8. Just as we enter the picture by means of curves or zigzags, we should leave the same way. The exit should be so
carefully guarded that after the viewer’s eye has roamed about and seen everything, it comes upon the exit
naturally.
9.
10.
11.
12. 74. The verticalness of this figure is cleverly attached
to the frame by the arms and by blending the upper
background with the tones of the figure.