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24 • may-june 2014 may-june 2014 • 25
Storm King’s Sculptured GreenBY JESSIE KEITH
PHOTOS BY JERRY L. THOMPSON
design
Powerful, expressive
staging of modern sculp-
ture in a naturalistic land-
scape setting—that is what
the Storm King Art Center
does best. The expansive
Hudson River Valley sculp-
ture park and museum
was founded 50 years ago
by H. Peter Stern and the
late Ralph E. Ogden, co-
owners of Star Expansion
Company, a manufactur-
ing firm based in rural
Mountainville, N.Y. Today
Storm King
is a leading sculpture park
that unites magnificent art
with beautiful landscapes.
Visitors to this year’s
were treated to a spectacu-
lar exhibit representing the
sculpture park, created by
MODA Botanica in partner-
ship with Storm King staff.
At Storm King, place-
ment and presentation are
as important as the more
than 100 sculptural works
of art displayed throughout
the 500-
acre park. Figurative,
abstract, and naturalistic
pieces by some of the
most influential contem-
porary sculptors of our
time, including Alexander
Calder, Mark di Suvero,
and Isamu Noguchi, are
framed with vision—making
the landscape as essential
to the park as the art itself.
Sometimes the landscape
is the art, as in the exam-
ples of a meandering stone
fencing by
Andy Goldsworthy
and an earth and grass
sculpture by Maya Lin.
According to Storm
King’s director and cura-
tor, David R. Collens,
the park’s formation and
design was largely based
on the vision of its founders
and landscape architect,
William Rutherford, Sr. “Bill
acquire perma-
nent sculptures, a lot of
work goes into their place-
ment. Take Alexander
Calder’s The Arch. Before
adding it, we subtly raised
an open farm field as a
platform and created a
walking path towards it
through the field. Then we
incorporated plantings of
native grasses. The land-
scape changes are
subtle but effective.”
Not only do the skillfully
sculpted landscapes grace-
fully support the sculpture,
but the plants themselves
are carefully chosen. At
Storm King, look for non-
invasive native plants that
enhance the park’s fea-
tures. Corridors of native
trees, including an allée
of 200 pin
oaks (Quercus
palistrus) and another of
sugar maples (Acer sac-
charum), add clean lines
where needed. Large
sweeps of native grasses,
such as purpletop
(Tridens flavus), big blue-
stem (Andropogon
gerardii), little bluestem
(Schizachyrium
scoparium), and
Indian grass (Sorghastrum
nutans), are planted in
harmony with emphasis
on complimentary col-
ors, textures, and bloom
times.
had great
vision,” stressed Collens.
“His goal was to enhance
the naturalistic landscape,
shape vistas, and cre-
ate plantings that never
appear staged but frame
the art. Bill continued to
contribute to the Storm
King landscape until he
passed
away in 2006.”
The attention to detail
is apparent in the seem-
ingly effortless way the
sculptures are framed
within the park. “Careful
consideration is given to
the incorporation and pre-
sentation of each piece,”
Collens says. “When we
Maya Lin (b. 1959)
Storm King Wavefield, 2007-2008
Earth and grass
240,000 square feet (11 acre site)
may-june 2014 • 2726 • may-june 2014
More recently, subtle plantings of native
wildflowers—including butterflyweed
(Asclepias tuberosa), showy goldenrod
(Solidago speciosa), and many aster spe-
cies—have been added to grasslands to
enhance color and habitat value.
What led to the creation of such an
expansive and impressive sculpture park?
Originally, the founders sought to focus
on artists of the Hudson River School, but
the landscape and the times afforded the
opportunity to create something more. David
Collens elaborates: “The extraordinary land-
scape is what sparked the idea for a sculpture
park, and with New York City and its art base
so close, it seemed like a good marriage.
When the park was founded, artists were just
at the point of taking small models to found-
ries and having them realized. And foundries,
like North Haven’s Lippincott Foundry, were
close by. The timing was good.”
Now Storm King’s many visitors reap the
rewards of that great vision and good tim-
ing. Last year alone, more than 106,000 visi-
tors from all over the world visited the park,
an all-time high. In addition to the park, an
indoor museum houses smaller sculptures in
the permanent collection and annual exhibi-
tions that typically include larger-scale works
outdoors.
This season’s highlights include the major
exhibitions Zhang Huan: Evoking Tradition
and Outlooks: Virginia Overton, a site-spe-
cific project that responds to Storm King’s
landscape, which opens on Saturday, May 3.
