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Article written for the Altrincham Garrick's Blackadder the Third (November 2015).
A Serpent’s Tale: the History of Blackadder
Winner of multiple BAFTAs, voted the second-best British sitcom of all-time and a
springboard for a group of international acting and writing talents, the Blackadder
dynasty dates back not centuries but to 1979. Oxford University students Richard
Curtis and Rowan Atkinson had formed a revue at the Oxford Playhouse and gone
on to work together on the BBC sketch series Not the Nine O’Clock News. Wanting
to write a sitcom as good as Fawlty Towers but without inviting comparison, the pair
hit upon the idea of a comedy with a historical setting.
Curtis and Atkinson wrote a pilot in 1982 and a full series, The Black Adder, arrived
on our screens on BBC1 on 15 June 1983, billed in the Radio Times as “the first of
six horrible situation tragedies”. Set in an ‘alternate’ 1485 at the end of the Middle
Ages, the series starred Atkinson as Prince Edmund, the ‘Black Adder’ and weaselly
son of Richard IV (played by Brian Blessed), who found himself on the throne after
Edmund accidentally killed Richard III (played by Peter Cook). Tim McInnerny played
the dim-witted Lord Percy Percy, while Tony Robinson (who had not appeared in the
pilot) played the servant Baldrick.
The Black Adder was a modest success but not successful enough to justify the
expense of the series. Filming at Alnwick Castle in Northumberland, as well as a cast
of extras, horses and costumes, had cost £1 million. Such extravagance was
unacceptable to new controller of BBC1, Michael Grade, who insisted on a budget
cut if he was to greenlight a second series. This coincided with Ben Elton replacing
Atkinson as co-writer, who agreed that the grandiose location filming was not needed
and that the series instead had to focus on the characters in a smaller studio set.
The second series introduced us to the Blackadder family’s Elizabethan descendant,
who was cut from a different cloth to his snivelling ancestor: he became cunning,
witty and self-serving, “a modern person in the stupidity of ancient times” as Curtis
put it; alternatively, Baldrick became even more stupid. Along with McInnerny
returning as Percy, the main trio were reigned over by Miranda Richardson as a
childish and spoilt Queen Elizabeth I prone to cutting someone’s head off if the mood
took her, alongside Stephen Fry as the sycophantic Lord Melchett and Patsy Byrne
as dotty Nursie.
Blackadder II was a huge success, with 10 million viewers tuning in per week, and a
third series was quickly commissioned. Blackadder the Third was set in Regency
England, and although Elton considered the era less ‘sexy’ than the Tudor age, both
writers thought it had potential. The latest incarnation of Blackadder had fallen from
nobility and served as butler to the Prince Regent, alongside his dogsbody Baldrick,
even more prone to a “cunning plan”. Tim McInnerny returned in a smaller role to
avoid being typecast as Percy, so the main cast was completed by Hugh Laurie as
the idiotic and indulgent Prince Regent and Helen Atkinson-Wood as pie shop owner
Mrs Miggins.
Highlights of the third series included Baldrick accidentally burning the first English
dictionary by Dr Samuel Johnson (played by Robbie Coltrane), Blackadder
masquerading as the Scarlet Pimpernel and Fry’s Duke of Wellington challenging the
Prince to a duel. Like its predecessor, the series was a success, winning the BAFTA
for Best Comedy Series in 1988. That same year, more of the Blackadder family tree
was explored: the Comic Relief sketch Blackadder: the Cavalier Years visited a
Royalist Blackadder and Baldrick in the midst of the English Civil War, whilst
Blackadder’s Christmas Carol saw a twist on Dickens’s tale in which our anti-hero
changed from “the kindest and loveliest man in all England” to his more familiar
persona.
The final series in 1989, Blackadder Goes Forth, saw our heroes stuck on the
Western Front during World War I. Captain Blackadder and Private Baldrick were
joined by Laurie’s gormless Lieutenant George, constantly devising new schemes to
escape the trenches. Fry returned as the blustering and eccentric General Melchett,
as did McInnerny as his bootlicking adjutant, Captain Darling. The tone was different
to previous series, with much of the humour aimed at the insanity of war. The final
scene, which saw most of the characters go ‘over the top’ and then segue into a shot
of a poppy field, was voted the ninth greatest TV moment of all time in a 1999 TV
poll. The series overall took another BAFTA for Best Comedy Series, as did Atkinson
for Best Light Entertainment Performance.
Aside from a 1999 special shown at the Millennium Dome, Blackadder: Back and
Forth, which saw a contemporary Blackadder and Baldrick travel through time, that
seemed to be it for the Blackadder bloodline. However, in 2015, Tony Robinson
admitted that a new series may be “on the cards”. If that’s the case, we’ll be “as
happy as a man who thought a cat had done his business on his pie, but it turned out
to be an extra big blackberry”.
