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Women's Flirting Body Language

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When a woman is interested in a man, she naturally and unconsciously sends flirting signals across to him indicating her interest.
This deck is primarily meant for guys - to be able to identify these signals so as to know it when a girl they might be interested is also feeling the same way.
In this deck, we'll be looking at 11 of these signals.

Published in: Entertainment & Humor
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Women's Flirting Body Language

  1. 1. HER
  2. 2. I r . ‘f‘%""“- . .‘“. €l. f4.? .‘§, .JV5i ’glYl (Md SOYY: _ftTl( As gov are strait lock ijour aged: Mm (L bearrflfvl
  3. 3. asking her
  4. 4. You a ‘a
  5. 5. You have on oolleolgue who is exowlilg hour We and goo know thou“ she is single.
  6. 6. You wont to olsla her for o doure but are oufrotid that o foiled otrrempr would sour hour working relotlionshio.
  7. 7. YOU BMW STOP W0fld@Ylfl@ “IS she (USO lnl'ZYZSl'@d’? ”
  8. 8. he has been hour hood friend since hihh school and hou have peen secrenh odmirinh ‘at for o lonh lime.
  9. 9. o . “ _ «Y Y/ ... . I Y. .Yr s / 7 . W Y / ._ . . . Y C . ,a . .Y4lI’ Y / »~ A. .71Y. Y I. , V . u. . . ..ftY. . Y. x » _. .YwY. ./. .,“, YY, n : . . ./, ..YxY . » r Y . .. . . . / Y YIY 1 , I YIIIIY Y Y I III Y/ Y, Y . Y / n I I. 5 1., I I’ #. H/W, !i, Y . . .Y. Y l I / ii! ” I X / ., Y// . /I I. II Y / .1 4’ Y. ,YY. l/lYY. Y Y ll/ Y / /I/ .// Y YYY Y Y .41 IY Y I? 1/ Y’ 1/ lull Y! / Y 1/ YY/ YY Y .1 I YW HY/ VHYWU/ YnINYY}1uY I Y. /Y. . . .. Yz. YY . .:Y. Yuu Y / I . .. I4 Y Y . I Y (I Y . Y Y’: . Y») / sitlinh alone with her one evening, hou have this sudden urhe to express hour eelinhs tor her, but hou're not sure it hour teelinhs will be reciprocotted
  10. 10. YOU Sll' there V‘/ Ofldeflflg “Does she like me? "
  11. 11. ihrouhhout our lives, there are such moments when we are reallh into somebodh but her we let those moments slip awah all because we have lime or no idea it "she's also interested".
  12. 12. (as compared to women). Research has shown that men are simplh dumb when to comes to readinh bodh lanhuahe
  13. 13. even when women are sendlnh tlirlinh sihnals to men. indicaiinh that theh are interested, men just don't seem to her it and theh have no idea what theh are reallh missinh.
  14. 14. There are certain bodh lanhuahe cues that woman naturallh hive ott when theh are attracted to someone.
  15. 15. IT lS one Thlflh TO KNOW Wh&T those are. and another TO be able TO OOYISOTOUSM notice them everh time. 5 T J V / T 4 R
  16. 16. Q’) Q? what follows is a list or the II most common courtship hestures (Md Sl@fl(1.| S used blh women everhwhere TO ShOW a man ThO. T she OOl/ ld be available.
  17. 17. Q’) Q? what follows is a list of the II most common courtship hesii/ res (Md Sl@fl(1.| S used blh women everhwhere TO ShOW a man ThO. T she OOllld be available. Q? Q7 {*3 Q7 Q7 Q? ) I hope, bhl<nowlnhthem, i1"ll hive hou a leh up to STOP hour wonderinh, and to sihaf hour "courtshippinh". w w . K‘, -’ ‘
  18. 18. I ‘ I. The Head Toss & Hair Flick
  19. 19. This is usuallh the first displah a woman will use when she's around a man she fancies.
  20. 20. , The head is flicked back 'l to toss the hair over the shoulders OY 0~WOJh from the face. »_. I . _ ‘ p Y Y, - ’ / /I - ‘ . . r ~ - » 2 . . ‘ V . ‘ . ‘. :‘ T . .. . ‘~Y : ,g_ _
  21. 21. even women WiTh ShOYT hair Will use ThiS hesture.
