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Hollywood Industry Research 
The American Film Industry 
The film industry is one of global proportions. Production, film 
distribution and exhibition reach around the world and continue to 
adapt to varying political, economic and technological changes. 
Hollywood however continues to be a dominant factor in our film 
viewing experiences. Even if we choose not to watch Hollywood 
movies, the chances are that we will encounter Hollywood marketing 
through accessing other media (trailers on TV, internet, videogame tie-ins), walking through 
town (posters), listening to radio (film adverts, ‘exclusive’ interviews/promotions), listening to 
music (‘official’ soundtracks), catching the bus (advertising hoardings), eating breakfast cereal 
(free toys/promotions inside), going to bed (‘Spiderman’ pyjamas) etc. Considering that 
Hollywood remains a suburb of Los Angeles, California, its reach and saturation remains global 
and unavoidable. 
Hollywood 
As early as the 1910’s the US film industry began to shift its base 
from the East coast to what was essentially a place in the 
Californian Desert on the edge of Los Angeles. Since this time 
Hollywood has famously been built around studios: well financed 
big name companies in the business of making films and making 
money from films. 
History 
Origins 
In the United States, the first exhibitions of films for large 
audiences typically followed the intermissions in vaudeville 
shows. Entrepreneurs began travelling to exhibit their films, 
bringing to the world the first forays into dramatic film-making. 
The first huge success of American cinema, as well as the largest 
experimental achievement to this point, was The Great Train 
Robbery, directed by Edwin S. Porter. In the earliest days of the American film industry, New 
York was the epicenter of film-making. The Kaufman Astoria Studios in Queens, built during the 
silent film era, was used by the Marx Brothers and W.C. Fields. Chelsea, Manhattan was also 
frequently used. Mary Pickford, an Academy Award winning actress, shot some of her early films 
in this area.
Rise of Hollywood 
In early 1910, director D.W. Griffith was sent by the Biograph Company to the west coast with 
his acting. They started filming on a vacant lot in downtown Los Angeles. This place was called 
"Hollywood". Griffith then filmed the first movie ever shot in Hollywood. In 1913 many movie-makers 
headed west to avoid the fees imposed by Thomas Edison, who owned patents on the 
movie-making process. In Los Angeles, California, the studios and Hollywood grew. Before World 
War I, movies were made in several U.S. cities, but filmmakers gravitated to southern California 
as the industry developed. They were attracted by the mild climate and reliable sunlight, which 
made it possible to film movies outdoors year-round, and by the varied scenery that was 
available. There are several starting points for American cinema, but it was Griffith's Birth of a 
Nation that pioneered the filming vocabulary that still dominates celluloid to this day. 
At motion pictures' height of popularity in the mid-1940s, the studios were cranking out a total 
of about 400 movies a year, seen by an audience of 90 million Americans per week. 
Sound also became widely used in Hollywood in the late 1920s, after The Jazz Singer was 
successfully released as a talkie in 1927. In 1922, US politician Will H. Hays left politics and 
formed the movie studio boss organization known as the Motion Pictures Distributors 
Association of America (MPDAA); the organization became the Motion Picture Association of 
America after Hays retired in 1945. 
Golden Age of Hollywood 
During the so-called ‘Golden Age of Hollywood’, 
which lasted from the end of the silent era in 
American cinema in the late 1920s to the 1950s, 
movies were issued from the Hollywood studios 
like the cars rolling off Henry Ford's assembly 
lines; the start of the Golden Age was arguably 
when The Jazz Singer was released in 1927 and 
increased box-office profits for films as sound was 
introduced to feature films. Most Hollywood 
pictures adhered closely to a formula—Western, slapstick comedy, musical, animated cartoon, 
biopic (biographical picture) —and the same creative teams often worked on films made by the 
same studio. After The Jazz Singer was released in 1927, Warner Bros. gained huge success and 
was able to acquire their own string of movie theatres; MGM had also owned a string of 
theatres since forming in 1924, know through Loews Theatres, and the Fox film Corporation 
owned the Fox Theatre strings as well. RKO also bought its own theatres. Paramount, bought a 
number of theatres in the late 1920s as well. 
It was possible to guess which studio made which film, largely because of the actors who 
appeared in it; MGM, for example, claimed it had contracted "more stars than there are in 
heaven." Each studio had its own style and characteristic touches which made it possible to 
know this - a trait that does not exist today. Yet each movie was a little different, and, unlike the 
craftsmen who made cars, many of the people who made movies were artists.
Movie-making was still a business, however, and motion picture companies made money by 
operating under the studio system. The major studios kept thousands of people on salary— 
actors, producers, directors, writers, stunt men, craftpersons, and technicians. And they owned 
hundreds of theatres in cities and towns across the nation, theatres that showed their films and 
that were always in need of fresh material. In 1930, MPDDA President Will Hays also founded 
the Hays (Production) Code, which followed censorship guidelines and went into effect after 
government threats of censorship expanded by 1930. However the code was never enforced 
until 1934, after the new Catholic Church organization The Legion of Decency- appalled by Mae 
West's very successful sexual appearances in She Done Him Wrong and I'm No Angel - 
threatened a boycott of motion pictures if it didn't go into effect, and those that didn't obtain a 
seal of approval from the Production Code Administration had to pay a $25,000.00 fine and 
could not profit in the theatres, as the MPDDA owned every theatre in the country through the 
Big Five studios. Throughout the 1930s, as well as most of the golden age, MGM dominated the 
film screen and had the top stars in Hollywood, and was also credited for creating the 
Hollywood star system altogether; stars included "King of Hollywood" Clark Gable, Lionel 
Barrymore, Jean Harlow, Greta Garbo, Spencer Tracy, Judy Garland, and Gene Kelly. 