Paul Bovey
© John Good

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Blackadder article

  • 1. Article written for the Altrincham Garrick's Blackadder the Third (November 2015). A Serpent’s Tale: the History of Blackadder Winner of multiple BAFTAs, voted the second-best British sitcom of all-time and a springboard for a group of international acting and writing talents, the Blackadder dynasty dates back not centuries but to 1979. Oxford University students Richard Curtis and Rowan Atkinson had formed a revue at the Oxford Playhouse and gone on to work together on the BBC sketch series Not the Nine O’Clock News. Wanting to write a sitcom as good as Fawlty Towers but without inviting comparison, the pair hit upon the idea of a comedy with a historical setting. Curtis and Atkinson wrote a pilot in 1982 and a full series, The Black Adder, arrived on our screens on BBC1 on 15 June 1983, billed in the Radio Times as “the first of six horrible situation tragedies”. Set in an ‘alternate’ 1485 at the end of the Middle Ages, the series starred Atkinson as Prince Edmund, the ‘Black Adder’ and weaselly son of Richard IV (played by Brian Blessed), who found himself on the throne after Edmund accidentally killed Richard III (played by Peter Cook). Tim McInnerny played the dim-witted Lord Percy Percy, while Tony Robinson (who had not appeared in the pilot) played the servant Baldrick. The Black Adder was a modest success but not successful enough to justify the expense of the series. Filming at Alnwick Castle in Northumberland, as well as a cast of extras, horses and costumes, had cost £1 million. Such extravagance was unacceptable to new controller of BBC1, Michael Grade, who insisted on a budget cut if he was to greenlight a second series. This coincided with Ben Elton replacing Atkinson as co-writer, who agreed that the grandiose location filming was not needed and that the series instead had to focus on the characters in a smaller studio set. The second series introduced us to the Blackadder family’s Elizabethan descendant, who was cut from a different cloth to his snivelling ancestor: he became cunning, witty and self-serving, “a modern person in the stupidity of ancient times” as Curtis put it; alternatively, Baldrick became even more stupid. Along with McInnerny returning as Percy, the main trio were reigned over by Miranda Richardson as a childish and spoilt Queen Elizabeth I prone to cutting someone’s head off if the mood took her, alongside Stephen Fry as the sycophantic Lord Melchett and Patsy Byrne as dotty Nursie. Blackadder II was a huge success, with 10 million viewers tuning in per week, and a third series was quickly commissioned. Blackadder the Third was set in Regency England, and although Elton considered the era less ‘sexy’ than the Tudor age, both writers thought it had potential. The latest incarnation of Blackadder had fallen from nobility and served as butler to the Prince Regent, alongside his dogsbody Baldrick, even more prone to a “cunning plan”. Tim McInnerny returned in a smaller role to avoid being typecast as Percy, so the main cast was completed by Hugh Laurie as the idiotic and indulgent Prince Regent and Helen Atkinson-Wood as pie shop owner Mrs Miggins.
  • 2. Highlights of the third series included Baldrick accidentally burning the first English dictionary by Dr Samuel Johnson (played by Robbie Coltrane), Blackadder masquerading as the Scarlet Pimpernel and Fry’s Duke of Wellington challenging the Prince to a duel. Like its predecessor, the series was a success, winning the BAFTA for Best Comedy Series in 1988. That same year, more of the Blackadder family tree was explored: the Comic Relief sketch Blackadder: the Cavalier Years visited a Royalist Blackadder and Baldrick in the midst of the English Civil War, whilst Blackadder’s Christmas Carol saw a twist on Dickens’s tale in which our anti-hero changed from “the kindest and loveliest man in all England” to his more familiar persona. The final series in 1989, Blackadder Goes Forth, saw our heroes stuck on the Western Front during World War I. Captain Blackadder and Private Baldrick were joined by Laurie’s gormless Lieutenant George, constantly devising new schemes to escape the trenches. Fry returned as the blustering and eccentric General Melchett, as did McInnerny as his bootlicking adjutant, Captain Darling. The tone was different to previous series, with much of the humour aimed at the insanity of war. The final scene, which saw most of the characters go ‘over the top’ and then segue into a shot of a poppy field, was voted the ninth greatest TV moment of all time in a 1999 TV poll. The series overall took another BAFTA for Best Comedy Series, as did Atkinson for Best Light Entertainment Performance. Aside from a 1999 special shown at the Millennium Dome, Blackadder: Back and Forth, which saw a contemporary Blackadder and Baldrick travel through time, that seemed to be it for the Blackadder bloodline. However, in 2015, Tony Robinson admitted that a new series may be “on the cards”. If that’s the case, we’ll be “as happy as a man who thought a cat had done his business on his pie, but it turned out to be an extra big blackberry”. Paul Bovey © John Good