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About the Poet
Vikram Seth (born in 20 June 1952 In
Kolkata, West Bengal, India) is an novelist
and poet. He has written several novels and
poverty books. He has received several
award including Padma Shri, Sahitya
Akademi Award, Pravasi Bhartiya Samman,
WH Smith Literary Award and Crossword
Book Award. Seth’s collections of poetry
such as Mappings and Beastly Tales are
notable contributions to the Indian English
language poetry canon. He studied at St.
Michael’s High School, Patna and at The
Doon School in Dehradun.
But one night a nightingale
In the moonlight cold and pale
Perched upon the sumac tree
Casting forth her melody.
Dumbstruck sat the gaping frog.
And the whole admiring bog
Stared towards the sumac, rapt,
And, when she had ended, clapped,
Ducks had swum and herons waded
To her as she serenaded
And a solitary loon
Wept, beneath the summer moon.
Toads and teals and tiddlers, captured
By her voice, cheered on, enraptured:
“Bravo!” “Too divine!” “Encore!”
So the nightingale once more,
Quite unused to such applause,
Sang till dawn without a pause.
Next night when the Nightingale
Shook her head and twitched her tail,
Closed an eye and fluffed a wing
And had cleared her throat to sing
She was startled by a croak.
“Sorry – was that you who spoke?
She enquired when the frog
Hopped towards her from the bog
“Yes,” the frog replied. “You see,
I’m the frog who owns this tree.
In this big I’ve long been known
For my splendid baritone
And, of course, I now and then.
“Did you… did you like my song?”
“Not too bad- but far too long.
The technique was fine of course,
But it lacked a certain force.”
“Oh!” the nightingale confessed.
Greatly flattered and impressed
That a critic of such note
Had discussed her art and throat:
“I don’t think the song’s divine.
But – oh, well – at least it’s mine.
“That’s not much to boast about”.
Said the heartless frog. “Without
Proper training such as I
And few others – can supply.
You’ll remain a mere beginner.
But with me you’ll be winner”.
“Dearest frog”, the nightingale
Breathed: “This is a fairy tale-
And you’re Mozart in disguise
Come to earth before my eyes”
“Well I charge a modest fee.
Oh!... But it won’t hurt, you’ll see”
Now the nightingale inspired,
Flushed with confidence, and fired
With both art and adoration,
Sang- and was a huge sensation.
Animals for miles around
Flocked towards the magic sound,
And the frog with great precision
Counted heads and charged admission.
Through next morning it was raining,
He began her vocal training.
“But I can’t sing in this weather”.
“Come my dear- we’ll sing together.
Just put on your scarf and sash,
Koo- oh – ah! ko- ash! ko- ash!”
So the frog and the nightingale
Journeyed up and down the scale
For six hours, till she was shivering
And her voice was hoarse and quivering.
Though subdued and sleep deprived,
In the night her throat received,
And the sumac tree was bowed,
With a breathless, titled crowed:
Owl of Sandwich, Duck of Kent,
Mallard and Milady Trent,
Martin Cardinal Mephisto,
And the Coot of Monte Cristo,
Ladies with traits glittering
In the interval sat twittering-
And the frog observed them glitter
With a joy both sweet and bitter.
Every day the frog who’d sold her
Songs for silver tried to scold her:
“You must practice even longer
Till your voice, like mine grows stronger.
In the second song last night
You got nervous in mid- flight.
And, my dear, lay on more trills:
Audiences enjoy such frills.
You must make your public happier:
Give them something sharper, snappier.
We must aim for better billings.
You still owe me sixty shillings.”
Day by day the nightingale
Grew more sorrowful and pale.
Night on night her tired song.
Zipped and trilled and bounced along,
Till the birds and beast grew tired
At a voice so uninspired
And the ticket office gross
Crashed, and she grew now addicted
To applause quite unrestricted,
And to sing into the night
All alone gave no delight.
Now the frog puffed up with rage.
“Brainless bird- you’re on the stage-
Use your wits and follow fashion.
Puff your lungs out with your passion.”
Trembling, terrified to fail,
Blind with tears, the nightingale
Heard him out in silence, tried,
Puffed op, burst a vein, and died.
Said the frog; “I tried to teach her,
But she was a stupid creature-
Far too nervous, far too tense.
Far too prone to influence.
Well, poor bird- she should have known
That your song must be your own.
That’s why I sing with panache:
“Koo- oh- ah! ko- ash! ko- ash!”
