3. 1. Serves as a foundation for the
development and creation od all textiles
and clothing products, including fabrics
for interior spaces.
A. Principles of Design
B. Elements of Design
C. Interior Design Reference
D. Principles of Style
4. 2. A distinct, elongated mark as if
drawn by a pencil or pen.
A. Line
B. Design
C. Texture
D. Color
5. 3. The direction of lines used in
clothing or textiles can be:
A. Vertical
B.Horizontal
C. Diagonal
D. All of the above
6. 4. When an individual wears _____lines
there is an illusion of added height and
slimness. If an individual is trying to
communicate dignity, strength, poise or
sophistication, it is recommended.
A. Vertical Lines
B. Horizontal Lines
C. Diagonal Lines
D. All of the above
7. 5. This kind of line can suggest someone is
shorter or wider than what he/she actually is.
Can represent a calm and relaxed look while
suggesting rest and gentleness.
A. Vertical Lines
B. Horizontal Lines
C. Diagonal Lines
D. All of the above
8. 6. What is the two ways in applying line to
clothing?
A. Structurally and Best
B. Elegant and Pure
C. Structurally and Decoratively
D. Standardize and Accurate to Taste
9. 7. The silhoutte, or overall outline of
a garment or other item.
A. Shape
B. Form
C. Texture
D. Shape and Form
10. 8. This kind of silhoutte was used in 1820s
and 1920s presenting the woman’s body as
slim by using vertical lines in sturcture and
decoration.
A. Back Fullness
B. Bell Silhoutte
C. Tubular Silhoutte
D. All of the above
11. 9. Was commonly found in the 1740’s and
1850’s showcasing a fitted waist and full
skirt on women.
A. Back Fullness
B. Bell Silhoutte
C. Tubular Silhoutte
D. All of the above
12. 10. Was primarily seen in the 1780s and
1880s. This application of shape or form
incorporated a full skirt that puffed out in the
back but not the front.
A. Back Fullness
B. Bell Silhoutte
C. Tubular Silhoutte
D. All of the above
13. 11. He was the first designer ever. He was
the first tailor who was able to impose his
own taste on his clients, selling garments,
fabrics, trims and bows.
A. Charles Darwin
B. Charles Frederick Worth
C. Charles II
D. Charles Frederick West
14. 12. It can fake the natural silhoutte of our
body, in order to change it (sometimes in a
drastic and dramatical way). .
A.Garments
B. Style
C. Design
D. Color
15. 13. She is the queen of the unexpected. She
has always been an avant-garde artist,
capable to reflect youth’s spirits in her
clothes, feeding the creativity of thousands
of designers.
A. Charles Frederick Worth
B. Vivienne Westwood
C. Charles Darwin II
D. Vivienne Eastwood
16. 14. The surface quality of a garment.
A. Color
B. Texture
C. Design
D. Style
17. 15. Two different types of texture:
A. Structural and Visual Texture
B. Structural and Color Texture
C. Color Texture and Visual Structure
D. All of the above
18. 16. Produced when light, striking an object,
is reflected back to the eye.
A. Colour
B. Texture
C. Design
D. Style
19. 17. It separates one color from another and is
the name given to each color on the color
wheel.
A. Intensity
B. Hue
C. Value
D. All of the above
20. 18. It is seen as the lightness or darkness of a
color. White and black are added to change
the overall ____(lightness or darkness) of
each color.
A. Intensity
B. Hue
C. Value
D. All of the above
21. 19. It describes the brightness or dullness of
a color. With color, the possibilities are
endless.
A. Intensity
B. Hue
C. Value
D. All of the above
22. 20. It suggest on how a designer can best
arrange the various elements of a page layout
in connection to the overall design and to
each other.
A. Principles of Design
B. Elements of Design
C. Interior Design Reference
D. Principles of Style
23. 20. It suggest on how a designer can best
arrange the various elements of a page layout
in connection to the overall design and to
each other.
A. Principles of Design
B. Elements of Design
C. Interior Design Reference
D. Principles of Style
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C. Interior Design Reference
D. Principles of Style
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