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Controversy over the notion of "direct injection"
under the right of
communication of works to the public
Janusz Piotr Kolczyński, Institute for Legal Studies, Polish Academy of Sciences
Intellectual property law seminar
under the scientific supervision of Prof. Dr. Helena Żakowska-Henzler
Warsaw, 1.06.2023.
Source: https://commsrisk.com/direct-
injection-tv-who-pays-the-royalties/
Legal environment for direct injection ("DI")
Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
In the Polish Copyright and Neighbourig
Rights Act, the definitions of:
• dissemination - Art. 6(1)(3)
• broadcasting - Art. 6(1)(6)
• rebroadcasting - Art. 6(1)(5)
Source: https://theconversation.com/saving-broadcastings-
past-for-the-future-archivists-are-working-to-capture-not-
just-tapes-of-tv-and-radio-but-the-experience-of-tuning-in-
together-204509
DI as a "one single act of communication
to the public" - Directive 2019/789 the so-
called "SatCab2 Directive"
Public transmission
Basic features of the public communication field
Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
Communication at a distance to the
public not present at the place of
transmission - the main feature that
distinguish the right of communication to
the public from other fields of exploitation
 reproduction
 rentals
 lending
 public playback
 distrubution
Source: https://elements.envato.com/communication-JL2LL9W
No material copy
The technical environment in which DI operates?
Broadcasting
satellite
online
terrestrial
Rebroadcasting
 cable and
variations:
 online
 IPTV
 etc.
Source: https://eur-lex.europa.eu/LexUriServ/LexUriServ.do?uri=SWD:2016:0301:FIN:EN:HTML
SWD(2016) 301 final
Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
Technology of 1990s - satellite dishes everywhere!
Until 1996, the understanding of the
right of communication to the public
was, in practice, satellite
broadcasting on Hertz waves.
In the 1990s, the concept of cable
re-broadcasting simultaneous with
broadcasting and unaltered
(integral) by an organisation other
than the broadcaster emerged.
Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
Source:
https://elements.envato
.com/satellite-tv-
antenna-fixed-onto-a-
tree-trunk-outdo-
KFDZGAN
Source: https://elements.envato.com/sky-
VVGN32T
The technical process as a focus of DI
Broadcasting of works
means their
communication by radio
or television, through
either wireless (terrestrial
or satellite) or wire
transmission
Rebroadcasting of works
means their
communication by an
operator other than the
original broadcaster by
taking over an unabridged
and unaltered programme
of a radio or television
broadcasting organisation
and transmitting it
simultaneously and
integrally for reception by
the public
Source:
https://en.wikipedia.org/wiki/Repeater
Article 6(1)(5) of the Copyright Act.
Article 6(1)(4) of the Copyright Act.
Lack of technical definitions in PL and EU
Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
Source: https://elements.envato.com/old-television-in-abandoned-
building-D24FT3Y
SatCab1 Directive - 93/83
SatCab2 Directive - 2019/789
 "act of introducing"
 "uninterrupted chain of communication
leading to the satellite and down towards
the earth – Art. 1(2)(a) SatCab1
 "transmission path/route/chain" - Art. 6(1)
CAPL
 "transmission" etc.
Why? Deliberately omitted by the rational
legislator because of the postulate of
technological neutrality?
Why the lack of technical definitions in right of communication
to the public?
Legally non-relevant signal
operations before it is made
public
Legally relevant: „it is the
signals which must be intended
for the public and not the
programmes that they carry”.
14.07.2005 C-192/04 (35) CJEU in the Lagardere
case
Source: https://www.nar.realtor/magazine/real-estate-news/law-and-ethics/protect-your-
website-from-copyright-claims
Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
Examples of EU, international and EN regulations
 The SatCab1 or SatCab2 directives speak of a retransmission
intended for public reception, carried out with reference to the
'primary transmission', which is also intended for public reception.
 Directive 2021/29 so-called 'InfoSoc' - speaks of public
transmission or retransmission of works, by wire or wireless
means, excluding (lege non distinguente) any non-public means
of transmission of a work
 cf. recital 23
 the Polish definitions of broadcasting or satellite broadcasting
provide for broadcasting (by wire or wireless) only in relation to a
disseminated work
 cf. Art. 6(1)(4) and Art. 61 of the CAPL
Signal transmission made in a non-public manner
Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
The notionof direct injection is an important breakthrough. Legally
relevant for the right of communication to the public at a distance
becomes the carrying out of transmissions also in a non-public
manner.
