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ENGL 102
Netiquette Statement
In order to maintain a positive online environment for our class,
we all need to follow the
netiquette guidelines summarized below.
All students are expected to:
1. show respect for the instructor and for other students in the
class
2. respect the privacy of other students
3. express differences of opinion in a polite and rational way
4. maintain an environment of constructive criticism when
commenting on the work of other
students
5. complete all assignments on time
6. avoid bringing up irrelevant topics when involved in group
discussions or other collaborative
activities
The following list summarizes the kind of behavior that will not
be tolerated. Each item listed
below is grounds for removal from the class.
Students should not:
1. Show disrespect for the instructor or for other students in the
class
2. Send messages or comments that are threatening, harassing,
or offensive
3. Use inappropriate or offensive language
4. Convey a hostile or confrontational tone when
communicating or working collaboratively with
other students
5.USE ALL UPPERCASE IN THEIR MESSAGES -- THIS IS
THE EQUIVALENT OF
SHOUTING!!!
6. Place images in the body of their discussion questions
messages. Other students and the
instructor may be using a dial-up connection. If you feel
compelled to refer to an image please
either attach the image to the DQ message or upload the image
to the Web and place a link to it
in your message.
If I feel that a student is violating any of the above guidelines, I
will contact that student to
discuss the situation in person. If you feel that a student is
behaving inappropriately, please
send me a private e-mail message explaining the situation as
soon as possible.
Discussion Board Tips / Rubric
1. Contribute in a timely manner and frequently. Do not wait
until the end of the discussion
window for each week. This will help you to stay on top of the
discussion and to gain the
most from it. If you develop a habit of just jumping in at the
beginning, in the middle or at
the end, you will not be able to read all the discussion
comments, capture the key issues
discussed and to contribute in a meaningful manner.
2. Read posts from others thoroughly and reflect before
responding.
3. Contribution to the discussion should not be based on cutting
and pasting information
from different resources but rather on a summary of findings
from key resources as they
pertain to the topic being discussed in your own words. Respond
to others’ comments by
writing your comment first and then update your subject line.
4. Posts should be sound, with argument or analysis supported
by research and literature,
with attention to grammar, typos, and punctuation
5. Be clear and concise. Short comments may be appropriate in
some cases but effective
comments may need to be longer to be more comprehensive
(Suggest 2 paragraphs
maximum).
6. But I don’t know what to say! (Hint: “I agree” does not only
not count as a contribution, it
may annoy your classmates!) Instead:
● Add to the discussion by adding new information to
(amplifying) the point made
that you agree with
● If you disagree with an answer, post yours and explain why
● Think something is missing from the discussion? Broaden the
perspective.
● If you do not understand (although you don’t have an answer
either), explain
what you do understand about the topic in a couple of
sentences, and ask for
clarification from online classmates.
● Think you’ve read or learned information from another source
that would be
helpful? Post a link to that news article, blog post, etc.
To participate effectively, you must have read all of the
assigned material. One of the
purposes of discussion is to demonstrate that you’ve read and
understood it. We can discuss
what different people understood from the readings, but
everyone must be grounded in a close
reading of the assigned materials. You are expected to post two
times in the Discussion Board
and respond two times to peers (total of 4 posts per week). In
the discussion feel free to
expand the conversation and integrate relevant personal
examples and outside information. You
must link any outside examples to the assigned readings,
articles, discussion board prompts, or
week content--the expectation is that you include clear evidence
that you engaged deeply with
assigned readings (providing brief summary and/or quoting to
specific examples in the
readings).
In your replies to two peers, offer feedback, ask further
questions, or provide a personal
reflection or commentary on their post. When replying to your
peers consider replying using one
or more of the following roles:
● Validating--Validate the contributions of your peers and
explain why their contributions
resonate
● Resourceful--Share or create resources that contribute to the
discussion
● Inquiring--Offer feedback, ask questions, provide reflection
or commentary
● Community Expander--Lead the discussion to deeper
discourse and branch into new,
but related topics
EVALUATION RUBRIC
Quality
(3)
Initiative
(3)
Expanding on
Discussion
(3)
Relevance
(3)
Timeliness*
(3)
#of Posts
(5)
Thoughtful,
supported with
argumentation (not
opinion) and facts.
Appropriate
academic level,
correct grammar,
punctuation/
spelling.
Posting
questions,
clarifying posts
from others,
providing links
to other
relevant
materials.
Expanding to
see the “big
picture,” adding
something new,
crediting peers.
On topic,
pertains to
important
questions or
themes.
Contribute when
threads are alive
and others will
benefit from
ideas offered.
Per week:
Answer 3
questions posted
by instructor AND
respond to 3
classmates’
responses
(minimum).
Respond to
questions and
comments that
interest you most
and demonstrate
your knowledge
of the material.
ELEVENTH orr.1
• •
etoric wit
-event it ion
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• •
etoric wit
-event
John D. Ratnage
Arizona State University
John C. Bean
Seattle University
June Johnson
Seattle University
it ion
330 Hudson St r eet, NY NY 10013
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1 18
Rental Edition ISBN 10: 0-134-75974-5
Rental Edition ISBN 13: 978-0-134-75974-6
Ala Carte ISBN 10: 0-134-76096-4
Ala Carte ISBN 13: 978-0-134-76096-4
Access Code Card ISBN 10: 0-134-80785-5
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Instructor Review Copy ISBN 10: 0-134-77059-5
Instructor Review Copy ISBN 13: 978-0-134-77059-8
• •
•
r1e
Part One Principles of Argument 1
1 Argument: An Introduction 2
2 The Core of an Argument : A Claim
with Reasons 17
3 The Logical Structure of Arguments:
Logos 32
4 Using Evidence Effectively
5 Moving Your Audience:
Ethos, Pathos, and Kairos
6 Responding to Objections
and Alternative Views
Part Two Entering an
Argumentative
Conversation
52
67
83
103
7 Analyzing Arguments Rhetorically 104
8 Argument as Inquiry: Reading,
Summarizing, and Speaking Back 127
Part Three Expanding Our
Understanding of
Argument 155
9 Making Visual and Multimodal
Arguments
10 An Alternative to Argument:
Collaborative Rhetoric
Part Four Arguments in Depth:
Types of Claims
11 An Introduction to the
Types of Claims
156
189
211
212
12 Definition and Resemblance
Arguments
13 Causal Arguments
14 Evaluation and Ethical
Arguments
15 Proposal Arguments
Part Five The Researched
Argument
16 Finding and Evaluating
Sources
17 Incorporating Sources into
Your Own Argument
18 Citing and Documenting
Sources
Appendix Informal Fallacies
Part Six An Anthology of
Arguments
Choices for a Sustainable World
Post-Fact, Post-Truth Society?
Public Health
Challenges in Education
Self-Driving Cars
Immigration in the Twenty-First
Century
Argument Classics
221
250
280
306
341
342
360
375
397
405
406
431
461
477
511
532
549
v
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Preface
Acknowledgments
Part One Principles of Argument
1 Argument: An Introduction
What Do We Mean by Argument?
Argument Is Not a Fight or a Quarrel
Argument Is Not Pro-Con Debate
Arguments Can Be Explicit or Implicit
An Explicit Argument Opposing Legalization
of Marijuana
For Writing and Discussion: Implicit and
Explicit Arguments
••
xvn
•••
XXlll
1
2
3
3
3
4
5
5
The Defining Features of Argument 8
Argument Requires Justification of Its Claims 8
Argument Is Both a Process and a Product
Argument Combines Truth-Seeking and
Persuasion
Argument and the Problem of Truth in the
21st Century
For Writing and Discussion: Role-Playing
Arguments
Conclusion
2 The Core of an Argument:
A Claim with Reason
The Classical Structure of Argument
Classical Appeals and the Rhetorical Triangle
Issue Questions as the Origins of Argument
Difference between an Issue Question
and an Information Question
How to Identify an Issue Question
For Writing and Discussion: Information
Questions Versus Issue Questions
Difference between a Genuine Argument
and a Pseudo-Argument
10
10
12
14
16
17
17
19
21
21
22
22
23
For Writing and Discussion: Reasonable
Arguments Versus Pseudo-Arguments
Frame of an Argument: A Claim Supported by
Reasons
What Is a Reason?
For Writing and Discussion: Using Images to
Support an Argument
Expressing Reasons in Because Clauses
For Writing and Discussion: Developing
Claims and Reasons
Conclusion
Writing Assignment: An Issue Question
and Working Thesis Statements
3 The Logical Structure
of Arguments: Logos
An Overview of Logos: What Do We Mean by the
25
25
26
27
29
30
30
30
32
"Logical Structure" of an Argument? 32
Formal Logic Versus Real-World Logic 33
The Role of Assumptions 33
The Core of an Argument: The Enthymeme 34
The Power of Audience-Based Reasons 35
For Writing and Discussion: Identifying
Underlying Assumptions and Choosing
Audience-Based Reasons
Adopting a Language for Describing Arguments:
36
The Toulmin System 36
For Writing and Discussion: Developing
Enthymemes with the Toulmin Schema 41
Using Toulmin's Schema to Plan and Test Your
Argument 42
Hypothetical Example: Cheerleaders as
Athletes 42
First Part of Chandale' s Argument 43
Continuation of Chandale' s Argument 44
Extended Student Example: Girls and Violent
Video Games 45
••
VII
viii Contents
Carmen Tieu (Student Essay), Why Violent Video
Games Are Good for Girls 47
The Thesis-Governed "Self-Announcing"
Structure of Classical Argument 49
For Writing and Discussion: Reasons,
Warrants, and Conditions of Rebuttal 50
Use Specific Examples and Illustrations
Use Narratives
Use Words, Metaphors, and Analogies with
Appropriate Connotations
For Writing and Discussion: Incorporating
Appeals to Pathos
Conclusion 50 Kairos: The Timeliness and Fitness of
A Note on the Informal Fallacies 51 Arguments
For Writing and Discussion: Analyzing an Writing Assignment:
Plan of an Argument's
Details 51 Argument from the Perspectives of Logos,
Ethos, Pathos, and Kairos
4 Using Evidence Effectively 52
Kinds of Evidence 52
The Persuasive Use of Evidence 55
Apply the STAR Criteria to Evidence 55
Establish a Trustworthy Ethos 57
Be Mindful of a Source's Distance from
Original Data 57
Rhetorical Understanding of Evidence 58
Angle of Vision and the Selection and
Framing of Evidence 59
For Writing and Discussion: Creating
Contrasting Angles of Vision 60
Examining Visual Arguments: Angle of Vision 60
Rhetorical Strategies for Framing Evidence 62
Strategies for Framing Statistical Evidence 64
For Writing and Discussion: Using Strategies
to Frame Statistical Evidence 65
Creating a Plan for Gathering Evidence 65
Conclusion 65
Writing Assignment: A Supporting-Reasons
Argument 66
5 Moving Your Audience: Ethos,
Pathos, and Kairos 67
Logos, Ethos, and Pathos as Persuasive
Appeals: An Overview 68
How to Create an Effective Ethos: The Appeal to
Credibility 69
How to Create Pathos: The Appeal to Beliefs and
Emotions 70
Use Concrete Language 71
Using Images to Appeal to Logos, Ethos,
Pathos, and Kairos
For Writing and Discussion: Analyzing
Images as Appeals to Pathos
Examining Visual Arguments: Logos, Ethos,
Pathos, and Kairos
How Audience-Based Reasons Appeal
to Logos, Ethos, Pathos, and Kairos
For Writing and Discussion: Planning an
Audience-Based Argumentative Strategy
Conclusion
Writing Assignment: Revising a Draft
for Ethos, Pathos, and Audience-Based
Reasons
6 Responding to Objections
and Alternative Views
One-Sided, Multisided, and Delayed-Thesis
Arguments
Determining Your Audience's Resistance
to Your Views
Appealing to a Supportive Audience:
One-Sided Argument
Appealing to a Neutral or Undecided
Audience: Classical Argument
Summarizing Opposing Views
For Writing and Discussion: Distinguishing
Fair from Unfair Summaries
Refuting Opposing Views
Strategies for Rebutting Evidence
Conceding to Opposing Views
72
73
74
74
74
76
76
77
78
79
81
82
82
83
84
85
86
87
87
88
89
90
91
Example of a Student Essay Using Refutation
Strategy 92
Trudie Makens (Student Essay), Bringing
Dignity to Workers: Make the Minimum
Wage a Living Wage
For Writing and Discussion:
Refutation Strategies
Appealing to a Resistant Audience:
Delayed-Thesis Argument
ALEXANDER CHANCELLOR, Oh,
92
94
94
How I Will Miss the Plastic Bag 95
Writing a Delayed-Thesis Argument 97
Conclusion 98
Writing Assignment: A Classical Argument
or a Delayed Thesis Argument 98
Reading 98
Lauren Shinozuka (Student Essay), The
Dangers of Digital Distractedness 98
Part 1Wo Entering an
Argumentative
Conversation 103
7 Analyzing Arguments
Rhetorically 104
Thinking Rhetorically about a Text 105
Reconstructing a Text's Rhetorical Context 105
Author, Motivating Occasion, and Purpose 105
Audience 107
Genre 107
Angle of Vision 108
Asking Questions That Promote Rhetorical
Thinking 109
For Writing and Discussion: Practicing
Rhetorical Analysis 111
Conducting a Rhetorical Analysis of a
Source Text 112
KATHRYN JEAN LOPEZ, Egg Heads 113
For Writing and Discussion: Identifying
Rhetorical Features 116
Our Own Rhetorical Analysis of "Egg Heads" 116
Conclusion
Writing Assignment: A Rhetorical Analysis
119
120
Contents ix
Readings
ELLEN GOODMAN, Womb for Rent
121
122
Critiquing "Womb for Rent" 123
Zachary Stumps (Student Essay), A Rhetorical
Analysis Of Ellen Goodman's "Womb For Rent" 123
8 Argument as Inquiry: Reading,
Summarizing, and Speaking
Back 127
Finding Issues to Explore 128
Do Some Initial Brainstorming 128
Be Open to the Issues All Around You 128
Explore Ideas by Freewriting 129
For Writing and Discussion: Responding to
Visual Arguments About a Living Wage 131
Explore Ideas by Idea Mapping 133
Explore Ideas by Playing the Believing and
Doubting Game 133
For Writing and Discussion: Playing the
Believing and Doubting Game 135
Summarizing a Stakeholder's Argument 135
JAMES SUROWIECKI, The Pay Is Too
Damn Low 136
Thinking Steps for Writing a Summary 137
For Writing and Discussion: Does/Says
Statements 138
Examples of Summaries 139
Responding to a Stakeholder 's Argument 140
Practicing Believing: Willing Your Own
Acceptance of the Writer's Views 140
Practicing Doubting: Willing Your Own
Resistance to the Writer's Views 140
For Writing and Discussion: Raising Doubts
About Surowiecki's Argument 141
Thinking Dialectically 142
For Writing and Discussion: Practicing
Dialectic Thinking with Two Articles 143
MICHAEL SALTSMAN, To Help the
Poor, Move Beyond "Minimum" Gestures 143
Three Ways to Foster Dialectic Thinking 144
Conclusion
Writing Assignment: An Argument
Summary or a Formal Exploratory Essay
146
146
X Contents
Reading 148
Trudie Makens (Student Essay), Should
Fast-Food Workers Be Paid $15 per Hour? 148
Part Three Expanding Our
Understanding
of Argument 155
9 Making Visual and
Multimodal Arguments 156
Understanding Visual Design Elements in
Multimodal Argument 157
Use of Type 158
Use of Space and Layout 159
Use of Color 161
Use of Images and Graphics 161
For Writing and Discussion: Analyzing an
Advocacy Ad 164
The Compositional Features of Photographs
and Drawings 165
Compositional Features to Examine in
Photos and Drawings 166
An Analysis of a Multimedia Video
Argument Using Words, Images, and Music 168
For Writing and Discussion: Thinking
Rhetorically about Photos 171
The Genres of Multimodal Argument 172
Posters and Fliers 172
Public Affairs Advocacy Advertisements 174
Cartoons 175
For Writing and Discussion: Analyzing
Posters Rhetorically 175
For Writing and Discussion: Analyzing
Cartoons 177
Websites 177
Advocacy Videos 178
Constructing Your Own Multimodal Arguments 178
Guidelines for Creating the Visual Elements
in Posters, Fliers, and Advocacy Ads 178
Guidelines for Creating Video Arguments 179
For Writing and Discussion: Developing
Ideas for an Advocacy Ad or Poster
Argument 180
Using Information Graphics in Arguments 180
How Tables Contain a Variety of Stories 181
Using a Graph to Tell a Story 182
Incorporating Graphics into Your Argument 185
A Note on How Graphics Frame Data
Rhetorically 186
Conclusion 187
Writing Assignment: A Visual Argument
Rhetorical Analysis, a Visual Argument, or
a Short Argument Using Quantitative Data 188
10 An Alternative to Argument:
Collaborative Rhetoric 189
The Appropriateness and Usefulness of
Collaborative Rhetoric 190
The Principles of Collaborative Rhetoric 191
Practicing N onjudgmental Listening 192
Identifying Values, Emotions, and Identities 192
Seeking Common Ground 193
Promoting Openness to Ongoing
Communication and Change 194
For Writing and Discussion: Listening
Empathically and Seeking Common
Ground 194
Preparing for Collaborative Rhetoric Through
Reflective Writing and Discussion 196
Preparing for Collaborative Rhetoric
Through Reflective Writing 196
Practicing Collaborative Rhetoric in
Discussion 197
For Writing and Discussion: Conducting
a Collaborative Rhetoric Discussion 197
Writing an Open Letter as Collaborative
Rhetoric 198
Colleen Fontana (Student Essay), An Open
Letter to Robert Levy in Response to His
Article "They Never Learn" 199
Conclusion 204
Writing Assignment: An Open Letter as
Collaborative Rhetoric 204
Reading 205
Monica Allen (Student Essay), An Open
Letter to Christopher Eide in Response to
His Article "High-Performing Charter Schools
Can Close the Opportunity Gap" 205
Part Four Arguments in Depth:
Types of Claims 211
11 An Introduction to the Types
of Claims 212
The Types of Claims and Their Typical Patterns
of Development 213
For Writing and Discussion: Identifying
Types of Claims 214
Using Claim Types to Focus an Argument and
Generate Ideas: An Example 214
Writer 1: Ban £-Cigarettes 215
Writer 2: Promote £-Cigarettes as a Preferred
Alternative to Real Cigarettes 216
Writer 3: Place No Restrictions on £-Cigarettes 217
Hybrid Arguments: How Claim Types Work
Together in Arguments 217
Some Examples of Hybrid Arguments 217
For Writing and Discussion: Exploring
Different Claim Types and Audiences 218
An Extended Example of a Hybrid Argument 219
ALEX HUTCHINSON, Your Daily
Multivitamin May Be Hurting You 219
12 Definition and Resemblance
Arguments
What Is at Stake in an Argument about
221
Definition and Resemblance? 222
Consequences Resulting from Categorical
Claims 223
The Rule of Justice: Things in the Same
Category Should Be Treated the Same Way 223
For Writing and Discussion: Applying the
Rule of Justice 224
Types of Categorical Arguments 225
Simple Categorical Arguments 225
For Writing and Discussion: Supporting
and Rebutting Simple Categorical Claims 225
Definition Arguments 226
Resemblance Argument Using Analogy 226
For Writing and Discussion: Developing
Analogies 227
Resemblance Arguments Using Precedent 228
•
Contents XI
For Writing and Discussion: Using Claims of
Precedent 229
Examining Visual Arguments: Claim about
Category {Definition)
The Criteria-Match Structure of Definition
Arguments
229
230
Overview of Criteria-Match Structure 230
Toulmin Framework for a Definition Argument 231
For Writing and Discussion: Identifying
Criteria and Match Issues 232
Creating Criteria Using Aristotelian Definition 232
For Writing and Discussion: Working with
Criteria 234
Creating Criteria Using an Operational
Definition 234
Conducting the Match Part of a Definition
Argument 234
Idea-Generating Strategies for Creating Your
Own Criteria-Match Argument 235
Strategy 1: Research How Others Have
Defined the Term 235
Strategy 2: Create Your Own Extended
Definition 236
For Writing and Discussion: Developing a
Definition 238
Writing Assignment: A Definition Argument 239
Exploring Ideas
Identifying Your Audience and Determining
What's at Stake
Organizing a Definition Argument
Questioning and Critiquing a Definition
Argument
Readings
Arthur Knopf (Student Essay), Is Milk
a Health Food?
Alex Mullen (Student Essay), A Pirate But
Not a Thief: What Does "Stealing" Mean
in a Digital Environment?
MARK OPPENHEIMER, How Do We
Define Adulthood?
