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Hotel Babylon clip essay – How is ethnicity represented in this clip?
At the beginningof the clipfromHotel Babylon,the camerashotusedisan overthe shoulderwide
shot. The three menshownare white meninformal wear,overthe shoulderof alady.The 2 men
are at a slightlyhigherangle thanthe camera – it’snot particularlydistinctivebutitisnoticeable.
Thissuggeststhatdue to theirgender,jobstatusand ethnicitytheyare mildlysuperior.The ideaof
anglesrepresentingethnicsuperioritycontinuesasthe camerachangesto a pointof view shot.The
womanistalkingto a man of colour,and the camera isangleddowntowardhim.Thisreinforcesthe
stereotype thatwhite peopleare superiortoblackpeople inthe workplace.Thisisnegative
representationforbothethnicities.
The 3 menwear blacksuits;typical expensive office jobattire. Thisisiconographyof power,wealth
and manliness.The lady’soutfitisstereotypical of thatof a female receptionist,‘workappropriate’
yetfairlystylish.The blackman’soutfitshowshe hasa lowerrankedjob.Thisagainshowsthe
stereotypical hierarchy,withwhite menatthe top,womenandpeople of colourlowerdown.
The non-diegeticsoundisthere toaddtension,buildupsuspense.Itquietenswhenthe whitemale
firstspeaks,showinghisauthorityoverit,andothercharacters as itdoesn’tquietenasmuchfor
them.Thiscouldshowhowthingsnaturallyare a little easierwhenyouare a white male,asyou
don’tface the strugglesthatwomenorpeople of colourorimmigrantsface.The clipsuccumbsto
stereotypes,andwe asan audience fearforthe safetyof othercharacters at the hand of the white
men.Thisreinforcesstereotypesthatwhite menhave all the power,andare selfish.
The black man sitsbeside awhite man;theyhave aconversationateye level. Theyare showntobe
equal andboth worthyof each other’stime.The hotel isbeinginspectedforallowingundocumented
immigrantsworkthere soone couldassume the white male here isanimmigrant.If thatwas the
case,it wouldshowhow2 minoritiesgetalong.Thiswouldshow themtobe friendly.However,
because theyare talkingat theirleisureandnotworking,itcouldreinforce stereotypesthatblack
people andimmigrantsare lazy.Thisisnegative representationforthese people.
Shotsare editedtogetherina rushed,panickedmanner. 2of the 3 shotsusedare mediumclose ups,
usedforfacial expression,costume andbodylanguage.The shotsof these people runningandthe
speedatwhichthey’re edited show usthe distresstheyshare. The factthat evenwhenthey’re close
to beingforcedoutthe country,theywantto lookout for theirfriendtomake sure she can make
sure all otherillegal immigrantsare safe tootellsusthattheydo thinkof themselvesasa
community. Ethnicitiesthatare oftenseenas‘inferior’toCaucasiansare shownascaring, selfless
and fastthinking.Thisispositiverepresentationforethnicminorities.
These fastcuts change to a panningmovement,followingthe movementof awomanwhoclearly
holdsauthorityoverthe immigrants,yetworksinasecludedoffice.The panningmovementtellsus
that she isdictatingthe scene,she’sincharge and if anyone isgoingtosave the dayit will be her.
Thisis positive representationof anAsianAustralianwoman.HerAustralianroots are clearthrough
heraccented voice. Asthe pan cuts to a mediumclose up,herfearisshownto the audience.This
againshowsthat she cares forthe immigrants,andwantstoprotectas many as she can. In this
sectionof the clip,Asiansare shownas level headedandincontrol.
The camera shot of the Asianladyfroma highangle suggestsagainthatto anotherperson,she is
inferior.ASthe shotchangestothe white menwhoare huntingthe immigrantsitreinforcesthe
stereotype of AsiansbeinglowerthanCaucasians.Inthisclipthere’saclearideathat to the white
man the otherethnicitiesare lessworthy,ascameraangleslookdownonthem.