The EU legislator has taken an interest in the technical process
behind the acquisition and introduction of broadcasting signals.
Point-to-point telecommunication networks
Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
In relation to the CJEU Airfield case of 2011 it was
clear that the interception of radio and television
signals nowadays mainly takes place in the
privacy of servers via telecommunications
networks - "point-to-point".
Cf. judgment of 13.10.2011 in Joined Cases C-431/09 and C-432/09 Airfield NV, Canal Digitaal BV v Belgische Vereniging van
Auteurs, Componisten en Uitgevers CVBA (Sabam) (C-431/09), and Airfield NV v Agicoa Belgium BVBA (C-432/09),
ECLI:EU:C:2011:648, para 7.
Source: https://www.nature.com/articles/s41467-019-10077-4
Modular coherent photonic-aided payload receiver for
communications satellites
Claims made in relations with the Airfield case
 no re-transmission within the meaning of the SatCab Directive1?
 the operators do not touch the signal?
 they act on behalf of the broadcasters?
 it is the broadcasters who ensure authorisation?
Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
What the CJEU found
The CJEU adopted the reasoning of the operators in the
Airfield joined cases and distinguished, within the framework
of the right of communication to the public, other than re-
broadcasting (and contrary to Advocate General Jääskinen),
between direct and indirect transmission of television
programmes by holding that both forms of transmission
require the consent of the right holders if they create a so-
called new public.
Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
Indirect and direct transmission in Airfield
- the role of the signal distributor
Direct transmission
by the broadcaster:
the provision of access keys to
broadcasters to enable Airfield
subscribers to subsequently
decode programmes using a
decoding card
Indirect transmission
by the broadcaster:
compression of signals,
multiplexing, encryption
and sending to satellite for
transmission and reception
The following are forms of DI that require the consent if they build
a new public
Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
Paradox of the Airfield case from 2011 and Sabam from 2015
Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
.
No re-broadcasting = no remuneration for authors, no mediation
by the collecting societies
SatCab2 Directive as a remedy and DI as one of many ways for
rebradcasters to obtain RTV signals
It's not re-broadcasting, it's distribution carried out by the distributor
(not the re-broadcaster), unless the signal would be available in
the territory in a public way, in which case it's re-broadcasting.
- cf. Recital 21 and Article 7 of the SatCab2 Directive
Source: https://mockomunikacji.com/kura-czy-jajko-mowa-czy-komunikacja/
Differentiation in the SatCab2 Directive on signal availability
Signal availability
on the territory of the transfer
Re-transmission
by the re-broadcaster
DI as solely a technical
matter?
No signal available
on the territory of the
transfer
Direct injection
by the broadcaster
DI as a new field of
exploitation?
Source:
https://www.istockphoto.com/pl/wektor
/s%C5%82aby-sygna%C5%82-sieci-
wifi-gm166009460-22752073
Classical re-broadcasting did not make the above distinctions
Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
Definition and content of BW in the SatCab Directive2
Definition - Article 2(4)
"a technical process by which
a broadcasting organisation
transmits its programme-
carrying signals to an
organisation other than a
broadcasting organisation, in
such a way that the
programme-carrying signals
are not accessible to the public
during that transmission"
Content of DI- Article 8(1)
"(...) When a broadcasting
organisation transmits by DI its
programme-carrying signals to a
signal distributor, without the
broadcasting organisation itself
simultaneously transmitting those
programme-carrying signals directly
to the public, [they are] participating
in a single act of communication to
the public (...)".
Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
Fundamental controversies surrounding the notion of DI
Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
 the legislator's interest in the technical process of signal
transmission, incl. its taking over
 dependence of DI and re-broadcasting on a technical issue
 inclusion of the notion of DI in the right of communication to the
public at a distance in the so-called single act of communication
to the public
Technical process as part of the content of the right of
communication to the public
Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
The technical issue was placed ex lege in the so-called single act
of communication to the public as part of the content of the right.
The SatCab2 Directive determined that non-public use of works is
to occur in the DI technical process.
A specific technical sub-right?
Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
In the technical process of DI, there is
supposed to be a non-public use of
works, which is supposed to take place
as part of a single act of communication
to the public?
Source: left-right motor control diagram.
https://www.youtube.com/watch?v=SQh5DsWRalM
The "umbrella solution"
Article 8 WCT refers to the so-called 'umbrella solution', which is
intended to cover all possible acts of transmission of a work
regardless of the technology used to do so and as long as the
communication is 'to the public'.
Or is it about fixations in the head-end?
Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
In the head-end,
the signal is
converted to a
form that
improves the
quality of the
transmission and
enables
reception by, for
example,
decoders.
The non-public signal
is cached at the
distributor, replicated,
so that the content no
longer needs to be
delivered directly from
the original server,
but can be distributed
in real time directly
from proxy, or
intermediary servers
to end customers
Source:
http://cityinfrastructure.com/single.php?t=Cable%20TV&d=CableTV
A cumulative protection for fixations
Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
• Protection of fixations is the exception, even more so in the online
environment
• Art. 50 of the CAPL recognises fixations as a subjective copyright
always in cumulation with reproduction (conjunction "and"),
which is to "produce copies of the work by a particular technique".
• Similarly, the Berne Convention, the WCT and the agreed
declarations to the WCT
• J. Szczotka aptly observed that the protection of fixations falls "in
essence within the scope of the right of reproduction of works"
- M.P. Niedzielska, J. Szczotka, Warsaw 2020, p. 85.
Fixation - a technical requirement for operation
 Every public communication
right requires some form of
prior fixation of the work for
technological reasons
 However, not every fixation
should be protected
 There is a convention basis
for material copies
 In the case of immaterial
fixations, this is problematic
 The Polish legislator repeatedly
uses the term "fixation" in the
CAPL but not necessarily in the
legal-subjective sense.
- cf. e.g. Articles of the CAPL: 12(2), (3), 15, 20(1)(3), 232 , 35b, 355 (1), 50(1)-2), 86(1)(2),
89(2), 891 , 94, 952 (3-4), 97, 102, 117(1), 125, 126(2).
Source:
https://copyrightlately.com/copyright-
song-unfixed-phone-conversation/
Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
Further questions
 Was it legitimate to monopolise, as part of the content of the
right of communication to the public at a distance a non-public
technical method (process) of signal transmission?
 Was there a sufficient normative basis for DI in the international
law?
 Has the EU not gone beyond the competences of the Treaty?
The European Union is not a party to the Berne Convention. However, it has been obliged to comply with Articles 1-20 of this Convention - cf. Article 1(4) of
the WCT, to which the EU is a party. Also the InfoSoc Directive implements the aforementioned article of the WCT - cf. e.g. the CJEU judgment of 9.02.2012
in Luksan (C-277/10, EU:C:2012:65, para. 59).
Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
THANK YOU FOR ATTENTION
Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences

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2023-06-12 Controversy over the notion of direct injection presentation.pdf

  • 1. Controversy over the notion of "direct injection" under the right of communication of works to the public Janusz Piotr Kolczyński, Institute for Legal Studies, Polish Academy of Sciences Intellectual property law seminar under the scientific supervision of Prof. Dr. Helena Żakowska-Henzler Warsaw, 1.06.2023. Source: https://commsrisk.com/direct- injection-tv-who-pays-the-royalties/
  • 2. Legal environment for direct injection ("DI") Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences In the Polish Copyright and Neighbourig Rights Act, the definitions of: • dissemination - Art. 6(1)(3) • broadcasting - Art. 6(1)(6) • rebroadcasting - Art. 6(1)(5) Source: https://theconversation.com/saving-broadcastings- past-for-the-future-archivists-are-working-to-capture-not- just-tapes-of-tv-and-radio-but-the-experience-of-tuning-in- together-204509 DI as a "one single act of communication to the public" - Directive 2019/789 the so- called "SatCab2 Directive" Public transmission
  • 3. Basic features of the public communication field Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences Communication at a distance to the public not present at the place of transmission - the main feature that distinguish the right of communication to the public from other fields of exploitation  reproduction  rentals  lending  public playback  distrubution Source: https://elements.envato.com/communication-JL2LL9W No material copy
  • 4. The technical environment in which DI operates? Broadcasting satellite online terrestrial Rebroadcasting  cable and variations:  online  IPTV  etc. Source: https://eur-lex.europa.eu/LexUriServ/LexUriServ.do?uri=SWD:2016:0301:FIN:EN:HTML SWD(2016) 301 final Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
  • 5. Technology of 1990s - satellite dishes everywhere! Until 1996, the understanding of the right of communication to the public was, in practice, satellite broadcasting on Hertz waves. In the 1990s, the concept of cable re-broadcasting simultaneous with broadcasting and unaltered (integral) by an organisation other than the broadcaster emerged. Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences Source: https://elements.envato .com/satellite-tv- antenna-fixed-onto-a- tree-trunk-outdo- KFDZGAN Source: https://elements.envato.com/sky- VVGN32T
  • 6. The technical process as a focus of DI Broadcasting of works means their communication by radio or television, through either wireless (terrestrial or satellite) or wire transmission Rebroadcasting of works means their communication by an operator other than the original broadcaster by taking over an unabridged and unaltered programme of a radio or television broadcasting organisation and transmitting it simultaneously and integrally for reception by the public Source: https://en.wikipedia.org/wiki/Repeater Article 6(1)(5) of the Copyright Act. Article 6(1)(4) of the Copyright Act.
