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The story of the Marshall
Amp
Type of documentary & Themes
- This is a mixed documentary which looks
back on the life of the Marshall Amplifier. - A theme of this
documentary would
be Rock Music
- Another theme
would be amplifier
history.
- This document
includes all the 6
elements of mixed
documentaries.
Narrative structure and Camera work
- The documentary
is non linear which
means it does not
follow a specific
time scale but does
include achieve
footage.
- It is single stranded as it
focuses on the Marshall
amplifier history.
- Rule of thirds applies
during interviews which
is very conventional.
- Camera is hand held
for most scenes which
is conventional
- Camera tilts when
watching guitarist play
a solo.- Zooms on still
images to pick out
specific people.
- Panning shot used
when looking
through achieve
photos.
Mise en scene
- Conventional interviews with
relevant props in the
background, these include
guitars and sound stations.
- Working environment
during interview as the
background shows working
to create the Marshall
amps.
- Lots of
observational
footage of bands
playing live.
- Clothing of bands
suggest that they
are in a rock band,
this is relevant to
the theme.
Sound and Editing
- Diegetic sound of guitars
throughout documentary.
- Diegetic sound during
interviews.
- Questions edited
out which is
conventional.
- Non diegetic guitar
rifts changing per
interviewee
- Fade transitions used.
Achieve material and graphics
- Footage of bands
playing gigs in the
past.
- Achieve interview
with Jim Marshall
- Old Posters displaying
the Marshall amplifier
symbol.
- Graphics of
interviewee’s name
- Graphics while
showing achieve
images, the
background is a file
which represents the
history of marshall
amps.

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The story of the marshall amp

  • 1. The story of the Marshall Amp
  • 2. Type of documentary & Themes - This is a mixed documentary which looks back on the life of the Marshall Amplifier. - A theme of this documentary would be Rock Music - Another theme would be amplifier history. - This document includes all the 6 elements of mixed documentaries.
  • 3. Narrative structure and Camera work - The documentary is non linear which means it does not follow a specific time scale but does include achieve footage. - It is single stranded as it focuses on the Marshall amplifier history. - Rule of thirds applies during interviews which is very conventional. - Camera is hand held for most scenes which is conventional - Camera tilts when watching guitarist play a solo.- Zooms on still images to pick out specific people. - Panning shot used when looking through achieve photos.
  • 4. Mise en scene - Conventional interviews with relevant props in the background, these include guitars and sound stations. - Working environment during interview as the background shows working to create the Marshall amps. - Lots of observational footage of bands playing live. - Clothing of bands suggest that they are in a rock band, this is relevant to the theme.
  • 5. Sound and Editing - Diegetic sound of guitars throughout documentary. - Diegetic sound during interviews. - Questions edited out which is conventional. - Non diegetic guitar rifts changing per interviewee - Fade transitions used.
  • 6. Achieve material and graphics - Footage of bands playing gigs in the past. - Achieve interview with Jim Marshall - Old Posters displaying the Marshall amplifier symbol. - Graphics of interviewee’s name - Graphics while showing achieve images, the background is a file which represents the history of marshall amps.