13 Causal Arguments
An Overview of Causal Arguments
Kinds of Causal Arguments
239
240
240
240
242
242
245
247
250
251
252
xii Contents
Toulmin Framework for a Causal Argument 254
For Writing and Discussion: Developing
Causal Chains 256
Two Methods for Arguing That One Event
Causes Another 256
First Method: Explain the Causal Mechanism
Directly 257
Second Method: Infer Causal Links Using
Inductive Reasoning 258
For Writing and Discussion: Developing
Plausible Causal Chains Based on
Correlations 259
Examining Visual Arguments: A Causal Claim 259
Key Terms and Inductive Fallacies in Causal
Arguments 260
A Glossary of Key Terms 260
Avoiding Common Inductive Fallacies
That Can Lead to Wrong Conclusions 261
For Writing and Discussion: Brainstorming
Causes and Constraints 262
Writing Assignment: A Causal Argument 262
Exploring Ideas 262
Identifying Your Audience and Determining
What's at Stake 263
Organizing a Causal Argument 264
Questioning and Critiquing a Causal
Argument 265
Readings 266
Jesse Goncalves (Student Essay), What
Causes Math Anxiety? 267
KRIS SAKNUSSEMM, Mirror, Mirror on the
Wall, Are We Really Here at All? Can We Tell? 273
Carlos Macias (Student Essay), "The Credit
Card Company Made Me Do It!" The Credit
Card Industry's Role in Causing Student Debt 275
14 Evaluation and Ethical
Arguments
An Overview of Categorical and Ethical
Evaluation Arguments
Constructing a Categorical Evaluation
Argument
Criteria-Match Structure of Categorical
Evaluations
280
282
282
283
Developing Your Criteria 284
Making Your Match Argument 285
Examining Visual Arguments: An
Evaluation Claim 286
For Writing and Discussion: Developing
Criteria and Match Arguments 287
Constructing an Ethical Evaluation Argument 288
Consequences as the Base of Ethics 288
Principles as the Base of Ethics 289
Example Ethical Arguments Examining
Capital Punishment 289
For Writing and Discussion: Developing an
Ethical Argument 291
Common Problems in Making Evaluation
Arguments 291
Writing Assignment: An Evaluation or
Ethical Argument 292
Exploring Ideas 292
Identifying Your Audience and Determining
What's at Stake 293
Organizing an Evaluation Argument 293
Questioning and Critiquing a Categorical
Evaluation Argument 293
Critiquing an Ethical Argument 294
Readings 295
Lorena Mendoza-Flores (Student Essay),
Silenced and Invisible: Problems of
Hispanic Students at Valley High School 295
Hadley Reeder (Student Essay), A Defective
and Detrimental Dress Code 299
JUDITH DAAR AND EREZ ALONI, Three
Genetic Parents For One Healthy Baby 302
SAMUEL AQUILA, The "Therapeutic
Cloning" of Human Embryos 303
15 Proposal Arguments 306
The Special Features and Concerns of Proposal
Arguments 308
Practical Proposals Versus Policy
Proposals 308
Toulmin Framework for a Proposal
Argument 308
Special Concerns for Proposal Arguments 309
Developing a Proposal Argument 310
Examining Visual Arguments: A
Proposal Claim 311
Convincing Your Readers That a Problem
Exists 311
Explaining the Proposed
Solution
: Showing
the Specifics of Your Proposal 312
Offering a Justification: Convincing Your
Readers That the Benefits of Your Proposal
Outweigh the Costs 313
Using Heuristic Strategies to Develop
Supporting Reasons for Your Proposal 313
The Claim Types Strategy 314
The Stock Issues Strategy 315
For Writing and Discussion: Generating
Ideas Using the Claim Types Strategy 316
For Writing and Discussion: Brainstorming
Ideas for a Proposal 317
Proposal Arguments as Advocacy Posters or
Advertisements 317
Writing Assignment: A Proposal
Argument 318
Exploring Ideas 320
Identifying Your Audience and Determining
What's at Stake 320
Organizing a Proposal Argument 321
Designing a One-Page Advocacy Poster or
Advertisement 322
Designing PowerPoint Slides or Other Visual
Aids for a Speech 322
Questioning and Critiquing a Proposal
Argument 323
Readings 323
Megan Johnson (Student Essay), A Practical
Proposal 324
Ivan Snook (Student Essay), Flirting with
Disaster: An Argument against Integrating
Women into the Combat Arms 328
Sandy Wainscott (Student Essay), Why
McDonald's Should Sell Meat and Veggie
Pies: A Proposal to End Subsidies for
Cheap Meat 336
MARCEL DICKE AND ARNOLD VAN
HUIS, The Six-Legged Meat of the Future 338
•••
Contents XIII
Part Five The Researched
Argument 341
16 Finding and Evaluating
Sources 342
Formulating a Research Question Instead of
a Topic 343
Thinking Rhetorically About Kinds of Sources 343
Identifying Kinds of Sources Relevant to
Your Question 343
Approaching Sources Rhetorically 343
For Writing and Discussion: Identifying
Types of Sources 347
Finding Sources 348
Conducting Interviews 348
Gathering Source Data from Surveys or
Questionnaires 349
Finding Books and Reference Sources 349
Using Licensed Databases to Find Articles
in Scholarly Journals, Magazines, and News
Sources 350
Finding Cyberspace Sources: Searching the
World Wide Web 350
Selecting and Evaluating Your Sources and
Taking Purposeful Notes 351
Reading with Rhetorical Awareness 351
Evaluating Sources 353
Criteria for Evaluating a Web Source 355
For Writing and Discussion: Analyzing the
Rhetorical Elements of Two Websites 357
Taking Purposeful Notes 357
Conclusion 359
17 Incorporating Sources into
Your Own Argument 360
Using Sources for Your Own Purposes 360
Writer 1: A Causal Argument Showing
Alternative Approaches to Reducing Risk of
Alcoholism 361
Writer 2: A Proposal Argument Advocating
Vegetarianism 362
•
XIV Contents
Writer 3: An Evaluation Argument Looking
Skeptically at Vegetarianism 362
For Writing And Discussion: Using a
Source for Different Purposes 363
Using Summary, Paraphrase, and Quotation 363
Summarizing 363
Paraphrasing 363
Quoting 365
Punctuating Quotations Correctly 366
Quoting a Complete Sentence 366
Quoting Words and Phrases 366
Modifying a Quotation 367
Omitting Something from a Quoted Passage 367
Quoting Something That Contains a Quotation 368
Using a Block Quotation for a Long Passage 368
Appendix Informal Fallacies 397
The Difference Between Formal and Informal
Logic 397
An Overview of Informal Fallacies 398
Fallacies of Pathos 399
Fallacies of Ethos 400
Fallacies of Logos 401
For Writing And Discussion: Persuasive or
Fallacious? 403
Part Six An Anthology of
Arguments 405
Choices for a Sustainable World 406
JOSEPH ALDY, "Curbing Climate Change Creating
Rhetorically Effective Attributive
Tags 369 Has a Dollar Value Here's How and Why
Attributive Tags versus Parenthetical Citations 369
Creating Attributive Tags to Shape Reader
Response 370
Avoiding Plagiarism 371
Why Some Kinds of Plagiarism May Occur
Unwittingly 371
Strategies for Avoiding Plagiarism 372
For Writing And Discussion: Avoiding
Plagiarism 37 4
We Measure It" 407
JAMES A. BAKER, "The Conservative Case
for a Carbon Tax and Dividends" 409
DAVID ROBERTS, "Putting a Price on Carbon
is a Fine Idea. It's Not the End-All Be-All" 411
JULIAN CRIBB, "Our Human Right Not to Be
Poisoned" 416
ALEX HALLATT, "I Stopped Wearing
Leather ... " 419
Conclusion 37 4 BILL MCKIBBEN, "The Question I Get Asked
the Most" 419
18 Citing and Documenting CHELSEA M. ROCHMAN,
"Ecologically
Sources 375 Relevant Data Are Policy-Relevant Data" 422
The Correspondence between In-Text Citations
and the End-of-Paper List of Cited Works 375
MLA Style 377
In-Text Citations in MLA Style 377
Works Cited List in MLA Style 379
BEN ADLER, "Banning Plastic Bags is Great for
the World, Right? Not So Fast" 424
SUN SENTINEL EDITORIAL BOARD, "Plastic
Bag Ban: Let's Not Get Carried Away" 427
For Writing and Discussion: Choices for a
Sustainable World 429
MLA Works Cited Citation Models 379
MLA-Style Research Paper 389 Writing Assignment: Rhetorical
Analysis 430
APA Style 389
In-Text Citations in APA Style 390
Post-Fact, Post-Truth Society? 431
References List in APA Style 390 DAVID UBERTI, "The Real
History of Fake
APA References Citation Models 391 News" 432
APA-Style Research Paper 396 EUGENE KIELY AND LORI
ROBERTSON,
Conclusion 396 "How to Spot Fake News" 437
Contents XV
SARAH WILSON, "I've Heard All the
Arguments against a Sugar Tax. I'm Still
KARSTEN SCHLEY, "Warning!! This
Newspaper May Contain Traces of
Journalism" 442 Calling for One in Australia" 471
HARTFORD COURANT EDITORIAL BOARD,
"Soda Tax Is Nanny-State Overreach" 473
JACK SHAFER, "The Cure for Fake News Is
Worse Than the Disease; Stop Being Trump's
Twitter Fool" 442 SIGNE WILKINSON, "More Jobs Lost to
Soda
ROBERT P. GEORGE AND CORNEL
WEST, "Sign the Statement: Truth-Seeking,
Democracy, and Freedom of Thought and
Expression" 445
LUCIANO FLORID!, "Fake News and a
400-Year-Old Problem: We Need to Resolve the
"Post-Truth" Crisis" 446
PETER WAYNE MOE, "Teaching Writing in a
Post-Truth Era" 449
MARCUS DU SAUTOY, "Why Aren't People
Listening to Scientists?" 450
JEFF HESTER, "The Hermeneutics of Bunk:
How a Physicist Gave Postmodernism a
B~~E~'' ~2
TIMOTHY CAULFIELD, "Blinded by Science:
Modern-Day Hucksters Are Cashing In on
Vulnerable Patients" 454
For Writing and Discussion: Dealing with
Misinformation, Fake News, and
Misconceptions 459
Writing Assignment: Researched Proposal
Speech on Understanding and Evaluating
Scientific Claims 460
Public Health 461
DEMOCRAT AND CHRONICLE EDITORIAL
BOARD, "Keep Up Fight against Childhood
Obesity" 462
SAN DIEGO UNION-TRIBUNE EDITORIAL
BOARD, "Fed or Fed Up? Why We Support
Easing School Lunch Rules" 463
CENTERS FOR DISEASE CONTROL AND
PREVENTION, "Tips for Parents Ideas to Help
Children Maintain a Healthy Weight" 463
JULIA BELLUZ AND JAVIER ZARRACINA,
"We Need to Call American Breakfast What It
Often Is: Dessert" 468
Taxes!"
LOS ANGELES TIMES EDITORIAL BOARD,
"Are We Subsidizing a Public Health Crisis by
Allowing the Poor to Buy Soda with Food
474
Stamps?" 474
For Writing and Discussion: Public
Health 476
Writing Assignment: Multimodal Argument:
A Storyboard or Cartoon 476
Challenges in Education 477
RACHEL M. COHEN, "Rethinking School
Discipline" 478
RICHARD ULLMAN, "Restorative Justice: The
Zero-Tolerance-Policy Overcorrection" 487
CASSADY ROSENBLUM, "Take It From a New
Orleans Charter School Teacher: Parents Don't
Always Get School Choice Right" 489
PAUL FELL, "Educators Try to Keep Public
Education away from School Vouchers and
Charter Schools" 491
DOUGLAS N. HARRIS, "Why Managed
Competition Is Better Than a Free Market for
Schooling" 492
RACHEL LAM, "Separate but Unequal" 501
RAFAEL WALKER, "How Canceling
Controversial Speakers Hurts Students" 503
GINA BARRECA, "I'm Not Giving Students
"Trigger Warnings"" 505
ONNI GUST, "I Use Trigger Warnings But
I'm Not Mollycoddling My Students" 507
For Writing and Discussion: Challenges in
Education
Writing Assignment: A Researched
Evaluation Argument on an Educational
Policy
509
510
xvi Contents
Self-Driving Cars
ROBIN CHASE, "Self-Driving Cars Will
Improve Our Cities, If They Don't Ruin
Them"
SCOTT SANTENS, "Self-Driving Trucks Are
Going to Hit Us Like a Human-Driven
Truck"
DREW HENDRICKS, "Five Reasons You
511
512
519
Should Embrace Self-Driving Cars" 526
THE EDITORIAL BOARD OF THE NEW YORK
TIMES, "Would You Buy a Self-Driving Future
from These Guys?" 528
For Writing and Discussion: Self-Driving
Cars 530
Writing Assignment: A Researched
Argument on a Subissue Related to
Self-Driving Cars 531
Immigration in the Twenty-First
Century 532
MICHELLE YE HEE LEE, "Fact Checker: The
White House' s Claim that "Sanctuary" Cities
Are Violating the Law" 533
KENT LUNDGREN, "Stop Immigration
Processing as Leverage against
Sanctuaries?" 535
DARLENE NICGORSKI, "Convicted of the
Gospel" 537
LUPE VALDEZ, ED GONZALEZ, AND JAVIER
SALAZAR, "Enforcement in Sanctuary Cities
Should Be Peds' Job, Not Local Police" 539
JEFF DANZIGER, "Coming Soon to a
House Like Yours" 540
SALIL SHETTY, AMNESTY INTERNATIONAL,
"Foreword to Tackling the Global Refugee Crisis:
From Shirking to Sharing Responsibility" 541
STEVEN P. BUCCI, "We Must Remain Vigilant
through Responsible Refugee Policies" 544
RICH STEARNS, "Facing Responsibility:
The Face of a Refugee Child" 545
For Writing and Discussion: Immigration
in the Twenty-First Century 547
Writing Assignment: White Paper
Summarizing the Arguments about
a Policy Proposal 548
Argument Classics 549
JONATHAN SWIFT, "A Modest Proposal:
For Preventing the Children of Poor People in
Ireland, from Being a Burden on Their Parents
or Country, and for Making Them Beneficial
to the Public" 549
ELIZABETH CADY STANTON, "The
Declaration of Sentiments and Resolutions
Seneca Falls Conference" (1848) 555
MARGARET SANGER, "The Morality of Birth
Control" 559
For Writing and Discussion: Argument
Classics
Writing Assignment: Rhetorical Analysis
Credits
Index
563
563
564
567
hrough ten editions, Writing Arguments has sustained its
reputation as a
leading college textbook in argumentation. By focusing on
argument as a
collaborative search for the best solutions to problems (as
opposed to pro/
con debate), Writing Arguments treats argument as a process of
inquiry as well as
a means of persuasion. Users and reviewers have consistently
praised the book
for teaching the critical thinking skills needed for writing
arguments: how to
analyze the occasion for an argument; how to analyze arguments
rhetorically;
how to ground an argument in the values and beliefs of the
targeted audience;
how to develop and elaborate an argument; and how to respond
sensitively to
objections and alternative views. We are pleased that in this
eleventh edition, we
have improved the text in key ways while retaining the text's
signature strengths.
What's New in the Eleventh Edition?
Based on our continuing research into argumentation theory and
pedagogy and
on our own experiences as classroom teachers, we have made
significant improve-
ments in the eleventh edition that will increase students'
understanding of the
value of argument and help them negotiate the rhetorical
divisiveness in today's
world. Here are the major changes in the eleventh edition:
• Use of Aristotle's -'-'provisional truths" to address post-truth,
post-fact
challenges to argument. This edition directly engages the
complexity of
conducting reasoned argument in a public sphere that is often
dominated by
ideological camps, news echo chambers, and charges of fake
news. A revised
Chapter 1 uses Aristotle's view of probabilistic or provisional
truths to carve
out a working space for argument between unachievable
certainty and nihil-
istic relativism. Chapter 1's view of argument as both truth-
seeking and
persuasion is carried consistently throughout the text. This
edition directly
tackles the challenges to reasoned argument posed by dominant
ideological
perspectives, siloed echo chambers, and a dependence on social
media as a
source of news.
• A reordering, refocusing, and streamlining of chapters to
create better
pedagogical sequencing and coherence. The previous edition's
Chapter 2,
which focused on argument as inquiry combining summary
writing and
exploratory response, has been refocused and moved to Chapter
8. Previ-
ous Chapter 2 material on the genres of argument has now been
placed in
an expanded Chapter 7 on rhetorical analysis. This new
sequencing allows
students to focus first on understanding the principles of
argument (Chapters
1-6) and then to switch to the critical thinking process of
joining an argumen-
tative conversation through reading and strong response. (See
"Structure of
the Text" later in this preface for further explanation.)
••
XVII
•••
XVIII Preface
• A new chapter on collaborative rhetoric as a bridge-building
alternative
to persuasion. Chapter 10, new to this edition, blends ideas from
Rogerian
communication with practices from conflict resolution to help
prepare
students for their roles in private, public, and professional life
amidst clash-
ing values and views. Explanations, guidelines, and exercises
emphasize
nonjudgmentallistening, self-reflection, a search for common
ground, and
suggestions for encouraging ongoing problem-solving through
learning,
listening, and respectful use of language.
• A substantially revised chapter on visual and multimodal
arguments.
Chapter 9 on visual and multimodal rhetoric now includes a new
example
and guidelines for making persuasive videos as well as a new
exercise to
apply image analysis in the construction of visual arguments.
• A revised chapter on rhetorical analysis. Chapter 7,
"Analyzing Arguments
Rhetorically," has been expanded by consolidating rhetorical
instruction from
several chapters into one chapter and linking it to the critical
thinking skills
required for joining an argumentative conversation.
• Updated or streamlined examples and explanations throughout
the text
along with many new images. Instructors familiar with previous
editions
will find many new examples and explanations ranging from a
new dialog
in Chapter 1 to illustrate the difference between an argument
and a quarrel
to a streamlined appendix on logical fallacies at the end. New
images, edito-
rial cartoons, and graphics throughout the text highlight current
issues such
as legalizing marijuana, plastics in the ocean, graffiti in public
places, a soda
tax, cultural and religious diversity, refugees, travel bans, and
cars' carbon
footprints.
• Two new student model essays, one illustrating APA style.
One new stu-
dent model essay evaluates gender bias in a high school dress
code, and the
other, illustrating APA style, explores the causes of math
anxiety in children.
• A handful of lively new professional readings in the rhetoric
section of the
text. New readings ask students to think about a ban on plastic
bags, the
social definition of adulthood, and the psychological effect of
not recognizing
ourselves in videos.
• A thoroughly revised and updated anthology. The anthology
features
updated units as well as four entirely new units.
• A new unit on self-driving cars explores the legal, economic,
and societal
repercussions of this new technological revolution in
transportation.
• A unit on the post-truth, post-fact era examines the difficulties
of con-
suming news and evaluating the factual basis of news and
scientific
claims in the era of ideological siloes and of news as
entertainment via
social media.
• A new unit on the public health crisis explores the personal
and societal
consequences of excessive consumption of sugar, the need to
establish
healthy eating habits in children, and the controversy over a
soda tax.
• A unit on challenges in education examines three areas of
controversy: disci-
plinary policy in K-12 classrooms (restorative justice versus
zero-tolerance);
the voucher system and charter schools as alternatives to public
school; and,
at the college level, trigger warnings and divisive speakers on
campus.
• An updated unit on sustainability examines the carbon tax and
the envi-
ronmental damage caused by the use and disposal of plastic
bottles and
plastic bags.
• The unit on immigration has been updated to explore the
controversy over
sanctuary cities and the American response to refugees.
• A brief argument classics unit offers some famous stylized
historical
arguments.
What Hasn't Changed? The Distinguishing
Strengths of Writing Arguments
The eleventh edition of Writing Arguments preserves the text's
signature strengths
praised by students, instructors, and reviewers:
• Argument as a collaborative search for "best solutions" rather
than as pro-
con debate. Throughout the text, Writing Arguments emphasizes
both the
truth-seeking and persuasive dimensions of argument a dialectic
tension
that requires empathic listening to all stakeholders in an
argumentative con-
versation and the seeking of reasons that appeal to shared
values and beliefs.
For heated arguments with particularly clashing points of view,
we show the
value of Rogerian listening and, in this eleventh edition, point
to collaborative
rhetoric as a shift from making arguments to seeking deeper
understanding
and common ground as a way forward amid conflict.
• Argument as a rhetorical act. Writing Arguments teaches
students to think
rhetorically about argument: to understand the real-world
occasions and con-
texts for argument, to analyze the targeted audience's
underlying values and
assumptions, to understand how evidence is selected and framed
by an angle
of vision, to appreciate the functions and constraints of genre,
and to employ
the classical appeals of logos, pathos, and ethos.
• Argument as critical thinking. When writing an argument,
writers are
forced to lay bare their thinking processes. Focusing on both
reading and
writing, Writing Arguments emphasizes the critical thinking
that underlies
reasoned argument: active questioning, empathic reading and
listening,
believing and doubting, asserting a contestable claim that
pushes against
alternative views, and supporting the claim with a logical
structure of reasons
and evidence all while negotiating uncertainty and ambiguity.
• Consistent grounding in argumentation theory. To engage
students in the
kinds of critical and rhetorical thinking that argument demands,
we draw on
four major approaches to argumentation:
• The enthymeme as a rhetorical and logical structure. This
concept, espe-
cially useful for beginning writers, helps students "nutshell" an
argument
as a claim with one or more supporting because clauses. It also
helps them
see how real-world arguments are rooted in assumptions granted
by the
audience rather than in universal and unchanging principles.