Decline of the studio system 
The studio system and the Golden Age of Hollywood succumbed to two forces in the late 1940s: 
• a federal action that separated the production of films from their exhibition; and 
• Changing leisure patterns and social activity, notably the advent of television and exodus of 
families from the cities into the suburbs. 
The Supreme Court eventually ruled that the major studios ownership of theatres and film 
distribution (vertical integration) was a violation of the Sherman Antitrust Act. 
"Every person who shall monopolize, or attempt to monopolize, or combine or conspire with any 
other person or persons, to monopolize any part of the trade or commerce among the several 
States, or with foreign nations, shall be deemed guilty of a felony.” 
Detail from the Sherman Antitrust Act of 1890 
As a result, the studios began to release actors and technical staff from their contracts with the 
studios. This changed the nature of film making by the major Hollywood studios, as each could 
have an entirely different cast and creative team. This resulted in the gradual loss of the 
characteristics which made MGM, Paramount, Universal, Columbia, RKO, and Fox films 
immediately identifiable. 
Also, the number of movies being produced annually dropped as the average budget soared, 
marking a major change in strategy for the industry. Studios now aimed to produce 
entertainment that could not be offered by television: spectacular, larger-than-life productions. 
Studios also began to sell portions of their theatrical film libraries to other companies to sell to 
television. By 1949, all major film studios had given up ownership of their theatres. 
Television and Hollywood 
Television was also instrumental in the decline of Hollywood's Golden Age as it broke the movie 
industry's position in American entertainment. Despite this, the film industry was also able to 
gain some leverage for future films as long time government censorship faded in the 1950s.
After the Paramount anti-trust case ended, Hollywood movie studios no longer owned theatres, 
and thus made it so foreign films could be released in American theatres without censorship. By 
1968, the Motion Picture Association of America (MPAA) had replaced the Hays Code-which was 
now greatly violated after the government threat of censorship that justified the origin of the 
code had ended- with the film rating system. 
The MPAA 
The Motion Picture Association of America (MPAA) formed in 1922. 
Originally the Motion Picture Producers and Distributors of America 
(MPPDA) (pre - 1942 and 1946 - 1948), it is a non-profit business 
and trade association based in the United States, which was formed 
to advance the business interests of movie studios. MPAA members 
include the major Hollywood studios: 
o The Walt Disney Company; 
o Sony Pictures; 
o Paramount Pictures (Viacom); 
o 20th Century Fox (News Corporation); 
o Universal Studios (NBC Universal); 
o Warner Bros (Time Warner). 
The MPAA administers the voluntary film rating system. As part of its campaign to stop 
copyright infringement the MPAA is fighting to stop the sharing of copyrighted works via peer-to- 
peer file sharing networks. The MPAA's anti-piracy campaign has gained much publicity and 
criticism. 
The 'New Hollywood' and Post-classical cinema 
'Post-classical cinema' is a term used to describe the changing methods of storytelling in the 
New Hollywood. It has been argued that new approaches to drama and characterization played 
upon audience expectations acquired in the classical period: chronology may be scrambled, 
storylines may feature "twist endings", and lines between the antagonist and protagonist may 
be blurred. The roots of post-classical storytelling may be seen in film noir, in Rebel Without a 
Cause (1955), and in Hitchcock's storyline-shattering Psycho. 
'New Hollywood' is a term used to describe the emergence of a new generation of film school-trained 
directors who had absorbed the techniques developed in Europe in the 1960s; The 1967 
film Bonnie and Clyde marked the beginning of American cinema rebounding as well, as a new 
generation of films would afterwards gain success at the box offices as well. Filmmakers like 
Francis Ford Coppola, George Lucas, Brian de Palma, Martin Scorsese, William Friedkin and 
Steven Spielberg came to produce fare that paid homage to the history of film, and developed 
upon existing genres and techniques. In the early 1970s, their films were often both critically 
acclaimed and commercially successful. While the early New Hollywood films like Bonnie and 
Clyde and Easy Rider had been relatively low-budget affairs with amoral heroes and increased 
sexuality and violence, the enormous success enjoyed by Coppola, Spielberg and Lucas with The
Godfather, Jaws, and Star Wars, respectively helped to give rise to the modern "blockbuster", 
and induced studios to focus ever more heavily on trying to produce enormous hits. 
The increasing indulgence of these young directors didn’t help. Often, they’d go over schedule, 
and over budget, thus bankrupting themselves or the studio. 
The Studio System 
The studio system was a means of film production and distribution 
dominant in Hollywood from the early 1920s through the early 
1950s. The term studio system refers to the practice of large motion 
picture studios 
• producing movies primarily on their own filmmaking lots with 
creative personnel under often long-term contract 
• Pursuing vertical integration through ownership or effective 
control of distributors and movie theatres, guaranteeing additional sales of films through 
manipulative booking techniques. 
This business model is also known as vertical integration which meant ownership and control of 
production, distribution and exhibition. 
One of the techniques used to support the studio system was block booking, a system of selling 
multiple films to a theatre as a unit. Such a unit—five films was the standard practice for most of 
the 1940s—typically included only one particularly attractive film, the rest a mix of A-budget 
pictures of dubious quality and B movies 
A 1948 Supreme Court ruling against those distribution and exhibition practices hastened the 
end of the studio system. In 1954, the last of the operational links between a major production 
studio and theatres chain was broken and the era of the studio system was officially over. The 
period stretching from the introduction of sound to the court ruling and the beginning of the 
studio break-ups, 1930–1950, is commonly known as the Golden Age of Hollywood. 
