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Proposal
1
Centre Name and Number:
York College 48357
Student Name and Unique Learner Number:
Ben Brown 412838
Project proposal title and date:
How to survive a slasher movie.
Main area of activity:
I’ll be making a film with the theme of the horror genre.
Rationale:
In year one I made a music video Devil Cam, audio horror story Wraith House, video game trailer
The Baseball Basher and horror FMP the Paranoia of Edward Stanton. In year two I made a York
Geeks and Gamers Guide; John Snow documentary and I’m currently doing an FMP on how to
survive a slasher movie. I’ve learned how to use a camera, edit on iMovie, Adobe Photoshop, and
Adobe Premiere. I have also learned how to use mood, tone, and lighting and how to develop gory
special effects. I’ll use these skills to make the project look professional and polished (well edited)
with a successful execution of the tone I want to make for my project. My previous FMP was too
ambitious with a short time limit and difficulty in finding and directing the actors. I have learned to
develop an idea for my project that is achievable and can be produced easily.
Project Concept:
The concept of my project is to create a parody of a self-aware horrorslasher movie where a
narrator tells a group of teenagers how to survive against a slasher in a typical horrorslasher film.
My project will aim to be an intelligent and compelling parody which is portrayed in a well-defined
location and told in a humorous way. My aim is to explore this well-known genre in detail and more
deeply and display the troupes you see in a typical slasher film from a new perspective. I will need
to research self-aware horror movies like Scream, Behind the Mask: The Rise of Leslie Vernon
and Freaky, read articles about the trend towards horror films being a parody of their own genre
and more sophisticated with higher production quality than earlier films, and learn about filming
techniques and how to portray gory special effects. This will help my project my giving me the
skills to make the parody both funny and scary with realistic effects which builds on the experience
of previous horror film producers. This will also allow me to observe and draw on the lighting,
mood, special effects, and way in which these films were produced by Wes Craven, Tom Savani,
and Alfred Hitchcock to make my parody of the genre more realistic and higher quality.
How will the project be evaluated and reviewed:
I plan to evaluate my work using a focus group of my classmates after completing my initial filming
of the parody, through referencing my earlier work and my diary to avoid mistakes made in
previous projects, and to allow time to re-film after receiving this feedback. As part of my final self-
reflection, I will also evaluate the film prior to final production to ensure that it successfully portrays
the parody of the slasher/horror film genre with the correct production quality and tone. This
project will significantly help to develop my working practices as I continue my media studies and
career by increasing my experience in film production and helping me to develop the sophistication
of my films and my writing. It will also help me to learn how to incorporate new production
techniques such as lighting, the use of creative special effects and how to use focus groups to get
feedback and then re-film scenes based on this feedback.
Proposal
2
Bibliography:
1. American Horror from 1951 to present, 1994
2. Appel, J. (2018). I’M FRIDAY THE 13TH’S JASON VOORHEES. I’VE BEEN READING FEMINIST THEORY
AND WON’T BE KILLING ANY OVER-SEXUALIZED TEENAGERS THIS SUMMER. Available: I’m Friday
the 13th’s Jason Voorhees. I’ve Been Reading Feminist Theory and Won’t Be Killing Any Over-
Sexualized Teenagers This Summer - McSweeney’s Internet Tendency (mcsweeneys.net). Last
Accessed: 7.10.2022
3. Barnhart, D. (2022). Musical Expert. Org. Available: What Is a Reception Theory? (with pictures)
(musicalexpert.org). Last Accessed: 23.9.22
4. Bettman, G. (2022). Indie Film Hustle. Available: What is Auteur Theory? - Definition and Examples
| Indie Film Hustle®. Last Accessed: 23.9.22
5. Clover: Men, Women and Chain saws: Gender in the Modern Horror Film 1992
6. Felsher, M. (2012). Remembering Danny Steinmann. Available: Remembering Danny Steinmann
(dreadcentral.com). Last Accessed: 14.10.22
7. “Friday the 13th
at 40”; the Guardian, 2020
8. Hasabeard, C. (2020). PAMELA, JASON, ROY AND ZOMBIE JASON HATE WOMEN: AN ANALYTICAL
LOOK AT THE POLITICS OF DEATH IN THE FRIDAY THE 13TH FRANCHISE. Available: Pamela, Jason,
Roy and Zombie Jason Hate Women: An Analytical Look at the Politics of Death in the Friday the
13th Franchise - Horror Movie - Horror Homeroom. Last Accessed: 7.10.22
9. Kill Count: Friday the 13th
A New Beginning (2017) Directed by James A. Janise [video] Detroit,
Michigan: Dead Meat
10. Kill Count: Friday the 13th
Reboot (2017) Directed by James A. Janise [video] Detroit, Michigan:
Dead Meat
11. Kill Count: Friday the 13th
The Final Chapter (2017) Directed by James A. Janise [Video] Detroit,
Michigan: Dead Meat
12. Lamb, B. (2013). Lesson Bucket. Available: The Hypodermic Needle Theory | VCE Media, Victorian
Curriculum, Media Arts, digital literacy, media education, filmmaking (lessonbucket.com). Last