• The three classical types of appeal logos, ethos, and pathos.
These con-
cepts help students place their arguments in a rhetorical context
focus-
ing on audience-based appeals; they also help students create an
effective
voice and style.
•
Preface XIX
XX Preface
• Toulmin's system of analyzing arguments. Toulmin' s system
helps stu-
dents see the complete, implicit structure that underlies an
enthymeme
and develop appropriate grounds and backing to support an
argument's
reasons and warrants, thus helping students tailor arguments to
audiences.
Toulmin analysis highlights the rhetorical, social, and
dialectical nature of
argument.
• Stasis theory concerning types of claims. This approach
stresses the
heuristic value of learning different patterns of support for
different types
of claims and often leads students to make surprisingly rich and
full
arguments.
• Effective writing pedagogy. This text combines explanations
of argument
with best practices from composition pedagogy, including
exploratory writ-
ing, sequenced and scaffolded writing assignments, class-tested
"For Writing
and Discussion" tasks, and guidance through all stages of the
writing process.
To help students position themselves in an argumentative
conversation, the
text teaches the skills of" summary I strong response" the
ability to summa-
rize a source author's argument and to respond to it
thoughtfully. The moves
of summary and strong response teach students to use their own
critical and
rhetorical thinking to find their own voice in a conversation.
• Rhetorical approach to the research process. Writing
Arguments teaches
students to think rhetorically about their sources and about the
ways they
might use these sources in their own arguments. Research
coverage includes
guidance for finding sources, reading and evaluating sources
rhetorically,
taking purposeful notes, integrating source material effectively
(including
rhetorical use of attributive tags), and citing sources using two
academic cita-
tion systems: MLA (8th edition) and APA. The text's rhetorical
treatment of
plagiarism helps students understand the conventions of
different genres and
avoid unintentional plagiarism.
• Extensive coverage of visual rhetoric. Chapter 9 is devoted
entirely to
visual and multimodal rhetoric. Additionally, many chapters
include an
"Examining Visual Rhetoric" feature that connects visual
rhetoric to the
chapter's instructional content. The images that introduce each
part of the
text, as well as images incorporated throughout the text, provide
opportuni-
ties for visual analysis. Many of the text's assignment options
include visual
or multimodal components, including advocacy posters or
speeches sup-
ported with presentation slides.
• Effective and engaging student and professional arguments.
The pro-
fessional and student arguments, both written and visual,
present voices
in current social conversations, illustrate types of argument and
argument
strategies, and provide fodder to stimulate discussion, analysis,
and writing.
Structure of the Text
Writing Arguments provides a coherent sequencing of
instruction while giving
instructors flexibility to reorder materials to suit their needs.
• Part One focuses on the principles of argument: an overview
of argument
as truth-seeking rather than pro-con debate (Chapter 1); the
logos of argu-
ment including the enthymeme (Chapter 2); Toulmin's system
for analyzing
arguments (Chapter 3) and the selection and framing of
evidence (Chapter 4);
the rhetorical appeals of ethos and pathos (Chapter 5); and
acknowledging and
responding to alternative views (Chapter 6).
• Part Two shifts to the process of argument helping students
learn how
to enter an argumentative conversation by summarizing what
others have
said and staking out their own position and claims. Chapter 7
consolidates
instruction on rhetorical analysis to help students think
rhetorically about
an argumentative conversation. Chapter 8 focuses on argument
as inquiry,
teaching students the groundwork skills of believing and
doubting, sum-
marizing a source author's argument and speaking back to it
with integrity.
• Part Three expands students' understanding of argument.
Chapter 9 focuses
on visual and multimodal argument. Chapter 10, new to the
eleventh edition,
teaches the powerful community-building skill of collaborative
rhetoric as
an alternative to argument. It focuses on mutual understanding
rather than
•
persuas1on.
• Part Four (Chapters 11-15) introduces students to stasis
theory, showing the
typical structures and argumentative moves required for
different claim
types: definition, resemblance, causal, evaluation, and proposal
arguments.
• Part Five (Chapters 16-18) focuses on research skill rooted in
a rhetorical
understanding of sources. It shows students how to use sources
in support
of an argument by evaluating, integrating, citing, and
documenting them
properly. An appendix on logical fallacies is a handy section
where all the
major informal fallacies are treated at once for easy reference.
• Part Six, the anthology, provides a rich and varied selection of
professional
arguments arranged into seven high-interest units, including
self-driving
cars, immigration, sustainability, education, public heath, and
public media
in an age of fake news and alternative facts. It also includes a
unit on classic
arguments. Many of the issues raised in the anthology are first
raised in
the rhetoric so that students' interest in the anthology topics
will already
be piqued.
Revel
Revel is an interactive learning environment that deeply
engages students and
prepares them for class. Media and assessment integrated
directly within the
authors' narrative lets students read, explore interactive content,
and practice in
one continuous learning path. Thanks to the dynamic reading
experience in Revel,
students come to class prepared to discuss, apply, and learn
from instructors and
from each other.
Learn more about Revel
http:/ /www.pearson.com/revel
Supplements
Make more time for your students with instructor resources that
offer effective
learning assessments and classroom engagement. Pearson's
partnership with
educators does not end with the delivery of course materials;
Pearson is there
with you on the first day of class and beyond. A dedicated team
of local Pearson
representatives will work with you not only to choose course
materials but also
•
Preface XXI
••
XXII Preface
to integrate them into your class and assess their effectiveness.
Our goal is your
goal to improve instruction with each semester.
Pearson is pleased to offer the following resources to qualified
adopters of
Writing Arguments. Several of these supplements are available
to instantly down-
load from Revel or on the Instructor Resource Center (IRC);
please visit the IRC
at www.pearsonhighered.com/irc to register for access.
• INSTRUCTOR'S RESOURCE MANUAL, by Hannah Tracy
(Seattle
University). Create a comprehensive roadmap for teaching
classroom, online,
or hybrid courses. Designed for new and experienced
instructors, the Instruc-
tor's Resource Manual includes learning objectives, lecture and
discussion
suggestions, activities for in or out of class, research activities,
participation
activities, and suggested readings, series, and films as well as a
Revel features
section. Available within Revel and on the IRC.
• POWERPOINT PRESENTATION. Make lectures more
enriching for
students. The PowerPoint Presentation includes a full lecture
outline and
photos and figures from the textbook and Revel edition.
Available on the IRC.
We are happy for this opportunity to give public thanks to the
scholars, teachers,
and students who have influenced our approach to composition
and argument.
For this edition, we owe special thanks to our long-time
teammate and colleague
at Seattle University, Hilary Hawley, who aided us in
researching public con-
troversies and finding timely, available readings on these
issues. Hilary wrote
the framing introductions, the headnotes, and the critical
apparatus for many
of the anthology units. Her experience teaching argument,
especially he public
controversies over sustainability, food, immigration, and health,
shaped these
units. We are also grateful to another of our Seattle University
colleagues, Hannah
Tracy, for writing the Instructor's Resource Manual, a task to
which she brings
her knowledge of argumentation and her experience teaching
civic and academic
argument. We thank Stephen Bean for his research on self-
driving cars and on
issues related to legalizing marijuana. Finally, we thank Kris
Saknussemm and
Janie Bube for their design contributions to several of the visual
arguments in
this edition.
We are particularly grateful to our talented students Jesse
Goncalves (argu-
ment on math anxiety), Hadley Reeder (argument on high school
dress codes) and
Camille Tabari (PSA video "It's a Toilet, Not a Trash Can") who
contributed to
this edition their timely arguments built from their intellectual
curiosity, ideas,
personal experience, and research. Additionally, we are grateful
to all our stu-
dents whom we have been privileged to teach in our writing
classes and to our
other students who have enabled us to include their arguments
in this text. Their
insights and growth as writers have inspired our ongoing study
of rhetoric and
argumentation.
We thank too the many users of our texts who have given us
encouragement
about our successes and offered helpful suggestions for
improvements. Particu-
larly we thank the following scholars and teachers who
reviewed the previous
edition of Writing Arguments and whose valuable suggestions
informed this new
edition:
Max Hohner, Eastern Washington University
Jeff Kosse, Iowa Western Community College
Jeremy Meyer, Arizona State University
Jennifer Waters, Arizona State University
We wish to express our gratitude to our developmental editor
Steven Rigolosi
for his skill, patience, diligence, and deep knowledge of all
phases of textbook
production. Steve's ability to provide timely guidance
throughout the production
process made this edition possible.
As always, we thank our families, who ultimately make this
work possible.
John Bean thanks his wife, Kit, also a professional composition
teacher, and his
children Matthew, Andrew, Stephen, and Sarah, all of whom
have grown to adult-
hood since he first began writing textbooks. Our lively
conversations at family
dinners, which now include spouses, partners, and
grandchildren, have kept him
•••
XXIII
•
XXIV Acknowledgments
engaged in arguments that matter about how to create a just,
humane, and sus-
tainable world. June Johnson thanks her husband, Kenneth
Bube, a mathematics
professor and researcher, and her daughter, Janie Bube. Ken and
Janie have played
major roles in the ongoing family analysis of argumentation in
the public sphere
on wide-ranging subjects. Janie's knowledge of environmental
issues and digi-
tal design and Kenneth's of mathematical thinking and the
public perception of
science have broadened June's understanding of argument
hotspots. They have
also enabled her to meet the demands and challenges of
continuing to infuse new
ideas and material into this text in each revision.
John C. Bean
June Johnson
• •
etoric wit
-event it ion
This page intentionally left blank
PART ONE
• •
1 Argument: An Introduction
2 The Core of an Argument: A Claim with Reasons
3 The Logical Structure of Argument: Logos
4 Using Evidence Effectively
5 Moving Your Audience: Ethos, Pathos, and Kairos
6 Responding to Objections and Alternative Views
Factory farming, the m ass production of animals for meat on an
industrial model, shown in this
photo, is a n etwork of controversial issues, including cruelty to
animals, healthfulness of meat diets,
disconnection of people from their food , strain on
environmental resources, and economic effects on
sm all farming.
1
2
Chapter 1
•
•
Learning Objectives
In this chapter you will learn to:
1.1 Explain common misconceptions about the meaning of
argument.
1.2 Describe defining features of argument.
1.3 Understand the relationship of argument to the process of
truth-seeking and inquiry.
This book is dedicated to the proposition that reasoned
argument is essential
for the functioning of democracies. By establishing a separation
of powers and
protecting individual rights, the U. S. Constitution p laces
argument at the center
of civic life. At every layer of democracy, government decisions
about laws,
regulations, right actions, and judicial outcomes depend on
reasoned argument,
which involves listening to multip le perspectives. As former
Vice President Al
Gore once put it, "Faith in the power of reason the belief that
free citizens can
govern themselves wisely and fairly by resorting to logical
debate on the basis of
the best evidence available, instead of raw power was and
remains the central
premise of American democracy."1
Yet, many public intellectuals, scholars, and journalists have
written that we
are now entering a post-truth era, where the "best evidence
available" becomes
unmoored from a shared understanding of reality. How citizens
access informa-
tion and how they think about public issues is increasingly
complicated by the
unregulated freedom of the Internet and the stresses of a
globalized and ethnically
and religiously diverse society. Many citizens now focus on the
entertainment
d imension of news or get their news from sources that match
their own political
leanings. One source's "news" may be another source's "fake
news." In fact, the
concept of argument is now entangled in post-truth confusions
about what an
argument is.
What, then, do we mean by reasoned argument, and why is it
vital for coping
with post-truth confusion? The meaning of reasoned argument
will become
clearer in this opening chapter and throughout this text. We
hope your study of
1 Al Gore, Assault on Reason. New York: Penguin, 2007, p. 2.
Argument: An Introduction 3
reasoned argument will lead you to value it as a student, citizen,
and professional.
We begin this chapter by debunking some common
misconceptions about argu-
ment. We then examine three defining features of argument: It
requires writers or
speakers to justify their claims; it is both a product and a
process; and it combines
elements of truth-seeking and persuasion. Finally, we look
closely at the tension
between truth-seeking and persuasion to encourage you to use
both of these pro-
cesses in your approach to argument.
hat Do e Mean by Argument?
1.1 Explain common misconceptions about the meaning of
argument.
Let's begin by examining the inadequacies of two popular
images of argument:
fight and debate.
Argum.ent Is Not a Fight or a Quarrel
To many, the word argument connotes anger and hostility, as
when we say, "I just
had a huge argument with my roommate," or "My mother and I
argue all the
time." We picture heated disagreement, rising pulse rates, and
an urge to slam
doors. Argument imagined as fight conjures images of shouting
talk-show guests,
flaming bloggers, or fist-banging speakers.
But to our way of thinking, argument doesn't imply anger. In
fact, arguing
is often pleasurable. It is a creative and productive activity that
engages us at
high levels of inquiry and critical thinking, often in
conversation with people we
like and respect. When you think about argument, we invite you
to envision not
a shouting match on cable news but rather a small group of
reasonable people
seeking the best solution to a problem. We will return to this
image throughout
the chapter.
Argum.ent Is Not Pro-Con Debate
Another popular image of argument is debate a presidential
debate, perhaps, or
a high school or college debate tournament. According to one
popular dictionary,
debate is "a formal contest of argumentation in which two
opposing teams defend
and attack a given proposition." Although formal debate can
develop critical
thinking, it has a key weakness: It can turn argument into a
game of winners and
losers rather than a process of cooperative inquiry.
For an illustration of this weakness, consider one of our former
students, a
champion high school debater who spent his senior year
debating the issue of
prison reform. Throughout the year he argued for and against
propositions such
as "The United States should build more prisons" and
"Innovative alternatives
to prison should replace prison sentences for most crimes." We
asked him, "What
do you personally think is the best way to reform prisons?" He
replied, "I don't
know. I haven't thought about what I would actually choose."
Here was a bright, articulate student who had studied prisons
extensively
for a year. Yet nothing in the atmosphere of pro-con debate had
engaged him in
truth-seeking inquiry. He could argue for and against a
proposition, but he hadn't
experienced the wrenching process of clarifying his own values
and taking a
4 Chapter 1
personal stand. As we explain throughout this text, argument
entails a desire for
truth-seeking; it aims to find the best solutions to complex
problems. We don't
mean that arguers don't passionately support their own points of
view or expose
weaknesses in views they find faulty. Instead, we mean that
their goal isn't to win
a game but to find and promote the best belief or course of
action.
Arguments Can Be Explicit or Implicit
Before we examine some of the defining features of argument,
we should note also
that arguments can be either explicit or implicit. Explicit
arguments (either written
or oral) directly state their contestable claims and support them
with reasons
and evidence. Implicit arguments, in contrast, may not look like
arguments at all.
They may be bumper stickers, billboards, posters, photographs,
cartoons, vanity
license plates, slogans on aT-shirt, advertisements, poems, or
song lyrics. But like
explicit arguments, they persuade their audience toward a
certain point of view.
Consider the poster in Figure 1.1 part of one state's recent
citizen campaign
to legalize marijuana. The poster's comparative data about
"annual deaths," its
beautiful green marijuana leaves, and its cluster of peanuts
make the implicit
argument that marijuana is safe even safer than peanuts.
The poster's intention is to persuade voters to approve the state
initiative
to legalize pot. But this poster is just one voice in a complex
conversation. Does
Figure 1.1 An implic it argument favoring
legalization of marijuana
DEATHS PER
From Tobacco
From Alcohol
From Drug Overdose
From Texting and Driving
From Peanuts
From Marijuana Use
480, 000
88,000
64,000
3, 200
100
0
{Sourus: Ctnttrs for DiJeast Conrrol and Prevention,
Nationallnsrirutt on Akohol Abuse and Alcolwlism, Edgar
Snyder
Persona/Injury Law Firm, howsrujfworks. Food Allerv Ruearch
& &lurotion. National Institute on Drug Abuse]
Argument: An Int roduction 5
marijuana have dangers that this poster makes invisible? Would
children and ado-
lescents have more access or less access to marijuana if the drug
were legalized?
Is marijuana a "gateway drug" to heroin and other, harder
drugs? How would
legalization of marijuana affect crime, drug trafficking, and
prison populations?
What would be the cultural consequences if marijuana became
as socially accept-
able as alcohol?
In contrast to the implicit argument made in Figure 1.1,
consider the follow-
ing explicit argument a letter to the editor submitted by student
writer Mike
Overton. As an explicit argument, it states its claim d irectly
and supports it with
reasons and evidence.
An Explicit Argument Opposing Legalization
of Marijuana
LETTER TO THE EDITOR BY STUDENT MIKE OVERTON
Proponents of legalizing marijuana claim that pot is a benign
drug because it
has a low risk of overdose and causes few deaths. Pot is even
safer than peanuts,
according to a recent pro-legalization poster. However, pot
poses grave psycho-
logical risks, particularly to children and adolescents, that are
masked if we focus
only on death rate.
Several studies have shown adverse effects of marijuana on
memory, deci-
sion making, and cognition. In one study, Duke University
researchers examined
IQ scores of individuals taken from childhood through age 38.
They found a
noticeable decline in the IQ scores of pot smokers compared
with nonusers, with
greater declines among those who smoked more. Daily pot
smokers dropped, on
average, eight IQ points.
There is also a clear link between pot usage and schizophrenia.
Many studies
have shown an increased risk of schizophrenia and psychosis
from pot usage, par-
ticularly with regular use as an adolescent. Studies find that
regular pot smokers
who develop schizophrenia begin exhibiting symptoms of the
disease earlier than
nonusers, with the average diagnosis occurring 2.7 years earlier
than for nonusers.
These are devastating mental illnesses that cut to the core of our
well-being.
We need to be sure our policies on marijuana don't ignore the
documented mental
health risks of pot, particularly to adolescents in the critical
phase of brain devel-
opment. I urge a "no" vote on legalizing marijuana in our state.
For Writing And Discussion
Implicit and Explicit Arguments
Any argum ent, whet her implicit or expl icit, tries to influence
the audience's stance on an issue, w ith the goal
of m oving the audience toward the arguer 's c laim. A rgument
s work on us psycholog ically as well as cogni-
tively, t riggering em otions as wel l as thoughts and ideas.
Each of t he implicit argum ents in Figures 1.2-1.4
makes a claim on its audience, t rying to get viewers to adopt its
position, perspective, belief, or point of view
•
on an 1ssue.
(continued)
6 Chapter 1
Figure 1.2 Early 1970s cover of the
controversial soc ial protest magazine Science
for the People, wh ich has recently been revived
Figure 1.3 Image from website promoting education in prisons
(HTTP:/ IWWW.PRISONEDUCATION.COMI}
I
Argument: An Introduction 7
Figure 1.4 Cartoon on social etiquette and digital media
(continued)

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Individual task:
For each argument, answer the following questions:
1. Observe each argument carefully and then describe it for
someone who hasn't seen it.
2. What conversation do you think each argument joins? What is
the issue or controversy? What is at
stake? (Sometimes "insider knowledge" might be requ ired to
understand the argument. In such cases,
explain to an outsider the needed background information or
cultural context.)
3. What is the argument's claim? That is, what value,
perspective, belief, or position does the argument
ask its viewers to adopt?
4. What is an opposing or alternative view? What views is the
argument pushing against?
5. How do the visual details of each argument contribute to the
persuasive effect?
6. Convert the implicit argument into an explicit argument by
stating its claim and supporting reasons in
words. How do implicit and explicit arguments work d ifferent
ly on the brains or hearts of the audience?
Group task:
Working in pairs or as a class, share your answers w ith
classmates.
8 Chapter 1
The Defining Features of Argument
1.2 Describe defining features of argument.
We now examine arguments in more detail. (Unless we say
otherwise, by argu-
ment we mean explicit arguments that attempt to supply reasons
and evidence
to support their claims.) This section examines three defining
features of such
arguments.
Argument Requires Justification of Its Claims
To begin defining argument, let's turn to a humble but universal
area of disagree-
ment: the conflict between new housemates over house rules. In
what way and in
what circumstances do such conflicts constitute arguments?
AVERY: (grabbing his backpack by the door) See you. I'm
heading for class.
DANIEL: (loudly and rapidly) Wait. What about picking up
your garbage all over
the living room? that pizza box, those cans, and all those
papers. I think you
even spilled Coke on the rug.
AVERY: Hey, get off my case. I'll clean it up tonight.
With this exchange, we have the start of a quarrel, not an
argument. If
Daniel's anger picks up suppose he says, "Hey, slobface, no way
you're leav-
ing this house without picking up your trash!" then the quarrel
will escalate
into a fight.
But let's say that Daniel remains calm. The dialogue then takes
this turn.
DANIEL: Come on, Avery. We had an agreement to keep the
house clean.
Now we have the beginnings of an argument. Fleshed out,
Daniel's reasoning
goes like this: You should clean up your mess because we had
an agreement
to keep the house clean. The unstated assumption behind this
argument is that
people should live up to their agreements.
Now Avery has an opportunity to respond, either by advancing
the argument
or by stopping it cold. He could stop it cold by saying, "No, we
never agreed to
anything." This response pushes Avery's hapless housemates
into a post-truth
world where there is no agreement about reality. Unless
stakeholders have a
starting place grounded in mutually accepted evidence, no
argument is possible.