During the Golden Age, eight companies comprised the so-called major studios that 
promulgated the Hollywood studio system. Of these eight, five were fully integrated 
conglomerates, combining ownership of a production studio, distribution division, and 
substantial theatre chain, and contracting with performers and filmmaking personnel. 
The Big Five: 
• Fox (later 20th Century-Fox), 
• Loew’s Incorporated (owner of America's largest theater circuit and parent company to Metro- 
Goldwyn-Mayer: MGM), 
• Paramount Pictures, 
• RKO (Radio-Keith-Orpheum), 
• Warner Bros. 
Two majors—Universal Pictures and Columbia Pictures—were similarly organized, though they 
never owned more than small theatre circuits. The eighth of the Golden Age majors, United 
Artists, owned a few theatres and had access to two production facilities owned by members of
its controlling partnership group, but it functioned primarily as a backer-distributor, loaning 
money to independent producers and releasing their films. 
RKO went out of business in 1955: a victim of the rise of TV in America. Warner on the other 
hand has gone from strength to strength. In 1989 they merged with Turner Broadcasting and 
then with internet giant AOL in 2000. They are now one of the largest entertainment 
conglomerates. 20th Century Fox are a similar example and are currently owned by News Corp., 
again one of the world’s largest media companies. 
The New Hollywood system 
In contemporary Hollywood there is what is known as a ‘package unit’ system at work: 
• Studio space is rented and personnel hired for the duration of the one project. 
• Individual producers now have to put together a one-off package of finance, personnel, 
equipment and studio time for each film being made. 
• The studios no longer have to be concerned with keeping busy what was effectively a factory-full 
of workers permanently on their payroll; instead arrangements can be made to film each 
one-off movie wherever is most convenient around the world, perhaps in places where union 
laws might be less stringent and rates of pay considerably lower. The main Hollywood 
companies were driven over to this system in an effort to cut expenditure in the 1950’s in order 
to survive the decline of cinema-going as a leisure activity. 
Actors and directors 
• In ‘old Hollywood’ they were under strict contracts with studios 
• They worked on one film until it was finished and then ‘assigned’ another. 
• In the ‘new Hollywood’ they have agents to cut deals for them. 
• Some directors and actors have arguably more power than the studios. 
Budgets 
‘Old Hollywood’ offered two kinds of movies: A-movies (big budget) and B- movies (low budget). 
These would often be shown as a ‘double-bill’ in cinemas, the logic being that the B-movies 
offered good percentage profits in terms of box office and as such act as a ‘buffer’ for the more 
expensive and therefore more risky A-movie. 
Major Film Studio in Hollywood: 
20th Century Fox: 
Twentieth Century Fox Film Corporation is one of the six 
major American film studios as of 2011. It is located in the 
Century City area of Los Angeles, just west of Beverly Hills, 
the studio is a subsidiary of Rupert Murdoch’s News 
Corporation. The company was founded on May 31, 1935 
as the result of the merger of Fox Film Corporation and 
Twentieth Century Pictures. 
The Fox Film Corporation was formed in 1915 by the theater chain pioneer William Fox, who 
formed Fox Film Corporation by merging two companies Greater New York Film Rental, a 
distribution firm and Fox Office Attractions Company, a production company. This merging of a
distribution company and a production company was an early example of vertical integration. 
Twentieth Century Pictures was an independent Hollywood motion picture production company 
created in 1933 by Joseph Schenck, Darryl F. Zanuck from Warner Brothers, William Goetz from 
Fox Films, and Raymond Griffith. Company product was distributed by United Artists (UA), and 
was filmed at various studios. Some of the famous films by 20th Century Fox in recent years 
were 
• Night At The Museum (2007) 
• Monte Carlo (2010) 
• The Rise Of The Planet Of Apes (2010) 
• Water For Elephants (2011) 
• Avatar (2009) 
• X-Men First Class (2011) 
• RIO (2011) 
Paramount Pictures: 
Paramount Pictures Corporation is a film and 
television production/distribution company 
founded in 1912. It is the fourth oldest existing 
film studio in the world behind Universal 
Studios, PathĂŠ and Gaumont Pictures. Also, it 
is the last major film studio still headquartered 
in the Hollywood district of Los Angeles. 
Paramount is consistently ranked as one of the 
largest (top-grossing) movie studios. It is a division of American media conglomerate Viacom. 
Paramount Pictures is a member of the Motion Picture Association of America (MPAA). Some of 
the famous films: 
Paranormal Activity 4 
• Fun Size 
• Flight 
• Rise of the Guardians 
• The Guilt Trip 
• Cirque du Soleil: Worlds Away 
• Jack Reacher 
• Hansel and Gretel: Witch Hunters 
• Top Gun 
• G.I. Joe: Retaliation[11] 
• Pain & Gain 
• Star Trek Into Darkness 
• World War Z 
• Jackass Presents: Bad Grandpa 
Warner Bros: 
Warner Bros. Entertainment Inc also known as Warner 
Bros. Pictures is an American producer of film, television,
and music entertainment. One of the major film studios, it is a subsidiary of Time Warner, with 
its headquarters in Burbank, California and New York. Warner Bros. has several subsidiary 
companies, including Warner Bros. Studios, Warner Bros. Pictures, Warner Bros. Interactive 
Entertainment, Warner Bros. Television, Warner Bros. Animation, Warner Home Video, New 
Line Cinema, TheWB.com, and DC Comics. Warner owns half of The CW Television Network. 
Warner Bros. is a member of the Motion Picture Association of America (MPAA).Films exmaples: 
• The Great Gatsby 
• The Hangover Part III 
• Man of Steel 
• Pacific Rim 
• The Conjuring 
• Top Cat: The Movie 
• We’re the Millers 
• Getaway 
• Prisoners 
• Gravity 
Columbia Pictures: 
Columbia Pictures Industries, Inc. is an American 
film production and distribution company. 
