2. Sidarth Kantamneni
A mastery of both traditional and digital media as well as a
keen understanding of cinematographic style and techniques are
the key components to creating efficient, coherent imagery.
4. ‘The Noble Savage’
EXT. ROOFTOP
(in development)
He writes, "EXCUSE ME, PLEASE HELP, STUCK ON ROOF", shakes Writer/Dir. Wesley Wingo
his head in disbelief, and drops it off the side of the Illustration. Sidarth Kantamneni
building. He watches it flutter and fall away into nothingness.
5. ‘The Noble Savage’
EXT. STREET LEVEL -SIMULTANEOUSLY
(in development)
The message falls unnoticed by the same men and women he Writer/Dir. Wesley Wingo
passed in solidarity before. Illustration. Sidarth Kantamneni
6. ‘The Noble Savage’
EXT. ROOFTOP -SUNDOWN (in development)
The man watches the sun receding in the distance. He Writer/Dir. Wesley Wingo
Illustration. Sidarth Kantamneni
realizes that if he's going to sleep he's going to need
to stay warm.
7. ‘All That Is Human’
Dir. Wesley Wingo
Michael Gluzman
Cinematography. Sidarth Kantamneni
Illustration.
8. ‘All That Is Human’
Dir. Wesley Wingo
Michael Gluzman
Cinematography. Sidarth Kantamneni
Illustration.
9. ‘All That Is Human’
Dir. Wesley Wingo
Michael Gluzman
Cinematography. Sidarth Kantamneni
Illustration.
10. ‘All That Is Human’
Dir. Wesley Wingo
Michael Gluzman
Cinematography. Sidarth Kantamneni
Illustration.