  22. 22. Y . . . r.V' IT'S O. Waih ‘TOT 0. WOmO. li Sllblilh TO ShOW ThO. T she cares about hOW she IOOKS TO 0. man
  23. 23. 2. Pouting, Wet lips
  24. 24. Larher. thicker lips is often a sihnal of femaleness because of their contrast in size to male lips.
  25. 25. Pouiinh simplh _ . . . increases the rip displah.
  26. 26. The lips can be made to appear wet either bh the use of saliva or cosmetics. hivlnh a woman the appearance of sexual invitation.
  27. 27. 3. Self-Toiicliiilg
  28. 28. our minds het our bodies Y to act out our secret ‘ I S desires — and so it is - with selr-iouchinh.
  29. 29. women have dramaticallh more nerve sensors for experiencinh touch than men, makinh them more sensitive to touch sensations.
  30. 30. when a woman SIOWiIh and sensuallh strokes her neck, throat or thihh, it infers that. if a man plahs his cards rihht, he mah be able to touch her in these same wahs.
  31. 31. AT the same time, her self -TOUOh lets her imahine what it rhihht feel like if the man was initiatinh the TOUOh
  32. 32. 4. The limp Wrist
  33. 33. walkinh or sittinh while holdinh a Limp wrist is a submission sihnal used exclusivelh bh women. s’ El
  34. 34. This hesture is a hreat attention hetter and it's verh attractive to men because it makes them feel as if theh can dominate.
  35. 35. I i 5. Fondling A Cylindrical Ilhject
  36. 36. Fondlinh a finher. the stem of a wine hlass, a danhlinh earrinh or anh phallic—shaped object is an unconscious indication of what mah be in the mind.
  37. 37. _ / ‘i / , _ when a woman does these thinhs, a man is likelh to shmbolicallh trh to possess her bh fondlinh her car kehs. ciharette lihhter or anh personal item she has nearbh.
  38. 38. 6. Exposed Wrist
  39. 39. An interested woman will hraduallh expose the smooth. soft underside skin of her wrists to the potential male partner and will increase the rate she flashes her wrists as her interest hrows.
  40. 40. ‘_. .cu. ... . ' o .0 The wrist area has lonh been considered one of the hihhlh erotic areas of the female bodh because it is one of the more delicate skin areas.
  41. 41. t e ’ / ~‘ i I " . in I 5 l f, ‘I . / " V , :1’. I / I l 0 i V / ,“ ’‘_. I . ’ / ‘I I x - / . K Y‘. ;_ _ / . women who smoke ciharettes find this wrist exposure simple to do while smokinh bh simplh holdinh the palm up beside the shoulder.
  42. 42. women put perfume on the underside of the wrist and could thrust the wrist forward towards a potential partner.
  43. 43. women put perfume on the underside of the wrist and could thrust the wrist forward towards a potential partner. The perfume simplh draws attention to the woman and lets the man see her under-wrists.
  44. 44. I 7. Sideways Glance liver Raised Shoulder
  45. 45. The Raised shoulder is self-mimicrh OT the rounded female breasts.
  46. 46. i _ Y i (; /I fix’; 1‘ , :/! ‘7T i. *r. «'Y. l;" ‘ .1 i n. ‘ I3 , ~ {.11 7 I, -' I with partialih drooped ehelids. the woman holds the man 's haze just lonh enouhh for ’l. ,j him to notice, then she aUi0kIIhilI00kS awah.
  47. 47. This action produces the feelinh of peepinh in the woman who does it and beinh peeped at bh the man who receives it.
  48. 48. I A 8. Handbag In Close Proximity
  49. 49. i/ lost men have never seen the contents of a woman 's handbah and studies show that most men are afraid even to touch her handbah, let alone open it.
  50. 50. I l A woman's handbah is a personal item thats treated bh her almost as if its an extension of her bodh and S0 iT becomes a stronh sihnal Oi’ intimach when she PUTS iT close TO a man.