Columbia Pictures now forms part of the 
Columbia TriStar Motion Picture Group, owned 
by Sony Pictures Entertainment, a subsidiary of 
the Japanese conglomerate Sony. It is one of the 
leading film companies in the world, a member 
of the so-called Big Six. It was one of the so-called 
Little Three among the eight major film studios of Hollywood’s Golden Age. 
The studio, founded in 1919 as Cohn-Brandt-Cohn Film Sales by brothers Jack and Harry Cohn 
and Joe Brandt, released its first feature film in August 1922. It adopted the Columbia Pictures 
name in 1924 and went public two years later. The name is derived from “Columbia”, a national 
personification of the United States, which is used as the company’s logo. movie example : 
• Men in Black 3 
• That’s My Boy 
• The Amazing Spider-Man 
• Total Recall 
• Hope Spring 
• After Earth 
• The Smurfs 2 
• Cloudy with a Chance of Meatballs 2 
• Captain Phillips 
Walt Disney: 
The Walt Disney Studios, also known as Walt Disney 
Studios Motion Pictures Group and formerly known as
Buena Vista Motion Pictures Group and Buena Vista Film Group, is an American entertainment 
industry company division which develops scripts and oversees theatrical production for The 
Walt Disney Company’s production companies and imprints founded in 1995. The studio, known 
for its film division, which is one of Hollywood’s major film studios, is based at the Walt Disney 
Studios in Burbank, California.Walt Disney Studios’ film division is a member of the Motion 
Picture Association of America (MPAA). 
• Cars 2 
• Winnie the Pooh 
• The Muppets 
• John Carter 
• Arjun: The Warrior Prince 
• Brave 
• Wreck-It Ralph 
• Oz the Great and Powerful 
• Wings of Life 
• Monsters University 
• Frozen 
Universal Studios: 
Universal Studios, is an American film studio, and one of 
the six major movie studios. It is one of the longest-lived 
motion picture studios to be located outside of 
Hollywood.[3] It is a division of American media 
conglomerate NBCUniversal. 
Founded in 1912 by Carl Laemmle,[4] it is the oldest 
movie studio in the United States of America. It is also the 
third oldest in the world that is still in continuous 
production. On May 11, 2004, the controlling stake in the company was sold by Vivendi 
Universal to General Electric, parent of NBC.[5] The resulting media super-conglomerate was 
renamed NBC Universal, while Universal Studios Inc. remained the name of the production 
subsidiary. It also acquired rights to several prominent filmmakers’ works originally released by 
other studios through its subsidiaries over the years. Selected clips and footage shot by 
Universal Studios are available for purchase from the NBCUniversal Archives. 
Its production studios are at 100 Universal City Plaza Drive in Universal City, California. 
Distribution and other corporate offices are in New York City.Universal Studios is a Member of 
the Motion Picture Association of America (MPAA).movie examples : 
• Jurassic Park (3-D rerelease) 
• Oblivion 
• Fast & Furious 6 
• The Purge 
• Despicable Me 2 
• R.I.P.D.
Rank Title USA Box Office 
1. Avatar (2009) $760,505,847 
2. Titanic (1997) $658,672,302 
3. The Avengers (2012) $623,279,547 
4. The Dark Knight (2008) $533,316,061 
5. Star Wars: Episode I - The Phantom Menace(1999) $474,544,677 
6. Star Wars (1977) $460,935,665 
7. The Dark Knight Rises (2012) $448,130,642 
8. Shrek 2 (2004) $436,471,036 
9. E.T. the Extra-Terrestrial (1982) $434,949,459 
10. The Hunger Games: Catching Fire (2013) $424,645,577 
11. Pirates of the Caribbean: Dead Man's Chest(2006) $423,032,628 
12. The Lion King (1994) $422,783,777 
13. Toy Story 3 (2010) $414,984,497 
14. Iron Man 3 (2013) $408,992,272 
15. The Hunger Games (2012) $407,999,255 
16. Spider-Man (2002) $403,706,375 
17. Jurassic Park (1993) $402,348,347 
18. Transformers: Revenge of the Fallen (2009) $402,076,689 
19. Frozen (2013/I) $400,736,600 
20. Harry Potter and the Deathly Hallows: Part 2(2011) $380,955,619 
21. Finding Nemo (2003) $380,838,870 
22. Star Wars: Episode III - Revenge of the Sith(2005) $380,262,555 
23. The Lord of the Rings: The Return of the King(2003) $377,019,252 
24. Spider-Man 2 (2004) $373,377,893 
25. The Passion of the Christ (2004) $370,270,943 
26. Despicable Me 2 (2013) $368,049,635 
27. Transformers: Dark of the Moon (2011) $352,358,779 
28. The Lord of the Rings: The Two Towers(2002) $340,478,898 
29. Spider-Man 3 (2007) $336,530,303 
30. Alice in Wonderland (2010/I) $334,185,206 
31. Forrest Gump (1994) $329,691,196 
32. Shrek the Third (2007) $320,706,665 
33. Transformers (2007) $318,759,914 
34. Iron Man (2008) $318,298,180
35. Harry Potter and the Sorcerer's Stone (2001) $317,557,891 
36. Indiana Jones and the Kingdom of the Crystal Skull (2008) $317,011,114 
37. The Lord of the Rings: The Fellowship of the Ring (2001) $313,837,577 
38. Iron Man 2 (2010) $312,057,433 
39. Star Wars: Episode II - Attack of the Clones(2002) $310,675,583 
40. Pirates of the Caribbean: At World's End(2007) $309,404,152 
41. Star Wars: Episode VI - The Return of the Jedi (1983) $309,125,409 
42. Independence Day (1996) $306,124,059 
43. Pirates of the Caribbean: The Curse of the Black Pearl (2003) $305,388,685 
44. Skyfall (2012) $304,360,277 
45. The Hobbit: An Unexpected Journey (2012) $303,001,229 
46. Harry Potter and the Half-Blood Prince (2009) $301,956,980 
47. The Twilight Saga: Eclipse (2010) $300,523,113 
