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AS Media Studies 
Extension Exercise 
‘Watching’ Documentary on Film Openings 
The ‘Watching’ Documentary is in the Thriller folder on any of the Media 
macs. It is half an hour long. ‘Answer the following questions as you watch 
it. 
1) What does Thomas Sutcliffe mean when he says “Films need to 
seduce their audience into long term commitment. While there are 
many types of seduction, the temptation to go for instant arousal is 
almost irresistible” 
2) According to Director Jean Jacques Beineix, what are the risks of 
‘instant arousal’? 
3) Explain why “a good beginning must make the audience feel that it 
doesn’t know nearly enough yet, and at the same time make sure 
that it doesn’t know too little” 
4) What does critic Stanley Kauffmann describe as the classic opening? 
Why does this work? 
5) Why is Kyle Cooper’s title sequence to the film Seven so effective? 
6) What did Orson Welles want to achieve with his opening to the film A 
Touch of Evil? What did Universal Studios do to it? Why? 
7) What is meant by “a favourite trick of Film Noir”? What is the trick? 
8) How does the opening to the film The Shining create suspense?

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Homework lesson 1 extension activity Watching Documentary questions

  • 1. AS Media Studies Extension Exercise ‘Watching’ Documentary on Film Openings The ‘Watching’ Documentary is in the Thriller folder on any of the Media macs. It is half an hour long. ‘Answer the following questions as you watch it. 1) What does Thomas Sutcliffe mean when he says “Films need to seduce their audience into long term commitment. While there are many types of seduction, the temptation to go for instant arousal is almost irresistible” 2) According to Director Jean Jacques Beineix, what are the risks of ‘instant arousal’? 3) Explain why “a good beginning must make the audience feel that it doesn’t know nearly enough yet, and at the same time make sure that it doesn’t know too little” 4) What does critic Stanley Kauffmann describe as the classic opening? Why does this work? 5) Why is Kyle Cooper’s title sequence to the film Seven so effective? 6) What did Orson Welles want to achieve with his opening to the film A Touch of Evil? What did Universal Studios do to it? Why? 7) What is meant by “a favourite trick of Film Noir”? What is the trick? 8) How does the opening to the film The Shining create suspense?