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Guyon And The Palmer Sparknotes
Guyon, as a follower of a Pauline Christianity, tries to set an example of temperance and a morally grounded lifestyle. In doing so, he continuously espies adventures aiding in the virtues of goodwill. On these adventures, as in life, he forms a fellowship with God in order to follow the straight and narrow path that will lead to a more virtuous life and eventually Heaven. Guyon and the Palmer are the two characters, which complete this fellowship insofar as the Palmer is always the voice of reason to Guyon and guides him whenever he turns the wrong way. In part, this appears to be the relationship between the church or a man of the church and man so as to stay on the right path. For example, in stanza 63, Guyon happens upon two damsels...show more content...Significantly, the Palmer remains fairly silent throughout the Canto, but asserts himself in this situation as the narrator says: He much rebukt those wandring eyes of his / And counseld well, him foward thence did draw (II.12.68). Seemingly, if not for the Palmer s guidance, Guyon may have given into the temptation of fornication. Additionally, the relationship between these two archetypes man of god and man shows the relationship s ability to balance the humours. In both instances where the Palmer intervenes, Guyon tends to be acting more choleric, i.e., thinking with passion rather than reason and the Palmer s phlegmatic character balances these two dispositions (CITE). Initially, Guyon s act of violence in the BoB seems in contradiction with the archetype of a man who follows a Christian lifestyle. Analyzing this through the lens of humorism, understanding Guyon s dominant humour as
1. Guyon And The Palmer Sparknotes
Guyon, as a follower of a Pauline Christianity, tries to set an example of temperance and a morallyāgrounded lifestyle. In doing so, he
continuously espies adventures aiding in the virtues of goodwill. On these adventures, as in life, he forms a fellowship with God in order to
follow the straight and narrow path that will lead to a more virtuous life and eventually Heaven. Guyon and the Palmer are the two characters,
which complete this fellowship insofar as the Palmer is always the voice of reason to Guyon and guides him whenever he turns the "wrong
way." In part, this appears to be the relationship between "the church" or "a man of the church" and "man" so as to stay on the right path. For
example, in stanza 63, Guyon happens upon two damsels...show more content...
Significantly, the Palmer remains fairly silent throughout the Canto, but asserts himself in this situation as the narrator says: "He much rebukt
those wandring eyes of his / And counseld well, him foward thence did draw" (II.12.68). Seemingly, if not for the Palmer's guidance, Guyon may
have given into the temptation of fornication. Additionally, the relationship between these two archetypes "man ofgod" and "man" shows the
relationship's ability to balance the humours. In both instances where the Palmer intervenes, Guyon tends to be acting more choleric, i.e., thinking
with passion rather than reason and the Palmer's phlegmatic character balances these two dispositions (CITE). Initially, Guyon's act of violence in
the BoB seems in contradiction with the archetype of a man who follows a Christian lifestyle. Analyzing this through the lens of humorism,
understanding Guyon's dominant humour as sanguineāthe active protagonist and easily changeable (CITE)āand yet, in this moment, his act of
violence aligns with the phlegmatic humour (CITE). This change in the dominance of humours would mean that the man had an imbalance of
humours and therefore acted according to this "imbalance" (CITE). The fellowship of the Palmer is indispensable and for a second time in this
Canto, he intervenes with incredible timing again displaying the necessity of their
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