This document is the title page and introduction to a 1817 hymnal published in Albany, New York by E.F. Backus. It contains a collection of sacred music designed for congregations singing without a choir, drawing from approved authors. A concise introduction is provided to teach the basics of music notation. The goal was to promote uniformity in worship and provide appropriately simple tunes to assist devotion.

2. FROM THE LIBRARY OF
REV. LOUIS FITZGERALD BENSON, D. D.
BEQUEATHED BY HIM TO
THE LIBRARY OF
PRINCETON THEOLOGICAL SEMINARY
. DWiriori ^CjC~
Section 7 ( Q I

3. RH

4. *>- .
Y
*

7. fajf foyxfc a)u,
COLLECTION OF
SACRED MUSIC,
DESIGNED PRINCIPALLY
FOR THE USE OF CHURCHES WHICH SING WITHOUT A CHOIR
FROM THE MOST APPROVED AUTHORS.
" I -will sing with the spirit, I will sing with the uitderstaNDIng also/*
3IHtemp:
PUBLISHED BY E. F. BACKUS, No. G5, STATE STREET.
mmI
PRINTED TYPOGRAPHICALLY BY WILLIAM WILLIA.M5*
No. 60, Genesee Street,
1817-

8. V ^
Northern District ofNew-York, »s.
BE IT REMEMBERED, That on the tenth day of February, in the forty-first year of the Inde-
pendence of the United States of America, A. D. .1817, E. F. Backus, of Albany, has deposited in thii
office, the title of a book, the right whereof he claims as Proprietor, in the words following, to wit
:
'* A Collection of Sacred Music, designed principally for the use of Churcher which sing without a
Choir : from the most approved authors. *I will sing with the Spirit; I will sing with the under-
standing also.'
"
In conformity to the act of Congress of the United States, entitled, " An act for the encouragement
©f learning, by securing the copies of maps, charts ?and books, to the authors and proprietors of such
copies, during the times therein mentioned." And also to the act, entitled, " An act supplementary to
an act, entitled, " An act for the encouragement of learning, by securing the copies of maps, charts
and books to the authors and proprietors of such copies, during the times therein mentioned, and exten-
ding the benefits thereof to the arts of designing, engraving, and etching historical and other prints."
RICHARD R. LANSING,
Clerk of the Ntrthem District of New-York.

9. PREFACE.
1 HE design of this selection of Sacred Music, is to furnish congregations
who sing without a choir, with appropriate tunes. That this mode of singing is
best calculated to promote devotion, is believed by most of the churches in this vi-
cinitv. Music performed by a choir will be more perfect, than when attempted by
the congregation at large ; but what is wanting in the excellence of execution,
will be more than compensated by the manifest propriety of making the praise of
God, the duty of every individual who enters his courts. It is also well arranged
for choirs.
The tunes in this book are generally simple melodies. Such music is better
adapted to words, and certainly more appropriate to the solemn purposes of devo-
tion, than the more exquisite, but complex pieces of composition, which are perform-
ed with difficultv, and want the execution of a Master, to sing them with accura-
cy and effect. The compiler has not attempted to gratify his taste, by collecting
pieces of admirable music, which may please the ear of a mere amateur. He has
endeavored to form a book which shall be permanently useful to the churches, and
which may assist and improve a good taste for the delightful science of music.
That christians have been criminally negligent, in their exertions to improve
this part of worship, is unhappily too manifest to be questioned. In most of our
churches, the airs that are performed, are learned without effort, and sung without
accuracy.—They are caught by the ear, and many who attempt them, have no
knowledge of the science of music, and no pretensions to an acquaintance with
the art or singing. If the angels veil their faces when the heavens echo the music
that flows from their golden harps before the throne of God : what excuse can be of-
fered for the inhabitants of his footstool, who do not make a serious attempt to
praise hiin with reverence ?
Spiritual Songs are most important assistants to Devotion. When our singing
is performed with propriety and skill, it warms and elevates our affections. The
krger the number of those who join in this duty, the greater is the necessity that
they should be acquainted with the principles of music, and be ^skilful in their ap-
plication. No person can be justified in ^interrupting the devotion of others, by
his discordant, unskilful attempts, to join in a service which he cannot improve,
but which he is sure to injure.—And if he will not learn, or cannot be taught ta
sing properly, he had better be silent; "For if the trumpet give an uncertain
sound, who shall prepare himselffor the battle?"

