sense and Sensibility by austen

1. SENSE AND SENSIBILITY
• Prepared By
• S.Ram Ganesh
• Asst Prof of English (S.F)
• S.B.K College
• Aruppukottai
• Virudhunagar Dist
• Tamil Nadu

2. • Adaptations of
novels
– Heart of Darkness –
Apocalypse now
– Harry Potter
– The Lord of the
Rings
– Dracula

3. • Adaptations of
drama
– Shakespeare
– Oscar Wilde
• Adaptations of
short stories
– King – The
Shawshank
Redemption
– Baricco – The
Legend of 1900

4. • The Jane Austen
Phenomenon
– Pride and Prejudice

5. • The Jane Austen
Phenomenon
– Emma

6. • The Jane Austen
Phenomenon
• Persuasion
• Northanger
Abbey
• Mansfield Park
• AND
• Jane Austen!

7. • SENSE &
SENSIBILITY
• Novel, Jane Austen,
1811
• Film, Ang Lee,
1996, Columbia
Studios, Screenplay
by Emma
Thompson

8. From text to screenplay
Text and
Screenplay

9. From text to screenplay
Text and
Screenplay
Descriptions
(places and
characters)
Plot (Episodes)
Direct Speech
Indirect speech
and interior
monologue

10. From text to screenplay
Text and
Screenplay
Descriptions
(places and
characters)
Setting and
Actors
Plot (Episodes) Plot (Sequences)
Direct Speech Dialogue
Indirect speech
and interior
monologue
Dialogue (or
voice over)

11. From Description to Setting
CHAPTER VI
THE first part of their journey was performed in too melancholy a disposition to be otherwise than tedious
and unpleasant. But as they drew towards the end of it, their interest in the appearance of a country which
they were to inhabit overcame their dejection, and a view of Barton Valley, as they entered it, gave them
cheerfulness. It was a pleasant, fertile spot, well wooded, and rich in pasture. After winding along it for more
than a mile, they reached their own house. A small green court was the whole of its demesne in front; and a
neat wicket-gate admitted them into it.
As a house, Barton Cottage, though small, was comfortable and compact; but as a cottage it was defective, for
the building was regular, the roof was tiled, the window shutters were not painted green, nor were the walls
covered with honeysuckles. A narrow passage led directly through the house into the garden behind. On each
side of the entrance was a sitting room, about sixteen feet square; and beyond them were the offices and the
stairs. Four bed-rooms and two garrets formed the rest of the house. It had not been built many years, and
was in good repair. In comparison of Norland, it was poor and small indeed!- but the tears which recollection
called forth as they entered the house were soon dried away. They were cheered by the joy of the servants on
their arrival, and each for the sake of the others resolved to appear happy. It was very early in September; the
season was fine; and from first seeing the place under the advantage of good weather, they received an
impression in its favor which was of material service in recommending it to their lasting approbation.
The situation of the house was good. High hills rose immediately behind, and at no great distance on each side;
some of which were open downs, the others cultivated and woody. The village of Barton was chiefly on one of
these hills, and formed a pleasant view from the cottage windows. The prospect in front was more extensive; it
commanded the whole of the valley, and reached into the country beyond. The hills which surrounded the
cottage terminated the valley in that direction; under another name,
and in another course, it branched out again between two of the steepest of them.

12. From Description to Setting

13. From Description to Cast
Characters eliminated or modified
– Eliminated: Anne Steele, Sir Middleton’s family.
– Modified: Margaret Dashwood

14. From Description to Cast
– Chapter 1
• Elinor, this eldest daughter, whose advice was so effectual, possessed a strength of
understanding, and coolness of judgment, which qualified her, though only nineteen, to be the
counsellor of her mother, and enabled her frequently to counteract, to the advantage of them all,
that eagerness of mind in Mrs. Dashwood which must generally have led to imprudence. She had
an excellent heart;--her disposition was affectionate, and her feelings were strong; but she knew
how to govern them: it was a knowledge which her mother had yet to learn; and which one of her
sisters had resolved never to be taught.
• Marianne's abilities were, in many respects, quite equal to Elinor's. She was sensible and clever;
but eager in everything: her sorrows, her joys, could have no moderation. She was generous,
amiable, interesting: she was everything but prudent. The resemblance between her and her
mother was strikingly great.
– Chapter 10
• Miss Dashwood had a delicate complexion, regular features, and a remarkably pretty figure.
• Marianne was still handsomer. Her form, though not so correct as her sister's, in having the
advantage of height, was more striking; and her face was so lovely, that when in the common cant
of praise, she was called a beautiful girl, truth was less violently outraged than usually happens.
Her skin was very brown, but, from its transparency, her complexion was uncommonly brilliant;
her features were all good; her smile was sweet and attractive; and in her eyes, which were
very dark, there was a life, a spirit, an eagerness, which could hardily be seen without delight.

