronounced with stress on the accented syllables (with no distinction ~ = K + cr or y + cr or X + cr among the three kinds of accents) instead of varying the pitch of the voice. '" = It + cr or ~ + cr or 'I' + cr For those who wish to use the pitch accent, we recommend the recording of Stephen Daitz, mentioned below. Note that the grave accent stands only on the final syllable of a word. It Aspirated Consonants usually replaces an acute accent on the final syllable of a word when that Three consonants represent certain sounds followed by an h sound or as- word is followed immediately by another word with no intervening punctua- piration: tion, e.g., instead of,61i&pov, we write ,0 Ii&pov. 6 = an aspirated, 'I' = an aspirated It X= an aspirated K
  • 12. xvi Athenaze: Book I Introduction xvii Transliteration A E I K N 0 Note the following standard transliteration of Greek into English letters: at £ t K V 0 a=a l1=e v=n "=t S S S, 5 S ~=b 8=th s= x u=uory y= g 8=d E=e S=z t=i K= k A=l Jl= m 0=0 1t=p p=r a.~=s <p=ph x= ch 1jI = ps ro=o rCX fE:S tL 'id +/2 () II I: T Y n Remember the following: yy = ng; yK = nk; ys = nx, and yx = nch; atU, £u, llU, ou, m = au, eu, eu, ou, ui, but when u is not in a diphthong it is usually transliter- 1t U OJ ated as y, And note that Cf, 11, and 'l' are transliterated ai, ei, and iii, to distin- " " guish them from the short diphthongs, ott, n, and Ot, transliterated ai, ei, and 5, S, 5 f- S S tWt S, oi. [The recommendations for pronunciation given above (the restored pronunciation) are based on W. Sidney Allen, Vox Graeca: A Guide to the Pronunciation of Classical Greek, t?'Jl ~ { J~ 5:- r~ J( l! Cambridge University Press, 3rd ed., 1988, pages 177-179. For demonstration of the re- stored pronunciation, including the pitch accents, students should consult the cassette Note that v has a point at the bottom, whereas u is round. recording of Stephen G. Daitz, The Pronunciation and Reading of Ancient Greek: A (2) Three of the Greek small letters rest on the line of writing but are Practical Guide, 2nd ed., 1984, Audio Forum, Guilford, CT 06437 (U.s.A.).] twice as high as the letters in group 1: e A 8 Part ill: Writing Greek Letters (3) Seven of the Greek small letters rest on the line of writing and extend below it, but do not extend above the letters of group 1: Certain conventions may be observed in writing Greek letters. With prac- tice one can write them with ease and speed. There should be no difficulty in r H M II x imitating the printed forms of the capitals; the small letters may be written as indicated below. A small "s" indicates the point where each letter should be y p x begun ("S1>" "S2," etc., are used if it is necessary to lift the pen or pencil), and an arrowhead (---» indicates the direction in which the pen or pencil should move. For convenience, the letters may be divided into four groups: 5 (1) Eleven of the Greek small letters do not extend below the line of writ- ing,and are approximately as wide as they are high (cf. English a, c, e, etc.). (The corresponding capitals are given first, then the printed forms of the small letters, then the "diagrams" for imitation.)