10. PREFACE.
To promote this useful art, and to produce uniformity among " Fellow Wor-
shippers," is an interesting object which has been humbly attempted in this book.
Surely its importance entitles the subject to more attention, than it usually re-
ceives.
A few of these tunes were composed by American authors ; but most of them
are from the pens of European Masters. They are printed in the octavo form, be-
cause it is thought the most convenient.—A Gamut is added for the use of learn-
ers.
The Hymns and Set Pieces, are intended to be sung occasionally, and the words
accompany them, as they are not to be found in the Psalm Books in common use.
It was intended to arrange the tunes alphabetically : but it was found that the
book would contain more than was anticipated, and the arrangement was interrup-
ted. Should another edition be called for, this will be remedied. Few books will
be found to contain more music, in a smaller space, or at a less price.
To make an useful selection, has been the only object of the compiler. If the
worship of God in his owp Congregation, and in any ,of the Churches shall be as-
sisted by it, he will be fuller rewarded. He commends it to the favor of God, and
to the service of his people.
Albany, (N. Y.) January, 1817.

11. CONCISE INTRODUCTION
TO
PRACTICAL MUSIC
JVluSIC is written on and between five parallel lines, called a Staff; above
or below which, when necessary, other parallel lines are used, which are denomi-
nated Ledger lines.
The first seven letters of the alphabet are employed to designate both the inter-
vals of the Staff and their appropriate sounds.
The position of the Letters is determined by the respective Clefs. The G Clef,
in modern music, is always situated on the second line : the F Clef on the fourth
line; the C Clef varies its position, being found on the first, second, third or
fourth line.
Example.
Treble, Tenor, bcc.
Ledger line, called A-
sixth space, called G
fifth line, called F-
fifth space, called E
_• fourth line, called D—
»
^ fourth space, called C
^ third line, called B
H third space, called A
^ second line, called G—
second space, called F
first line, called E
first space, called D
—Ledger line called C,—
G Clef.
C Clef.
G—
F
Counter, Tenor, &c.
C Clef.
Bass. F Clef.
—c
B
A
G
F-
E
-D-
C
-B-
A
-G-
F
-E-
m
C Clef CClef
-F«
E
D
C
B-
&c.
-E—
rD
fc-
IB
-A-
G
&c.
-E~.
ibi b
&c.
Whatever line in the Staff, the two horizontal lines of tkis Clef inclose, that line
is called C, and the other letters invariably occur in the order above represented.

12. INTRODUCTION.
In singing by note, the syllables, mi, faw, sol, law, are generally used. The
natural place of mi, is in B. But mi may be removed to other letters in the Staft
by means of Flats or Sharps, set at the beginning of a tune, which, in this situation,
are called the Signature. Thus if a flat be placed on
Hie
B, mi is in E
If B and E be flat, mi is in A
If B, E and A be flat, mi is in D
If B, E, A and D be flat, mi is in G
If B, E, A, D and G be flat, mi is in C
If F be sharp, mi is in F
If F and C be sharp, me in C
If F, C and G be sharp, mi is in G
If F, C, G and D be sharp, mi is in D
If F, C, G, D and A be sharp, mi is in A
When the place of mi is determined, that of the other syllables before mentioned,
may be easily ascertained. For, if proceeding from the place of mi, the lines and
spaces, both ascending and descending, be taken successively, faw, sol, law will oc-
cur twice above mi, and law, sol, faw, twice below it, when mi returns in either
case.
Example, in the natural key of C.
faw sol law faw sol law mi faw mi law sol faw law sol faw m:
m^mmmmmm
B mi faw sol law faw sol law mi faw mi law sol faw law sol faw mi
OTHER MUSICAL CHARACTERS.
I "ST. '"S
pa co co
Notes.
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Of '2 3 4 bars.
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DEFINITIONS.
A Brace shows how many parts are performed at the same time.
The Single Bar divides the movement into equal portip is.
The interval between two single bars, is called a measure.

