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PLAYING LOS ANGELES
ITSELF:
Versions of the City in LA Noire
Jedd Hakimi
jedd.hakimi@gmail.com
University of Pittsburgh
L.A. NOIRE TIMELAPSE: WORLD IN MOTION
MADE BY EUROGAMER.NET
USC Libraries' "Dick"Whittington Photography Collection.
More from USC Library
Collection
GrandTheft Auto IV’s “Liberty City” (NYC)
Assassin’s Creed II’s Florence, Italy
Fallout 3’s Washington, D.C.
FICTIONAL VERSION OF LOS ANGELES
• Noir stylization
• Constrained movements
• Scripted storytelling
• Static choices/outcomes
• Game-controlled narration during cut-
scenes
• Cinematic camera angles
• Continuity editing for storytelling
• All action and dialogue
HISTORICAL VERSION OF LOS ANGELES
• Documentary “realism”
• Open-world roaming
• Lack of story
• Indefinite choices/outcomes
• Player-controlled narration during
gameplay
• Selecting avatar’s immediate
movements/decisions
• Choice of Avatar’s spatial
position in the game world
• Some control over camera
position
THE “SEMI-DOCUMENTARY”
FILM NOIR
EXAMPLES
• The House on 92nd Street (1945)
• Call Northside 777 (1947)
• T-Men (1947)
• HeWalked by Night (1948)
• The Naked City (1947)
• Night and the City (1950)
CHARACTERISTICS
• Shot almost entirely on location
• Mimic newsreel or documentary tone
• Use non-professional actors
• Often feature “voice-of-god” narrator
• Lack the traditional tropes of noir like
femme fatale and hard boiled
detective
• Conspicuously foreground real-world
location
HeWalked by Night — Los Angeles Call Northside 777 — Chicago
The Naked City — NewYork City The House on 92nd Street —
Washington DC & NewYork City
Playing Los Angeles Itself
Playing Los Angeles Itself

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Playing Los Angeles Itself

  • 1. PLAYING LOS ANGELES ITSELF: Versions of the City in LA Noire Jedd Hakimi jedd.hakimi@gmail.com University of Pittsburgh
  • 2. L.A. NOIRE TIMELAPSE: WORLD IN MOTION MADE BY EUROGAMER.NET
  • 3. USC Libraries' "Dick"Whittington Photography Collection.
  • 4. More from USC Library Collection
  • 5. GrandTheft Auto IV’s “Liberty City” (NYC) Assassin’s Creed II’s Florence, Italy Fallout 3’s Washington, D.C.
  • 6.
  • 7.
  • 8. FICTIONAL VERSION OF LOS ANGELES • Noir stylization • Constrained movements • Scripted storytelling • Static choices/outcomes • Game-controlled narration during cut- scenes • Cinematic camera angles • Continuity editing for storytelling • All action and dialogue
  • 9. HISTORICAL VERSION OF LOS ANGELES • Documentary “realism” • Open-world roaming • Lack of story • Indefinite choices/outcomes • Player-controlled narration during gameplay • Selecting avatar’s immediate movements/decisions • Choice of Avatar’s spatial position in the game world • Some control over camera position
  • 10.
  • 11. THE “SEMI-DOCUMENTARY” FILM NOIR EXAMPLES • The House on 92nd Street (1945) • Call Northside 777 (1947) • T-Men (1947) • HeWalked by Night (1948) • The Naked City (1947) • Night and the City (1950) CHARACTERISTICS • Shot almost entirely on location • Mimic newsreel or documentary tone • Use non-professional actors • Often feature “voice-of-god” narrator • Lack the traditional tropes of noir like femme fatale and hard boiled detective • Conspicuously foreground real-world location
  • 12. HeWalked by Night — Los Angeles Call Northside 777 — Chicago The Naked City — NewYork City The House on 92nd Street — Washington DC & NewYork City