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How hotel Babylon clip represents ethnicity through camera angles and costumes

  • 1. Hotel Babylon clip essay – How is ethnicity represented in this clip? At the beginningof the clipfromHotel Babylon,the camerashotusedisan overthe shoulderwide shot. The three menshownare white meninformal wear,overthe shoulderof alady.The 2 men are at a slightlyhigherangle thanthe camera – it’snot particularlydistinctivebutitisnoticeable. Thissuggeststhatdue to theirgender,jobstatusand ethnicitytheyare mildlysuperior.The ideaof anglesrepresentingethnicsuperioritycontinuesasthe camerachangesto a pointof view shot.The womanistalkingto a man of colour,and the camera isangleddowntowardhim.Thisreinforcesthe stereotype thatwhite peopleare superiortoblackpeople inthe workplace.Thisisnegative representationforbothethnicities. The 3 menwear blacksuits;typical expensive office jobattire. Thisisiconographyof power,wealth and manliness.The lady’soutfitisstereotypical of thatof a female receptionist,‘workappropriate’ yetfairlystylish.The blackman’soutfitshowshe hasa lowerrankedjob.Thisagainshowsthe stereotypical hierarchy,withwhite menatthe top,womenandpeople of colourlowerdown. The non-diegeticsoundisthere toaddtension,buildupsuspense.Itquietenswhenthe whitemale firstspeaks,showinghisauthorityoverit,andothercharacters as itdoesn’tquietenasmuchfor them.Thiscouldshowhowthingsnaturallyare a little easierwhenyouare a white male,asyou don’tface the strugglesthatwomenorpeople of colourorimmigrantsface.The clipsuccumbsto stereotypes,andwe asan audience fearforthe safetyof othercharacters at the hand of the white men.Thisreinforcesstereotypesthatwhite menhave all the power,andare selfish. The black man sitsbeside awhite man;theyhave aconversationateye level. Theyare showntobe equal andboth worthyof each other’stime.The hotel isbeinginspectedforallowingundocumented immigrantsworkthere soone couldassume the white male here isanimmigrant.If thatwas the case,it wouldshowhow2 minoritiesgetalong.Thiswouldshow themtobe friendly.However, because theyare talkingat theirleisureandnotworking,itcouldreinforce stereotypesthatblack people andimmigrantsare lazy.Thisisnegative representationforthese people. Shotsare editedtogetherina rushed,panickedmanner. 2of the 3 shotsusedare mediumclose ups, usedforfacial expression,costume andbodylanguage.The shotsof these people runningandthe speedatwhichthey’re edited show usthe distresstheyshare. The factthat evenwhenthey’re close to beingforcedoutthe country,theywantto lookout for theirfriendtomake sure she can make sure all otherillegal immigrantsare safe tootellsusthattheydo thinkof themselvesasa community. Ethnicitiesthatare oftenseenas‘inferior’toCaucasiansare shownascaring, selfless and fastthinking.Thisispositiverepresentationforethnicminorities.
  • 2. These fastcuts change to a panningmovement,followingthe movementof awomanwhoclearly holdsauthorityoverthe immigrants,yetworksinasecludedoffice.The panningmovementtellsus that she isdictatingthe scene,she’sincharge and if anyone isgoingtosave the dayit will be her. Thisis positive representationof anAsianAustralianwoman.HerAustralianroots are clearthrough heraccented voice. Asthe pan cuts to a mediumclose up,herfearisshownto the audience.This againshowsthat she cares forthe immigrants,andwantstoprotectas many as she can. In this sectionof the clip,Asiansare shownas level headedandincontrol. The camera shot of the Asianladyfroma highangle suggestsagainthatto anotherperson,she is inferior.ASthe shotchangestothe white menwhoare huntingthe immigrantsitreinforcesthe stereotype of AsiansbeinglowerthanCaucasians.Inthisclipthere’saclearideathat to the white man the otherethnicitiesare lessworthy,ascameraangleslookdownonthem.