48. The Twilight Saga: New Moon (2009) $296,623,634 
References: 
http://www.imdb.com/boxoffice/alltimegross 
http://www.slideshare.net/MCHSFilmandMedia/hollywood-film-industry 
http://www.digplanet.com/wiki/Major_film_studio 
http://wikipedia.org

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Hollywood industry research a2

  • 1. Hollywood Industry Research The American Film Industry The film industry is one of global proportions. Production, film distribution and exhibition reach around the world and continue to adapt to varying political, economic and technological changes. Hollywood however continues to be a dominant factor in our film viewing experiences. Even if we choose not to watch Hollywood movies, the chances are that we will encounter Hollywood marketing through accessing other media (trailers on TV, internet, videogame tie-ins), walking through town (posters), listening to radio (film adverts, ‘exclusive’ interviews/promotions), listening to music (‘official’ soundtracks), catching the bus (advertising hoardings), eating breakfast cereal (free toys/promotions inside), going to bed (‘Spiderman’ pyjamas) etc. Considering that Hollywood remains a suburb of Los Angeles, California, its reach and saturation remains global and unavoidable. Hollywood As early as the 1910’s the US film industry began to shift its base from the East coast to what was essentially a place in the Californian Desert on the edge of Los Angeles. Since this time Hollywood has famously been built around studios: well financed big name companies in the business of making films and making money from films. History Origins In the United States, the first exhibitions of films for large audiences typically followed the intermissions in vaudeville shows. Entrepreneurs began travelling to exhibit their films, bringing to the world the first forays into dramatic film-making. The first huge success of American cinema, as well as the largest experimental achievement to this point, was The Great Train Robbery, directed by Edwin S. Porter. In the earliest days of the American film industry, New York was the epicenter of film-making. The Kaufman Astoria Studios in Queens, built during the silent film era, was used by the Marx Brothers and W.C. Fields. Chelsea, Manhattan was also frequently used. Mary Pickford, an Academy Award winning actress, shot some of her early films in this area.
  • 2. Rise of Hollywood In early 1910, director D.W. Griffith was sent by the Biograph Company to the west coast with his acting. They started filming on a vacant lot in downtown Los Angeles. This place was called "Hollywood". Griffith then filmed the first movie ever shot in Hollywood. In 1913 many movie-makers headed west to avoid the fees imposed by Thomas Edison, who owned patents on the movie-making process. In Los Angeles, California, the studios and Hollywood grew. Before World War I, movies were made in several U.S. cities, but filmmakers gravitated to southern California as the industry developed. They were attracted by the mild climate and reliable sunlight, which made it possible to film movies outdoors year-round, and by the varied scenery that was available. There are several starting points for American cinema, but it was Griffith's Birth of a Nation that pioneered the filming vocabulary that still dominates celluloid to this day. At motion pictures' height of popularity in the mid-1940s, the studios were cranking out a total of about 400 movies a year, seen by an audience of 90 million Americans per week. Sound also became widely used in Hollywood in the late 1920s, after The Jazz Singer was successfully released as a talkie in 1927. In 1922, US politician Will H. Hays left politics and formed the movie studio boss organization known as the Motion Pictures Distributors Association of America (MPDAA); the organization became the Motion Picture Association of America after Hays retired in 1945. Golden Age of Hollywood During the so-called ‘Golden Age of Hollywood’, which lasted from the end of the silent era in American cinema in the late 1920s to the 1950s, movies were issued from the Hollywood studios like the cars rolling off Henry Ford's assembly lines; the start of the Golden Age was arguably when The Jazz Singer was released in 1927 and increased box-office profits for films as sound was introduced to feature films. Most Hollywood pictures adhered closely to a formula—Western, slapstick comedy, musical, animated cartoon, biopic (biographical picture) —and the same creative teams often worked on films made by the same studio. After The Jazz Singer was released in 1927, Warner Bros. gained huge success and was able to acquire their own string of movie theatres; MGM had also owned a string of theatres since forming in 1924, know through Loews Theatres, and the Fox film Corporation owned the Fox Theatre strings as well. RKO also bought its own theatres. Paramount, bought a number of theatres in the late 1920s as well. It was possible to guess which studio made which film, largely because of the actors who appeared in it; MGM, for example, claimed it had contracted "more stars than there are in heaven." Each studio had its own style and characteristic touches which made it possible to know this - a trait that does not exist today. Yet each movie was a little different, and, unlike the craftsmen who made cars, many of the people who made movies were artists.