15. From Description to Cast
• Kate Winslet – 17
• Emma Thompson – 19???
• (at that time she was 36)

16. From text to screenplay
• Plot and narration (diegesis):
• Episodes (→ sequences) preserved, eliminated,
modified (condensed), added, shifted

17. From text to screenplay
• Norland Park (Chap. 1-5), death of the father, arrival of the new owners, Edward’s arrival, family
departure. The beginning of the main love plot: Elinor and Edward.
• Barton Cottage (Chap. 6-15 ): arrival, meeting with Colonel Brandon, Marianne and Willoughby, sudden
departure of Colonel Brandon after receiving a letter, non-proposal of Willoughby and his sudden
departure. The setting of the secondary love plot: Marianne and Willoughby.
• Barton Cottage (Chap 16-25 ) Edward’s visit, after Edward’s departure, arrival of Mrs Jenning’s other
daughter, Charlotte, with husband Mr Palmer and two miss Steeles; departure of the Palmers; Lucy’s
revelation of secret engagement with Edward, invitation to London. Evolution of main love plot.
• London (Chap. 26-41 ) Absence of Willoughby, ball and meeting between Marianne and Willoughby,
Willoughby’s letter, Brandon’s account of Willoughby’s misdeeds with Eliza Williams, arrival of the miss
Steeles, dinner at Mr John Dashwood’s . Party where Lucy meets Mrs Ferrars. Visit of Lucy and Edward at
Elinor’s. Another ball where Elinor and Lucy meet Robert Ferrars. Fanny invites the miss Steeles.
Revelation of the secret engagement and Edward disinherited. Brandon’s offer of a rectory. Development
of both main and secondary love plots.
• Cleveland (Chap. 42-45): Marianne’s illness, Mr Willoughby’s visit, return of Brandon with mother.
• Barton Cottage (46-end) Marianne’s recovery and maturation, news of Mr. Ferrars’s marriage with Lucy,
arrival of Edward, revelation and proposal (not described). Reconciliation with Mrs Ferrars, Edward and
Elinor get married, so do Brandon and Marianne with Willoughby’s regrets.

18. Analysis of relevant changes:
Marianne’s Illness
(Chap. 42) Marianne's feeling, in her head and throat, the beginning of a heavy cold, […] Two delighted twilight
walks on the third and fourth evenings of her being there, not merely on the dry gravel of the shrubbery,
but all over the grounds, and especially in the most distant parts of them, where there was something more
of wildness than in the rest, where the trees were the oldest, and the grass was the longest and wettest,
had- assisted by the still greater imprudence of sitting in her wet shoes and stockings- given Marianne a
cold so violent as, though for a day or two trifled with or denied, would force itself by increasing ailments
on the concern of every body, and the notice of herself. Prescriptions poured in from all quarters, and as
usual, were all declined. Though heavy and feverish, with a pain in her limbs, and a cough, and a sore
throat, a good night's rest was to cure her entirely; and it was with difficulty that Elinor prevailed on her,
when she went to bed, to try one or two of the simplest of the remedies.
[…] (chap 43) MARIANNE got up the next morning at her usual time; to every enquiry replied that she was
better, and tried to prove herself so, by engaging in her accustomary employments. But a day spent in
sitting shivering over the fire with a book in her hand, which she was unable to read, or in lying, weary and
languid, on a sofa, did not speak much in favour of her amendment; and when, at last, she went early to
bed, more and more indisposed, Colonel Brandon was only astonished at her sister's composure, who,
though attending and nursing her the whole day, against Marianne’s inclination, and forcing proper
medicines on her at night, trusted, like Marianne, to the certainty and efficacy of sleep, and felt no real
alarm. A very restless and feverish night, however, disappointed the expectation of both; and when
Marianne, after persisting in rising, confessed herself unable to sit up, and returned voluntarily to her bed,
Elinor was very ready to adopt Mrs. Jennings's advice, of sending for the Palmers' apothecary.

19. Analysis of relevant changes:
Marianne’s Illness