And the foghorn of the frog
Blared unrivalled through the bog.
Frog and the nightingale

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Frog and the nightingale

  • 1.
  • 2. About the Poet Vikram Seth (born in 20 June 1952 In Kolkata, West Bengal, India) is an novelist and poet. He has written several novels and poverty books. He has received several award including Padma Shri, Sahitya Akademi Award, Pravasi Bhartiya Samman, WH Smith Literary Award and Crossword Book Award. Seth’s collections of poetry such as Mappings and Beastly Tales are notable contributions to the Indian English language poetry canon. He studied at St. Michael’s High School, Patna and at The Doon School in Dehradun.
  • 3.
  • 4. But one night a nightingale In the moonlight cold and pale Perched upon the sumac tree Casting forth her melody. Dumbstruck sat the gaping frog. And the whole admiring bog Stared towards the sumac, rapt, And, when she had ended, clapped, Ducks had swum and herons waded To her as she serenaded And a solitary loon Wept, beneath the summer moon. Toads and teals and tiddlers, captured By her voice, cheered on, enraptured: “Bravo!” “Too divine!” “Encore!” So the nightingale once more, Quite unused to such applause, Sang till dawn without a pause.
  • 5. Next night when the Nightingale Shook her head and twitched her tail, Closed an eye and fluffed a wing And had cleared her throat to sing She was startled by a croak. “Sorry – was that you who spoke? She enquired when the frog Hopped towards her from the bog “Yes,” the frog replied. “You see, I’m the frog who owns this tree. In this big I’ve long been known For my splendid baritone And, of course, I now and then.
  • 6. “Did you… did you like my song?” “Not too bad- but far too long. The technique was fine of course, But it lacked a certain force.” “Oh!” the nightingale confessed. Greatly flattered and impressed That a critic of such note Had discussed her art and throat: “I don’t think the song’s divine. But – oh, well – at least it’s mine.
  • 7. “That’s not much to boast about”. Said the heartless frog. “Without Proper training such as I And few others – can supply. You’ll remain a mere beginner. But with me you’ll be winner”. “Dearest frog”, the nightingale Breathed: “This is a fairy tale- And you’re Mozart in disguise Come to earth before my eyes” “Well I charge a modest fee. Oh!... But it won’t hurt, you’ll see”
  • 8. Now the nightingale inspired, Flushed with confidence, and fired With both art and adoration, Sang- and was a huge sensation. Animals for miles around Flocked towards the magic sound, And the frog with great precision Counted heads and charged admission. Through next morning it was raining, He began her vocal training. “But I can’t sing in this weather”. “Come my dear- we’ll sing together. Just put on your scarf and sash, Koo- oh – ah! ko- ash! ko- ash!” So the frog and the nightingale Journeyed up and down the scale
  • 9. For six hours, till she was shivering And her voice was hoarse and quivering. Though subdued and sleep deprived, In the night her throat received, And the sumac tree was bowed, With a breathless, titled crowed: Owl of Sandwich, Duck of Kent, Mallard and Milady Trent, Martin Cardinal Mephisto, And the Coot of Monte Cristo, Ladies with traits glittering In the interval sat twittering- And the frog observed them glitter With a joy both sweet and bitter.
  • 10. Every day the frog who’d sold her Songs for silver tried to scold her: “You must practice even longer Till your voice, like mine grows stronger. In the second song last night You got nervous in mid- flight. And, my dear, lay on more trills: Audiences enjoy such frills. You must make your public happier: Give them something sharper, snappier. We must aim for better billings. You still owe me sixty shillings.”
  • 11. Day by day the nightingale Grew more sorrowful and pale. Night on night her tired song. Zipped and trilled and bounced along, Till the birds and beast grew tired At a voice so uninspired And the ticket office gross Crashed, and she grew now addicted To applause quite unrestricted, And to sing into the night All alone gave no delight.
  • 12. Now the frog puffed up with rage. “Brainless bird- you’re on the stage- Use your wits and follow fashion. Puff your lungs out with your passion.” Trembling, terrified to fail, Blind with tears, the nightingale Heard him out in silence, tried, Puffed op, burst a vein, and died. Said the frog; “I tried to teach her, But she was a stupid creature- Far too nervous, far too tense. Far too prone to influence. Well, poor bird- she should have known That your song must be your own. That’s why I sing with panache: “Koo- oh- ah! ko- ash! ko- ash!” And the foghorn of the frog Blared unrivalled through the bog.