3. c
o
n
t
e
n
t
s
s t u d i o
M o o d b o a r d s t o s p a c e
s t u d i o
M o o d b o a r d s t o s p a c e
B a s i c d e s i g n
A j o u r n e y t h r o u g h c o l l e g e
st u d i o
R e ta i l s t o r e d e s i g n
F u r n i t u r e d e s i g n
R e ta i l f u r n i t u r e
st u d i o
C o r p o r a t e o f f i c e
F u r n i t u r e d e s i g n
t r a n s i t a c c o m m o d a t i o n
L a n d s c a p e d e s i g n
S p a a n d r e s o r t
s t u d i o
W o r k i n g d r a w i n g s t u d i o
w o r k s h o p
i n t e r n s h i p
1
2
5 - 6
B a s i c d e s i g n
t r a n s f o r m a t i o n s
3 - 4
7
8
9 - 1 1
1 2
1 3
1 4
1 7
1 5 - 1 6
U n k n o w n c ra f t s p e r s o n
N a s a A n n u a l c o n v e n t i o n
1 8 - 1 9
4. P
R
O
C
E
S
S
STUDIO STARTED WITH
AN INTRIGUING & MIND
OPENING EXERCISE.
GIVEN TO US WERE 4
VISUAL FRAGMENTS
AND 2 COLOURS AND
INTERPRETING THESE
2D IMAGES WE WERE
ASKED TO DEVELOP 3D
MOOD BOARDS WHICH
WERE THEN SUPPOSED
TO BE CONVERTED AND
DESIGNED INTO A
LIVING STUDIO SPACE
FOR AN INDIVIDUAL.
Mood boardsFRAGMENT
Space
development sketches
STUDIO -1
5. P
R
O
C
E
S
S
analysisArt movement
Mood boards
SECOND SEMESTER
STUDIO MADE LEARNING
FUN AND ADAPTIVE.
ARTMOVEMENTS BECAME
THE TOPICS OF
LEARNING AND
MOODBOARDS AND
SPACE DEVELOPMENT
WERE OUR
UNDERSTANDING OF
THE SUBJECT AND THE
HISTORY OF ART
MOVEMENTS.
D E - ST I J L
ART MOVEMENT: DE STIJL
TIME PERIOD:1917 TO 1931
FOUNDER: THEO VAN
DOESBURG, PIET MONDRIAN,
AND ARCHITECT GERRIT
REITVELD.
IDEOLOGY:DE STIJL PROPOSED
ULTIMATE SIMPLICITY AND
ABSTRACTION,BOTH IN
ARCHITECTURE AND
PAINTING,BY USING ONLY
STRAIGHT HORIZONTAL AND
VERTICAL LINES AND
RECTANGULAR FORMS. FURTHER
MORE THEIR FORMAL
VOCABULARY WAS LIMITED TO
THE PRIMARY COLOURS RED,
YELLOW AND BLUE AND THE
THREE PRIMARY VALUES BLACK,
WHITE AND GREY
"WE SPEAK OF CONCRETE AND
NOT ABSTRACT PAINTING
BECAUSE NOTHING IS MORE
CONCRETE, MORE REAL THAN
A LINE, A COLOR, A SURFACE.”
-THEO VAN DOESBURG
Space
development
STUDIO -2
6. Journey through college… BAS IC DES IGN
Due to this we can see the
fragmented views of the spaces
ahead.
Another observation made is ,that
division of spaces are not completely
divided through walls, doors and
windows. the divisions are mainly
through columns which help
differentiate, different areas around
the college…
F
R
A
G
M
E
N
T
E
D
V
I
E
W
S
My path chosen in the college
• when walking in the college i could feel the openness
and pleasant atmosphere very prominently .
• the spaces are in symmetry around the location of
classrooms on both the sides of red square and
brown square.
• the only difference noticed is that the axis along the
red and brown squares are placed are different.
• that is, the red square comes along the horizontal
axis and brown square along the vertical axis. and
hence proves symmetry.
Concept
This is another
corner section
and we can again
observe linear
fragmentation
Here we can see
pathway semi
closed space and
a very small open
to sky space.
There is more openness in
space over here and hence
it is clearly followed by
fragmented view of the
spaces.
this is one
of the best
examples of
fragmented
views in my
path since
the spaces
look like
picture
inside a
picture.
hence my concept….
i observed spaces through spaces
as fragments or fragmented views,
this helped me observe and
visualize small or fragmented
spaces from the whole.