Accessed: 23.9.22
13. Loreck, J. (2016). The Conversation. Available: Explainer: what does the 'male gaze' mean, and
what about a female gaze? (theconversation.com). Last Accessed: 30.9.22
14. Lynch, D. (2001). Brainly Quote. Available: David Lynch – Every viewer is going to be different… Last
Accessed: 16.12.22
15. McDonald, K. (2016). Film Theory: The Basics. Abingdon, Oxfordshire. Routledge
16. Mulvey, K. (1989). Visual and other Pleasures. Munich, Bayern, Germany
17. Mulvey, K. (1975). Visual Pleasure and Narrative Cinema. Munich, Bayern, Germany
18. Oller, J. (2022). From Abel Ferrara to Wes Craven: The Mainstream Directors Who Dabbled in Porn.
Available: The Mainstream Directors Who Dabbled in Porn - Paste (pastemagazine.com). Last
Accessed: 14.10.22
19. “The Final Girl”: Clover, 1992
20. Unknown. (2014). Women in Horror Month: Feminism in Friday the 13th
. Available: Women in
Horror Month: Feminism in Friday the 13th - Slasher Studios. Last Accessed: 7.10.22
21. VanBuskirk, S. (2021). Very well Mind. Available: What Is the Male Gaze? (verywellmind.com). Last
Accessed: 23.9.22
22. What is the Male Gaze? (2021) Made by David Guignion [video] Montreal, Quebec: Theory and
Philosophy
Proposal
3
Week Tasks to be Completed: Specific Tasks
1 Pre-production Research past projects and slasher films
2 Pre-production Work on story ideas and script
3 Pre-production Scout locations and source costumes and props
4 Pre-production Work with the cast on project vision, plan make up etc
5 Pre-production Rewrites, make sure all equipment is available, work out
stunts and camera trickery
6 Pre-production Produce final script and production notes
7 Pre-production Finalising lighting and sound details
8 Production Film
9 Production Film
10 Production Edit, add sound effects and music
11 Production Edit, add sound effects and music
12 Evaluation Self-evaluate and make any changes necessary
13 Evaluation Show film to focus group and make any changes
necessary
14 Evaluation Present film for audience
15 Evaluation Present film for audience

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How to Survive a Slasher

  • 1. Proposal 1 Centre Name and Number: York College 48357 Student Name and Unique Learner Number: Ben Brown 412838 Project proposal title and date: How to survive a slasher movie. Main area of activity: I’ll be making a film with the theme of the horror genre. Rationale: In year one I made a music video Devil Cam, audio horror story Wraith House, video game trailer The Baseball Basher and horror FMP the Paranoia of Edward Stanton. In year two I made a York Geeks and Gamers Guide; John Snow documentary and I’m currently doing an FMP on how to survive a slasher movie. I’ve learned how to use a camera, edit on iMovie, Adobe Photoshop, and Adobe Premiere. I have also learned how to use mood, tone, and lighting and how to develop gory special effects. I’ll use these skills to make the project look professional and polished (well edited) with a successful execution of the tone I want to make for my project. My previous FMP was too ambitious with a short time limit and difficulty in finding and directing the actors. I have learned to develop an idea for my project that is achievable and can be produced easily. Project Concept: The concept of my project is to create a parody of a self-aware horrorslasher movie where a narrator tells a group of teenagers how to survive against a slasher in a typical horrorslasher film. My project will aim to be an intelligent and compelling parody which is portrayed in a well-defined location and told in a humorous way. My aim is to explore this well-known genre in detail and more deeply and display the troupes you see in a typical slasher film from a new perspective. I will need to research self-aware horror movies like Scream, Behind the Mask: The Rise of Leslie Vernon and Freaky, read articles about the trend towards horror films being a parody of their own genre and more sophisticated with higher production quality than earlier films, and learn about filming techniques and how to portray gory special effects. This will help my project my giving me the skills to make the parody both funny and scary with realistic effects which builds on the experience of previous horror film producers. This will also allow me to observe and draw on the lighting, mood, special effects, and way in which these films were produced by Wes Craven, Tom Savani, and Alfred Hitchcock to make my parody of the genre more realistic and higher quality. How will the project be evaluated and reviewed: I plan to evaluate my work using a focus group of my classmates after completing my initial filming of the parody, through referencing my earlier work and my diary to avoid mistakes made in previous projects, and to allow time to re-film after receiving this feedback. As part of my final self- reflection, I will also evaluate the film prior to final production to ensure that it successfully portrays the parody of the slasher/horror film genre with the correct production quality and tone. This project will significantly help to develop my working practices as I continue my media studies and career by increasing my experience in film production and helping me to develop the sophistication of my films and my writing. It will also help me to learn how to incorporate new production techniques such as lighting, the use of creative special effects and how to use focus groups to get feedback and then re-film scenes based on this feedback.