Their dispute can be decided only by power.
But suppose that Avery is a reasonable person of good will. He
could advance
the argument by responding this way:
AVERY: Yes, you are right that we had an agreement. But
perhaps our agree-
ment needs room for exceptions. I have a super-heavy day
today.
Now a process of reasonable argument has emerged. Avery
offers a reason for
rushing from the house without cleaning up. In his mind his
argument would go
like this: "It is OK for me to wait until tonight to clean up my
mess because I have a
super-heavy day." He could provide evidence for his reason by
explaining his heavy
schedule (a group project for one course, a paper due in another,
and his agreement
with his boss to work overtime at his barista job throughout the
afternoon). This rea-
son makes sense to Avery, who is understandably immersed in
his own perspective.
However, it might not be persuasive to Daniel, who responds
this way:
Argument: An Int roduction 9
DANIEL: I ap preciate your busy schedule, but I am p lanning
to be at home all day,
and I can't study in this mess. It is unfair for me to have to
clean up your stuff.
Fleshed out, Daniel 's argument goes like this: "It is not OK for
you to leave
trash in the living room, because your offer to clean your mess
tonight doesn't
override my right to enjoy a clean living space today." The
dialogue now illus-
trates what is required for reasonable argument: (1) a set of two
or more conflicting
claims ("it is OK I is not OK to leave this mess until tonight")
and (2) the attempt
to justify the claims with reasons and evidence.
The first defining feature of argument, then, is the attempt to
justify claims
with reasons and evidence. Avery and Daniel now need to think
further about
how they can justify their claims. The d isagreement between
the housemates is not
primarily about facts: Both d isputants agree that they had
established house rules
about cleanliness, that Avery is facing a super-heavy day, and
that Avery's mess
disturbs Daniel. The dispute is rather about values and fairness
principles that
are articulated in the unstated assumptions that undergird their
reasons. Avery's
assumption is that "unusual circumstances can temporarily
suspend house rules."
Daniel's assumption is that "a temporary suspension to be
acceptable cannot
treat other housemates unfairly." To justify his claim, therefore,
Avery has to show
not only that his day is super-heavy but also that h is cleaning
his mess at the end
of the day isn't unfair to Daniel. To plan his argument, Avery
needs to anticipate
the questions his argument w ill raise in Daniel 's mind: Will
today's mess truly be
a rare exception to our house rule, or is Avery a natural slob
who will leave the
house messy almost every day? What w ill be the state of the
house and the quality
of the living situation if each person simply makes his own
exceptions to house
rules? Will continuing to spill food and drinks on the carpet
affect the return of
the security deposit on the house rental?
In addition, Daniel needs to anticipate some of Avery's
questions: Are tem-
porary periods of messiness really unfair to Daniel? How much
does Daniel's
neat-freak personality get in the way of house harmony? Would
some flexibility
in house rules be a good thing? The attempt to justify their
assumptions forces
both Avery and Daniel to think about the degree of
independence each demands
when sharing a house.
As Avery and Daniel listen to each other's points of view (and
begin realizing
why their initial arguments have not persuaded their intended
audience), we can
appreciate one of the earliest meanings of the term to argue,
which is "to clarify."
As arguers clarify their own positions on an issue, they also
begin to clarify their
audience's position. Such clarification helps arguers see how
they might accom-
modate their audience's views, perhaps by adjusting their own
position or by
developing reasons that appeal to their audience's values. Thus
Avery might sug-
gest something like this:
AVERY: Hey, Daniel, I can see why it is unfair to leave you
with my mess. What
if I offered you some kind of trade-off?
Fleshed out, Avery's argument now looks like this: "It is OK for
me to wait
until the end of the day to clean up my mess because I am
willing to offer you
a satisfactory trade-off." The offer of a trade-off immediately
addresses Daniel 's
sense of being treated unfairly and might lead to negotiation on
what this trade-
off might be. Perhaps Avery agrees to do more of the cooking,
or perhaps there
are other areas of conflict that could become part of a trade -off
bargain noise
levels, sleeping times, music preferences. Or perhaps Daniel,
happy that Avery
10 Chapter 1
has offered a trade-off, says it isn't necessary: Daniel concedes
that he can live
with occasional messiness.
Whether or not Avery and Daniel can work out a best solution,
the preceding
scenario illustrates how the need to justify one's claims leads to
a clarification of
facts and values and to the process of negotiating solutions that
might work for
all stakeholders.
Argument Is Both a Process and a Product
As the preceding scenario revealed, argument can be viewed as
a process in which
two or more parties seek the best solution to a question or
problem. Argument can
also be viewed as a product, with each product being any
person's contribution to
the conversation at a given moment. In an informal discussion,
the products are
usually short pieces of conversation. In more formal settings, an
orally delivered
product might be a short, impromptu speech (say, during an
open-mike discus-
sion of a campus issue) or a longer, carefully prepared formal
speech (as in a
Power Point presentation at a business meeting or an argument
at a public hearing
for or against a proposed city project).
Similar conversations occur in writing. Roughly analogous to a
small-group
discussion is an exchange of the kind that occurs regularly
online through infor-
mal chat groups or more formal blog sites. In an online
discussion, participants
have more thinking time to shape their messages than they do in
a real-time oral
discussion. Nevertheless, messages are usually short and
informal, making it pos-
sible over the course of several days to see participants' ideas
shift and evolve as
conversants modify their initial views in response to others'
views.
Roughly equivalent to a formal speech would be a formal
written argument,
which may take the form of an academic argument for a college
course; a grant
proposal; an online posting; a guest column for the op-ed*
section of a newspaper;
a legal brief; a letter to a member of Congress; or an article for
an organizational
newsletter, popular magazine, or professional journal. In each
of these instances,
the written argument (a product) enters a conversation (a
process) in this case, a
conversation of readers, many of whom will carry on the
conversation by writing
their own responses or by discussing the writer's views with
others. The goal of
the community of writers and readers is to find the best solution
to the problem
or issue under discussion.
Argument Combines Truth-Seeking
and Persuasion
In thinking about argument as a product, writers will find
themselves continually
moving back and forth between truth-seeking and persuasion
that is, between
questions about the subject matter (What is the best solution to
this problem?) and
about audience (What do my readers already believe or value?
What reasons and
* Op-ed stands for "opposite-editorial." It is the generic name in
journalism for a signed
argument that voices the writer's opinion on an issue, as
opposed to a news story that is
supposed to report events objectively, uncolored by the writer's
personal views. Op-ed
pieces appear in the editorial-opinion section of newspapers,
which generally features
editorials by the resident staff, opinion pieces by syndicated
columnists, and letters to the
editor from readers. The term op-ed is often extended to
syndicated columns appearing in
newsmagazines, advocacy websites, and online news services.
Argument: An Introduction 11
evidence will most persuade them?). Writers weave back and
forth, alternately
absorbed in the subject of their argument and in the audience
for that argument.
Neither of the two focuses is ever completely out of mind, but
their relative
importance shifts during different phases of the development of
an argument.
Moreover, different rhetorical situations place different
emphases on truth-seeking
versus persuasion. We can thus place arguments on a continuum
that measures the
degree of attention a writer gives to subject matter versus
audience. (See Figure 1.5.)
At the full truth-seeking (left) end of the continuum might be an
exploratory piece
that lays out several alternative approaches to a problem and
weighs the strengths
and weaknesses of each with no concern for persuasion. At the
other (persuasion)
end of the continuum would be outright propaganda, such as a
political adver-
tisement that reduces a complex issue to sound bites and
distorts an opponent's
position through out-of-context quotations or misleading use of
data. (At its most
blatant, propaganda obliterates truth-seeking; it will use any
tool, including bogus
evidence, distorted assertions, and outright lies, to win over an
audience.) In the
middle ranges of the continuum, writers shift their focuses back
and forth between
inquiry and persuasion but with varying degrees of emphasis.
As an example of a writer focusing primarily on truth-seeking,
consider the case
of Kathleen, who, in her college argument course, addressed the
definitional ques-
tion "Is American Sign Language (ASL) a 'foreign language' for
purposes of meeting
the university's foreign language requirement?" Kathleen had
taken two years of
ASL at a community college. When she transferred to a four-
year college, the chair
of the foreign languages department would not allow her ASL
coursework to count
toward Kathleen's foreign language requirement. "ASL isn't a
language," the chair
said summarily. "It's not equivalent to learning French, German,
or Japanese."
Kathleen disagreed, so she immersed herself in developing her
argument.
While doing research, she focused almost entirely on the subject
matter, searching
for what linguists, neurologists, cognitive psychologists, and
sociologists have
said about the language of deaf people. Immersed in her subject
matter, she was
only tacitly concerned with her audience, whom she thought of
primarily as her
classmates and the professor of her argument class people who
were friendly to
her views and interested in her experiences with the deaf
community. She wrote
a well-documented paper, citing several scholarly articles, that
made a good case
to her classmates (and the professor) that ASL is indeed a
distinct language.
Proud of the A she received on her paper, Kathleen decided for
a subsequent
assignment to write a second paper on ASL but this time aiming
it directly at
the chair of the foreign languages department and petitioning
her to accept ASL
proficiency for the foreign language requirement. Now her
writing task fell closer
to the persuasive end of our continuum. Kathleen once again
immersed herself in
Figure 1.5 Continuum of arguments from truth-seeking to
persuasion
Truth Seeking
Essay examining
all sides of an
issue and possibly
not arriving at a
conclusive answer
Argument as inquiry;
asking audience to
think out the issue
with the writer
Argument, aimed at a
neutral or skeptical
audience, that shows
awareness of
different views
Argument aimed at a
friendly audience
(often for fundraising
or calls to action)
Persuasion
Aggressive onesided
argument that simply
delivers a message
12 Chapter 1
research, but this time she focused not on subject matter
(whether ASL is a distinct
language) but on audience. She researched the history of the
foreign language
requirement at her college and discovered some of the politics
behind it (the
foreign language requirement had been dropped in the 1970s
and reinstituted
in the 1990s, partly a math professor told her to boost
enrollments in foreign
language courses). She also interviewed foreign language
teachers to find out
what they knew and didn't know about ASL. She discovered that
many teachers
thought ASL was "easy to learn," so that accepting ASL would
give students a
Mickey Mouse way to avoid the rigors of a "real" foreign
language class. Addi-
tionally, she learned that foreign language teachers valued
immersing students
in a foreign culture; in fact, the foreign language requirement
was part of her
college's effort to create a multicultural curriculum.
This increased understanding of her target audience helped
Kathleen recon-
ceptualize her argument. Her claim that ASL is a real language
(the subject of her
first paper) became only one section of her second paper, much
condensed and
abridged. She added sections showing the difficulty of learning
ASL (to counter
her audience's belief that learning ASL is easy), showing how
the deaf community
forms a distinct culture with its own customs and literature (to
show how ASL
would meet the goals of multiculturalism), and showing that the
number of transfer
students with ASL credits would be negligibly small (to allay
fears that accepting
ASL would threaten enrollments in language classes). She
ended her argument with
an appeal to her college's public emphasis (declared boldly in
its mission statement)
on eradicating social injustice and reaching out to the
oppressed. She described the
isolation of deaf people in a world where almost no hearing
people learn ASL, and
she argued that the deaf community on her campus could be
integrated more fully
into campus life if more students could talk with them. Thus the
ideas included in
her new argument the reasons selected, the evidence used, the
arrangement and
tone all were determined by her primary focus on persuasion.
Our point, then, is that all along the continuum, writers attempt
both to seek
truth and to persuade, but not necessarily with equal balance.
Kathleen could
not have written her second paper, aimed specifically at
persuading the chair of
the foreign languages department, if she hadn't first immersed
herself in truth-
seeking research that convinced her that ASL is indeed a
distinct language. Note
that we are not saying that Kathleen's second argument was
better than her first.
Both arguments fulfilled their purposes and met the needs of
their intended audi-
ences. Both involved truth-seeking and persuasion, but the first
focused primarily
on subject matter whereas the second focused primarily on
audience.
Argument and the Problem of Truth
in the 21st Century
1.3 Understand the relationship of argument to the process of
truth-seeking
and inquiry.
The tension that we have just examined between truth-seeking
and persuasion
raises an ancient issue in the field of argument: Is the arguer's
first obligation
to truth or to winning the argument? And just what is the nature
of the truth to
which arguers are supposed to be obligated?
Argument: An Introduction 13
Early Greek rhetoricians and philosophers particularly the
Sophists,
Socrates, Plato, and Aristotle all wrestled with this tension. In
Plato's Dialogues,
these questions were at the heart of Socrates' disagreement with
the Sophists. The
Sophists were professional rhetoricians who specialized in
training orators to win
arguments. Socrates, who valued truth-seeking over persuasion
and believed that
truth could be discovered through philosophic inquiry, opposed
the Sophists. For
Socrates (and Plato), Truth resided in the ideal world of forms,
and through philo-
sophic rigor humans could transcend the changing, shadow like
world of everyday
reality to perceive the world of universals where Truth, Beauty,
and Goodness
resided. Through his method of questioning, Socrates would
gradually peel away
layer after layer of false views until Truth was revealed. The
good person's duty,
Socrates believed, was not to win an argument but to pursue this
higher Truth.
Socrates and Plato distrusted professional rhetoricians because
these professionals
were interested only in the power and wealth that came from
persuading audi-
ences to the orator's views. In contrast, Plato's pupil Aristotle
maintained Plato's
commitment to ethical living but valued rhetoric as a way of
reaching conclu-
sions or what he called "probable truth" in the realm of
everyday living the best
answers available to people who were willing to think deeply
and argue reason-
ably about a problem. Aristotle taught rhetoric and argument as
collective inquiry
in search of new understanding probable truths and best
solutions supported
persuasively by reasons and evidence that could be shared and
agreed upon.
Let's apply these perspectives to a modern example. Suppose
your commu-
nity is d ivided over the issue of raising environmental
standards versus keeping
open a job-producing factory that doesn't meet new guidelines
for waste dis-
charge. In a dispute between jobs and the environment, which is
the best course?
The Sophists would train you to argue any side of this issue on
behalf of any
lobbying group willing to pay for your services. This relativism
and willingness
to manipulate language led over time to the term sophistry
being associated with
trickery in argument. If, however, you applied Aristotle's
practical concern for
"probable truth," you would be inspired to listen to all sides of
the dispute, peel
away unsatisfactory arguments through reasonable inquiry, and
commit yourself
to a course of action that you have come to believe is the best
for as many stake-
holders as possible.
In sum, Plato was concerned with absolute truths residing in the
spiritual
world of forms, while Aristotle valued rhetoric's focus on
probable truths in our
messy human world. Aristotle's view is thus close to that
expressed by Al Gore
at the beginning of this chapter. Aristotle and Gore would agree
that truth the
search for best solutions is messy and complicated and needs to
be negotiated
in an ongoing spirit of argument. Every day we face complex
questions with
multiple stakeholders. Do sanctuary cities make citizens safer,
as many sheriffs
and police departments argue, or do they shelter criminals and
endanger citizens,
as some people contend? Should all controversial speakers be
allowed to speak
on college campuses, or should universities carefully monitor
and restrict these
public forums? There are no simple or clear-cut answers to
these questions, but
one thing is certain: People can't carry on productive argument
if they retreat to
siloed echo chambers where they encounter only those views w
ith which they
already agree. Daniel the neat freak has to encounter Avery the
slob; otherwise,
no growth is possible. Argument works only if we are willing to
question and
clarify our own positions and engage in dialogue w ith those
stakeholders with
whom we disagree.
14 Chapter 1
This truth-seeking approach to argument helps us combat
various traps that
we may fall into. A first trap is that we might become
intellectually lazy, failing to
question easily found or sensationalist information and views.
We might succumb
to "desirability bias" 2-the tendency to accept information that
"we want to
believe." Or we might cling to what political scientist Morgan
Marietti calls
"sacred values"3 religious or secular beliefs that are so central
to our world views
and identities that we accept them as absolute, unquestionable,
and inviolable.
For example, for some persons a woman's right to control her
own body is a
sacred value; for others, an unborn fetus's right to life is a
sacred value. Because
we hesitate to question our sacred values, our emotional
adherence to them can
create a network of beliefs that interpret the world for us.
Emerging from our own
siloed echo chambers is the best way to seek a shareable reality
in what otherwise
might seem a post-truth world. However, as we have seen, truth-
seeking takes
intellectual work and ethical commitment. To restore the value
of argument as
truth-seeking, we must accept the world as pluralistic,
recognizing that others
may not value what we value.
If we accept this p luralistic view of the world, do we then
endorse the
Sophists' radical relativism, freeing us to argue any side of any
issue? Or do we
doggedly pursue some modern equivalent of Aristotle's
"probable truth"?
If your own sympathies are with argument as truth-seeking, then
you must
admit to a view of truth that is tentative, cautious, and
conflicted, and you
must embrace argument as process. In the 21st century, truth-
seeking does not
mean finding the "right answer" to a disputed question, but
neither does it mean
a valueless relativism in which all answers are equally good.
Seeking truth means
taking responsibility for determining the "best answer" or "best
solution" to the
question; it means considering the good of the entire community
when taking
into consideration the interests of all stakeholders. It means
making hard deci-
sions in the face of uncertainty. Viewed in this way, argument
cannot "prove"
your claim, but only make a reasonable case for it. Even though
argument can't
provide certainty, learning to argue effectively has deep value
for society and
democracy: It helps communities settle conflicts in a rational
and humane way
by finding, through the exchange of ideas, the best solutions to
problems without
resorting to violence.
For Writing and Discussion
Role-Playing Arguments
On any given day, the media provide evidence of the complexity
of living in a p luralistic cu lture. Issues that
cou ld be readi ly decided in a completely homogeneous cu lture
ra ise questions in a society that has fewer
shared assumptions. Choose one of the following cases as the
subject for a "simulation game" in which
class members present the points of view of the people
involved.
2 Ben Tappin, Leslie van der Leer, and Ryan McKay define "
desirability bias" in their op-ed
piece, "Your Opinion Is Set in Stone." The New York Times,
May 28, 2017, SR 8.
3 Morgan Marietta, "From My Cold, Dead Hands: Democratic
Consequences of Sacred
Rhetoric." The Journal of Politics Vol. 70, No. 3, July 2008.
Argument: An Introduction 15
Case 1 : Political Asylum for a German Family Seeking the
Right
to Homeschool Their Children
In 2010 an Evangelical Christian family from Germany, Uwe
and Hannelore Romeike and their
five children, moved to the United States seeking asylum from
political persecution. At the
U.S. immigration hearings, the couple argued that if they
remained in Germany their decision
to homeschool their children would result in fines, possible
arrest, and even forced separation
from their children. German law forbids homeschooling on the
grounds that failure to attend
recognized schools will create "parallel societies" w hose
members will fail to integrate into
Germany's open and pluralistic culture. In early 2011, a U.S.
federal immigration judge granted
political asylum to the family, denouncing the German
government's policy against home-
schooling. He called it "utterly repellent to everything we
believe as Americans." However,
in 2013 the Sixth Circuit Court unanimously overturned the
original decision and revoked
the family's status as political refugees. Stating that the United
States cannot give political
asylum to every victim of perceived unfairness in another
country's laws, the court declared
that Germany's ban on homeschooling did not constitute
political persecution. The decision
led to international debate about the role of homeschooling in a
pluralistic society and about
the definition of political persecution. In the United States, the
Homeschooling Legal Defense
Association urged that the case be heard by the United States
Supreme Court and sponsored
a petition drive supporting the Romeike family.
Your task:
Imagine a public hearing on this issue where all stakeholders
are invited to present their points of
view. The U.S. Immigration website offers the following
definition of refugee status:
Refugee status or asylum may be granted to people who have
been persecuted or fear they
will be persecuted on account of race, religion, nationality, and/
or membership in a particular
social group or political opinion.
Your goal isn't to make your own decision about this case but
rather to bring to imaginative life
all the viewpoints on the controversy. Hold a mock public
hearing in which classmates play the
following roles: (a) A U.S. parent advocating homeschooling;
(b) a U.S. teacher's union representative
opposing homeschooling; (c) an attorney arguing that the
Romeike family meets the criteria for
"refugee status"; (d) an attorney arguing that the Romeike
family does not meet the criteria for
refugee status; (e) a German citizen supporting the German law
against homeschooling; (f) a
Romeike parent arguing that the family would be persecuted if
the family returned to Germany;
(g) other roles that are relevant to this case.
Case 2 : HPV Vaccines for Sixth Grade Girls (and Boys)
In 2007 the pharmaceutical company Merck developed a vaccine
against the sexually trans-
mitted HPV virus (human papillomavirus), some strains of
which can cause cervical cancer
as well as genital warts. The company launched an extensive
television campaign promoting
the vaccine (which would bring substantial profits to Merck)
and advised that girls should
get the vaccine before they reach puberty. Following
recommendations from doctors and
medical researchers, several states passed laws mandating that
the HPV vaccine for girls
be included among the other vaccinations required of all
children for entry into the sixth or
seventh grades (depending on the state). These laws sparked
public debate about the bene-
fits versus potential adverse effects of vaccines, and about the
state's versus parents' role in
determining what vaccines a child should get.