7. THE FRAGMENTATION OF PLANES
FROM A SPACE ARE TAKEN
SEPARATELY AND THE FORMS
ARE USED TO MAKE THE
INSTALLATIONS.
THE OPEN
SEMI OPEN
SPACES ,
HELP
CREATE
FRAGMENTA
TION OF
SPACES
BAS IC DES IGN
THE POLYGONAL RESULT IS DUE
TO THE CONSCIOUS ADAPTION OF
THE FORMS AND ADDING
DIFFERENT PLANES TO THE FORM.
S
t
a
g
e
2
i
n
s
t
a
l
l
a
t
i
o
n
s
8. B
O
X
Designed a box with
reference to a product.
Product : Sweet Pea Body
splash
Inspiration : Flower basket
since sweet pea is a flower.
Function: Packaging for the
product + multifunctional
for toiletries.
BASIC DESIGN
P A C K A G I N G
TRANSFORMATION FROM A MOVIE TO
GRAPHICS AND 3D MODEL
Movie: No One Killed Jessica
Studied the movie understood the
theme captured the frame
depicting the movie and converted
certain movie shots into graphics
and 3D Model
The media
network
trapped every
possible weed
to pounder
the political
show.
Frame chosen:
media against
the political
power.
9. TRANSFORMATION FROM A STORY
TO 3D MODEL
TRADING CITIES
eutropia is a land of not one but any
cities , of which only one is inhabited at
a time.
ITS WHEN THE
CITIZENS GET BORED
OF THEIR LIFE AND
ROUTINE IN THE CITY
THEY START
SHIFTING TOWARDS
A NEW ONE WITH A
ENTIRELY NEW
BEGINNING.
IN THE NEW CITY THEY HAVE A
NEW LIFE , NEW JOB, NEW HOUSE
NEW WIFE AND NOT ONE THING OF
THEIR PREVIOUS CHARACTER OF
LIVING AND BARELY RETURN TO
THE SAME AGAIN.
HENCE EUTROPIA IS LIKE ON A
CHESS BOARD WHERE THE CITY IS
ONLY ONE BUT KEEPS SHIFTING TO
OTHER EMPTY CITIES, WHERE THE
ONE PERSON KEEPS SHIFTING
IDENTITIES WITH DIFFERENT CITIES.
BASIC DESIGN
IT IS IN EUTROPIA
WHERE THE
INHABITANTS SHIFT
CITIES WHEN
THEY’RE BORED OF
THE ONE IN WHICH
THEY RESIDE AND
GO TO THE NEXT IN
A ROTATION .
10. BASIC DESIGNR
e
t
a
i
l
s
t
o
r
e
d
e
s
i
g
n
Retail store design
Brand:
Main display product:
ROXY IS A WELL-KNOWN WOMEN’S CLOTHING
BRAND OWNED BY QUIKSILVER.
IT WAS FORMED IN 1990 WHEN IT LAUNCHED
ITS FIRST SWIMWEAR LINE WHICH RECEIVED
AN INSTANT SUCCESS.
THE BRAND IS BASICALLY DEVOTED TO
ENERGETIC LIVING AND THE EXTREME SPORTS
LIFESTYLE..
DISPLAY SHELF
STORE WINDOW DISPLAY
12. CORPORATE STUDIOI
K
E
A
C
O
R
P
O
R
A
T
E
O
F
F
I
C
E
First stage
AIM: TO REDESIGN
AR.NARENDRA JOSHI’S
OFFICE AT BARODA.
PURPOSE :TO UNDERSTAND
FUNCTIONS & WORKING OF
AN OFFICE.
EXISTING EXTENSION + EXISTING
BASIC CONCEPT BEHIND
THE DESIGN: USING
MAINLY EXPOSED
MATERIALS FOR THE
FINAL DESIGN SUCH AS
EXPOSED BRICKS,
TEXTURED CEMENT ETC.
• SWEDISH COMPANY
• ESTABLISHED IN 1943
• BY INGVAR KAMPRAD
• SELLS READY TO ASSEMBLE
FURNITURE
• KNOWN AS FLATPACKS
• AREA SERVED : WORLWIDE
13. CORPORATE STUDIOI
K
E
A
C
O
R
P
O
R
A
T
E
O
F
F
I
C
E
IKEA OFFICE CORPORATE LAYOUTS
WORLDWIDE ARE MOSTLY OPEN OFFICE
SYSTEM.