13. INTRODUCTION. Ill
The Semibreve equals, in the time of its performance, two Minims, four Grot di-
ets, eight Quavers, sixteen Semiquavers, or thirty-two Demisemiquavers. The
Minim, therefore, has Half the time of the Semibreve ; the Crotchet, half that of
the Minim, &c.
Rests are marks of silence. The Semibreve Rest fills a bar, in all modes of
time : the other Rests have the time of the notes whose names they bear.
A Double Bar, shows the end of a strain.
A Direct, designates the place of the note immediately following it in the next
succeeding stall*.
Marks of Distinction indicate that the notes over which they are set, must be
sung with unusual brevity.
A Breve has twice the time of a Semibreve.
A Point placed at the right hand of a note or rest, adds to its time one half of
its own value.
Figure 3, placed over or under any three notes, reduces tbem to the time of two
notes of the same denomination.
A Sharp, placed before a note, raises it half a tone.
A Flat depresses the note before which it is set, half a tone.
A Natural restores notes, whose sounds have been altered by a Flat or Sharp,
to their primitive tone.
Flats and Sharps, set at the beginning of a tune, have influence to the end of
it, unless their effect is destroyed by a Natural.
Flats and Sharps occurring in the course of the movement, are denominated
accidental. They affect, in general, those notes which they immediately precede,
and those of the same letter, which occur in the same measure.
The Pause, or Hold, indicates that the note or rest beneath it, may have its time
prolonged at the discretion of the performer.
The Close .shows the end of a tune.
Of Choosing Notes, any one may be sung.
The Slur, '^ indicates that the notes over or under which it is placed are to be
sung to the same syllable.
A Repeat, :S: or thus," f- — shows what part of a tune is to be sung
f— over again.
Figures 1, 2, set at the close of a repeated passage, signify that the note under
figure 1, is to be sung before repeating, and the note under figure 2, at the end of
the repetition.
Of Time.
There are three species of Time, viz : Common, Triple and Compound.—
!)f Common Time there are four varieties, which are distinguished by appropriate
signs.
The sign of the first nearly resembles the letter C, thus,
JJ ** indicates the
lowest movement in this species of Time : its measure note, is the Semibreve
;
i.nd in general, it has four beats in each measure.
i
The second is marked thus,
J £ The Semibreve is also its measure note, and
t is generally sung with two beats to each measure.

14. iv INTRODUCTION".
The third is indicated by the sign of the tirst inverted, [thus, g It differs
from the second only by its greater rapidity.
The fourth has the following sign, viz: 3Z Its measure note is a Minim; which
requires two beats. 35
Triple Time, has three varieties, which are thus distinguished, viz.
The first is marked by the figures jj The second by the figures ^ The
third by the figures g All these varieties have three beats to each measure ; in
the first, three minims fill a bar ; in the second, three crotchets ; in the third,
three quavers.
Compound Time has three varieties, which are thus distinguished :
The first by the figures
*J The second by the figures § The third by the
IS 2 a
figures JU^- The two first have two beats to each measure : the last has four beats.
The first variety has six crotchets, or other equivalent notes, to each measure :
the second has six quavers ; and the third twelve.
Appoggiatures are small notes, inserted to improve the melody They borrow
their time from the notes which immediately follow them.
After Notes, on the contrary, borrow their time from the notes which precede
them.
Appoggiatures and After Notes, diminish the time of the notes to which they
are attached, exactly in proportion to their own length ; except that the Appoggia-
ture, when it precedes a pointed note, assumes twice its natural value.
The Accent, in common time, takes place on the first and third parts of the
measure. In very slow time, though the Accents are more frequent, they take
place in the same proportion on the first, third, fifth and seventh quavers. In triple
time, there is a full accent on the first, and a partial one on the third part of the
measure. The accented are termed strong, ana the unaccented, weak parts of the
measure.