  51. 51. if she finds him particularlh attractive, she mah slowlh fondle and caress her Y’-' Z p . p _ Y, -" _ , ./. x . (o (‘(0 3' (it- (I l_Y' )2 I‘ Y )_l D’ H p ( 0 U I‘) 4) H n _ " U (/ " ‘l T‘ :6 in H )__t , ql ’ . , l I) n :1 ’ U to H Y . A ‘) . ; U H l‘ 1)! ) - l_o U H Y, H Y‘, [J vi Y‘ {W3 I‘ n H H lb p- C) H ', _ ii
  52. 52. if she finds him particularlh , c~ Y . :-> attractive, she Y mah slowlh fondle and caress her she can ask him to pass the handbah or to even retrieve somethinh <»*i; ,;"" ‘ ' .1.‘ 3 (0 T C C C} C (I L’ y I‘ ) Y P r Y ( t H u ) H n _ . <.xl 7" " H V I ’YI: Y.‘n’ ‘ ( T 1 . ha‘: ' l ‘ J l H t p '1' ’ ply: h I I) n 1 ’ r _ U U H ; ;:; ’Y”: ;" ‘) '3 (. T I) i if? U H Y. H [4 i J I Y‘ H n H to , g u {I ‘H i ' n u «in, (' Hi‘ to ‘~ (I (I H"; (v rs)‘ (-
  53. 53. Placinh the handbah near him so he can see iT OY TOUOh IT iS a stronh sihnal she's interested; keepinh it awah from him indicates emotional distance.
  54. 54. h. The lines Point
  55. 55. crossinh the knees and pointinh them towards another person is a sihn of interest in or acceptance of that person. u: (Ii'(-P‘iIY'Il‘$‘_l1g];9J= .§%3;, ! (-Q‘: -.'-tux-rm I
  56. 56. one leh iS tucked under the other and points TO the person She finds The most interestinh. P" ‘V. is. I-- Photo: I: vod_t‘languageproject. corn
  57. 57. one leh iS tucked under the other and points TO the person she finds the most interestinh . . Y= . -, ‘~ 3 3‘; -(E I Y’ 4 * _'_. V; - ' T ‘. ‘T _ / rot V I ' ‘K / (' . I . ‘ A V» . - . P Y ~‘ i/ .' , It , I, IV ‘Ya. ‘t Y ~ 'Y I . . . :"»‘>"’ Y: / /A p 3 I 1', L . n‘_‘. .' E- I ‘ i V hf-, _- ’ Vi. i’ ii 5", id '- V, V __l' '3 J I‘ _4x$ Wt. ‘ , « / r / -_ ; I _ H . .u- . ~. ~.. .‘. ‘ 04 i ‘ ~ * . —" —. ... ... .' , .~ . . . .Y . - L: . ~»""”“*. .. Y" T T‘ “' :1 " i-». ’lY r : =,/ ’ Y Yd r - , _ i ; ' I f . UV. 2‘ -«-5, . .,. .. - -, ._,4a. —,—. es»-r~a‘. t _ 5 2.; --- = -;' ‘ _—: ;§T§. ‘|.4r ~--. i ; « = __T/ .i‘_—y_'3'. : ‘n Y; ' ' This is a relaxed position. which also the formalith out of a conversation and hives the opportunith for a fleetinh exposure of the thihhs.
  58. 58. ill. The Shoe Fondle
  59. 59. Photo: bod_'languageproje4:t. com Danhlinh the shoe on the end of the foot also indicates a relaxed attitude and has the phallic effect of thrustinh the foot in and out of the shoe.
  60. 60. This action unsetltes manh men without them knowinh what is happeninh.
  61. 61. ii. The leg Twine
  62. 62. i/ lost men ahree that the Leh Twine is the most appealinh sittinh position a woman can take.
  63. 63. IT'S a hesture that women OOnSOiOUSIIh use TO draw attention TO their lehs.
  64. 64. other leh sihnals used bh women include crossinh and uncrossinh the lehs slowlh in front of the man and hentth strokinh the thihhs with her hand, indicatinh a desire to be touched
  65. 65. LET’s RECAP i. The Head loss 8. Hair Flick 2. Printing , Wet tips 3. Sell-Touching 4. The limp Wrist 5. Fondling A llylindrical llhject 21111 11135125 6. Exposed Wrist 7. Sideways Glance liver Raised Shoulder 8. Handbag In Close Proximity 9. The Knee Point ill. The Shoe Fondle ii. The leg Twine
  66. 66. CLICK ON ANY OF THE RELATED TOPICS TO OPEN THE LINK. (NoTE: THE LINKS DoN"r SEEM To WORK ON LANGUAGE : MOBILE DEVICES) 3 ExpREss| oNs DECODING BODY LANGUAGE APPLYING BODY LANGUAGE IN JOB INTERVIEWS H CEPTIONS Boov LANGUAGE : §,"; ’:f: §U"iAG2 DECODING IN SOCIAL SETTINGS AccuRATELv IN llmm kg: EASY STEPS J;
  67. 67. Ideas adapted from BODY LNl(sUA(s8 How fo Read others’ Thoughts big Their aasfvres 6:4 Allow Pause

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