CAM SAMC2

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CAM SAMC2

  1. 1. Assignment 3: CAM SAMCAssignment 3: CAM SAMC Esere Simei-AkajagboEsere Simei-Akajagbo
  2. 2. Part A: Camera Shots • Establishing Shot: • Establishes the setting of the scene Gives the viewer more information and clarifies setting of the scene. ‘humps for 100 yards’
  3. 3. Part A: Camera Shots • Wide Shot: • Reveals a large amount of information in one shot. Reveals the structures on a guitar
  4. 4. Part A: Camera Shots • Long Shot: • Framing a long shot of a character or subject. • Characters- usually show their actions. Frames the characters whole body. Action- Showing off (shirt open)
  5. 5. Part A: Camera Shots • Mid/Medium Shot: • Shots on a characters or subjects torso &legs or torso &head. Shot of torso and legs
  6. 6. Part A: Camera Shots • Close Up Shot: • A close framing of a particular object or body parts e.g. Face, hands...
  7. 7. Part A: Camera Shots • Extreme Close Up Shot: • Is a shot which shows an object or body parts in great detail. Detail of the rose is illustrated
  8. 8. Part A: Camera Shots • POV (Point Of View) Shot: • Shows the shot from the characters perspective. A shot from my point of view: typing on the computer
  9. 9. Part A: Camera Shots • Over The Shoulder Shot: • A shot that is filmed from the back of a characters head. • Facing the subject- 1/3 of screen dominating • Subject head- if it shows more, subject is dominating. More dominating More dominating
  10. 10. Part A: Camera Shots • Two Shot: • A shot that symbolises a relationship between two characters. Relationship- Father and son playing football
  11. 11. Part A: Camera Shots • Overhead Shot: • A shot that is done overhead top state the action or subject. Overhead shot of a person . Action: Reading
  12. 12. Part B: Camera Angles • High: • An angle that is taken higher up to make the characters look weak and vulnerable. Character- Vulnerable. Consoles with bear for guidance
  13. 13. Part B: Camera Angles • Low: • An angle that is taken lower down to make the subject or object seem superior. Subject- looks strong and dominating
  14. 14. Part B: Camera Angles • Canted/Oblique: • An angle that is used to make the shot seem tilted. Angle looks skewed
  15. 15. Part C: Camera Movement • Pan: • The camera pivots horizontally to reveal more information. Screen Grabs: Reveals the variety of cereal boxes. 1) 2) 3) 4)
  16. 16. Part C: Camera Movement • Tilt: • Its the opposite to pan: camera pivots vertically to reveal more information. Screen Grabs: Reveal the whole outfit of the character
  17. 17. Part C: Camera Movement • Track: • Camera moves side to side without pivoting in order to follow the character or object.
  18. 18. Part C: Camera Movement • Zoom: • Camera zooms in on object or character to reveal the detail. • Depending on speed of the zoom. It creates tension for the viewer. Screen Grabs: Show the object in more detail
  19. 19. Part C: Camera Movement • Reverse Zoom: • Camera zooms out to reveal the detail in the setting. • Depending on speed of the zoom it can create tension for the viewer.
  20. 20. Part C: Camera Movement • Dolly: • Camera moves in, out, backwards and forwards on an object. • Its a tripod on wheels.
  21. 21. Part D: Composition • Symmetry Balance: • Both sides of a shot are identical. Shapes- Identical Size-Identical The balance- Identical Each feature in this shot is identical.
  22. 22. Part D: Composition • Asymmetry Balance: • Both sides of a shot is uneven. This shot is unbalanced. Items appear to be on one side of the shot and not the other .
  23. 23. Part D: Composition • Rule Of Thirds: • An image is divided in to 9 equal parts. Two horizontal and two vertical lines. • 1 third of the grid is usually the ground/buildings. • 2 thirds is usually the sky. • Somewhere on cross section- important elements are placed. 2 thirds- sky 1 third- buildings
  24. 24. Part D: Composition • Shallow Focus: • One image is focused on whilst the other is blurred. • Emphasizes one part of the image over the other. This is the main focus of the image. This area is blurred allowing the focus to be brought to the flower.
  25. 25. Part D: Composition • Deep Focus: • The entire image is in focus. • Includes foreground, mid-ground and background. All the grounds are in deep focus- detail in the shot
  26. 26. Part D: Composition • Focus Pulls: • Adjusts the focus from one subject to another. Blurred Blurred

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