15. Bath. L. ML
f» Major,
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A. Wfflianu' Coll.
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16. 10 Brentford. L. ML
G Major.
Har. Sac. Elinor.
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AIR.
BuryM ia shadows of the night, We lie till Christ restores the light ; Wis-
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Bray. C. M
G Major.
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A. Williams' Coll.
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Sing to the Lord, ye distant lands, Ye tribes of ev'ry tongue, His new discoYerM
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grace demands, A new and nobler
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song, A new and nobler song.
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17. Brookfield. L. M.
D Major.
II
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18. »• Bedford. C. At
F Minor.
W. Wheall.
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AIR.
Sing to the Lord Je - - - hovah's name, And
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19. Bethesda. P. M.
A Majo.
"if-
larmier's Coll.
I3
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To thine a • bode my heart aa-
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20. 14 Continued.
wffffffftT I c fi » IE
Why *hould we mourn de - part- ing friends, Or shake at death's alarms? 'Tk
3
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21. Bisliopgate. C. M
AIR. E Minor.
Middlesex Coll.
l*
Loi-d where shall guilty souls re - th-e,
mwmmmmmmmm
shall guilty souls re - lire, Tor - gotten and un - known ?
iiil^liiiiil
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In liell they meet thy dreadful ire, In heav'nthy glorious throne.
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Cimbeline. L. M.
AIR. Solemn. D Minor.
Dr. Arne.
Now lei oup mournful songs re - cord, The dying sorrows of the Lord, When
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he complain'd in teai-6 and hlood, As one for - - sa - ken of his God.
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22. 16 Castle street. L. 31
G Major.
Lord, in thy great, thy glorious name, I place my hope, my
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iHi&l^gi-^ilig=y
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on - ly trust ; Save me from sorrow guilt and shame, Thou ev - cr
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gracious, ev - er just, Thou ever gracious ev - er just.
isisigigiSilfgglili

23. Cookfield. L. 11
G Major.
ir
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J. Lyon's Coll
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king, To
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praise thy name, give thanks and sing; To shew thy love by
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morn - ing light, And talk of all thy truth at night.
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24. i* Canterbury. C. M.
G Major.
E. Blancks.
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Why tlo we mourn dfl - parting friends ? Or shake at death's a - larms ?
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'Ti6 hut tlie voice tliat Je - sus sends, To cull them to his
SisM-lf pci| «Z
El^S^S
^igSliSl
AIR
How pleas'd and blest was I, To hear the people cry, " Come let us seek our God to-day ;
»»
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TOnd-&ttEd^^rrfftfTt7

25. Continued. m
Q£
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Tea, with a cheerful zeal, We ha.-ite to Zion's hill, Ami there our vows ami honors pay.
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Dover. S. M. A. Williams'. Coll.
F Major.
m 32 s:
S3SZTZE •5©-
r::^ i
EODCr^ (Srpzn £33£
I
s-t—e-
1H±£
AIR.
Great is the Lord our God, And let his praise be great
Or »T
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SUSHIS H3-
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He makes the church - ea his a - bode, His most de - lightful seat.

26. 90 Dorset. C. M.
D Minor.
Dr. Burncy.
£
-4+- ££ £=?fe JqHa.
£i
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H
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Hear, gracious God, my hum - ble moan ; To thee I breathe my
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My GckI ! O could I make the claim, My Father and my friend ? And
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call thee mine by ev'ry name On which thy saints de - pen;!.