  • 13. Introduction xix xviii Athenaze: Book I Copy the following names, practice pronouncing the Greek, imitating (4) Four of the Greek small letters extend both above and below the line of your teacher, and write the standard English spelling of each name: writing: The Twelve Olympians B z ZEU~ "Ap'tEllt~ "H q>CXt(j'to~ "Hpa TIOO'EtOIDV "Apll~ 'ASllva 'Aq>pOOl'tll dtOVUO'O~ 'AnoAArov 'EpIlTl~ d 1l1l" 'tTl P The Nine Muses t KAEtm EU'tEpn ll MEAnollEVll TEP'IItXOPU IIOAUIlVtcx OuPCXVtU s 8aAEtcx 'Epcx'tm KaAAtOnll The Three Graces Students will, of course, develop their own writing style, and slight varia- 'Ay'}.,xi{a Euq>poO"uVll 8aAEtcx tions from the method of forming the letters that has just been described will not, in general, cause confusion. The Three Fates IMost of the material in the above section is taken from The Language of the New KAroSm AaXEO"t~ "A'tpono~ Testament by Eugene Van Ness Goetchius, © Reprinted by permission of Pearson Education, Inc., Upper Saddle River, NJ.J Practice reading the following passage of Greek, imitating your teacher, and then copy the first two sentences. In writing the Greek, it will be helpful always to insert the macron over the vowel to which it belongs. As with the ac- cent and breathing mark, the macron should be considered an integral part of the spelling of the word. Partw: 6 dtKcxtonOAt~ 'ASllvcxto~ EO"nv' OtKEt liE 6 dtKCXtOnOAte; OUK EV 'tCXte; Practice in Pronunciation and Writing 'AS"Vat~ aAt..a. EV 'tot~ aypot~· au'toupyoe; yap EO"ttv. YEroPYEt dlV 'tOY Practice pronouncing the following words, imitating your teacher. Then copy the Greek words onto a sheet of paper; write the English transliteration of KATlPOV KCXt nOVel EV 'tOt~ aypot~. xcxAEno~ OE EO"'ttv 6 PtOe;' 6 yap each Greek word, and give an English derivative of each. KATlPOe; EO"n IltKPO~, IlCXKpOe; oE 6 novo~. aet 01)V nOVEt 6 dtKatonOAte; 1. alVtYlla 11. 21. 31. Kat nOAAaKte; (j'tEvat;n KCXt AEyn· "ih ZEU, XCXAEnoc; EO"nv 6 PtOe;' 06Yllcx ll aS llll a , PEUllcx , 2. a~trollcx 12. Opallcx 22. Il tcx a Il cx 32. O"'ttYIlCX anEpcxv'tO~ yap EO'nv 6 novo~, IltKpoe; OE 6 KATlPO~ KCXt ou 1i:OAUV , , 3. " aprollcx 13. EIlP Allll a 23. VOlltO"IlCX 33. O"ulln't ro IlCX O't'tOV ncxpExEt." aAAu to"xupoe; EO"nv 6 avSpronos KCXt aOKVOe;' , 4. aO"Sllcx 14. t;EUYIlCX 24. " OVOIlCX 34. o"u 0"'t1l1l cx nOAAaKt~ 01)V xatpEt· EAEUSEPO~ yap EO"n Kat au'tOupyo~' q>tAEt OE 'tOY , 5. ypcxJ.LJ.La 15. SEllcx 25. nAaO"llcx 35. O"XTl J.LCX 6 KATlPO~ KCXt ahoy ncxpEXEt ou nOAvv aAAu 6. OEpJ.LCX 7. otaollJ.Lcx 16. 17. S Em Pll J.LCX 26. tOtroJ.LCX 27. nv EUJ.La npayJ.Lcx 36. 37. , O"XtO"J.LCX O"IDJ.LCX . OtKOV. , tKCXVOV. KCXAOe; yap EO"nv , , 8. otaq>pcxYlla 18. KtVllJ.LCX 28. notllJ.Lcx 38. q>AEyJ.LCX , , 9. OtAllJ.LJ.La 19. KAtJ.La 29. nptalla 39. xaaJ.La , 10. OtnAroJ.LCX 20. KOJ.LIlCX 30. npop AllJ.LCX 40. XpiOJ.Lcx
  • 14. xx Athenaze: Book I Part V: Date Chart BRONZE AGE Minos, king of Crete; Theseus, king of Athens Ca. 1220 B.C. Sack of Troy by Agamemnon of Mycenae DARK AGE Ca. 1050 B.C. Emigration of Ionians to Asia Minor RENAISSANCE Ca. 850 B. C . Formation of city states (Sparta, Corinth, etc.) 776B.C. First Olympic Games Ca. 750-500 B.C. Trade and colonization Ca. 725 B.C. Composition of Iliad and Odyssey by Homer (Ionia) Ca. 700 B.C. Composition of Works and Days by Hesiod (Boeotia) Ca. 657-625 B.C. Cypselus, tyrant of Corinth Ca. 594 B.C. Solon's reforms in Athens PERSIAN INVASIONS 546 B. C . Defeat of Croesus of Lydia and Greeks in Asia Minor by Cyrus of Persia 507B.C. Foundation of democracy in Athens by Cleisthenes 490B.C. Expedition sent against Athens by Darius of Persia; battle of Marathon 480B.C. Invasion of Greece by