(continued)
16 Chapter 1
Your task:
Imagine a public hearing addressing what your state's laws
should be concerning HPV vaccina-
tions for prepubescent children. Your goal isn't to make your
own decision about this case but
rather to bring to imaginative life all the viewpoints in the
controversy. Hold a mock hearing in
which classmates play the following roles: (a) a cancer
specialist who supports mandatory HPV
vaccination for girls; (b) a public health specialist who supports
expanding the requirement to
include boys; (c) a skeptical person concerned about the
potential adverse effects of vaccines in
general; (d) a religiously conservative parent who believes in
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ENGL 102 Netiquette Statement In order to maintain a p

  • 1. ENGL 102 Netiquette Statement In order to maintain a positive online environment for our class, we all need to follow the netiquette guidelines summarized below. All students are expected to: 1. show respect for the instructor and for other students in the class 2. respect the privacy of other students 3. express differences of opinion in a polite and rational way 4. maintain an environment of constructive criticism when commenting on the work of other students 5. complete all assignments on time 6. avoid bringing up irrelevant topics when involved in group discussions or other collaborative activities The following list summarizes the kind of behavior that will not be tolerated. Each item listed below is grounds for removal from the class. Students should not: 1. Show disrespect for the instructor or for other students in the class 2. Send messages or comments that are threatening, harassing, or offensive 3. Use inappropriate or offensive language 4. Convey a hostile or confrontational tone when communicating or working collaboratively with
  • 2. other students 5.USE ALL UPPERCASE IN THEIR MESSAGES -- THIS IS THE EQUIVALENT OF SHOUTING!!! 6. Place images in the body of their discussion questions messages. Other students and the instructor may be using a dial-up connection. If you feel compelled to refer to an image please either attach the image to the DQ message or upload the image to the Web and place a link to it in your message. If I feel that a student is violating any of the above guidelines, I will contact that student to discuss the situation in person. If you feel that a student is behaving inappropriately, please send me a private e-mail message explaining the situation as soon as possible. Discussion Board Tips / Rubric 1. Contribute in a timely manner and frequently. Do not wait until the end of the discussion window for each week. This will help you to stay on top of the discussion and to gain the most from it. If you develop a habit of just jumping in at the beginning, in the middle or at the end, you will not be able to read all the discussion comments, capture the key issues
  • 3. discussed and to contribute in a meaningful manner. 2. Read posts from others thoroughly and reflect before responding. 3. Contribution to the discussion should not be based on cutting and pasting information from different resources but rather on a summary of findings from key resources as they pertain to the topic being discussed in your own words. Respond to others’ comments by writing your comment first and then update your subject line. 4. Posts should be sound, with argument or analysis supported by research and literature, with attention to grammar, typos, and punctuation 5. Be clear and concise. Short comments may be appropriate in some cases but effective comments may need to be longer to be more comprehensive (Suggest 2 paragraphs maximum). 6. But I don’t know what to say! (Hint: “I agree” does not only not count as a contribution, it may annoy your classmates!) Instead: ● Add to the discussion by adding new information to (amplifying) the point made that you agree with ● If you disagree with an answer, post yours and explain why ● Think something is missing from the discussion? Broaden the perspective. ● If you do not understand (although you don’t have an answer either), explain
  • 4. what you do understand about the topic in a couple of sentences, and ask for clarification from online classmates. ● Think you’ve read or learned information from another source that would be helpful? Post a link to that news article, blog post, etc. To participate effectively, you must have read all of the assigned material. One of the purposes of discussion is to demonstrate that you’ve read and understood it. We can discuss what different people understood from the readings, but everyone must be grounded in a close reading of the assigned materials. You are expected to post two times in the Discussion Board and respond two times to peers (total of 4 posts per week). In the discussion feel free to expand the conversation and integrate relevant personal examples and outside information. You must link any outside examples to the assigned readings, articles, discussion board prompts, or week content--the expectation is that you include clear evidence that you engaged deeply with assigned readings (providing brief summary and/or quoting to specific examples in the readings). In your replies to two peers, offer feedback, ask further questions, or provide a personal
  • 5. reflection or commentary on their post. When replying to your peers consider replying using one or more of the following roles: ● Validating--Validate the contributions of your peers and explain why their contributions resonate ● Resourceful--Share or create resources that contribute to the discussion ● Inquiring--Offer feedback, ask questions, provide reflection or commentary ● Community Expander--Lead the discussion to deeper discourse and branch into new, but related topics EVALUATION RUBRIC Quality (3) Initiative (3) Expanding on Discussion (3) Relevance (3) Timeliness*
  • 6. (3) #of Posts (5) Thoughtful, supported with argumentation (not opinion) and facts. Appropriate academic level, correct grammar, punctuation/ spelling. Posting questions, clarifying posts from others, providing links to other relevant materials. Expanding to see the “big picture,” adding something new, crediting peers. On topic, pertains to important questions or themes.
  • 7. Contribute when threads are alive and others will benefit from ideas offered. Per week: Answer 3 questions posted by instructor AND respond to 3 classmates’ responses (minimum). Respond to questions and comments that interest you most and demonstrate your knowledge of the material. ELEVENTH orr.1 • • etoric wit -event it ion
  • 8. This page intentionally left blank • • etoric wit -event John D. Ratnage Arizona State University John C. Bean Seattle University June Johnson Seattle University it ion 330 Hudson St r eet, NY NY 10013 Director of English: Karon Bowers Executive Producer and Publisher: Aron Keesbury Development Editor: Steven Rigolosi Marketing Manager: Nicholas Bolt Program Manager: Rachel Harbour Project Manager: Nathaniel J. Jones, SPi Global Cover Designer: Pentagram Cover Illustration: Christopher DeLorenzo
  • 9. Manufacturing Buyer: Roy L. Pickering, Jr. Printer /Binder: LSC Communications, Inc. Cover Printer: Phoenix Color /Hagerstown Acknowledgments of third-party content appear on pages 564- 566, which constitute an extension of this copyright page. PEARSON, ALWAYS LEARNING, and Revel are exclusive trademarks owned by Pearson Education, Inc., or its affiliates in the United States and/ or other countries. Unless otherwise indicated herein, any third-party trademarks that may appear in this work are the property of their respective owners and any references to third- party trademarks, logos, or other trade dress are for demonstrative or descriptive purposes only. Such references are not intended to imply any sponsorship, endorsement, authorization, or promotion of Pearson's products by the owners of such marks, or any relationship between the owner and Pearson Education, Inc., or its affiliates, authors, licensees, or distributors. Catalogue-in-Publishing Data is on file with the Library of Congress Copyright © 2019, 2016, 2012 by Pearson Education, Inc. All Rights Reserved. Printed in the United States of America. This publication is protected by copyright, and permission should be obtained from the publisher prior to any prohibited reproduction, storage in a retrieval system, or transmission in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise. For information regarding permissions, request forms and the appropriate contacts within
  • 10. the Pearson Education Global Rights & Permissions Department, please visit www.pearsoned.com/permissions/. 1 18 Rental Edition ISBN 10: 0-134-75974-5 Rental Edition ISBN 13: 978-0-134-75974-6 Ala Carte ISBN 10: 0-134-76096-4 Ala Carte ISBN 13: 978-0-134-76096-4 Access Code Card ISBN 10: 0-134-80785-5 Access Code Card ISBN 13: 978-0-134-80785-0 Instructor Review Copy ISBN 10: 0-134-77059-5 Instructor Review Copy ISBN 13: 978-0-134-77059-8 • • • r1e Part One Principles of Argument 1 1 Argument: An Introduction 2 2 The Core of an Argument : A Claim with Reasons 17 3 The Logical Structure of Arguments: Logos 32 4 Using Evidence Effectively
  • 11. 5 Moving Your Audience: Ethos, Pathos, and Kairos 6 Responding to Objections and Alternative Views Part Two Entering an Argumentative Conversation 52 67 83 103 7 Analyzing Arguments Rhetorically 104 8 Argument as Inquiry: Reading, Summarizing, and Speaking Back 127 Part Three Expanding Our Understanding of Argument 155 9 Making Visual and Multimodal Arguments 10 An Alternative to Argument: Collaborative Rhetoric Part Four Arguments in Depth: Types of Claims
  • 12. 11 An Introduction to the Types of Claims 156 189 211 212 12 Definition and Resemblance Arguments 13 Causal Arguments 14 Evaluation and Ethical Arguments 15 Proposal Arguments Part Five The Researched Argument 16 Finding and Evaluating Sources 17 Incorporating Sources into Your Own Argument 18 Citing and Documenting Sources Appendix Informal Fallacies
  • 13. Part Six An Anthology of Arguments Choices for a Sustainable World Post-Fact, Post-Truth Society? Public Health Challenges in Education Self-Driving Cars Immigration in the Twenty-First Century Argument Classics 221 250 280 306 341 342 360 375 397
  • 14. 405 406 431 461 477 511 532 549 v This page intentionally left blank Preface Acknowledgments Part One Principles of Argument 1 Argument: An Introduction What Do We Mean by Argument? Argument Is Not a Fight or a Quarrel Argument Is Not Pro-Con Debate
  • 15. Arguments Can Be Explicit or Implicit An Explicit Argument Opposing Legalization of Marijuana For Writing and Discussion: Implicit and Explicit Arguments •• xvn ••• XXlll 1 2 3 3 3 4 5 5 The Defining Features of Argument 8 Argument Requires Justification of Its Claims 8 Argument Is Both a Process and a Product
  • 16. Argument Combines Truth-Seeking and Persuasion Argument and the Problem of Truth in the 21st Century For Writing and Discussion: Role-Playing Arguments Conclusion 2 The Core of an Argument: A Claim with Reason The Classical Structure of Argument Classical Appeals and the Rhetorical Triangle Issue Questions as the Origins of Argument Difference between an Issue Question and an Information Question How to Identify an Issue Question For Writing and Discussion: Information Questions Versus Issue Questions Difference between a Genuine Argument and a Pseudo-Argument 10 10 12
  • 17. 14 16 17 17 19 21 21 22 22 23 For Writing and Discussion: Reasonable Arguments Versus Pseudo-Arguments Frame of an Argument: A Claim Supported by Reasons What Is a Reason? For Writing and Discussion: Using Images to Support an Argument Expressing Reasons in Because Clauses For Writing and Discussion: Developing Claims and Reasons
  • 18. Conclusion Writing Assignment: An Issue Question and Working Thesis Statements 3 The Logical Structure of Arguments: Logos An Overview of Logos: What Do We Mean by the 25 25 26 27 29 30 30 30 32 "Logical Structure" of an Argument? 32 Formal Logic Versus Real-World Logic 33 The Role of Assumptions 33 The Core of an Argument: The Enthymeme 34
  • 19. The Power of Audience-Based Reasons 35 For Writing and Discussion: Identifying Underlying Assumptions and Choosing Audience-Based Reasons Adopting a Language for Describing Arguments: 36 The Toulmin System 36 For Writing and Discussion: Developing Enthymemes with the Toulmin Schema 41 Using Toulmin's Schema to Plan and Test Your Argument 42 Hypothetical Example: Cheerleaders as Athletes 42 First Part of Chandale' s Argument 43 Continuation of Chandale' s Argument 44 Extended Student Example: Girls and Violent Video Games 45 •• VII viii Contents Carmen Tieu (Student Essay), Why Violent Video
  • 20. Games Are Good for Girls 47 The Thesis-Governed "Self-Announcing" Structure of Classical Argument 49 For Writing and Discussion: Reasons, Warrants, and Conditions of Rebuttal 50 Use Specific Examples and Illustrations Use Narratives Use Words, Metaphors, and Analogies with Appropriate Connotations For Writing and Discussion: Incorporating Appeals to Pathos Conclusion 50 Kairos: The Timeliness and Fitness of A Note on the Informal Fallacies 51 Arguments For Writing and Discussion: Analyzing an Writing Assignment: Plan of an Argument's Details 51 Argument from the Perspectives of Logos, Ethos, Pathos, and Kairos 4 Using Evidence Effectively 52 Kinds of Evidence 52 The Persuasive Use of Evidence 55 Apply the STAR Criteria to Evidence 55 Establish a Trustworthy Ethos 57
  • 21. Be Mindful of a Source's Distance from Original Data 57 Rhetorical Understanding of Evidence 58 Angle of Vision and the Selection and Framing of Evidence 59 For Writing and Discussion: Creating Contrasting Angles of Vision 60 Examining Visual Arguments: Angle of Vision 60 Rhetorical Strategies for Framing Evidence 62 Strategies for Framing Statistical Evidence 64 For Writing and Discussion: Using Strategies to Frame Statistical Evidence 65 Creating a Plan for Gathering Evidence 65 Conclusion 65 Writing Assignment: A Supporting-Reasons Argument 66 5 Moving Your Audience: Ethos, Pathos, and Kairos 67 Logos, Ethos, and Pathos as Persuasive Appeals: An Overview 68 How to Create an Effective Ethos: The Appeal to Credibility 69 How to Create Pathos: The Appeal to Beliefs and
  • 22. Emotions 70 Use Concrete Language 71 Using Images to Appeal to Logos, Ethos, Pathos, and Kairos For Writing and Discussion: Analyzing Images as Appeals to Pathos Examining Visual Arguments: Logos, Ethos, Pathos, and Kairos How Audience-Based Reasons Appeal to Logos, Ethos, Pathos, and Kairos For Writing and Discussion: Planning an Audience-Based Argumentative Strategy Conclusion Writing Assignment: Revising a Draft for Ethos, Pathos, and Audience-Based Reasons 6 Responding to Objections and Alternative Views One-Sided, Multisided, and Delayed-Thesis Arguments Determining Your Audience's Resistance to Your Views Appealing to a Supportive Audience: One-Sided Argument
  • 23. Appealing to a Neutral or Undecided Audience: Classical Argument Summarizing Opposing Views For Writing and Discussion: Distinguishing Fair from Unfair Summaries Refuting Opposing Views Strategies for Rebutting Evidence Conceding to Opposing Views 72 73 74 74 74 76 76 77 78 79 81
  • 24. 82 82 83 84 85 86 87 87 88 89 90 91 Example of a Student Essay Using Refutation Strategy 92 Trudie Makens (Student Essay), Bringing Dignity to Workers: Make the Minimum Wage a Living Wage For Writing and Discussion: Refutation Strategies Appealing to a Resistant Audience:
  • 25. Delayed-Thesis Argument ALEXANDER CHANCELLOR, Oh, 92 94 94 How I Will Miss the Plastic Bag 95 Writing a Delayed-Thesis Argument 97 Conclusion 98 Writing Assignment: A Classical Argument or a Delayed Thesis Argument 98 Reading 98 Lauren Shinozuka (Student Essay), The Dangers of Digital Distractedness 98 Part 1Wo Entering an Argumentative Conversation 103 7 Analyzing Arguments Rhetorically 104 Thinking Rhetorically about a Text 105 Reconstructing a Text's Rhetorical Context 105 Author, Motivating Occasion, and Purpose 105
  • 26. Audience 107 Genre 107 Angle of Vision 108 Asking Questions That Promote Rhetorical Thinking 109 For Writing and Discussion: Practicing Rhetorical Analysis 111 Conducting a Rhetorical Analysis of a Source Text 112 KATHRYN JEAN LOPEZ, Egg Heads 113 For Writing and Discussion: Identifying Rhetorical Features 116 Our Own Rhetorical Analysis of "Egg Heads" 116 Conclusion Writing Assignment: A Rhetorical Analysis 119 120 Contents ix Readings ELLEN GOODMAN, Womb for Rent 121
  • 27. 122 Critiquing "Womb for Rent" 123 Zachary Stumps (Student Essay), A Rhetorical Analysis Of Ellen Goodman's "Womb For Rent" 123 8 Argument as Inquiry: Reading, Summarizing, and Speaking Back 127 Finding Issues to Explore 128 Do Some Initial Brainstorming 128 Be Open to the Issues All Around You 128 Explore Ideas by Freewriting 129 For Writing and Discussion: Responding to Visual Arguments About a Living Wage 131 Explore Ideas by Idea Mapping 133 Explore Ideas by Playing the Believing and Doubting Game 133 For Writing and Discussion: Playing the Believing and Doubting Game 135 Summarizing a Stakeholder's Argument 135 JAMES SUROWIECKI, The Pay Is Too Damn Low 136
  • 28. Thinking Steps for Writing a Summary 137 For Writing and Discussion: Does/Says Statements 138 Examples of Summaries 139 Responding to a Stakeholder 's Argument 140 Practicing Believing: Willing Your Own Acceptance of the Writer's Views 140 Practicing Doubting: Willing Your Own Resistance to the Writer's Views 140 For Writing and Discussion: Raising Doubts About Surowiecki's Argument 141 Thinking Dialectically 142 For Writing and Discussion: Practicing Dialectic Thinking with Two Articles 143 MICHAEL SALTSMAN, To Help the Poor, Move Beyond "Minimum" Gestures 143 Three Ways to Foster Dialectic Thinking 144 Conclusion Writing Assignment: An Argument Summary or a Formal Exploratory Essay 146 146
  • 29. X Contents Reading 148 Trudie Makens (Student Essay), Should Fast-Food Workers Be Paid $15 per Hour? 148 Part Three Expanding Our Understanding of Argument 155 9 Making Visual and Multimodal Arguments 156 Understanding Visual Design Elements in Multimodal Argument 157 Use of Type 158 Use of Space and Layout 159 Use of Color 161 Use of Images and Graphics 161 For Writing and Discussion: Analyzing an Advocacy Ad 164 The Compositional Features of Photographs and Drawings 165 Compositional Features to Examine in Photos and Drawings 166
  • 30. An Analysis of a Multimedia Video Argument Using Words, Images, and Music 168 For Writing and Discussion: Thinking Rhetorically about Photos 171 The Genres of Multimodal Argument 172 Posters and Fliers 172 Public Affairs Advocacy Advertisements 174 Cartoons 175 For Writing and Discussion: Analyzing Posters Rhetorically 175 For Writing and Discussion: Analyzing Cartoons 177 Websites 177 Advocacy Videos 178 Constructing Your Own Multimodal Arguments 178 Guidelines for Creating the Visual Elements in Posters, Fliers, and Advocacy Ads 178 Guidelines for Creating Video Arguments 179 For Writing and Discussion: Developing Ideas for an Advocacy Ad or Poster Argument 180 Using Information Graphics in Arguments 180
  • 31. How Tables Contain a Variety of Stories 181 Using a Graph to Tell a Story 182 Incorporating Graphics into Your Argument 185 A Note on How Graphics Frame Data Rhetorically 186 Conclusion 187 Writing Assignment: A Visual Argument Rhetorical Analysis, a Visual Argument, or a Short Argument Using Quantitative Data 188 10 An Alternative to Argument: Collaborative Rhetoric 189 The Appropriateness and Usefulness of Collaborative Rhetoric 190 The Principles of Collaborative Rhetoric 191 Practicing N onjudgmental Listening 192 Identifying Values, Emotions, and Identities 192 Seeking Common Ground 193 Promoting Openness to Ongoing Communication and Change 194 For Writing and Discussion: Listening Empathically and Seeking Common Ground 194
  • 32. Preparing for Collaborative Rhetoric Through Reflective Writing and Discussion 196 Preparing for Collaborative Rhetoric Through Reflective Writing 196 Practicing Collaborative Rhetoric in Discussion 197 For Writing and Discussion: Conducting a Collaborative Rhetoric Discussion 197 Writing an Open Letter as Collaborative Rhetoric 198 Colleen Fontana (Student Essay), An Open Letter to Robert Levy in Response to His Article "They Never Learn" 199 Conclusion 204 Writing Assignment: An Open Letter as Collaborative Rhetoric 204 Reading 205 Monica Allen (Student Essay), An Open Letter to Christopher Eide in Response to His Article "High-Performing Charter Schools Can Close the Opportunity Gap" 205 Part Four Arguments in Depth: Types of Claims 211
  • 33. 11 An Introduction to the Types of Claims 212 The Types of Claims and Their Typical Patterns of Development 213 For Writing and Discussion: Identifying Types of Claims 214 Using Claim Types to Focus an Argument and Generate Ideas: An Example 214 Writer 1: Ban £-Cigarettes 215 Writer 2: Promote £-Cigarettes as a Preferred Alternative to Real Cigarettes 216 Writer 3: Place No Restrictions on £-Cigarettes 217 Hybrid Arguments: How Claim Types Work Together in Arguments 217 Some Examples of Hybrid Arguments 217 For Writing and Discussion: Exploring Different Claim Types and Audiences 218 An Extended Example of a Hybrid Argument 219 ALEX HUTCHINSON, Your Daily Multivitamin May Be Hurting You 219 12 Definition and Resemblance Arguments What Is at Stake in an Argument about
  • 34. 221 Definition and Resemblance? 222 Consequences Resulting from Categorical Claims 223 The Rule of Justice: Things in the Same Category Should Be Treated the Same Way 223 For Writing and Discussion: Applying the Rule of Justice 224 Types of Categorical Arguments 225 Simple Categorical Arguments 225 For Writing and Discussion: Supporting and Rebutting Simple Categorical Claims 225 Definition Arguments 226 Resemblance Argument Using Analogy 226 For Writing and Discussion: Developing Analogies 227 Resemblance Arguments Using Precedent 228 • Contents XI For Writing and Discussion: Using Claims of Precedent 229
  • 35. Examining Visual Arguments: Claim about Category {Definition) The Criteria-Match Structure of Definition Arguments 229 230 Overview of Criteria-Match Structure 230 Toulmin Framework for a Definition Argument 231 For Writing and Discussion: Identifying Criteria and Match Issues 232 Creating Criteria Using Aristotelian Definition 232 For Writing and Discussion: Working with Criteria 234 Creating Criteria Using an Operational Definition 234 Conducting the Match Part of a Definition Argument 234 Idea-Generating Strategies for Creating Your Own Criteria-Match Argument 235 Strategy 1: Research How Others Have Defined the Term 235 Strategy 2: Create Your Own Extended Definition 236
