Leading transformational change: inner and outer skills
Shot number
1. Shotnumber Storyboard# Shot Action Notes Length Takes favourite
1 Scene 1 ECU On handmovementtakingoutfile Close upand focus 10
secs
3 2
2 Scene 1 Overshouldershot To see the character pullingoutthe file Pointof viewof character 4 secs 3 1
3 Scene 2 Pan shot Whenprotagonistwalks Followshimuntil he sitsdown
placingfile
5 secs 3 1
4 Scene 3 Highangle tilt&
ECU onpaper
Detective opensfile andfocusesonpictures/
writing
Fadesintoscene 4 secs 3 2
5 Scene 3 Highangle zoom Zoomsin onthe picture onthe paper Focusesonthe picture blurs
everythingelse
5 secs 3 3
6 Scene 4 Mid shoton body Focusesonarrestedguyand he'sin the centre of
the fieldof view
His actionsare showne.g.pulling
away
3 sec 3 2
7 Scene 4 Establishingshot On the parkinglotand the personbeing
handcuffed
We can see throughthe cars being
inthe way
4 secs 3 3
8 Scene 4 Extreme close up On the arrestedperson To see hisemotionse.g. fear 2 secs 3 1
9 Scene 5 Arial shothigh
angle tiltdown
The prisonerswalkpastcamera It createseffectof the camera
beinga securitycamera
4 secs 3 2
10 Scene 5 Stationarypanshot
fromleftto right
Followsthe charactersmovementalongthe
corridor
Focusesonthe prisoner 5 secs 3 1
11 Scene 6 POV shot/midshot Focusesfromperspectiveof characterbut we see
anothercharacters body
The characters speak 5 secs 3 1
12 Scene 7 Long shot To see the clothingof character The character then leavesthe
house closingthe door
5 secs 3 3
13 Scene 8 Shotreverse shot On theirconversationtogetthe facial expressions
shown
4 secs 3 2
14 Scene 9 Establishingshot Whengirl walksdownpark we see herand
backgroundof park
Focusesonscenery 6 secs 3 2
15 Scene 9 Stationarypanshot
lefttoright
We see herwalkingpastthe fieldof viewof
camera
Usedto hintthat somethingis
behind/lookingather
5 secs 3 1
16 Scene 10 Low angle shot Focusesonlegsof character as her pace of walking The character walkspast camera 2 secs 3 1
17 Scene 11 Close upon face See herputtinginherheadphones Removesfocusonsurroundings 4 secs 3 2
18 Scene 12 Ariel shotonpark Showsthe pathwayleftandtrees 4 secs 3 2
POV=pointof view ECU= extreme close up
2. 19 Scene 13 Close upon girl,
focuson
background
Focusesonthe character behindher She'sinthe first1/3 of the screen
highlightingsomethingisbehind
her
3 secs 3 1
20 Scene 13 Zoomout when
she walkstowards
camera
Cameraslowlyzoomsoutthe closershe gets Createsa stabilisedshot 4 secs 3 2
21 Scene 14 Highangle tilt
down& midshot
She'sbeingkidnappedandattacked We see herbeingvulnerable and
seenassmall due to angle
5 secs 3 2
22 Scene 15 POV shot We see armsof the man attackingherface We use handheld camerawhen
she fallsdowntoshowher fainting
3 secs 3 1
23 Scene 16 Low angle shot We see heron the floorbeingtiedupshe just
openedhereyesandseesblur
No face of character who
kidnappedrevealed
2 secs 3 2
24 Scene 17 Highangle tilt
down & POV
We see herinboot of car layingandhimlooking
downat her
We have iton a tripodto make it
stationary
4 secs 3 2
25 Scene 18 Mid shotzoom in
to close upon
phone ringing
We see the detail onphone e,g.‘DADcalling’ We see the girl face moving 5 secs 3 1
26 Scene 19 POV shot Perspectiveof capturerwe see hishandreaching
for the phone
We can onlysee herlegs 2 secs 3 1
27 Scene 20 POV shotfrom girls
perspective &low
angle tiltup
We see the bootof car and hislegsas he'sabout
to shutthe doorof car
4 secs 3 2
28 Scene 20 POV shot From girlsperspective oncarboot closingandthen
it becomespitchblack
The title revealsTHELAST CALL 4 secs 3 1