  • 7. Lack of technical definitions in PL and EU Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences Source: https://elements.envato.com/old-television-in-abandoned- building-D24FT3Y SatCab1 Directive - 93/83 SatCab2 Directive - 2019/789  "act of introducing"  "uninterrupted chain of communication leading to the satellite and down towards the earth – Art. 1(2)(a) SatCab1  "transmission path/route/chain" - Art. 6(1) CAPL  "transmission" etc. Why? Deliberately omitted by the rational legislator because of the postulate of technological neutrality?
  • 8. Why the lack of technical definitions in right of communication to the public? Legally non-relevant signal operations before it is made public Legally relevant: „it is the signals which must be intended for the public and not the programmes that they carry”. 14.07.2005 C-192/04 (35) CJEU in the Lagardere case Source: https://www.nar.realtor/magazine/real-estate-news/law-and-ethics/protect-your- website-from-copyright-claims Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
  • 9. Examples of EU, international and EN regulations  The SatCab1 or SatCab2 directives speak of a retransmission intended for public reception, carried out with reference to the 'primary transmission', which is also intended for public reception.  Directive 2021/29 so-called 'InfoSoc' - speaks of public transmission or retransmission of works, by wire or wireless means, excluding (lege non distinguente) any non-public means of transmission of a work  cf. recital 23  the Polish definitions of broadcasting or satellite broadcasting provide for broadcasting (by wire or wireless) only in relation to a disseminated work  cf. Art. 6(1)(4) and Art. 61 of the CAPL
  • 10. Signal transmission made in a non-public manner Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences The notionof direct injection is an important breakthrough. Legally relevant for the right of communication to the public at a distance becomes the carrying out of transmissions also in a non-public manner. The EU legislator has taken an interest in the technical process behind the acquisition and introduction of broadcasting signals.
  • 11. Point-to-point telecommunication networks Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences In relation to the CJEU Airfield case of 2011 it was clear that the interception of radio and television signals nowadays mainly takes place in the privacy of servers via telecommunications networks - "point-to-point". Cf. judgment of 13.10.2011 in Joined Cases C-431/09 and C-432/09 Airfield NV, Canal Digitaal BV v Belgische Vereniging van Auteurs, Componisten en Uitgevers CVBA (Sabam) (C-431/09), and Airfield NV v Agicoa Belgium BVBA (C-432/09), ECLI:EU:C:2011:648, para 7. Source: https://www.nature.com/articles/s41467-019-10077-4 Modular coherent photonic-aided payload receiver for communications satellites
  • 12. Claims made in relations with the Airfield case  no re-transmission within the meaning of the SatCab Directive1?  the operators do not touch the signal?  they act on behalf of the broadcasters?  it is the broadcasters who ensure authorisation? Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
  • 13. What the CJEU found The CJEU adopted the reasoning of the operators in the Airfield joined cases and distinguished, within the framework of the right of communication to the public, other than re- broadcasting (and contrary to Advocate General Jääskinen), between direct and indirect transmission of television programmes by holding that both forms of transmission require the consent of the right holders if they create a so- called new public. Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
  • 14. Indirect and direct transmission in Airfield - the role of the signal distributor Direct transmission by the broadcaster: the provision of access keys to broadcasters to enable Airfield subscribers to subsequently decode programmes using a decoding card Indirect transmission by the broadcaster: compression of signals, multiplexing, encryption and sending to satellite for transmission and reception The following are forms of DI that require the consent if they build a new public Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
  • 15. Paradox of the Airfield case from 2011 and Sabam from 2015 Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences . No re-broadcasting = no remuneration for authors, no mediation by the collecting societies SatCab2 Directive as a remedy and DI as one of many ways for rebradcasters to obtain RTV signals It's not re-broadcasting, it's distribution carried out by the distributor (not the re-broadcaster), unless the signal would be available in the territory in a public way, in which case it's re-broadcasting. - cf. Recital 21 and Article 7 of the SatCab2 Directive Source: https://mockomunikacji.com/kura-czy-jajko-mowa-czy-komunikacja/
  • 16. Differentiation in the SatCab2 Directive on signal availability Signal availability on the territory of the transfer Re-transmission by the re-broadcaster DI as solely a technical matter? No signal available on the territory of the transfer Direct injection by the broadcaster DI as a new field of exploitation? Source: https://www.istockphoto.com/pl/wektor /s%C5%82aby-sygna%C5%82-sieci- wifi-gm166009460-22752073 Classical re-broadcasting did not make the above distinctions Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