Xerxes: Thermopylae (480), Salamis (480), Plataea (479) Simonides, poet IMPERIAL ATHENS 478B.C. Foundation of Delian League, which grows into Athe- nian Empire Greece and the Aegean Sea 472B.C. Aeschylus's Persians 461-429 B.C. Pericles dominant in Athens: radical democracy and empire War between Athens and Sparta 446 B.C. Thirty Years Peace with Sparta Parthenon and other buildings Herodotus, History PELOPONNESIAN WAR 431B.C. Outbreak of war between Athens and the Pelopon- nesian League 430-429 B.C. Plague at Athens; death of Pericles 425B.C. Aristophanes' Acharnians 421B.C. Temporary peace between Athens and Sparta 415B.C. Athenian expedition to Sicily 413B.C. Sicilian expedition defeated; war between Athens and Sparta 404B.C. Surrender of Athens Thucydides, Histories
  • 15. 1. 0 dlKAIOIIOAIL (a) 3 fore aspirated vowels or aspirated ***These words are always "placed diphthongs (e.g., OUX aipei, he / she after" and never occur first in their 1 does not take) . clause. o ilIKAI orr OAIL (a) b dUCatOnOAt<; 'AST]vato<; ECinv' OiKEt 8i: b dtKatOnOAt<; OUK EV "Cat<; 'ASf]vat<; ana EV "COtt; aypott;· au"CoupyOt; yap ECinv. YE<OPYEt 01)V "Cov KAllPOV Kat nOVEl EV "COt<; aypot<;. xaAEno<; b ~io<;· b yap liE ECinv 'KAllP0<; ECin ,.iIKPO<;, ~aKpo<; 8i: b novo<;. aEt o1)v nOVEt b dtKatOnOAt<; Kat nOAAaKt<; CI"CEVaSEt Kat AEYEt· "ib ZEU, xaAEno<; ECinv b ~io<;· 5 anEpav'tO<; yap ECinv b novo<;, ~tKPO<; 8i: b KAllPO<; Kat ou nOAUv Clt"COV napExEt." aAAa iClXup0<; ECinv b uvSp<ono<; Kat UOKVO<;' nOAAaKt<; oilv XaiPEt· EAEUSEPO<; yap ECin Kat au"Coupyo<;' qltAEt 8i: "Cov OtKOV. KaAo<; yap ECinv b KAllPO<; KatO''i"tov napExEt ou nOAuv aAAa , , tKavov. 10 [Ev <oi~ a'Ypoi~, in the country (!it., in the fields) TEmpT.i, he farms, cultivates <bv o At.KCXlO1tOA.tC; a:u'to'UpI'OC; ea'ttv' cpepEt SE 'tOY p,ocrxov. d.ijpov, the (= his) farm xaAE"b~, hard ;, P(o~, the (= his) life ael, always KOAAcXK'LC;, often O''tEV6.~El, groans ct, Zeu, 0 Zeus a'Jte.pav't'oc;, endless VOCABULARY napexEt, provides iaXilpoc;, strong a.OXVOC;, energetic EAEU9EPOC;, free h:avov, enough] Verbs Adverbs Ead(v), helshelit is au, oinc t oux, ** not A.£Y8t, he I she says; he I she tells; o~v, a connecting adverb, post- he I she speaks positive, *** so (i.e., because of oilCei, he I she lives; he I she this); then (Le., after this) dwells Conjunctions ltovei, he I she works cXA.AcX, but Q)tA.8t, he I she loves yap, postpositive, *** for WORD STUDY xaipet, he I she rejoices lCai, and Many English words are derived from Greek. Often these derivatives are Nouns Particle scientific and technical terms formed in English from Greek stems because II cXyp6~, * field lit, postpositive, *** and, but the precision of the Greek language makes it possible to express a complex II av9pmlto~, man; human be- Proper Names and Adjectives concept in a single word. ing; person 'A9"vato~, Athenian b ail~oupy6~, farmer b AtICat6ltoA.t~, Dicaeopolis What Greek words from the story at the beginning of this chapter do you b OtICO~, house; home; dwelling recognize in the following English words? Define the words, using your II 1t6vo~, toil, work *6 is the definite article, the; when knowledge of the Greek: II at~o~, grain; food the noun is used as an object, the article becomes 'tov. Sometimes 1. anthropology Adjectives the article need not be translated in ICaA.6~, beautiful 2. polysyllabic English; sometimes it can best be 3. philosophy l1aICp6~, long; large translated as a possessive adjective, I1lICp6~, small e.g., his. There is no indefinite 4. microscope n:OA..uC;, much; pI., many article in Greek. English words such as those above often contain more than one Greek Prepositional Phrase **0,) before consonants, oi)le before stem. Which of the words above contain stems of the following Greek words? F.V ~ai~ 'A9,;vat~, in Athens vowels or diphthongs, and DUX be- 2