  • 36. For Writing and Discussion: Developing a Definition 238 Writing Assignment: A Definition Argument 239 Exploring Ideas Identifying Your Audience and Determining What's at Stake Organizing a Definition Argument Questioning and Critiquing a Definition Argument Readings Arthur Knopf (Student Essay), Is Milk a Health Food? Alex Mullen (Student Essay), A Pirate But Not a Thief: What Does "Stealing" Mean in a Digital Environment? MARK OPPENHEIMER, How Do We Define Adulthood? 13 Causal Arguments An Overview of Causal Arguments Kinds of Causal Arguments 239 240
  • 37. 240 240 242 242 245 247 250 251 252 xii Contents Toulmin Framework for a Causal Argument 254 For Writing and Discussion: Developing Causal Chains 256 Two Methods for Arguing That One Event Causes Another 256 First Method: Explain the Causal Mechanism Directly 257 Second Method: Infer Causal Links Using Inductive Reasoning 258
  • 38. For Writing and Discussion: Developing Plausible Causal Chains Based on Correlations 259 Examining Visual Arguments: A Causal Claim 259 Key Terms and Inductive Fallacies in Causal Arguments 260 A Glossary of Key Terms 260 Avoiding Common Inductive Fallacies That Can Lead to Wrong Conclusions 261 For Writing and Discussion: Brainstorming Causes and Constraints 262 Writing Assignment: A Causal Argument 262 Exploring Ideas 262 Identifying Your Audience and Determining What's at Stake 263 Organizing a Causal Argument 264 Questioning and Critiquing a Causal Argument 265 Readings 266 Jesse Goncalves (Student Essay), What Causes Math Anxiety? 267 KRIS SAKNUSSEMM, Mirror, Mirror on the
  • 39. Wall, Are We Really Here at All? Can We Tell? 273 Carlos Macias (Student Essay), "The Credit Card Company Made Me Do It!" The Credit Card Industry's Role in Causing Student Debt 275 14 Evaluation and Ethical Arguments An Overview of Categorical and Ethical Evaluation Arguments Constructing a Categorical Evaluation Argument Criteria-Match Structure of Categorical Evaluations 280 282 282 283 Developing Your Criteria 284 Making Your Match Argument 285 Examining Visual Arguments: An Evaluation Claim 286 For Writing and Discussion: Developing Criteria and Match Arguments 287
  • 40. Constructing an Ethical Evaluation Argument 288 Consequences as the Base of Ethics 288 Principles as the Base of Ethics 289 Example Ethical Arguments Examining Capital Punishment 289 For Writing and Discussion: Developing an Ethical Argument 291 Common Problems in Making Evaluation Arguments 291 Writing Assignment: An Evaluation or Ethical Argument 292 Exploring Ideas 292 Identifying Your Audience and Determining What's at Stake 293 Organizing an Evaluation Argument 293 Questioning and Critiquing a Categorical Evaluation Argument 293 Critiquing an Ethical Argument 294 Readings 295 Lorena Mendoza-Flores (Student Essay), Silenced and Invisible: Problems of Hispanic Students at Valley High School 295
  • 41. Hadley Reeder (Student Essay), A Defective and Detrimental Dress Code 299 JUDITH DAAR AND EREZ ALONI, Three Genetic Parents For One Healthy Baby 302 SAMUEL AQUILA, The "Therapeutic Cloning" of Human Embryos 303 15 Proposal Arguments 306 The Special Features and Concerns of Proposal Arguments 308 Practical Proposals Versus Policy Proposals 308 Toulmin Framework for a Proposal Argument 308 Special Concerns for Proposal Arguments 309 Developing a Proposal Argument 310 Examining Visual Arguments: A Proposal Claim 311 Convincing Your Readers That a Problem Exists 311 Explaining the Proposed
  • 42. Solution : Showing the Specifics of Your Proposal 312 Offering a Justification: Convincing Your Readers That the Benefits of Your Proposal Outweigh the Costs 313 Using Heuristic Strategies to Develop Supporting Reasons for Your Proposal 313 The Claim Types Strategy 314 The Stock Issues Strategy 315 For Writing and Discussion: Generating Ideas Using the Claim Types Strategy 316 For Writing and Discussion: Brainstorming Ideas for a Proposal 317 Proposal Arguments as Advocacy Posters or
  • 43. Advertisements 317 Writing Assignment: A Proposal Argument 318 Exploring Ideas 320 Identifying Your Audience and Determining What's at Stake 320 Organizing a Proposal Argument 321 Designing a One-Page Advocacy Poster or Advertisement 322 Designing PowerPoint Slides or Other Visual Aids for a Speech 322 Questioning and Critiquing a Proposal Argument 323 Readings 323 Megan Johnson (Student Essay), A Practical Proposal 324
  • 44. Ivan Snook (Student Essay), Flirting with Disaster: An Argument against Integrating Women into the Combat Arms 328 Sandy Wainscott (Student Essay), Why McDonald's Should Sell Meat and Veggie Pies: A Proposal to End Subsidies for Cheap Meat 336 MARCEL DICKE AND ARNOLD VAN HUIS, The Six-Legged Meat of the Future 338 ••• Contents XIII Part Five The Researched Argument 341 16 Finding and Evaluating Sources 342 Formulating a Research Question Instead of a Topic 343 Thinking Rhetorically About Kinds of Sources 343
  • 45. Identifying Kinds of Sources Relevant to Your Question 343 Approaching Sources Rhetorically 343 For Writing and Discussion: Identifying Types of Sources 347 Finding Sources 348 Conducting Interviews 348 Gathering Source Data from Surveys or Questionnaires 349 Finding Books and Reference Sources 349 Using Licensed Databases to Find Articles in Scholarly Journals, Magazines, and News Sources 350 Finding Cyberspace Sources: Searching the World Wide Web 350
  • 46. Selecting and Evaluating Your Sources and Taking Purposeful Notes 351 Reading with Rhetorical Awareness 351 Evaluating Sources 353 Criteria for Evaluating a Web Source 355 For Writing and Discussion: Analyzing the Rhetorical Elements of Two Websites 357 Taking Purposeful Notes 357 Conclusion 359 17 Incorporating Sources into Your Own Argument 360 Using Sources for Your Own Purposes 360 Writer 1: A Causal Argument Showing Alternative Approaches to Reducing Risk of Alcoholism 361 Writer 2: A Proposal Argument Advocating Vegetarianism 362
  • 47. • XIV Contents Writer 3: An Evaluation Argument Looking Skeptically at Vegetarianism 362 For Writing And Discussion: Using a Source for Different Purposes 363 Using Summary, Paraphrase, and Quotation 363 Summarizing 363 Paraphrasing 363 Quoting 365 Punctuating Quotations Correctly 366 Quoting a Complete Sentence 366 Quoting Words and Phrases 366
  • 48. Modifying a Quotation 367 Omitting Something from a Quoted Passage 367 Quoting Something That Contains a Quotation 368 Using a Block Quotation for a Long Passage 368 Appendix Informal Fallacies 397 The Difference Between Formal and Informal Logic 397 An Overview of Informal Fallacies 398 Fallacies of Pathos 399 Fallacies of Ethos 400 Fallacies of Logos 401 For Writing And Discussion: Persuasive or Fallacious? 403 Part Six An Anthology of
  • 49. Arguments 405 Choices for a Sustainable World 406 JOSEPH ALDY, "Curbing Climate Change Creating Rhetorically Effective Attributive Tags 369 Has a Dollar Value Here's How and Why Attributive Tags versus Parenthetical Citations 369 Creating Attributive Tags to Shape Reader Response 370 Avoiding Plagiarism 371 Why Some Kinds of Plagiarism May Occur Unwittingly 371 Strategies for Avoiding Plagiarism 372 For Writing And Discussion: Avoiding Plagiarism 37 4 We Measure It" 407
  • 50. JAMES A. BAKER, "The Conservative Case for a Carbon Tax and Dividends" 409 DAVID ROBERTS, "Putting a Price on Carbon is a Fine Idea. It's Not the End-All Be-All" 411 JULIAN CRIBB, "Our Human Right Not to Be Poisoned" 416 ALEX HALLATT, "I Stopped Wearing Leather ... " 419 Conclusion 37 4 BILL MCKIBBEN, "The Question I Get Asked the Most" 419 18 Citing and Documenting CHELSEA M. ROCHMAN, "Ecologically Sources 375 Relevant Data Are Policy-Relevant Data" 422 The Correspondence between In-Text Citations and the End-of-Paper List of Cited Works 375 MLA Style 377 In-Text Citations in MLA Style 377
  • 51. Works Cited List in MLA Style 379 BEN ADLER, "Banning Plastic Bags is Great for the World, Right? Not So Fast" 424 SUN SENTINEL EDITORIAL BOARD, "Plastic Bag Ban: Let's Not Get Carried Away" 427 For Writing and Discussion: Choices for a Sustainable World 429 MLA Works Cited Citation Models 379 MLA-Style Research Paper 389 Writing Assignment: Rhetorical Analysis 430 APA Style 389 In-Text Citations in APA Style 390 Post-Fact, Post-Truth Society? 431 References List in APA Style 390 DAVID UBERTI, "The Real History of Fake
  • 52. APA References Citation Models 391 News" 432 APA-Style Research Paper 396 EUGENE KIELY AND LORI ROBERTSON, Conclusion 396 "How to Spot Fake News" 437 Contents XV SARAH WILSON, "I've Heard All the Arguments against a Sugar Tax. I'm Still KARSTEN SCHLEY, "Warning!! This Newspaper May Contain Traces of Journalism" 442 Calling for One in Australia" 471 HARTFORD COURANT EDITORIAL BOARD, "Soda Tax Is Nanny-State Overreach" 473 JACK SHAFER, "The Cure for Fake News Is Worse Than the Disease; Stop Being Trump's Twitter Fool" 442 SIGNE WILKINSON, "More Jobs Lost to Soda ROBERT P. GEORGE AND CORNEL
  • 53. WEST, "Sign the Statement: Truth-Seeking, Democracy, and Freedom of Thought and Expression" 445 LUCIANO FLORID!, "Fake News and a 400-Year-Old Problem: We Need to Resolve the "Post-Truth" Crisis" 446 PETER WAYNE MOE, "Teaching Writing in a Post-Truth Era" 449 MARCUS DU SAUTOY, "Why Aren't People Listening to Scientists?" 450 JEFF HESTER, "The Hermeneutics of Bunk: How a Physicist Gave Postmodernism a B~~E~'' ~2 TIMOTHY CAULFIELD, "Blinded by Science: Modern-Day Hucksters Are Cashing In on Vulnerable Patients" 454 For Writing and Discussion: Dealing with Misinformation, Fake News, and Misconceptions 459
  • 54. Writing Assignment: Researched Proposal Speech on Understanding and Evaluating Scientific Claims 460 Public Health 461 DEMOCRAT AND CHRONICLE EDITORIAL BOARD, "Keep Up Fight against Childhood Obesity" 462 SAN DIEGO UNION-TRIBUNE EDITORIAL BOARD, "Fed or Fed Up? Why We Support Easing School Lunch Rules" 463 CENTERS FOR DISEASE CONTROL AND PREVENTION, "Tips for Parents Ideas to Help Children Maintain a Healthy Weight" 463 JULIA BELLUZ AND JAVIER ZARRACINA, "We Need to Call American Breakfast What It Often Is: Dessert" 468 Taxes!"
  • 55. LOS ANGELES TIMES EDITORIAL BOARD, "Are We Subsidizing a Public Health Crisis by Allowing the Poor to Buy Soda with Food 474 Stamps?" 474 For Writing and Discussion: Public Health 476 Writing Assignment: Multimodal Argument: A Storyboard or Cartoon 476 Challenges in Education 477 RACHEL M. COHEN, "Rethinking School Discipline" 478 RICHARD ULLMAN, "Restorative Justice: The Zero-Tolerance-Policy Overcorrection" 487 CASSADY ROSENBLUM, "Take It From a New Orleans Charter School Teacher: Parents Don't Always Get School Choice Right" 489
  • 56. PAUL FELL, "Educators Try to Keep Public Education away from School Vouchers and Charter Schools" 491 DOUGLAS N. HARRIS, "Why Managed Competition Is Better Than a Free Market for Schooling" 492 RACHEL LAM, "Separate but Unequal" 501 RAFAEL WALKER, "How Canceling Controversial Speakers Hurts Students" 503 GINA BARRECA, "I'm Not Giving Students "Trigger Warnings"" 505 ONNI GUST, "I Use Trigger Warnings But I'm Not Mollycoddling My Students" 507 For Writing and Discussion: Challenges in Education Writing Assignment: A Researched Evaluation Argument on an Educational
  • 57. Policy 509 510 xvi Contents Self-Driving Cars ROBIN CHASE, "Self-Driving Cars Will Improve Our Cities, If They Don't Ruin Them" SCOTT SANTENS, "Self-Driving Trucks Are Going to Hit Us Like a Human-Driven Truck" DREW HENDRICKS, "Five Reasons You 511 512
  • 58. 519 Should Embrace Self-Driving Cars" 526 THE EDITORIAL BOARD OF THE NEW YORK TIMES, "Would You Buy a Self-Driving Future from These Guys?" 528 For Writing and Discussion: Self-Driving Cars 530 Writing Assignment: A Researched Argument on a Subissue Related to Self-Driving Cars 531 Immigration in the Twenty-First Century 532 MICHELLE YE HEE LEE, "Fact Checker: The White House' s Claim that "Sanctuary" Cities Are Violating the Law" 533 KENT LUNDGREN, "Stop Immigration Processing as Leverage against
  • 59. Sanctuaries?" 535 DARLENE NICGORSKI, "Convicted of the Gospel" 537 LUPE VALDEZ, ED GONZALEZ, AND JAVIER SALAZAR, "Enforcement in Sanctuary Cities Should Be Peds' Job, Not Local Police" 539 JEFF DANZIGER, "Coming Soon to a House Like Yours" 540 SALIL SHETTY, AMNESTY INTERNATIONAL, "Foreword to Tackling the Global Refugee Crisis: From Shirking to Sharing Responsibility" 541 STEVEN P. BUCCI, "We Must Remain Vigilant through Responsible Refugee Policies" 544 RICH STEARNS, "Facing Responsibility: The Face of a Refugee Child" 545 For Writing and Discussion: Immigration in the Twenty-First Century 547
  • 60. Writing Assignment: White Paper Summarizing the Arguments about a Policy Proposal 548 Argument Classics 549 JONATHAN SWIFT, "A Modest Proposal: For Preventing the Children of Poor People in Ireland, from Being a Burden on Their Parents or Country, and for Making Them Beneficial to the Public" 549 ELIZABETH CADY STANTON, "The Declaration of Sentiments and Resolutions Seneca Falls Conference" (1848) 555 MARGARET SANGER, "The Morality of Birth Control" 559 For Writing and Discussion: Argument Classics Writing Assignment: Rhetorical Analysis Credits
  • 61. Index 563 563 564 567 hrough ten editions, Writing Arguments has sustained its reputation as a leading college textbook in argumentation. By focusing on argument as a collaborative search for the best solutions to problems (as opposed to pro/ con debate), Writing Arguments treats argument as a process of inquiry as well as a means of persuasion. Users and reviewers have consistently praised the book for teaching the critical thinking skills needed for writing
  • 62. arguments: how to analyze the occasion for an argument; how to analyze arguments rhetorically; how to ground an argument in the values and beliefs of the targeted audience; how to develop and elaborate an argument; and how to respond sensitively to objections and alternative views. We are pleased that in this eleventh edition, we have improved the text in key ways while retaining the text's signature strengths. What's New in the Eleventh Edition? Based on our continuing research into argumentation theory and pedagogy and on our own experiences as classroom teachers, we have made significant improve- ments in the eleventh edition that will increase students' understanding of the value of argument and help them negotiate the rhetorical divisiveness in today's world. Here are the major changes in the eleventh edition: • Use of Aristotle's -'-'provisional truths" to address post-truth, post-fact
  • 63. challenges to argument. This edition directly engages the complexity of conducting reasoned argument in a public sphere that is often dominated by ideological camps, news echo chambers, and charges of fake news. A revised Chapter 1 uses Aristotle's view of probabilistic or provisional truths to carve out a working space for argument between unachievable certainty and nihil- istic relativism. Chapter 1's view of argument as both truth- seeking and persuasion is carried consistently throughout the text. This edition directly tackles the challenges to reasoned argument posed by dominant ideological perspectives, siloed echo chambers, and a dependence on social media as a source of news. • A reordering, refocusing, and streamlining of chapters to create better pedagogical sequencing and coherence. The previous edition's Chapter 2, which focused on argument as inquiry combining summary
  • 64. writing and exploratory response, has been refocused and moved to Chapter 8. Previ- ous Chapter 2 material on the genres of argument has now been placed in an expanded Chapter 7 on rhetorical analysis. This new sequencing allows students to focus first on understanding the principles of argument (Chapters 1-6) and then to switch to the critical thinking process of joining an argumen- tative conversation through reading and strong response. (See "Structure of the Text" later in this preface for further explanation.) •• XVII ••• XVIII Preface • A new chapter on collaborative rhetoric as a bridge-building alternative
  • 65. to persuasion. Chapter 10, new to this edition, blends ideas from Rogerian communication with practices from conflict resolution to help prepare students for their roles in private, public, and professional life amidst clash- ing values and views. Explanations, guidelines, and exercises emphasize nonjudgmentallistening, self-reflection, a search for common ground, and suggestions for encouraging ongoing problem-solving through learning, listening, and respectful use of language. • A substantially revised chapter on visual and multimodal arguments. Chapter 9 on visual and multimodal rhetoric now includes a new example and guidelines for making persuasive videos as well as a new exercise to apply image analysis in the construction of visual arguments. • A revised chapter on rhetorical analysis. Chapter 7, "Analyzing Arguments Rhetorically," has been expanded by consolidating rhetorical
  • 66. instruction from several chapters into one chapter and linking it to the critical thinking skills required for joining an argumentative conversation. • Updated or streamlined examples and explanations throughout the text along with many new images. Instructors familiar with previous editions will find many new examples and explanations ranging from a new dialog in Chapter 1 to illustrate the difference between an argument and a quarrel to a streamlined appendix on logical fallacies at the end. New images, edito- rial cartoons, and graphics throughout the text highlight current issues such as legalizing marijuana, plastics in the ocean, graffiti in public places, a soda tax, cultural and religious diversity, refugees, travel bans, and cars' carbon footprints. • Two new student model essays, one illustrating APA style. One new stu-
  • 67. dent model essay evaluates gender bias in a high school dress code, and the other, illustrating APA style, explores the causes of math anxiety in children. • A handful of lively new professional readings in the rhetoric section of the text. New readings ask students to think about a ban on plastic bags, the social definition of adulthood, and the psychological effect of not recognizing ourselves in videos. • A thoroughly revised and updated anthology. The anthology features updated units as well as four entirely new units. • A new unit on self-driving cars explores the legal, economic, and societal repercussions of this new technological revolution in transportation. • A unit on the post-truth, post-fact era examines the difficulties of con- suming news and evaluating the factual basis of news and
  • 68. scientific claims in the era of ideological siloes and of news as entertainment via social media. • A new unit on the public health crisis explores the personal and societal consequences of excessive consumption of sugar, the need to establish healthy eating habits in children, and the controversy over a soda tax. • A unit on challenges in education examines three areas of controversy: disci- plinary policy in K-12 classrooms (restorative justice versus zero-tolerance); the voucher system and charter schools as alternatives to public school; and, at the college level, trigger warnings and divisive speakers on campus. • An updated unit on sustainability examines the carbon tax and the envi-
  • 69. ronmental damage caused by the use and disposal of plastic bottles and plastic bags. • The unit on immigration has been updated to explore the controversy over sanctuary cities and the American response to refugees. • A brief argument classics unit offers some famous stylized historical arguments. What Hasn't Changed? The Distinguishing Strengths of Writing Arguments The eleventh edition of Writing Arguments preserves the text's signature strengths praised by students, instructors, and reviewers: • Argument as a collaborative search for "best solutions" rather than as pro- con debate. Throughout the text, Writing Arguments emphasizes both the truth-seeking and persuasive dimensions of argument a dialectic tension that requires empathic listening to all stakeholders in an
  • 70. argumentative con- versation and the seeking of reasons that appeal to shared values and beliefs. For heated arguments with particularly clashing points of view, we show the value of Rogerian listening and, in this eleventh edition, point to collaborative rhetoric as a shift from making arguments to seeking deeper understanding and common ground as a way forward amid conflict. • Argument as a rhetorical act. Writing Arguments teaches students to think rhetorically about argument: to understand the real-world occasions and con- texts for argument, to analyze the targeted audience's underlying values and assumptions, to understand how evidence is selected and framed by an angle of vision, to appreciate the functions and constraints of genre, and to employ the classical appeals of logos, pathos, and ethos. • Argument as critical thinking. When writing an argument, writers are
  • 71. forced to lay bare their thinking processes. Focusing on both reading and writing, Writing Arguments emphasizes the critical thinking that underlies reasoned argument: active questioning, empathic reading and listening, believing and doubting, asserting a contestable claim that pushes against alternative views, and supporting the claim with a logical structure of reasons and evidence all while negotiating uncertainty and ambiguity. • Consistent grounding in argumentation theory. To engage students in the kinds of critical and rhetorical thinking that argument demands, we draw on four major approaches to argumentation: • The enthymeme as a rhetorical and logical structure. This concept, espe- cially useful for beginning writers, helps students "nutshell" an argument as a claim with one or more supporting because clauses. It also helps them see how real-world arguments are rooted in assumptions granted
  • 72. by the audience rather than in universal and unchanging principles. • The three classical types of appeal logos, ethos, and pathos. These con- cepts help students place their arguments in a rhetorical context focus- ing on audience-based appeals; they also help students create an effective voice and style. • Preface XIX XX Preface • Toulmin's system of analyzing arguments. Toulmin' s system helps stu- dents see the complete, implicit structure that underlies an enthymeme and develop appropriate grounds and backing to support an argument's reasons and warrants, thus helping students tailor arguments to
