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2. The entire body of this
oinochoe - base, belly,
neck, rim - is
fashioned from a
single, rather thick
sheet of bronze formed
by hammering. The
cast handle and the
relief head of a satyr
were worked
separately.

3. The expressive face with
Hellenistic influences. The
head turned slightly to the
right, the eyes deep set
beneath down turned
eyebrows. The broad
forehead, furrowed by five
horizontal wrinkles.
The hair is rendered by
deep, dense incisions that
curve over the temples.

4. The expressive head of Medusa
occupying the center of this
lovely mosaic, although early
Greek representations of Medusa
emphasized her hideous and
monstrous appearance, a human
like head of Medusa first
surfaced in Hellenistic art and
flourished around the time this
mosaic was created.

5. The vase featuring the
figure of a pregnant
woman, she is wearing a
beaded necklace, her arms
bent at the elbows and
resting at her belly, the legs
bent at knees depicting her
seated in a squat position.

6. 335 BC, 1353 BC, 18th
Dynasty, Amarna Period,
Ancient Art & Antiquities,
Ancient Egyptian, Faience,
Necklace Re-strung,
composed of ancient red
colored faience tubular beads
interspersed with rounded
multi colored faience beads.

7. 5th Century BC, Alabastron,
Ancient Art & Antiquities,
Ancient glass, Core Formed,
recent Of dark blue glass
matrix with marvered vivid
yellow and one turquoise
color zig-zag trailing, and
plain concentric bands
encircling the upper and
lower body. Fashioned on a
core, with cylindrical body,
rounded base.

8. 4th Century BC, Attic Red-
Figure, Calyx Krater Side
A, Dionysos surrounded by
maenads led by a flying
Eros, Side B, three draped
youths, egg and dart
pattern underneath rim,
scrolls below.

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