  • 16. 4 Athenaze: Book I 1. 0 d I K A I 0 II 0 A I 1: (a) 5 1. GlC01te'i, he I she looks at, examines other words such as aypoS is not determined by the gender of the thing 2. O'ocpia, wisdom referred to. Such words have what is called grammatical gender, this 3. /..6yoS, word; study one being masculine. In learning vocabulary, always learn the arti- cle with the noun; this will tell you its gender: 6 for masculine; it for feminine; and <0 for neuter. In this chapter all the nouns listed in the GRAMMAR Vocabulary are masculine and are therefore accompanied by the masculine definite article, o. 1. Verb Forms: Stems and Endings Greek verbs have stems, which give the meaning of the word, and b. Stems, Endings, and Cases variable endings, which show such things as number and person. In ad- dition to singular and plural number, Greek has dual number, used when Greek nouns, pronouns, and adjectives have stems, which give the referring to two people or things; it is fairly rare, however, and will not be meaning of the word, and variable endings, which show the function taught in this course. of the word in the sentence. The endings of nouns, pronouns, and ad- Number: Singular Plural jectives are called cases. There are five cases in Greek (nominative, genitive, dative, ac- Person: 1st I we cusative, and vocative); in this chapter we focus on the use of two of 2nd you you them-the nominative and the accusative. 3rd he, she, it they SteDl: lCATlPO-, farm This chapter introduces only the third person singular of the present tense, e.g., helshelit is. Nominative Ending: -so lCATlPO- + -s > lCAfipos. This case is used for the subject of the verb and the complement after the verb "is," The Greek verb for loosen, loose will serve as an example of a regular e.g.: Greek verb; the verb for love will serve as an example of a contract verb (a type of verb in which the vowel at the end ofthe stem contracts with the ini- ~ect Verb CODlpleDlent tial vowel of the ending). The irregular verb for be is also given. 6lCAfipos fttlCPo.· SteDl: AU-, loosen, loose The farm small. 3rd singular A;l-et he I she loosens, is loosening, does loosen Accusative Ending: -v. lCATlPO- + -v > lCAfipov. This case is used for the direct object of the verb, e.g.: SteDl: <ptAe-, love 3rd singular cptAE-Et > q>tAit he I she loves, is loving, does love ~ect Verb Direct O~ect Note that> means "becomes." 6 (iv8pomoc; yecopye'i <ov lCAfipov. SteDl: EG-, be The man cultivates the farm. 3rd singular he I she litis Note that it is the endings of the words and not the order in which *EO"dv is used when followed by a word beginning with a vowel or when coming as they are placed in the sentence that builds the meaning of the sen- the last word in a clause. The -v is called movable v. The word £O''tt(v) is enclitic, tence. The first sentence above could be written fttKPOS EGnv 6 lCAfipos which means that it ''leans upon" the previous word and often loses its accent. The (the definite article marks 6 lCAfipos as the subject). The second sen- rules for accenting enclitics and the words that precede them will be presented as tence could be written <ov lCAfipov yecopye'i 6 iiv8pco1tos, with a change in needed for writing Greek in the exercises. emphasis but no change in basic meaning. 2. Nouns: Genders, Stems, Endings, Cases, and Agreement c. Agreement a. Grammatical Gender Definite articles and adjectives agree with the nouns they go with in gender, number (singular or plural), and case, e.g.: Greek nouns are usually masculine or feminine or neuter (neither masculine nor feminine) in gender. Some words such as 6 lCaMS aypOS: masculine singular nominative dtlCat01tOAtS, which is masculine, have natural gender; the gender of 'tov IltlCPOV otlCOV: masculine singular accusative