  • 73. audiences. Toulmin analysis highlights the rhetorical, social, and dialectical nature of argument. • Stasis theory concerning types of claims. This approach stresses the heuristic value of learning different patterns of support for different types of claims and often leads students to make surprisingly rich and full arguments. • Effective writing pedagogy. This text combines explanations of argument with best practices from composition pedagogy, including exploratory writ- ing, sequenced and scaffolded writing assignments, class-tested "For Writing and Discussion" tasks, and guidance through all stages of the writing process. To help students position themselves in an argumentative conversation, the text teaches the skills of" summary I strong response" the ability to summa-
  • 74. rize a source author's argument and to respond to it thoughtfully. The moves of summary and strong response teach students to use their own critical and rhetorical thinking to find their own voice in a conversation. • Rhetorical approach to the research process. Writing Arguments teaches students to think rhetorically about their sources and about the ways they might use these sources in their own arguments. Research coverage includes guidance for finding sources, reading and evaluating sources rhetorically, taking purposeful notes, integrating source material effectively (including rhetorical use of attributive tags), and citing sources using two academic cita- tion systems: MLA (8th edition) and APA. The text's rhetorical treatment of plagiarism helps students understand the conventions of different genres and avoid unintentional plagiarism. • Extensive coverage of visual rhetoric. Chapter 9 is devoted
  • 75. entirely to visual and multimodal rhetoric. Additionally, many chapters include an "Examining Visual Rhetoric" feature that connects visual rhetoric to the chapter's instructional content. The images that introduce each part of the text, as well as images incorporated throughout the text, provide opportuni- ties for visual analysis. Many of the text's assignment options include visual or multimodal components, including advocacy posters or speeches sup- ported with presentation slides. • Effective and engaging student and professional arguments. The pro- fessional and student arguments, both written and visual, present voices in current social conversations, illustrate types of argument and argument strategies, and provide fodder to stimulate discussion, analysis, and writing. Structure of the Text
  • 76. Writing Arguments provides a coherent sequencing of instruction while giving instructors flexibility to reorder materials to suit their needs. • Part One focuses on the principles of argument: an overview of argument as truth-seeking rather than pro-con debate (Chapter 1); the logos of argu- ment including the enthymeme (Chapter 2); Toulmin's system for analyzing arguments (Chapter 3) and the selection and framing of evidence (Chapter 4); the rhetorical appeals of ethos and pathos (Chapter 5); and acknowledging and responding to alternative views (Chapter 6). • Part Two shifts to the process of argument helping students learn how to enter an argumentative conversation by summarizing what others have said and staking out their own position and claims. Chapter 7 consolidates
  • 77. instruction on rhetorical analysis to help students think rhetorically about an argumentative conversation. Chapter 8 focuses on argument as inquiry, teaching students the groundwork skills of believing and doubting, sum- marizing a source author's argument and speaking back to it with integrity. • Part Three expands students' understanding of argument. Chapter 9 focuses on visual and multimodal argument. Chapter 10, new to the eleventh edition, teaches the powerful community-building skill of collaborative rhetoric as an alternative to argument. It focuses on mutual understanding rather than • persuas1on. • Part Four (Chapters 11-15) introduces students to stasis theory, showing the typical structures and argumentative moves required for different claim
  • 78. types: definition, resemblance, causal, evaluation, and proposal arguments. • Part Five (Chapters 16-18) focuses on research skill rooted in a rhetorical understanding of sources. It shows students how to use sources in support of an argument by evaluating, integrating, citing, and documenting them properly. An appendix on logical fallacies is a handy section where all the major informal fallacies are treated at once for easy reference. • Part Six, the anthology, provides a rich and varied selection of professional arguments arranged into seven high-interest units, including self-driving cars, immigration, sustainability, education, public heath, and public media in an age of fake news and alternative facts. It also includes a unit on classic arguments. Many of the issues raised in the anthology are first raised in the rhetoric so that students' interest in the anthology topics will already
  • 79. be piqued. Revel Revel is an interactive learning environment that deeply engages students and prepares them for class. Media and assessment integrated directly within the authors' narrative lets students read, explore interactive content, and practice in one continuous learning path. Thanks to the dynamic reading experience in Revel, students come to class prepared to discuss, apply, and learn from instructors and from each other. Learn more about Revel http:/ /www.pearson.com/revel Supplements Make more time for your students with instructor resources that offer effective learning assessments and classroom engagement. Pearson's partnership with educators does not end with the delivery of course materials; Pearson is there with you on the first day of class and beyond. A dedicated team
  • 80. of local Pearson representatives will work with you not only to choose course materials but also • Preface XXI •• XXII Preface to integrate them into your class and assess their effectiveness. Our goal is your goal to improve instruction with each semester. Pearson is pleased to offer the following resources to qualified adopters of Writing Arguments. Several of these supplements are available to instantly down- load from Revel or on the Instructor Resource Center (IRC); please visit the IRC at www.pearsonhighered.com/irc to register for access. • INSTRUCTOR'S RESOURCE MANUAL, by Hannah Tracy
  • 81. (Seattle University). Create a comprehensive roadmap for teaching classroom, online, or hybrid courses. Designed for new and experienced instructors, the Instruc- tor's Resource Manual includes learning objectives, lecture and discussion suggestions, activities for in or out of class, research activities, participation activities, and suggested readings, series, and films as well as a Revel features section. Available within Revel and on the IRC. • POWERPOINT PRESENTATION. Make lectures more enriching for students. The PowerPoint Presentation includes a full lecture outline and photos and figures from the textbook and Revel edition. Available on the IRC. We are happy for this opportunity to give public thanks to the scholars, teachers, and students who have influenced our approach to composition
  • 82. and argument. For this edition, we owe special thanks to our long-time teammate and colleague at Seattle University, Hilary Hawley, who aided us in researching public con- troversies and finding timely, available readings on these issues. Hilary wrote the framing introductions, the headnotes, and the critical apparatus for many of the anthology units. Her experience teaching argument, especially he public controversies over sustainability, food, immigration, and health, shaped these units. We are also grateful to another of our Seattle University colleagues, Hannah Tracy, for writing the Instructor's Resource Manual, a task to which she brings her knowledge of argumentation and her experience teaching civic and academic argument. We thank Stephen Bean for his research on self- driving cars and on issues related to legalizing marijuana. Finally, we thank Kris Saknussemm and Janie Bube for their design contributions to several of the visual arguments in
  • 83. this edition. We are particularly grateful to our talented students Jesse Goncalves (argu- ment on math anxiety), Hadley Reeder (argument on high school dress codes) and Camille Tabari (PSA video "It's a Toilet, Not a Trash Can") who contributed to this edition their timely arguments built from their intellectual curiosity, ideas, personal experience, and research. Additionally, we are grateful to all our stu- dents whom we have been privileged to teach in our writing classes and to our other students who have enabled us to include their arguments in this text. Their insights and growth as writers have inspired our ongoing study of rhetoric and argumentation. We thank too the many users of our texts who have given us encouragement about our successes and offered helpful suggestions for improvements. Particu- larly we thank the following scholars and teachers who
  • 84. reviewed the previous edition of Writing Arguments and whose valuable suggestions informed this new edition: Max Hohner, Eastern Washington University Jeff Kosse, Iowa Western Community College Jeremy Meyer, Arizona State University Jennifer Waters, Arizona State University We wish to express our gratitude to our developmental editor Steven Rigolosi for his skill, patience, diligence, and deep knowledge of all phases of textbook production. Steve's ability to provide timely guidance throughout the production process made this edition possible. As always, we thank our families, who ultimately make this work possible. John Bean thanks his wife, Kit, also a professional composition teacher, and his
  • 85. children Matthew, Andrew, Stephen, and Sarah, all of whom have grown to adult- hood since he first began writing textbooks. Our lively conversations at family dinners, which now include spouses, partners, and grandchildren, have kept him ••• XXIII • XXIV Acknowledgments engaged in arguments that matter about how to create a just, humane, and sus- tainable world. June Johnson thanks her husband, Kenneth Bube, a mathematics professor and researcher, and her daughter, Janie Bube. Ken and Janie have played major roles in the ongoing family analysis of argumentation in the public sphere on wide-ranging subjects. Janie's knowledge of environmental issues and digi-
  • 86. tal design and Kenneth's of mathematical thinking and the public perception of science have broadened June's understanding of argument hotspots. They have also enabled her to meet the demands and challenges of continuing to infuse new ideas and material into this text in each revision. John C. Bean June Johnson • • etoric wit -event it ion This page intentionally left blank
  • 87. PART ONE • • 1 Argument: An Introduction 2 The Core of an Argument: A Claim with Reasons 3 The Logical Structure of Argument: Logos 4 Using Evidence Effectively 5 Moving Your Audience: Ethos, Pathos, and Kairos 6 Responding to Objections and Alternative Views Factory farming, the m ass production of animals for meat on an industrial model, shown in this photo, is a n etwork of controversial issues, including cruelty to animals, healthfulness of meat diets, disconnection of people from their food , strain on environmental resources, and economic effects on sm all farming. 1
  • 88. 2 Chapter 1 • • Learning Objectives In this chapter you will learn to: 1.1 Explain common misconceptions about the meaning of argument. 1.2 Describe defining features of argument. 1.3 Understand the relationship of argument to the process of truth-seeking and inquiry. This book is dedicated to the proposition that reasoned argument is essential for the functioning of democracies. By establishing a separation
  • 89. of powers and protecting individual rights, the U. S. Constitution p laces argument at the center of civic life. At every layer of democracy, government decisions about laws, regulations, right actions, and judicial outcomes depend on reasoned argument, which involves listening to multip le perspectives. As former Vice President Al Gore once put it, "Faith in the power of reason the belief that free citizens can govern themselves wisely and fairly by resorting to logical debate on the basis of the best evidence available, instead of raw power was and remains the central premise of American democracy."1 Yet, many public intellectuals, scholars, and journalists have written that we are now entering a post-truth era, where the "best evidence available" becomes unmoored from a shared understanding of reality. How citizens access informa- tion and how they think about public issues is increasingly complicated by the
  • 90. unregulated freedom of the Internet and the stresses of a globalized and ethnically and religiously diverse society. Many citizens now focus on the entertainment d imension of news or get their news from sources that match their own political leanings. One source's "news" may be another source's "fake news." In fact, the concept of argument is now entangled in post-truth confusions about what an argument is. What, then, do we mean by reasoned argument, and why is it vital for coping with post-truth confusion? The meaning of reasoned argument will become clearer in this opening chapter and throughout this text. We hope your study of 1 Al Gore, Assault on Reason. New York: Penguin, 2007, p. 2. Argument: An Introduction 3
  • 91. reasoned argument will lead you to value it as a student, citizen, and professional. We begin this chapter by debunking some common misconceptions about argu- ment. We then examine three defining features of argument: It requires writers or speakers to justify their claims; it is both a product and a process; and it combines elements of truth-seeking and persuasion. Finally, we look closely at the tension between truth-seeking and persuasion to encourage you to use both of these pro- cesses in your approach to argument. hat Do e Mean by Argument? 1.1 Explain common misconceptions about the meaning of argument. Let's begin by examining the inadequacies of two popular images of argument: fight and debate. Argum.ent Is Not a Fight or a Quarrel To many, the word argument connotes anger and hostility, as when we say, "I just
  • 92. had a huge argument with my roommate," or "My mother and I argue all the time." We picture heated disagreement, rising pulse rates, and an urge to slam doors. Argument imagined as fight conjures images of shouting talk-show guests, flaming bloggers, or fist-banging speakers. But to our way of thinking, argument doesn't imply anger. In fact, arguing is often pleasurable. It is a creative and productive activity that engages us at high levels of inquiry and critical thinking, often in conversation with people we like and respect. When you think about argument, we invite you to envision not a shouting match on cable news but rather a small group of reasonable people seeking the best solution to a problem. We will return to this image throughout the chapter. Argum.ent Is Not Pro-Con Debate Another popular image of argument is debate a presidential debate, perhaps, or
  • 93. a high school or college debate tournament. According to one popular dictionary, debate is "a formal contest of argumentation in which two opposing teams defend and attack a given proposition." Although formal debate can develop critical thinking, it has a key weakness: It can turn argument into a game of winners and losers rather than a process of cooperative inquiry. For an illustration of this weakness, consider one of our former students, a champion high school debater who spent his senior year debating the issue of prison reform. Throughout the year he argued for and against propositions such as "The United States should build more prisons" and "Innovative alternatives to prison should replace prison sentences for most crimes." We asked him, "What do you personally think is the best way to reform prisons?" He replied, "I don't know. I haven't thought about what I would actually choose." Here was a bright, articulate student who had studied prisons
  • 94. extensively for a year. Yet nothing in the atmosphere of pro-con debate had engaged him in truth-seeking inquiry. He could argue for and against a proposition, but he hadn't experienced the wrenching process of clarifying his own values and taking a 4 Chapter 1 personal stand. As we explain throughout this text, argument entails a desire for truth-seeking; it aims to find the best solutions to complex problems. We don't mean that arguers don't passionately support their own points of view or expose weaknesses in views they find faulty. Instead, we mean that their goal isn't to win a game but to find and promote the best belief or course of action. Arguments Can Be Explicit or Implicit Before we examine some of the defining features of argument,
  • 95. we should note also that arguments can be either explicit or implicit. Explicit arguments (either written or oral) directly state their contestable claims and support them with reasons and evidence. Implicit arguments, in contrast, may not look like arguments at all. They may be bumper stickers, billboards, posters, photographs, cartoons, vanity license plates, slogans on aT-shirt, advertisements, poems, or song lyrics. But like explicit arguments, they persuade their audience toward a certain point of view. Consider the poster in Figure 1.1 part of one state's recent citizen campaign to legalize marijuana. The poster's comparative data about "annual deaths," its beautiful green marijuana leaves, and its cluster of peanuts make the implicit argument that marijuana is safe even safer than peanuts. The poster's intention is to persuade voters to approve the state initiative to legalize pot. But this poster is just one voice in a complex
  • 96. conversation. Does Figure 1.1 An implic it argument favoring legalization of marijuana DEATHS PER From Tobacco From Alcohol From Drug Overdose From Texting and Driving From Peanuts From Marijuana Use 480, 000 88,000 64,000 3, 200 100 0 {Sourus: Ctnttrs for DiJeast Conrrol and Prevention,
  • 97. Nationallnsrirutt on Akohol Abuse and Alcolwlism, Edgar Snyder Persona/Injury Law Firm, howsrujfworks. Food Allerv Ruearch & &lurotion. National Institute on Drug Abuse] Argument: An Int roduction 5 marijuana have dangers that this poster makes invisible? Would children and ado- lescents have more access or less access to marijuana if the drug were legalized? Is marijuana a "gateway drug" to heroin and other, harder drugs? How would legalization of marijuana affect crime, drug trafficking, and prison populations? What would be the cultural consequences if marijuana became as socially accept- able as alcohol? In contrast to the implicit argument made in Figure 1.1, consider the follow- ing explicit argument a letter to the editor submitted by student
  • 98. writer Mike Overton. As an explicit argument, it states its claim d irectly and supports it with reasons and evidence. An Explicit Argument Opposing Legalization of Marijuana LETTER TO THE EDITOR BY STUDENT MIKE OVERTON Proponents of legalizing marijuana claim that pot is a benign drug because it has a low risk of overdose and causes few deaths. Pot is even safer than peanuts, according to a recent pro-legalization poster. However, pot poses grave psycho- logical risks, particularly to children and adolescents, that are masked if we focus only on death rate. Several studies have shown adverse effects of marijuana on memory, deci- sion making, and cognition. In one study, Duke University researchers examined IQ scores of individuals taken from childhood through age 38. They found a
  • 99. noticeable decline in the IQ scores of pot smokers compared with nonusers, with greater declines among those who smoked more. Daily pot smokers dropped, on average, eight IQ points. There is also a clear link between pot usage and schizophrenia. Many studies have shown an increased risk of schizophrenia and psychosis from pot usage, par- ticularly with regular use as an adolescent. Studies find that regular pot smokers who develop schizophrenia begin exhibiting symptoms of the disease earlier than nonusers, with the average diagnosis occurring 2.7 years earlier than for nonusers. These are devastating mental illnesses that cut to the core of our well-being. We need to be sure our policies on marijuana don't ignore the documented mental health risks of pot, particularly to adolescents in the critical phase of brain devel- opment. I urge a "no" vote on legalizing marijuana in our state.
  • 100. For Writing And Discussion Implicit and Explicit Arguments Any argum ent, whet her implicit or expl icit, tries to influence the audience's stance on an issue, w ith the goal of m oving the audience toward the arguer 's c laim. A rgument s work on us psycholog ically as well as cogni- tively, t riggering em otions as wel l as thoughts and ideas. Each of t he implicit argum ents in Figures 1.2-1.4 makes a claim on its audience, t rying to get viewers to adopt its position, perspective, belief, or point of view • on an 1ssue. (continued) 6 Chapter 1 Figure 1.2 Early 1970s cover of the controversial soc ial protest magazine Science for the People, wh ich has recently been revived Figure 1.3 Image from website promoting education in prisons
  • 101. (HTTP:/ IWWW.PRISONEDUCATION.COMI} I Argument: An Introduction 7 Figure 1.4 Cartoon on social etiquette and digital media (continued) 00 . oo , ( "Do yov John promiS'e that yovr S'ChedvJe, pJeare pvt yovr iPhone away1 will never be more importanttJ,an yovr timeS' to9ether? 11 Individual task:
  • 102. For each argument, answer the following questions: 1. Observe each argument carefully and then describe it for someone who hasn't seen it. 2. What conversation do you think each argument joins? What is the issue or controversy? What is at stake? (Sometimes "insider knowledge" might be requ ired to understand the argument. In such cases, explain to an outsider the needed background information or cultural context.) 3. What is the argument's claim? That is, what value, perspective, belief, or position does the argument ask its viewers to adopt? 4. What is an opposing or alternative view? What views is the argument pushing against? 5. How do the visual details of each argument contribute to the persuasive effect?