KEYWORDS TO UNDERSTAND IKEA
OFFICE WORKING
• COSY
• CASUAL
• NAURAL LIGHT AND BRIGHT COLOURS
• NON HEIRARCHIAL MANAGEMEMT
• NON CLOSED OFFICE TO INCREASE
INTERACTION
• SMALL GROUP MEETING ROOMS
CALLED’ HUDDLE ROOMS’
• WORKSTATIONS CAN BE MOVED AND
RECONFIGURED.
GIVEN SITE
IKEA EMBRACED ON CORPORATE POLICY
“HOME IS THE MOST IMPORTANT PLACE IN
THE WORLD”
MY DESIGN CONCEPT
• OPEN OFFICE SYSTEM
• DIFFERENT SIZES OF
WORKSTATIONS ARE
THE ONLY HIERARCHY
• COZY AMBIENCE.
15. FURNITURE designA
I
R
P
O
R
T
T
R
A
N
S
I
T
A
C
C
O
M
M
O
D
A
T
I
O
N
AIRPORT TRANSIT ACCOMMODATION
REQUIREMENTS:
SITTING AND SLEEPING FOR 2
LED SCREEN
CHARGING POINT
INTERCOM
STORAGE FOR CABIN SIZE LUGGAGE
SMALL DESK FOR WORK PURPOSE
MIRROR FOR DRESSING
COAT HANGER
PROPOSAL OF
TRANSIT
ACCOMMODATI
ON AT CHANGI
INTERNATIONA
L AIRPORT,
SINGAPORE
MATERIAL: HI-MACS
WOODEN STRUCTURE
REQUIRED AS SHOWN
ON LEFT
16. UNKOWN CRAFTS PERSON
IN DEC 2013, I WAS PART OF
A 6 MEMBER GROUP , WHO
PARTICIPATED FOR A NEW
TROPHY KNOWN AS THE
UNKNOWN CRAFTS PERSON
AND WERE SHORTELISTD IN
THE TOP TEN AMONGST
HUNDREDS OF ENTRIES FOR
THE SAME CATEGORY
WE WENT AND APPROACHED
LOCAL CRAFTSMEN WHO WERE
RESTORING HAVELIS AT THE
AHMEDABAD HERITAGE SITES
AND ANALYSED
THE ENTIRE
PROCESS WITH
SHOOTING OF 3
SHORT CLIPS
EXPLAINING THE
CRAFT AND ITS
TECHNIQUES
20. WORKSHOPCLAY WORKSHOP
TEXTILE WORKSHOP
ACRYLIC & GLASS WORKSHOP
WE USED
STOCKING
MATERIAL TO
CREATE SMALL
TENSILE
STRUCTURES FOR
UNDERSTANDING
THE BASIC
STRUCTURE AND
SUPPORTING
ELEMENTS
INDIVIDUALLY, A
FEW SELECTED
STRUCTURES
WERE MADE TO
HUMAN SCALE IN
A GROUP.
METAL WORKSHOP
WE MADE A SMALL
SCALE METAL CHAIR
AND THEN ITS
STABILITY WAS TESTED
WITH THE WEIGHT OF A
SINGLE BRICK.
AND FEW CHAIRS WERE
MADE TO SCALE IN
GROUPS
• MADE PRODUCTS OUT OF
ACRYLIC
• DID GLASS ETCHIN AND
GLASS SAND BLASTING
21. POST COLLEGE……
AFTER COLLEGE I DECIDED TO DO AN INTERNSHIP IN
MANGALORE SINCE IT WAS NOT A PART OF MY BACHELOR
COURSE.
I WORKED FOR NAYAKPAI&ASSOCIATES STRUCTURAL
CONSULTANTS ,
WHICH IS AN MANGALORE BASED FIRM.
THE FIRM MAINLY COMPRISES OF STRUCTURAL
CONSULATANS, ARCHITECTS & INTERIOR DESIGNERS.
I WAS INTERNING AS AN JUNIOR DESIGNER.
INITIALLY I WAS INVOLVED IN 3D MAKING
FOR CLIENTS
AND AFTER 2 MONTHS I WAS GIVEN SMALL
DESIGNING PROJECTS TO UNDERSTAND
CLIENT HANDLING , ONSITE EXPERIENCE
UNDER SURPERVISION.
Floor plans& isometric views
ENTRY STAIRCASE
FOR A RESIDENCE
OPTION 2 ONSITE
OPTION 1
4BHK
2BHK 3BHK
22. POST COLLEGE……
NAYAKPAI & associates new office
residence for a client with
conceptual and onsite developments
Proposal for
landscape
Design at an upcoming
Residential project