  • 3. Movie-making was still a business, however, and motion picture companies made money by operating under the studio system. The major studios kept thousands of people on salary— actors, producers, directors, writers, stunt men, craftpersons, and technicians. And they owned hundreds of theatres in cities and towns across the nation, theatres that showed their films and that were always in need of fresh material. In 1930, MPDDA President Will Hays also founded the Hays (Production) Code, which followed censorship guidelines and went into effect after government threats of censorship expanded by 1930. However the code was never enforced until 1934, after the new Catholic Church organization The Legion of Decency- appalled by Mae West's very successful sexual appearances in She Done Him Wrong and I'm No Angel - threatened a boycott of motion pictures if it didn't go into effect, and those that didn't obtain a seal of approval from the Production Code Administration had to pay a $25,000.00 fine and could not profit in the theatres, as the MPDDA owned every theatre in the country through the Big Five studios. Throughout the 1930s, as well as most of the golden age, MGM dominated the film screen and had the top stars in Hollywood, and was also credited for creating the Hollywood star system altogether; stars included "King of Hollywood" Clark Gable, Lionel Barrymore, Jean Harlow, Greta Garbo, Spencer Tracy, Judy Garland, and Gene Kelly. Decline of the studio system The studio system and the Golden Age of Hollywood succumbed to two forces in the late 1940s: • a federal action that separated the production of films from their exhibition; and • Changing leisure patterns and social activity, notably the advent of television and exodus of families from the cities into the suburbs. The Supreme Court eventually ruled that the major studios ownership of theatres and film distribution (vertical integration) was a violation of the Sherman Antitrust Act. "Every person who shall monopolize, or attempt to monopolize, or combine or conspire with any other person or persons, to monopolize any part of the trade or commerce among the several States, or with foreign nations, shall be deemed guilty of a felony.” Detail from the Sherman Antitrust Act of 1890 As a result, the studios began to release actors and technical staff from their contracts with the studios. This changed the nature of film making by the major Hollywood studios, as each could have an entirely different cast and creative team. This resulted in the gradual loss of the characteristics which made MGM, Paramount, Universal, Columbia, RKO, and Fox films immediately identifiable. Also, the number of movies being produced annually dropped as the average budget soared, marking a major change in strategy for the industry. Studios now aimed to produce entertainment that could not be offered by television: spectacular, larger-than-life productions. Studios also began to sell portions of their theatrical film libraries to other companies to sell to television. By 1949, all major film studios had given up ownership of their theatres. Television and Hollywood Television was also instrumental in the decline of Hollywood's Golden Age as it broke the movie industry's position in American entertainment. Despite this, the film industry was also able to gain some leverage for future films as long time government censorship faded in the 1950s.
  • 4. After the Paramount anti-trust case ended, Hollywood movie studios no longer owned theatres, and thus made it so foreign films could be released in American theatres without censorship. By 1968, the Motion Picture Association of America (MPAA) had replaced the Hays Code-which was now greatly violated after the government threat of censorship that justified the origin of the code had ended- with the film rating system. The MPAA The Motion Picture Association of America (MPAA) formed in 1922. Originally the Motion Picture Producers and Distributors of America (MPPDA) (pre - 1942 and 1946 - 1948), it is a non-profit business and trade association based in the United States, which was formed to advance the business interests of movie studios. MPAA members include the major Hollywood studios: o The Walt Disney Company; o Sony Pictures; o Paramount Pictures (Viacom); o 20th Century Fox (News Corporation); o Universal Studios (NBC Universal); o Warner Bros (Time Warner). The MPAA administers the voluntary film rating system. As part of its campaign to stop copyright infringement the MPAA is fighting to stop the sharing of copyrighted works via peer-to- peer file sharing networks. The MPAA's anti-piracy campaign has gained much publicity and criticism. The 'New Hollywood' and Post-classical cinema 'Post-classical cinema' is a term used to describe the changing methods of storytelling in the New Hollywood. It has been argued that new approaches to drama and characterization played upon audience expectations acquired in the classical period: chronology may be scrambled, storylines may feature "twist endings", and lines between the antagonist and protagonist may be blurred. The roots of post-classical storytelling may be seen in film noir, in Rebel Without a Cause (1955), and in Hitchcock's storyline-shattering Psycho. 'New Hollywood' is a term used to describe the emergence of a new generation of film school-trained directors who had absorbed the techniques developed in Europe in the 1960s; The 1967 film Bonnie and Clyde marked the beginning of American cinema rebounding as well, as a new generation of films would afterwards gain success at the box offices as well. Filmmakers like Francis Ford Coppola, George Lucas, Brian de Palma, Martin Scorsese, William Friedkin and Steven Spielberg came to produce fare that paid homage to the history of film, and developed upon existing genres and techniques. In the early 1970s, their films were often both critically acclaimed and commercially successful. While the early New Hollywood films like Bonnie and Clyde and Easy Rider had been relatively low-budget affairs with amoral heroes and increased sexuality and violence, the enormous success enjoyed by Coppola, Spielberg and Lucas with The