  • 103. 6. Convert the implicit argument into an explicit argument by stating its claim and supporting reasons in words. How do implicit and explicit arguments work d ifferent ly on the brains or hearts of the audience? Group task: Working in pairs or as a class, share your answers w ith classmates. 8 Chapter 1 The Defining Features of Argument 1.2 Describe defining features of argument. We now examine arguments in more detail. (Unless we say otherwise, by argu- ment we mean explicit arguments that attempt to supply reasons and evidence to support their claims.) This section examines three defining features of such
  • 104. arguments. Argument Requires Justification of Its Claims To begin defining argument, let's turn to a humble but universal area of disagree- ment: the conflict between new housemates over house rules. In what way and in what circumstances do such conflicts constitute arguments? AVERY: (grabbing his backpack by the door) See you. I'm heading for class. DANIEL: (loudly and rapidly) Wait. What about picking up your garbage all over the living room? that pizza box, those cans, and all those papers. I think you even spilled Coke on the rug. AVERY: Hey, get off my case. I'll clean it up tonight. With this exchange, we have the start of a quarrel, not an argument. If Daniel's anger picks up suppose he says, "Hey, slobface, no way you're leav- ing this house without picking up your trash!" then the quarrel
  • 105. will escalate into a fight. But let's say that Daniel remains calm. The dialogue then takes this turn. DANIEL: Come on, Avery. We had an agreement to keep the house clean. Now we have the beginnings of an argument. Fleshed out, Daniel's reasoning goes like this: You should clean up your mess because we had an agreement to keep the house clean. The unstated assumption behind this argument is that people should live up to their agreements. Now Avery has an opportunity to respond, either by advancing the argument or by stopping it cold. He could stop it cold by saying, "No, we never agreed to anything." This response pushes Avery's hapless housemates into a post-truth world where there is no agreement about reality. Unless stakeholders have a
  • 106. starting place grounded in mutually accepted evidence, no argument is possible. Their dispute can be decided only by power. But suppose that Avery is a reasonable person of good will. He could advance the argument by responding this way: AVERY: Yes, you are right that we had an agreement. But perhaps our agree- ment needs room for exceptions. I have a super-heavy day today. Now a process of reasonable argument has emerged. Avery offers a reason for rushing from the house without cleaning up. In his mind his argument would go like this: "It is OK for me to wait until tonight to clean up my mess because I have a super-heavy day." He could provide evidence for his reason by explaining his heavy schedule (a group project for one course, a paper due in another, and his agreement with his boss to work overtime at his barista job throughout the afternoon). This rea-
  • 107. son makes sense to Avery, who is understandably immersed in his own perspective. However, it might not be persuasive to Daniel, who responds this way: Argument: An Int roduction 9 DANIEL: I ap preciate your busy schedule, but I am p lanning to be at home all day, and I can't study in this mess. It is unfair for me to have to clean up your stuff. Fleshed out, Daniel 's argument goes like this: "It is not OK for you to leave trash in the living room, because your offer to clean your mess tonight doesn't override my right to enjoy a clean living space today." The dialogue now illus- trates what is required for reasonable argument: (1) a set of two or more conflicting claims ("it is OK I is not OK to leave this mess until tonight") and (2) the attempt to justify the claims with reasons and evidence.
  • 108. The first defining feature of argument, then, is the attempt to justify claims with reasons and evidence. Avery and Daniel now need to think further about how they can justify their claims. The d isagreement between the housemates is not primarily about facts: Both d isputants agree that they had established house rules about cleanliness, that Avery is facing a super-heavy day, and that Avery's mess disturbs Daniel. The dispute is rather about values and fairness principles that are articulated in the unstated assumptions that undergird their reasons. Avery's assumption is that "unusual circumstances can temporarily suspend house rules." Daniel's assumption is that "a temporary suspension to be acceptable cannot treat other housemates unfairly." To justify his claim, therefore, Avery has to show not only that his day is super-heavy but also that h is cleaning his mess at the end of the day isn't unfair to Daniel. To plan his argument, Avery needs to anticipate
  • 109. the questions his argument w ill raise in Daniel 's mind: Will today's mess truly be a rare exception to our house rule, or is Avery a natural slob who will leave the house messy almost every day? What w ill be the state of the house and the quality of the living situation if each person simply makes his own exceptions to house rules? Will continuing to spill food and drinks on the carpet affect the return of the security deposit on the house rental? In addition, Daniel needs to anticipate some of Avery's questions: Are tem- porary periods of messiness really unfair to Daniel? How much does Daniel's neat-freak personality get in the way of house harmony? Would some flexibility in house rules be a good thing? The attempt to justify their assumptions forces both Avery and Daniel to think about the degree of independence each demands when sharing a house. As Avery and Daniel listen to each other's points of view (and
  • 110. begin realizing why their initial arguments have not persuaded their intended audience), we can appreciate one of the earliest meanings of the term to argue, which is "to clarify." As arguers clarify their own positions on an issue, they also begin to clarify their audience's position. Such clarification helps arguers see how they might accom- modate their audience's views, perhaps by adjusting their own position or by developing reasons that appeal to their audience's values. Thus Avery might sug- gest something like this: AVERY: Hey, Daniel, I can see why it is unfair to leave you with my mess. What if I offered you some kind of trade-off? Fleshed out, Avery's argument now looks like this: "It is OK for me to wait until the end of the day to clean up my mess because I am willing to offer you a satisfactory trade-off." The offer of a trade-off immediately addresses Daniel 's
  • 111. sense of being treated unfairly and might lead to negotiation on what this trade- off might be. Perhaps Avery agrees to do more of the cooking, or perhaps there are other areas of conflict that could become part of a trade -off bargain noise levels, sleeping times, music preferences. Or perhaps Daniel, happy that Avery 10 Chapter 1 has offered a trade-off, says it isn't necessary: Daniel concedes that he can live with occasional messiness. Whether or not Avery and Daniel can work out a best solution, the preceding scenario illustrates how the need to justify one's claims leads to a clarification of facts and values and to the process of negotiating solutions that might work for all stakeholders.
  • 112. Argument Is Both a Process and a Product As the preceding scenario revealed, argument can be viewed as a process in which two or more parties seek the best solution to a question or problem. Argument can also be viewed as a product, with each product being any person's contribution to the conversation at a given moment. In an informal discussion, the products are usually short pieces of conversation. In more formal settings, an orally delivered product might be a short, impromptu speech (say, during an open-mike discus- sion of a campus issue) or a longer, carefully prepared formal speech (as in a Power Point presentation at a business meeting or an argument at a public hearing for or against a proposed city project). Similar conversations occur in writing. Roughly analogous to a small-group discussion is an exchange of the kind that occurs regularly online through infor- mal chat groups or more formal blog sites. In an online discussion, participants
  • 113. have more thinking time to shape their messages than they do in a real-time oral discussion. Nevertheless, messages are usually short and informal, making it pos- sible over the course of several days to see participants' ideas shift and evolve as conversants modify their initial views in response to others' views. Roughly equivalent to a formal speech would be a formal written argument, which may take the form of an academic argument for a college course; a grant proposal; an online posting; a guest column for the op-ed* section of a newspaper; a legal brief; a letter to a member of Congress; or an article for an organizational newsletter, popular magazine, or professional journal. In each of these instances, the written argument (a product) enters a conversation (a process) in this case, a conversation of readers, many of whom will carry on the conversation by writing their own responses or by discussing the writer's views with others. The goal of
  • 114. the community of writers and readers is to find the best solution to the problem or issue under discussion. Argument Combines Truth-Seeking and Persuasion In thinking about argument as a product, writers will find themselves continually moving back and forth between truth-seeking and persuasion that is, between questions about the subject matter (What is the best solution to this problem?) and about audience (What do my readers already believe or value? What reasons and * Op-ed stands for "opposite-editorial." It is the generic name in journalism for a signed argument that voices the writer's opinion on an issue, as opposed to a news story that is supposed to report events objectively, uncolored by the writer's personal views. Op-ed pieces appear in the editorial-opinion section of newspapers, which generally features editorials by the resident staff, opinion pieces by syndicated columnists, and letters to the
  • 115. editor from readers. The term op-ed is often extended to syndicated columns appearing in newsmagazines, advocacy websites, and online news services. Argument: An Introduction 11 evidence will most persuade them?). Writers weave back and forth, alternately absorbed in the subject of their argument and in the audience for that argument. Neither of the two focuses is ever completely out of mind, but their relative importance shifts during different phases of the development of an argument. Moreover, different rhetorical situations place different emphases on truth-seeking versus persuasion. We can thus place arguments on a continuum that measures the degree of attention a writer gives to subject matter versus audience. (See Figure 1.5.) At the full truth-seeking (left) end of the continuum might be an exploratory piece
  • 116. that lays out several alternative approaches to a problem and weighs the strengths and weaknesses of each with no concern for persuasion. At the other (persuasion) end of the continuum would be outright propaganda, such as a political adver- tisement that reduces a complex issue to sound bites and distorts an opponent's position through out-of-context quotations or misleading use of data. (At its most blatant, propaganda obliterates truth-seeking; it will use any tool, including bogus evidence, distorted assertions, and outright lies, to win over an audience.) In the middle ranges of the continuum, writers shift their focuses back and forth between inquiry and persuasion but with varying degrees of emphasis. As an example of a writer focusing primarily on truth-seeking, consider the case of Kathleen, who, in her college argument course, addressed the definitional ques- tion "Is American Sign Language (ASL) a 'foreign language' for purposes of meeting the university's foreign language requirement?" Kathleen had
  • 117. taken two years of ASL at a community college. When she transferred to a four- year college, the chair of the foreign languages department would not allow her ASL coursework to count toward Kathleen's foreign language requirement. "ASL isn't a language," the chair said summarily. "It's not equivalent to learning French, German, or Japanese." Kathleen disagreed, so she immersed herself in developing her argument. While doing research, she focused almost entirely on the subject matter, searching for what linguists, neurologists, cognitive psychologists, and sociologists have said about the language of deaf people. Immersed in her subject matter, she was only tacitly concerned with her audience, whom she thought of primarily as her classmates and the professor of her argument class people who were friendly to her views and interested in her experiences with the deaf community. She wrote a well-documented paper, citing several scholarly articles, that
  • 118. made a good case to her classmates (and the professor) that ASL is indeed a distinct language. Proud of the A she received on her paper, Kathleen decided for a subsequent assignment to write a second paper on ASL but this time aiming it directly at the chair of the foreign languages department and petitioning her to accept ASL proficiency for the foreign language requirement. Now her writing task fell closer to the persuasive end of our continuum. Kathleen once again immersed herself in Figure 1.5 Continuum of arguments from truth-seeking to persuasion Truth Seeking Essay examining all sides of an issue and possibly not arriving at a conclusive answer
  • 119. Argument as inquiry; asking audience to think out the issue with the writer Argument, aimed at a neutral or skeptical audience, that shows awareness of different views Argument aimed at a friendly audience (often for fundraising or calls to action) Persuasion Aggressive onesided argument that simply delivers a message 12 Chapter 1
  • 120. research, but this time she focused not on subject matter (whether ASL is a distinct language) but on audience. She researched the history of the foreign language requirement at her college and discovered some of the politics behind it (the foreign language requirement had been dropped in the 1970s and reinstituted in the 1990s, partly a math professor told her to boost enrollments in foreign language courses). She also interviewed foreign language teachers to find out what they knew and didn't know about ASL. She discovered that many teachers thought ASL was "easy to learn," so that accepting ASL would give students a Mickey Mouse way to avoid the rigors of a "real" foreign language class. Addi- tionally, she learned that foreign language teachers valued immersing students in a foreign culture; in fact, the foreign language requirement was part of her college's effort to create a multicultural curriculum.
  • 121. This increased understanding of her target audience helped Kathleen recon- ceptualize her argument. Her claim that ASL is a real language (the subject of her first paper) became only one section of her second paper, much condensed and abridged. She added sections showing the difficulty of learning ASL (to counter her audience's belief that learning ASL is easy), showing how the deaf community forms a distinct culture with its own customs and literature (to show how ASL would meet the goals of multiculturalism), and showing that the number of transfer students with ASL credits would be negligibly small (to allay fears that accepting ASL would threaten enrollments in language classes). She ended her argument with an appeal to her college's public emphasis (declared boldly in its mission statement) on eradicating social injustice and reaching out to the oppressed. She described the isolation of deaf people in a world where almost no hearing people learn ASL, and she argued that the deaf community on her campus could be
  • 122. integrated more fully into campus life if more students could talk with them. Thus the ideas included in her new argument the reasons selected, the evidence used, the arrangement and tone all were determined by her primary focus on persuasion. Our point, then, is that all along the continuum, writers attempt both to seek truth and to persuade, but not necessarily with equal balance. Kathleen could not have written her second paper, aimed specifically at persuading the chair of the foreign languages department, if she hadn't first immersed herself in truth- seeking research that convinced her that ASL is indeed a distinct language. Note that we are not saying that Kathleen's second argument was better than her first. Both arguments fulfilled their purposes and met the needs of their intended audi- ences. Both involved truth-seeking and persuasion, but the first focused primarily on subject matter whereas the second focused primarily on audience.
  • 123. Argument and the Problem of Truth in the 21st Century 1.3 Understand the relationship of argument to the process of truth-seeking and inquiry. The tension that we have just examined between truth-seeking and persuasion raises an ancient issue in the field of argument: Is the arguer's first obligation to truth or to winning the argument? And just what is the nature of the truth to which arguers are supposed to be obligated? Argument: An Introduction 13 Early Greek rhetoricians and philosophers particularly the Sophists, Socrates, Plato, and Aristotle all wrestled with this tension. In Plato's Dialogues, these questions were at the heart of Socrates' disagreement with
  • 124. the Sophists. The Sophists were professional rhetoricians who specialized in training orators to win arguments. Socrates, who valued truth-seeking over persuasion and believed that truth could be discovered through philosophic inquiry, opposed the Sophists. For Socrates (and Plato), Truth resided in the ideal world of forms, and through philo- sophic rigor humans could transcend the changing, shadow like world of everyday reality to perceive the world of universals where Truth, Beauty, and Goodness resided. Through his method of questioning, Socrates would gradually peel away layer after layer of false views until Truth was revealed. The good person's duty, Socrates believed, was not to win an argument but to pursue this higher Truth. Socrates and Plato distrusted professional rhetoricians because these professionals were interested only in the power and wealth that came from persuading audi- ences to the orator's views. In contrast, Plato's pupil Aristotle maintained Plato's
  • 125. commitment to ethical living but valued rhetoric as a way of reaching conclu- sions or what he called "probable truth" in the realm of everyday living the best answers available to people who were willing to think deeply and argue reason- ably about a problem. Aristotle taught rhetoric and argument as collective inquiry in search of new understanding probable truths and best solutions supported persuasively by reasons and evidence that could be shared and agreed upon. Let's apply these perspectives to a modern example. Suppose your commu- nity is d ivided over the issue of raising environmental standards versus keeping open a job-producing factory that doesn't meet new guidelines for waste dis- charge. In a dispute between jobs and the environment, which is the best course? The Sophists would train you to argue any side of this issue on behalf of any lobbying group willing to pay for your services. This relativism and willingness
  • 126. to manipulate language led over time to the term sophistry being associated with trickery in argument. If, however, you applied Aristotle's practical concern for "probable truth," you would be inspired to listen to all sides of the dispute, peel away unsatisfactory arguments through reasonable inquiry, and commit yourself to a course of action that you have come to believe is the best for as many stake- holders as possible. In sum, Plato was concerned with absolute truths residing in the spiritual world of forms, while Aristotle valued rhetoric's focus on probable truths in our messy human world. Aristotle's view is thus close to that expressed by Al Gore at the beginning of this chapter. Aristotle and Gore would agree that truth the search for best solutions is messy and complicated and needs to be negotiated in an ongoing spirit of argument. Every day we face complex questions with multiple stakeholders. Do sanctuary cities make citizens safer,
  • 127. as many sheriffs and police departments argue, or do they shelter criminals and endanger citizens, as some people contend? Should all controversial speakers be allowed to speak on college campuses, or should universities carefully monitor and restrict these public forums? There are no simple or clear-cut answers to these questions, but one thing is certain: People can't carry on productive argument if they retreat to siloed echo chambers where they encounter only those views w ith which they already agree. Daniel the neat freak has to encounter Avery the slob; otherwise, no growth is possible. Argument works only if we are willing to question and clarify our own positions and engage in dialogue w ith those stakeholders with whom we disagree. 14 Chapter 1
  • 128. This truth-seeking approach to argument helps us combat various traps that we may fall into. A first trap is that we might become intellectually lazy, failing to question easily found or sensationalist information and views. We might succumb to "desirability bias" 2-the tendency to accept information that "we want to believe." Or we might cling to what political scientist Morgan Marietti calls "sacred values"3 religious or secular beliefs that are so central to our world views and identities that we accept them as absolute, unquestionable, and inviolable. For example, for some persons a woman's right to control her own body is a sacred value; for others, an unborn fetus's right to life is a sacred value. Because we hesitate to question our sacred values, our emotional adherence to them can create a network of beliefs that interpret the world for us. Emerging from our own siloed echo chambers is the best way to seek a shareable reality in what otherwise might seem a post-truth world. However, as we have seen, truth-
  • 129. seeking takes intellectual work and ethical commitment. To restore the value of argument as truth-seeking, we must accept the world as pluralistic, recognizing that others may not value what we value. If we accept this p luralistic view of the world, do we then endorse the Sophists' radical relativism, freeing us to argue any side of any issue? Or do we doggedly pursue some modern equivalent of Aristotle's "probable truth"? If your own sympathies are with argument as truth-seeking, then you must admit to a view of truth that is tentative, cautious, and conflicted, and you must embrace argument as process. In the 21st century, truth- seeking does not mean finding the "right answer" to a disputed question, but neither does it mean a valueless relativism in which all answers are equally good. Seeking truth means taking responsibility for determining the "best answer" or "best
  • 130. solution" to the question; it means considering the good of the entire community when taking into consideration the interests of all stakeholders. It means making hard deci- sions in the face of uncertainty. Viewed in this way, argument cannot "prove" your claim, but only make a reasonable case for it. Even though argument can't provide certainty, learning to argue effectively has deep value for society and democracy: It helps communities settle conflicts in a rational and humane way by finding, through the exchange of ideas, the best solutions to problems without resorting to violence. For Writing and Discussion Role-Playing Arguments On any given day, the media provide evidence of the complexity of living in a p luralistic cu lture. Issues that cou ld be readi ly decided in a completely homogeneous cu lture ra ise questions in a society that has fewer shared assumptions. Choose one of the following cases as the subject for a "simulation game" in which
  • 131. class members present the points of view of the people involved. 2 Ben Tappin, Leslie van der Leer, and Ryan McKay define " desirability bias" in their op-ed piece, "Your Opinion Is Set in Stone." The New York Times, May 28, 2017, SR 8. 3 Morgan Marietta, "From My Cold, Dead Hands: Democratic Consequences of Sacred Rhetoric." The Journal of Politics Vol. 70, No. 3, July 2008. Argument: An Introduction 15 Case 1 : Political Asylum for a German Family Seeking the Right to Homeschool Their Children In 2010 an Evangelical Christian family from Germany, Uwe and Hannelore Romeike and their five children, moved to the United States seeking asylum from political persecution. At the U.S. immigration hearings, the couple argued that if they remained in Germany their decision
  • 132. to homeschool their children would result in fines, possible arrest, and even forced separation from their children. German law forbids homeschooling on the grounds that failure to attend recognized schools will create "parallel societies" w hose members will fail to integrate into Germany's open and pluralistic culture. In early 2011, a U.S. federal immigration judge granted political asylum to the family, denouncing the German government's policy against home- schooling. He called it "utterly repellent to everything we believe as Americans." However, in 2013 the Sixth Circuit Court unanimously overturned the original decision and revoked the family's status as political refugees. Stating that the United States cannot give political asylum to every victim of perceived unfairness in another country's laws, the court declared that Germany's ban on homeschooling did not constitute political persecution. The decision led to international debate about the role of homeschooling in a pluralistic society and about the definition of political persecution. In the United States, the Homeschooling Legal Defense Association urged that the case be heard by the United States
  • 133. Supreme Court and sponsored a petition drive supporting the Romeike family. Your task: Imagine a public hearing on this issue where all stakeholders are invited to present their points of view. The U.S. Immigration website offers the following definition of refugee status: Refugee status or asylum may be granted to people who have been persecuted or fear they will be persecuted on account of race, religion, nationality, and/ or membership in a particular social group or political opinion. Your goal isn't to make your own decision about this case but rather to bring to imaginative life all the viewpoints on the controversy. Hold a mock public hearing in which classmates play the following roles: (a) A U.S. parent advocating homeschooling; (b) a U.S. teacher's union representative opposing homeschooling; (c) an attorney arguing that the Romeike family meets the criteria for "refugee status"; (d) an attorney arguing that the Romeike
  • 134. family does not meet the criteria for refugee status; (e) a German citizen supporting the German law against homeschooling; (f) a Romeike parent arguing that the family would be persecuted if the family returned to Germany; (g) other roles that are relevant to this case. Case 2 : HPV Vaccines for Sixth Grade Girls (and Boys) In 2007 the pharmaceutical company Merck developed a vaccine against the sexually trans- mitted HPV virus (human papillomavirus), some strains of which can cause cervical cancer as well as genital warts. The company launched an extensive television campaign promoting the vaccine (which would bring substantial profits to Merck) and advised that girls should get the vaccine before they reach puberty. Following recommendations from doctors and medical researchers, several states passed laws mandating that the HPV vaccine for girls be included among the other vaccinations required of all children for entry into the sixth or seventh grades (depending on the state). These laws sparked public debate about the bene-
  • 135. fits versus potential adverse effects of vaccines, and about the state's versus parents' role in determining what vaccines a child should get. (continued) 16 Chapter 1 Your task: Imagine a public hearing addressing what your state's laws should be concerning HPV vaccina- tions for prepubescent children. Your goal isn't to make your own decision about this case but rather to bring to imaginative life all the viewpoints in the controversy. Hold a mock hearing in which classmates play the following roles: (a) a cancer specialist who supports mandatory HPV vaccination for girls; (b) a public health specialist who supports expanding the requirement to include boys; (c) a skeptical person concerned about the potential adverse effects of vaccines in general; (d) a religiously conservative parent who believes in