  • 17. Definition and content of BW in the SatCab Directive2 Definition - Article 2(4) "a technical process by which a broadcasting organisation transmits its programme- carrying signals to an organisation other than a broadcasting organisation, in such a way that the programme-carrying signals are not accessible to the public during that transmission" Content of DI- Article 8(1) "(...) When a broadcasting organisation transmits by DI its programme-carrying signals to a signal distributor, without the broadcasting organisation itself simultaneously transmitting those programme-carrying signals directly to the public, [they are] participating in a single act of communication to the public (...)". Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
  • 18. Fundamental controversies surrounding the notion of DI Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences  the legislator's interest in the technical process of signal transmission, incl. its taking over  dependence of DI and re-broadcasting on a technical issue  inclusion of the notion of DI in the right of communication to the public at a distance in the so-called single act of communication to the public
  • 19. Technical process as part of the content of the right of communication to the public Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences The technical issue was placed ex lege in the so-called single act of communication to the public as part of the content of the right. The SatCab2 Directive determined that non-public use of works is to occur in the DI technical process.
  • 20. A specific technical sub-right? Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences In the technical process of DI, there is supposed to be a non-public use of works, which is supposed to take place as part of a single act of communication to the public? Source: left-right motor control diagram. https://www.youtube.com/watch?v=SQh5DsWRalM
  • 21. The "umbrella solution" Article 8 WCT refers to the so-called 'umbrella solution', which is intended to cover all possible acts of transmission of a work regardless of the technology used to do so and as long as the communication is 'to the public'.
  • 22. Or is it about fixations in the head-end? Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences In the head-end, the signal is converted to a form that improves the quality of the transmission and enables reception by, for example, decoders. The non-public signal is cached at the distributor, replicated, so that the content no longer needs to be delivered directly from the original server, but can be distributed in real time directly from proxy, or intermediary servers to end customers Source: http://cityinfrastructure.com/single.php?t=Cable%20TV&d=CableTV
  • 23. A cumulative protection for fixations Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences • Protection of fixations is the exception, even more so in the online environment • Art. 50 of the CAPL recognises fixations as a subjective copyright always in cumulation with reproduction (conjunction "and"), which is to "produce copies of the work by a particular technique". • Similarly, the Berne Convention, the WCT and the agreed declarations to the WCT • J. Szczotka aptly observed that the protection of fixations falls "in essence within the scope of the right of reproduction of works" - M.P. Niedzielska, J. Szczotka, Warsaw 2020, p. 85.
  • 24. Fixation - a technical requirement for operation  Every public communication right requires some form of prior fixation of the work for technological reasons  However, not every fixation should be protected  There is a convention basis for material copies  In the case of immaterial fixations, this is problematic  The Polish legislator repeatedly uses the term "fixation" in the CAPL but not necessarily in the legal-subjective sense. - cf. e.g. Articles of the CAPL: 12(2), (3), 15, 20(1)(3), 232 , 35b, 355 (1), 50(1)-2), 86(1)(2), 89(2), 891 , 94, 952 (3-4), 97, 102, 117(1), 125, 126(2). Source: https://copyrightlately.com/copyright- song-unfixed-phone-conversation/ Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
  • 25. Further questions  Was it legitimate to monopolise, as part of the content of the right of communication to the public at a distance a non-public technical method (process) of signal transmission?  Was there a sufficient normative basis for DI in the international law?  Has the EU not gone beyond the competences of the Treaty? The European Union is not a party to the Berne Convention. However, it has been obliged to comply with Articles 1-20 of this Convention - cf. Article 1(4) of the WCT, to which the EU is a party. Also the InfoSoc Directive implements the aforementioned article of the WCT - cf. e.g. the CJEU judgment of 9.02.2012 in Luksan (C-277/10, EU:C:2012:65, para. 59). Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences
  • 26. THANK YOU FOR ATTENTION Janusz Piotr Kolczyński, Institute of Legal Studies, Polish Academy of Sciences