  • 17. 6 Athenaze: Book I 1. 0 III K A I 0 IT 0 A I L (a) 7 3. Labeling Functions of Words in Sentences vasion of 431 B.C. "the evacuation was difficult for them since the majority In exercises you will be asked to label the functions of words in sen- had always been accustomed to living in the country." tences. Label the subject S, the complement C, and the direct object DO. Most of these people were farmers like Dicaeopolis. Their farms were Label linking verbs such as Ea,i(v) LV. Verbs that take direct objects, small; ten to twenty acres would be the average size. What they grew on their such as YEroPYEt in the sentence above, are transitive and are to be labeled farms would depend partly on the district in which they lived. On the plain TV (Transitive Verb); verbs that do not take direct objects, such as OiKEt in near Athens no doubt the staple products would have been vegetables and the sentence below, are intransitive and are to be labeled IV (Intransitive grain, but most of Attica is hilly; this poorer land would be more suitable for Verb): grape vines, olive trees, sheep, and goats (cows were not kept for milk). All farmers aimed at self-sufficiency, but few would have attained it (two-thirds S IV of the grain consumed by the Athenians was imported). If they had a surplus, b IltKat01tOAtS oiK" EV 'OtS aypOtS. e.g., of olive oil or wine, they would take it to the market in Athens for sale Note that the complement can be either an adjective as in the sentence and buy what they could not produce themselves. b KAfipos Ean J.llKPOS above or a noun as in the following sentence: For purposes of administration, the Athenian citizens were divided into four classes, based on property. The top class, the pentacosiomedimnoi or S C LV "millionaires," a very small class, were those whose estates produced five hundred medimnoi of grain a year (a medimnos = about one and a half bushels or fifty-two to fifty-three liters). The second class, also s'mall, were 4. Use of the Definite Article the hippeis, "knights," whose estates could support a horse (t1t1toS); these pro- vided the cavalry for the army (see illustration, page 162). The third and The definite article is sometimes used in Greek where it is not used in largest class were the farmers like Dicaeopolis, called the zeugitai, who kept English, e.g., b IltKat01tOAtS = Dicaeopolis, and sometimes it can be trans- a team of oxen U;EiiyoS). These provided the heavy infantry of the army. The lated with a possessive adjective in English, e.g.: fourth class were the thetes, "hired laborers," who owned no land or not enough to support a family. b iiv8pro1toS YEropy" TOV KAfipov. Our sources represent the farmers as the backbone of the Athenian democ- The man cultivates his farm. racy-sturdy, industrious, thrifty, and simple, but shrewd. In the comedies of Aristophanes they are often contrasted with self-seeking politicians, deca- Exercise la dent knights, and grasping traders. The name of our main character, Di- Copy the following sentences and label the function of each noun and verb cae opolis, contains the concepts oiKalO-, just, and 1tOAtS, city, and means by writing S, C, DO, LV, Tv, or N above the appropriate words (do not la- something like honest citizen. He is taken from a comedy of Aristophanes bel words in prepositional phrases). Then translate the sentences into called the Acharnians; the play was produced in 425 B.C., and at the end of English: this course you will read extracts from it. 1. 