A Summer Solstice Party featuring a menu by
chefs Peter Hoffman and Shelley Boris, will
be held on Saturday, June 14.
Visitors interested in recreation can also
rent bikes or hike along an extensive network
of trails that extend deep within the larger
property, which maintains beautiful vistas
of the nearby Schunemunk Mountain and
Moodna Creek.
Storm King is truly a worthwhile destina-
tion for lovers of art, gardening, and nature.
It leaves the visitor satisfied on all counts and
invites repeat visits for further exploration.
Storm King Art Center was
one of the participating muse-
um partners in the 2014 PHS
Philadelphia Flower Show,
“ARTiculture.” The partner-
ship continues with a special
offer for PHS members. From
its season opening on April
2 through August 31, 2014,
Storm King is offering PHS
Household members and above
two free adult admissions (a
$30 value) upon presentation of
their PHS membership card at
Storm King’s admission booth.
For more information about
Storm King Art Center, includ-
ing directions and hours, please
visit stormking.org.
Mark di Servo, Frog Legs, Mozarts Birthday,
NerudasGate(??)
Alexander Liberman, ‘Iliad’
Mark di Suvero (1933-)
Left to right:
Frog Legs, 2002, Steel, 26’ 8” x 11’ radius.
Lent by the artist and Spacetime C.C., New York.
Mozart’s Birthday, 1989, Steel, 23’ x 40’ x 40’.
Gift of Maurice Cohen and Margo Cohen.
Neruda’s Gate, 2005, Steel, 26’ 9” x 25’ x 8’,
Lent by the artist and Spacetime C.C., New York.
Mark di Suvero (1933-)
Left to right:
Pyramidian, 1987/1998. Steel, 65’ x 46’ x 46’.
Gift of the Ralph E. Ogden Foundation, Inc.
Beethoven’s Quartet, 2003. Steel, stainless steel, 24’ 7” x 30’ x 23’ 3”.
Lent by the artist and Spacetime C.C., New York.
Alexander Liberman (1912-1999)
Iliad, 1974-76
Painted steel
36’ x 54’ 7” x 19’ 7”
Gift of the Ralph E. Ogden Foundation, Inc.
©2013 The Alexander Liberman Trust
Menashe Kadishman (1932-)
Suspended, 1977
Weathering Steel
23’ x 33’ x 48’
Gift of Muriel and Philip I. Berman
AllphotosbyJerryL.Thompson

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Storm King's Sculptured Green Landscapes Frame Art

  • 1. 24 • may-june 2014 may-june 2014 • 25 Storm King’s Sculptured GreenBY JESSIE KEITH PHOTOS BY JERRY L. THOMPSON design Powerful, expressive staging of modern sculp- ture in a naturalistic land- scape setting—that is what the Storm King Art Center does best. The expansive Hudson River Valley sculp- ture park and museum was founded 50 years ago by H. Peter Stern and the late Ralph E. Ogden, co- owners of Star Expansion Company, a manufactur- ing firm based in rural Mountainville, N.Y. Today Storm King is a leading sculpture park that unites magnificent art with beautiful landscapes. Visitors to this year’s were treated to a spectacu- lar exhibit representing the sculpture park, created by MODA Botanica in partner- ship with Storm King staff. At Storm King, place- ment and presentation are as important as the more than 100 sculptural works of art displayed throughout the 500- acre park. Figurative, abstract, and naturalistic pieces by some of the most influential contem- porary sculptors of our time, including Alexander Calder, Mark di Suvero, and Isamu Noguchi, are framed with vision—making the landscape as essential to the park as the art itself. Sometimes the landscape is the art, as in the exam- ples of a meandering stone fencing by Andy Goldsworthy and an earth and grass sculpture by Maya Lin. According to Storm King’s director and cura- tor, David R. Collens, the park’s formation and design was largely based on the vision of its founders and landscape architect, William Rutherford, Sr. “Bill acquire perma- nent sculptures, a lot of work goes into their place- ment. Take Alexander Calder’s The Arch. Before adding it, we subtly raised an open farm field as a platform and created a walking path towards it through the field. Then we incorporated plantings of native grasses. The land- scape changes are subtle but effective.” Not only do the skillfully sculpted landscapes grace- fully support the sculpture, but the plants themselves are carefully chosen. At Storm King, look for non- invasive native plants that enhance the park’s fea- tures. Corridors of native trees, including an allée of 200 pin oaks (Quercus palistrus) and another of sugar maples (Acer sac- charum), add clean lines where needed. Large