  • 2. Proposal 2 Bibliography: 1. American Horror from 1951 to present, 1994 2. Appel, J. (2018). I’M FRIDAY THE 13TH’S JASON VOORHEES. I’VE BEEN READING FEMINIST THEORY AND WON’T BE KILLING ANY OVER-SEXUALIZED TEENAGERS THIS SUMMER. Available: I’m Friday the 13th’s Jason Voorhees. I’ve Been Reading Feminist Theory and Won’t Be Killing Any Over- Sexualized Teenagers This Summer - McSweeney’s Internet Tendency (mcsweeneys.net). Last Accessed: 7.10.2022 3. Barnhart, D. (2022). Musical Expert. Org. Available: What Is a Reception Theory? (with pictures) (musicalexpert.org). Last Accessed: 23.9.22 4. Bettman, G. (2022). Indie Film Hustle. Available: What is Auteur Theory? - Definition and Examples | Indie Film Hustle®. Last Accessed: 23.9.22 5. Clover: Men, Women and Chain saws: Gender in the Modern Horror Film 1992 6. Felsher, M. (2012). Remembering Danny Steinmann. Available: Remembering Danny Steinmann (dreadcentral.com). Last Accessed: 14.10.22 7. “Friday the 13th at 40”; the Guardian, 2020 8. Hasabeard, C. (2020). PAMELA, JASON, ROY AND ZOMBIE JASON HATE WOMEN: AN ANALYTICAL LOOK AT THE POLITICS OF DEATH IN THE FRIDAY THE 13TH FRANCHISE. Available: Pamela, Jason, Roy and Zombie Jason Hate Women: An Analytical Look at the Politics of Death in the Friday the 13th Franchise - Horror Movie - Horror Homeroom. Last Accessed: 7.10.22 9. Kill Count: Friday the 13th A New Beginning (2017) Directed by James A. Janise [video] Detroit, Michigan: Dead Meat 10. Kill Count: Friday the 13th Reboot (2017) Directed by James A. Janise [video] Detroit, Michigan: Dead Meat 11. Kill Count: Friday the 13th The Final Chapter (2017) Directed by James A. Janise [Video] Detroit, Michigan: Dead Meat 12. Lamb, B. (2013). Lesson Bucket. Available: The Hypodermic Needle Theory | VCE Media, Victorian Curriculum, Media Arts, digital literacy, media education, filmmaking (lessonbucket.com). Last Accessed: 23.9.22 13. Loreck, J. (2016). The Conversation. Available: Explainer: what does the 'male gaze' mean, and what about a female gaze? (theconversation.com). Last Accessed: 30.9.22 14. Lynch, D. (2001). Brainly Quote. Available: David Lynch – Every viewer is going to be different… Last Accessed: 16.12.22 15. McDonald, K. (2016). Film Theory: The Basics. Abingdon, Oxfordshire. Routledge 16. Mulvey, K. (1989). Visual and other Pleasures. Munich, Bayern, Germany 17. Mulvey, K. (1975). Visual Pleasure and Narrative Cinema. Munich, Bayern, Germany 18. Oller, J. (2022). From Abel Ferrara to Wes Craven: The Mainstream Directors Who Dabbled in Porn. Available: The Mainstream Directors Who Dabbled in Porn - Paste (pastemagazine.com). Last Accessed: 14.10.22 19. “The Final Girl”: Clover, 1992 20. Unknown. (2014). Women in Horror Month: Feminism in Friday the 13th . Available: Women in Horror Month: Feminism in Friday the 13th - Slasher Studios. Last Accessed: 7.10.22 21. VanBuskirk, S. (2021). Very well Mind. Available: What Is the Male Gaze? (verywellmind.com). Last Accessed: 23.9.22 22. What is the Male Gaze? (2021) Made by David Guignion [video] Montreal, Quebec: Theory and Philosophy
  • 3. Proposal 3 Week Tasks to be Completed: Specific Tasks 1 Pre-production Research past projects and slasher films 2 Pre-production Work on story ideas and script 3 Pre-production Scout locations and source costumes and props 4 Pre-production Work with the cast on project vision, plan make up etc 5 Pre-production Rewrites, make sure all equipment is available, work out stunts and camera trickery 6 Pre-production Produce final script and production notes 7 Pre-production Finalising lighting and sound details 8 Production Film 9 Production Film 10 Production Edit, add sound effects and music 11 Production Edit, add sound effects and music 12 Evaluation Self-evaluate and make any changes necessary 13 Evaluation Show film to focus group and make any changes necessary 14 Evaluation Present film for audience 15 Evaluation Present film for audience