0 1tovo<; ea'tt )lCllCpOC;. 2. lCCXA6C; eG'ttv 6 o1:leOe;. 3. b IltlCat01tOAtS Tbv OiKOV <ptAEt. 4. 1tOAUV ahoy 1tapEXEt b KAfipos. 5. b iiv8pro1toS ou 1tOVEt EV 'OtS aypOtS· The Athenian Farmer Dicaeopolis lives in a village in Attica called Cholleidae, about ten miles or sixteen kilometers north of Athens. Although Athens and its port, the Pi- raeus, formed a very large city by ancient standards, the majority of the Athenian people lived and worked in the country. The historian Thucydides (2.14) says that when Attica had to be evacuated before the Peloponnesian in- Scenes of plowing and sowing on a Greek vase
  • 18. 8 Athenaze: Book I 1. 0 L'!. I K A I 0 II 0 A IL (13) 9 o LiIKAIOIIOAIL (~) WORD BUILDING What is the relationship between the words in the following sets? You have not yet met two of these words (",{Ao, and yewpy6,). Try to deduce their mean- ings (they both refer to people) from studying the relationship between the words in each set: 1. oit(Et 6 oIKo~ 2. 1tOVel. 61t6vo~ 3. yeIDpyel " YeIDpyO, 4. CjltAel· " cpiA.o, (, .6.tKat01tOAU; flEYUV Ateov atpet Kcd EX: 'tot) arpot) <pepn. VOCABULARY GRAMMAR Verbs b Xp6vo~, time arp." he / she lifts Pronoun 5. Accents palH~El, he / she walks; he / she ai)'tov, him goes Adjectives Attic Greek has three kinds of accent marks: acute', grave', and cir- 1<aai~." he / she sits iaxilp6~, strong cumflex ". The acute accent will be found only on one of the last three syl- !pep.', he / she carries xaA.n6~, difficult lables of a word, e.g.: iiv8pID1tO,. AEYet, ~(j;KPO,. An acute accent on the final Nouns Preposition syllable of a word will be changed to a grave accent if it is followed im- b iAlO~, sun 7tpOC; + acc., to, toward mediately by another word with no punctuation (comma, semicolon, or period) in between, thus aX)"'&' + KuA6, > uAM. KuA6,. An important exception to this rule occurs when enclitics, words such (, ~tKatOnOAt~ EV 'Ci? aypi? nOVEL' 'COV yap aypov crK(l7I'CEt. llaKpo~ as e("i(v), which usually lose their accent and instead "lean upon" the Ecrnv (, novo~ Kat xaAE1tO~' 'COU~ yap Ai80u~ 10K 'COU aypou !pEPEt. previous word for their accent, follow words with an acute accent on their final syllable, e.g.: IlEyav Ai80v arpEt Kat !PEPEt npo~ 'Co eplla. icrXijpo~ Ecrnv (, av8p(Ono~ xaAe1tO, + e,,,i(v) becomes xaAeno, eatl(v). aAAa nOAUV Xpovov nOVEL Kat IlUAa KUIlVEt. !PAEYEt yap (, f1Ato~ Kat The acute on the final syllable of XUAe1tO, does not cbange to a grave Ka'Ca'C pi~Et alnov. Ka8i~Et Otlv uno 'Ci? liEVlip!)l Kat i]cruXU~Et OU 5 when the word is followed by an enclitic, and the enclitic loses its ac- cent. noA:uv Xpovov. lit' oAiyou yap EnaipEt Eau'Cov Kat novel. 'CEAO~ liE Note also what happens when words accented like iiv8pIDno,. novo" and Ka'CalillvEt 6 f1Ato~. oUKEn Otlv nOVEL 6 ~tKatOnOAt~ aAAa npo~ 'Cov OtKO, are followed by enclitics: OtKOV ~alii~Et. iiv8pdl1tO, + I:,,,i(v) becomes iiv8pID1tO, eatl(v). [ev <ijI ciypijl. in the field ,,,(ci~<",, he is digging <ou<; ... AI90,,<;, the stones ~K An acute accent is added to iiv8pdl1tO" and the enclitic loses its accent. 'tou arpoll, out ofthe/ield J.1Eyav, big to Epp.a, the stone heap 1tOAUV xpovov, novo, + ea~i(v) remains novo, ea~i(v). for a long time p,cXAa lCclJ.lVE1., he is very tired ,AErEl, is blazing X:ll'tlltpipE1, The enclitic keeps its accent. wears out into tip Bev8pcp, under the tree i1O'uxa~E, he rests 8t' OA{yOU, soon E1tatpE1. elllltoV, he lifts himself, gets up tEJ,.O~, adv., finally lCa'taS.fivEt., sets atKa, + ea~i(v) becomes ot.:o, eatl(v). oi>1c£1'1., no longer] An acute accent is added to OtKO" and the enclitic loses its accent.