sweeps of native grasses, such as purpletop (Tridens flavus), big blue- stem (Andropogon gerardii), little bluestem (Schizachyrium scoparium), and Indian grass (Sorghastrum nutans), are planted in harmony with emphasis on complimentary col- ors, textures, and bloom times. had great vision,” stressed Collens. “His goal was to enhance the naturalistic landscape, shape vistas, and cre- ate plantings that never appear staged but frame the art. Bill continued to contribute to the Storm King landscape until he passed away in 2006.” The attention to detail is apparent in the seem- ingly effortless way the sculptures are framed within the park. “Careful consideration is given to the incorporation and pre- sentation of each piece,” Collens says. “When we Maya Lin (b. 1959) Storm King Wavefield, 2007-2008 Earth and grass 240,000 square feet (11 acre site)
  • 2. may-june 2014 • 2726 • may-june 2014 More recently, subtle plantings of native wildflowers—including butterflyweed (Asclepias tuberosa), showy goldenrod (Solidago speciosa), and many aster spe- cies—have been added to grasslands to enhance color and habitat value. What led to the creation of such an expansive and impressive sculpture park? Originally, the founders sought to focus on artists of the Hudson River School, but the landscape and the times afforded the opportunity to create something more. David Collens elaborates: “The extraordinary land- scape is what sparked the idea for a sculpture park, and with New York City and its art base so close, it seemed like a good marriage. When the park was founded, artists were just at the point of taking small models to found- ries and having them realized. And foundries, like North Haven’s Lippincott Foundry, were close by. The timing was good.” Now Storm King’s many visitors reap the rewards of that great vision and good tim- ing. Last year alone, more than 106,000 visi- tors from all over the world visited the park, an all-time high. In addition to the park, an indoor museum houses smaller sculptures in the permanent collection and annual exhibi- tions that typically include larger-scale works outdoors. This season’s highlights include the major exhibitions Zhang Huan: Evoking Tradition and Outlooks: Virginia Overton, a site-spe- cific project that responds to Storm King’s landscape, which opens on Saturday, May 3. A Summer Solstice Party featuring a menu by chefs Peter Hoffman and Shelley Boris, will be held on Saturday, June 14. Visitors interested in recreation can also rent bikes or hike along an extensive network of trails that extend deep within the larger property, which maintains beautiful vistas of the nearby Schunemunk Mountain and Moodna Creek. Storm King is truly a worthwhile destina- tion for lovers of art, gardening, and nature. It leaves the visitor satisfied on all counts and invites repeat visits for further exploration. Storm King Art Center was one of the participating muse- um partners in the 2014 PHS Philadelphia Flower Show, “ARTiculture.” The partner- ship continues with a special offer for PHS members. From its season opening on April 2 through August 31, 2014, Storm King is offering PHS Household members and above two free adult admissions (a $30 value) upon presentation of their PHS membership card at Storm King’s admission booth. For more information about Storm King Art Center, includ- ing directions and hours, please visit stormking.org. Mark di Servo, Frog Legs, Mozarts Birthday, NerudasGate(??) Alexander Liberman, ‘Iliad’ Mark di Suvero (1933-) Left to right: Frog Legs, 2002, Steel, 26’ 8” x 11’ radius. Lent by the artist and Spacetime C.C., New York. Mozart’s Birthday, 1989, Steel, 23’ x 40’ x 40’. Gift of Maurice Cohen and Margo Cohen. Neruda’s Gate, 2005, Steel, 26’ 9” x 25’ x 8’, Lent by the artist and Spacetime C.C., New York. Mark di Suvero (1933-) Left to right: Pyramidian, 1987/1998. Steel, 65’ x 46’ x 46’. Gift of the Ralph E. Ogden Foundation, Inc. Beethoven’s Quartet, 2003. Steel, stainless steel, 24’ 7” x 30’ x 23’ 3”. Lent by the artist and Spacetime C.C., New York. Alexander Liberman (1912-1999) Iliad, 1974-76 Painted steel 36’ x 54’ 7” x 19’ 7” Gift of the Ralph E. Ogden Foundation, Inc. ©2013 The Alexander Liberman Trust Menashe Kadishman (1932-) Suspended, 1977 Weathering Steel 23’ x 33’ x 48’ Gift of Muriel and Philip I. Berman AllphotosbyJerryL.Thompson