  • 5. Godfather, Jaws, and Star Wars, respectively helped to give rise to the modern "blockbuster", and induced studios to focus ever more heavily on trying to produce enormous hits. The increasing indulgence of these young directors didn’t help. Often, they’d go over schedule, and over budget, thus bankrupting themselves or the studio. The Studio System The studio system was a means of film production and distribution dominant in Hollywood from the early 1920s through the early 1950s. The term studio system refers to the practice of large motion picture studios • producing movies primarily on their own filmmaking lots with creative personnel under often long-term contract • Pursuing vertical integration through ownership or effective control of distributors and movie theatres, guaranteeing additional sales of films through manipulative booking techniques. This business model is also known as vertical integration which meant ownership and control of production, distribution and exhibition. One of the techniques used to support the studio system was block booking, a system of selling multiple films to a theatre as a unit. Such a unit—five films was the standard practice for most of the 1940s—typically included only one particularly attractive film, the rest a mix of A-budget pictures of dubious quality and B movies A 1948 Supreme Court ruling against those distribution and exhibition practices hastened the end of the studio system. In 1954, the last of the operational links between a major production studio and theatres chain was broken and the era of the studio system was officially over. The period stretching from the introduction of sound to the court ruling and the beginning of the studio break-ups, 1930–1950, is commonly known as the Golden Age of Hollywood. During the Golden Age, eight companies comprised the so-called major studios that promulgated the Hollywood studio system. Of these eight, five were fully integrated conglomerates, combining ownership of a production studio, distribution division, and substantial theatre chain, and contracting with performers and filmmaking personnel. The Big Five: • Fox (later 20th Century-Fox), • Loew’s Incorporated (owner of America's largest theater circuit and parent company to Metro- Goldwyn-Mayer: MGM), • Paramount Pictures, • RKO (Radio-Keith-Orpheum), • Warner Bros. Two majors—Universal Pictures and Columbia Pictures—were similarly organized, though they never owned more than small theatre circuits. The eighth of the Golden Age majors, United Artists, owned a few theatres and had access to two production facilities owned by members of
  • 6. its controlling partnership group, but it functioned primarily as a backer-distributor, loaning money to independent producers and releasing their films. RKO went out of business in 1955: a victim of the rise of TV in America. Warner on the other hand has gone from strength to strength. In 1989 they merged with Turner Broadcasting and then with internet giant AOL in 2000. They are now one of the largest entertainment conglomerates. 20th Century Fox are a similar example and are currently owned by News Corp., again one of the world’s largest media companies. The New Hollywood system In contemporary Hollywood there is what is known as a ‘package unit’ system at work: • Studio space is rented and personnel hired for the duration of the one project. • Individual producers now have to put together a one-off package of finance, personnel, equipment and studio time for each film being made. • The studios no longer have to be concerned with keeping busy what was effectively a factory-full of workers permanently on their payroll; instead arrangements can be made to film each one-off movie wherever is most convenient around the world, perhaps in places where union laws might be less stringent and rates of pay considerably lower. The main Hollywood companies were driven over to this system in an effort to cut expenditure in the 1950’s in order to survive the decline of cinema-going as a leisure activity. Actors and directors • In ‘old Hollywood’ they were under strict contracts with studios • They worked on one film until it was finished and then ‘assigned’ another. • In the ‘new Hollywood’ they have agents to cut deals for them. • Some directors and actors have arguably more power than the studios. Budgets ‘Old Hollywood’ offered two kinds of movies: A-movies (big budget) and B- movies (low budget). These would often be shown as a ‘double-bill’ in cinemas, the logic being that the B-movies offered good percentage profits in terms of box office and as such act as a ‘buffer’ for the more expensive and therefore more risky A-movie. Major Film Studio in Hollywood: 20th Century Fox: Twentieth Century Fox Film Corporation is one of the six major American film studios as of 2011. It is located in the Century City area of Los Angeles, just west of Beverly Hills, the studio is a subsidiary of Rupert Murdoch’s News Corporation. The company was founded on May 31, 1935 as the result of the merger of Fox Film Corporation and Twentieth Century Pictures. The Fox Film Corporation was formed in 1915 by the theater chain pioneer William Fox, who formed Fox Film Corporation by merging two companies Greater New York Film Rental, a distribution firm and Fox Office Attractions Company, a production company. This merging of a
  • 7. distribution company and a production company was an early example of vertical integration. Twentieth Century Pictures was an independent Hollywood motion picture production company created in 1933 by Joseph Schenck, Darryl F. Zanuck from Warner Brothers, William Goetz from Fox Films, and Raymond Griffith. Company product was distributed by United Artists (UA), and was filmed at various studios. Some of the famous films by 20th Century Fox in recent years were • Night At The Museum (2007) • Monte Carlo (2010) • The Rise Of The Planet Of Apes (2010) • Water For Elephants (2011) • Avatar (2009) • X-Men First Class (2011) • RIO (2011) Paramount Pictures: Paramount Pictures Corporation is a film and television production/distribution company founded in 1912. It is the fourth oldest existing film studio in the world behind Universal Studios, PathĂŠ and Gaumont Pictures. Also, it is the last major film studio still headquartered in the Hollywood district of Los Angeles. Paramount is consistently ranked as one of the largest (top-grossing) movie studios. It is a division of American media conglomerate Viacom. Paramount Pictures is a member of the Motion Picture Association of America (MPAA). Some of the famous films: Paranormal Activity 4 • Fun Size • Flight • Rise of the Guardians • The Guilt Trip • Cirque du Soleil: Worlds Away • Jack Reacher • Hansel and Gretel: Witch Hunters • Top Gun • G.I. Joe: Retaliation[11] • Pain & Gain • Star Trek Into Darkness • World War Z • Jackass Presents: Bad Grandpa Warner Bros: Warner Bros. Entertainment Inc also known as Warner Bros. Pictures is an American producer of film, television,
