English work - Adverts aimed at men in the 1920s 60s comparisons between modern and older adverts, such as men's grooming items (shower gel, razors etc) we explore how sexism comes into play and how it helped to sell the items back in the 1920s and 1960s
Presentation for English Language
6. SIMILARITIES TO MODERN TEXTS
• Synthetic personalisation (use of 2nd person pronoun
‘your’)
• ‘Shaving News’ technique – ‘new technology’
• Jargon (pos. neologism) ‘COROSHAVE’
• Instructions, imperative structure ‘Wash- wet face’
• Influential power, convincing that this product is the
best
• Cataphoric references – ‘shaving news’
• In the second text, elevated lexis (‘Exhilarating’)
7. DIFFERENCES TO MODERN TEXTS
• Alliteration often seen as cliché (‘Superwhipped for
super shaves!’)
• Modern focus on ‘sexy’ look – not on ‘handsome’
• Exclamative sentences likely to be interpreted as
patronizing in modern adverts (‘SHAVE…!’)
• In the second text, high focus on language rather
than image.
10. List of 3 (cadence)
Simple sentences
Percentage
Authenticity, modern advertising
‘A place’ - Metaphor
Alliteration
Abstract Noun
Active verbs
Repetition
Elevated lexis
Colloquial
12. METHODOLOGY
• We used Google images and
http://www.advertisingarchives.co.uk/en/category/
show_list_page.html provided us with a wide variety
of advertisements aimed at men throughout
different time periods.
• Men’s Health magazine provided us with the
comparative text we chose, though many of the
ads consisted of vary little language and were
mostly just images with a logo. This in itself could
show how advertisement language has evolved.
13. LEXIS
1950s Texts
• Text 2 uses much
elevated lexis (e.g.
exhilarating’ ect) and
specialist lexis (e.g.
‘abdominal’)in order to
sell their product. This is
because they wish to
convince the audience
(Influential power) that
this product is new,
proven and high tech.
Modern Texts
• Both texts use ‘expert
opinion’ to convince
their audience. They
use elevated lexis (such
as ‘clinically proven’)
though less than the
earlier texts.
14. GRAMMAR
1950s Texts
• The second text in
particular uses long,
complex sentences in
order to descriptively sell
their product. E.g.
‘Massage is the key -
massage of the vital
muscles of the abdomen,
on whose strength and
tone your figure, carriage
and digestion depend.’
Modern Texts
• The first test uses very
simple, short sentences
as though written in
note form. E.g. ‘Helps
minimise the look of
fine lines, helps firm up
the skin’.
17. DISCOURSE STRUCTURE
1950s Texts
• The second text uses a lot more text
to convince it’s audience. It is also
similar to modern day texts which
use ‘expert opinions’. It may be
significant that over time, we have
changed who these people are; we
are more likely to be attracted to
products which are used by
celebrities.
Modern Texts
18. GRAPHOLOGY
1950s Texts
• These have less
complex graphological
features due to the
time period – they use
illustrations though rely
more on their language
choices to sell their
product.
Modern texts
• Often have very little
writing and rely more
heavily on an image to
sell their product.
19. PRAGMATICS
1950s Texts
• In this time period it is likely
that it was more
unacceptable for men to
act feminine, and therefore
invest in grooming products.
They therefore sell their
products as more masculine
and necessary, though the
second text uses ‘men and
women’ as the order of
precedence. There is,
however, less of a focus on
female attraction than the
modern texts.
Modern Texts
• In recent times
advertisements aimed
at men encourage
grooming products. The
second is somewhat
sexist as it used
graphology as its main
influential feature,
advertising female
attraction.
20. CONCLUSION
• We found that our non-directional hypothesis that
adverts aimed at men will have changed language
devices over time was correct, though we also
found that some devices remained the same.
• One major feature of change was the amount of
text used.
• There were possible indications of sexism, though
not enough evidence in the 4 short advertisements
analysed.
21. EVALUATION
• If we were to conduct the research again, we
would refine our hypothesis to be more specific to
allow for more detailed research.
• We would also choose advertisements which
include much more text, though it may be best to
avoid adverts altogether due to the modern focus
on image.
25. BIBLIOGRAPHY
• Google images
• Bing images
• http://www.advertisingarchives.co.uk/en/category/
show_list_page.html
• The Times Digital Archive
Editor's Notes
This advertisement didn’t, similarly to most modern texts, make extensive use of language. The primary features of this ad are image, neologisms and ‘new tech’.
This advertisement used much more language in order to convince its audience. It appeared in The Times which indicates its target audience being upper-class and highly evaluative. In this way the use of language and ‘expert opinion’ seen at the bottom on the left-hand side, would have been useful in providing enough evidence that this product is worth buying.
There are numerous linguistic devices used which enhances the influential power of this text.
These are some of the guesses we made without looking at any examples of modern advertisements – we merely based them on our memory of advertisements such as ‘Gillette Fusion’ which, similar to our first 1950s text, uses the ‘new tech’ and ‘expert opinion’ devices.
We believed that some rhetoric techniques are less frequently used in modern texts, such as alliteration and exclamatives which may be seen as cliché or over-the-top. In this way we devised our hypothesis…
We chose this first advert for comparison as it was had a similar semantic field to the other two – a male grooming product. It was instantly apparent that advertisements had changed over time as it proved difficult to find an ad with as much text as this. In the 4 magazines we looked thorough, and extensive research online, we failed to find many modern ads which didn’t use image as their primary selling point. Even in this ad, image was clearly a primary concern of the promoter due to the complexity of the image used – something which would not have been possible to include in the old texts.
Despite the little language used, there were still some language devises used. Some of these contradicted some of our earlier predictions, such as the use of alliteration. We concluded that perhaps the use of rhetoric devices such as alliteration are so over-used that they are often left unnoticed.
This text we found to be somewhat sexist, using women as a selling point. Again, image is the primary selling point and there is little language used. It makes strong use of Synthetic personalisation and seems to talk directly to the audience, aiming to make them feel self-conscious even as it suggests that you SHOULD, if not, be worried about your image. This ties in with the developing social standard that, as was not before, it is more acceptable for men to take interest in their image (it may before have been considered feminine).
The most useful sources were the magazines, as they helped us to establish how adverts have changed so dramatically to rely heavily on image, and the advertising archives website. This included a range of advertisements from a range of time periods, and allowed us to identify those clearly aimed at men and how some have changed and remained the same.
We used concordle to make a visual indication of the frequency of words used. We used this only on the two ads with the most text as we believed that it wouldn’t work with those with little text. Here we see that repetition was a primary feature of this ad, ‘massage’ being used far above every other word.
Even this text didn’t work so well with the visualisation. It still held too little text to work properly.
We decided against the first due to the lack of text – and its overall creepyness. The second we also believed to have too little language, though shows the still continued use of the ‘new/high tech’ technique, as well as using highly specialist lexis in order to convince its audience that this product is ‘special’.
We found these ads interesting also – they showed clear comparison to modern texts, and the contextual advancement in medicine. Clearly smoking isn’t good for you, though advertisements seemed perfectly content in displaying ‘health benefits’ and blatantly lying to their audience about the effects of smoking.
We also found this ad interesting – this advertisement clearly evolved to exploit the image of women for selling products in a much more revealing way – i.e. their boobs, as shown by the ads that had to be removed by public outcry – this respectable lady may be the origin of the ‘cocacola girls’.