  • 8. and music entertainment. One of the major film studios, it is a subsidiary of Time Warner, with its headquarters in Burbank, California and New York. Warner Bros. has several subsidiary companies, including Warner Bros. Studios, Warner Bros. Pictures, Warner Bros. Interactive Entertainment, Warner Bros. Television, Warner Bros. Animation, Warner Home Video, New Line Cinema, TheWB.com, and DC Comics. Warner owns half of The CW Television Network. Warner Bros. is a member of the Motion Picture Association of America (MPAA).Films exmaples: • The Great Gatsby • The Hangover Part III • Man of Steel • Pacific Rim • The Conjuring • Top Cat: The Movie • We’re the Millers • Getaway • Prisoners • Gravity Columbia Pictures: Columbia Pictures Industries, Inc. is an American film production and distribution company. Columbia Pictures now forms part of the Columbia TriStar Motion Picture Group, owned by Sony Pictures Entertainment, a subsidiary of the Japanese conglomerate Sony. It is one of the leading film companies in the world, a member of the so-called Big Six. It was one of the so-called Little Three among the eight major film studios of Hollywood’s Golden Age. The studio, founded in 1919 as Cohn-Brandt-Cohn Film Sales by brothers Jack and Harry Cohn and Joe Brandt, released its first feature film in August 1922. It adopted the Columbia Pictures name in 1924 and went public two years later. The name is derived from “Columbia”, a national personification of the United States, which is used as the company’s logo. movie example : • Men in Black 3 • That’s My Boy • The Amazing Spider-Man • Total Recall • Hope Spring • After Earth • The Smurfs 2 • Cloudy with a Chance of Meatballs 2 • Captain Phillips Walt Disney: The Walt Disney Studios, also known as Walt Disney Studios Motion Pictures Group and formerly known as
  • 9. Buena Vista Motion Pictures Group and Buena Vista Film Group, is an American entertainment industry company division which develops scripts and oversees theatrical production for The Walt Disney Company’s production companies and imprints founded in 1995. The studio, known for its film division, which is one of Hollywood’s major film studios, is based at the Walt Disney Studios in Burbank, California.Walt Disney Studios’ film division is a member of the Motion Picture Association of America (MPAA). • Cars 2 • Winnie the Pooh • The Muppets • John Carter • Arjun: The Warrior Prince • Brave • Wreck-It Ralph • Oz the Great and Powerful • Wings of Life • Monsters University • Frozen Universal Studios: Universal Studios, is an American film studio, and one of the six major movie studios. It is one of the longest-lived motion picture studios to be located outside of Hollywood.[3] It is a division of American media conglomerate NBCUniversal. Founded in 1912 by Carl Laemmle,[4] it is the oldest movie studio in the United States of America. It is also the third oldest in the world that is still in continuous production. On May 11, 2004, the controlling stake in the company was sold by Vivendi Universal to General Electric, parent of NBC.[5] The resulting media super-conglomerate was renamed NBC Universal, while Universal Studios Inc. remained the name of the production subsidiary. It also acquired rights to several prominent filmmakers’ works originally released by other studios through its subsidiaries over the years. Selected clips and footage shot by Universal Studios are available for purchase from the NBCUniversal Archives. Its production studios are at 100 Universal City Plaza Drive in Universal City, California. Distribution and other corporate offices are in New York City.Universal Studios is a Member of the Motion Picture Association of America (MPAA).movie examples : • Jurassic Park (3-D rerelease) • Oblivion • Fast & Furious 6 • The Purge • Despicable Me 2 • R.I.P.D.
  • 10. Rank Title USA Box Office 1. Avatar (2009) $760,505,847 2. Titanic (1997) $658,672,302 3. The Avengers (2012) $623,279,547 4. The Dark Knight (2008) $533,316,061 5. Star Wars: Episode I - The Phantom Menace(1999) $474,544,677 6. Star Wars (1977) $460,935,665 7. The Dark Knight Rises (2012) $448,130,642 8. Shrek 2 (2004) $436,471,036 9. E.T. the Extra-Terrestrial (1982) $434,949,459 10. The Hunger Games: Catching Fire (2013) $424,645,577 11. Pirates of the Caribbean: Dead Man's Chest(2006) $423,032,628 12. The Lion King (1994) $422,783,777 13. Toy Story 3 (2010) $414,984,497 14. Iron Man 3 (2013) $408,992,272 15. The Hunger Games (2012) $407,999,255 16. Spider-Man (2002) $403,706,375 17. Jurassic Park (1993) $402,348,347 18. Transformers: Revenge of the Fallen (2009) $402,076,689 19. Frozen (2013/I) $400,736,600 20. Harry Potter and the Deathly Hallows: Part 2(2011) $380,955,619 21. Finding Nemo (2003) $380,838,870 22. Star Wars: Episode III - Revenge of the Sith(2005) $380,262,555 23. The Lord of the Rings: The Return of the King(2003) $377,019,252 24. Spider-Man 2 (2004) $373,377,893 25. The Passion of the Christ (2004) $370,270,943 26. Despicable Me 2 (2013) $368,049,635 27. Transformers: Dark of the Moon (2011) $352,358,779 28. The Lord of the Rings: The Two Towers(2002) $340,478,898 29. Spider-Man 3 (2007) $336,530,303 30. Alice in Wonderland (2010/I) $334,185,206 31. Forrest Gump (1994) $329,691,196 32. Shrek the Third (2007) $320,706,665 33. Transformers (2007) $318,759,914 34. Iron Man (2008) $318,298,180
  • 11. 35. Harry Potter and the Sorcerer's Stone (2001) $317,557,891 36. Indiana Jones and the Kingdom of the Crystal Skull (2008) $317,011,114 37. The Lord of the Rings: The Fellowship of the Ring (2001) $313,837,577 38. Iron Man 2 (2010) $312,057,433 39. Star Wars: Episode II - Attack of the Clones(2002) $310,675,583 40. Pirates of the Caribbean: At World's End(2007) $309,404,152 41. Star Wars: Episode VI - The Return of the Jedi (1983) $309,125,409 42. Independence Day (1996) $306,124,059 43. Pirates of the Caribbean: The Curse of the Black Pearl (2003) $305,388,685 44. Skyfall (2012) $304,360,277 45. The Hobbit: An Unexpected Journey (2012) $303,001,229 46. Harry Potter and the Half-Blood Prince (2009) $301,956,980 47. The Twilight Saga: Eclipse (2010) $300,523,113 48. The Twilight Saga: New Moon (2009) $296,623,634 References: http://www.imdb.com/boxoffice/alltimegross http://www.slideshare.net/MCHSFilmandMedia/hollywood-film-industry http://www.digplanet.com/wiki/Major_film_studio http://wikipedia.org