27. Devizes.
A Major.
*
CM. J. Tucker.
2I
=1=
s
SfegEgg q= — -
r t
GL
£—
AIR
Whh my whole heart I'll raise my song, Thy wonders I'll pro-
mazM * P
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us£ a_^___-
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claim. Thou sov'reign judge of right and wrong, Wilt put my
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foes to shame. Will put, &c
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28. ^2 DlSITUS S10I1 Hyillll . Proper to be sung -while the congregation are standing.
F Majar.
*
"
^
t^isslssiigl P-P
Lord dis - miss U9 with thy blessing ; Hope and eom - fort from a - bove
adTreblf.
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Thanks we give, and ad - o - - ra - tion, For the gospel's joyftil sound
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Let ua each thy peace pos - sessing Tri - um;ih in re - deeming grace.
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May the fruits of thy sal - ration, la our hearts and lives be found.
mm rS' o-e (©—i©
s
Evening Hymn : /or Dismission.
G Major. To 6e sung -with the congregation standing.
Handel.
l
m-P~- P~P ffiEeEii
1
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Glo - ry to thee my God this night, For all the blessings of the light;
l^^^i^s^ie?
Praise God from whom all blessings flow ; Praise him all creatures here below
;
JlgEgE =3 igsp
'—/-S
^^FFffp^^^ff
Keep me ! Oh keep me ! King of kings, Beneath thine own almighty wings.
S-ii
Praise him a * bove, ye heav'nly hosts, Praise Father, Son, and Holy Ghost
£fe± i^S^i

29. G Minoi
Eltenborough. C. M. 3
^^Sissiiiisaii-i
22.
?«*(to
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Teach me the measure of my days, Thou ma - ker of my frame I
lagglppi^l£!fggp;^gg
ggfftfrirTir^ ^ riJJlpfi^
mmm^mm^^
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would sur - vey life's nar - row space, I would sur - vey, &cc. And
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learn how frail I am, And learn, &;c.
S^ipgiilii^IilS
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30. 24 Green's lOOtli. L. M. Dr. Green.
A Major.
fc& "ffim^:=ccc ur.
^
pE£
ppircqgr: -o—n TOOSL T-e-
ccpriz^zp:
Sweet is the work, my God my King, To praise thy Dame, give thanks and
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; To shew thy love hy morning light, And talk of all thy truth at night.
tr
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Greenwich. L. M.
E'Minor.
By Read.
*
o
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Lord, what a thoughtless wretch was To mourn and murmur
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31. Continutd.
•n J.r i i 1
4-1 pr f r I
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mi
and re - - - pint', To see the -wicked plac'd on high, In pride arid
and re
p
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O their ends, &c.
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But O their ends, their dreadful ends, Thy sanctuary taught me so ; On
iiiilgEi§=iiig£il
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32. S6 Continued.
=EfeEH2?S
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^m Q - G
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slip'ry rocks I see them stand, And fiery bilious roll be - - low,
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i
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B3=? *z£
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mm
Green's 148th. P. M.
C Major.
Dr. Green.
KF ^SsSiSgis
=SZ£
i^iseiii^ga
Ye tribes of Adam join With heav'n, and earth, and seas, And offer notes di - vine, To your Cre-
lfp%jgg£^jp|f^ pz:
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signing
p^^p E33
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inumftnP-srr^=a
i
*
ator's praise. Ye holy tfirong Of angeis bright, In worlds of light Begin tl»e song.
«-#«- "-
*£ iiiSii
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33. Greenfield. P. M.
© Major.
By Edson.
2sr
i^^EH^S533 worn
•
r . ^v
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God is our refuge in distress, A present help when dangers press. In him
— O
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££4^i $ SE*
Tho' earth were, &fc.
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undaunted we'll con - fide, Tho' earth were from her
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Tho earth were, &?e.
Oi*- M*
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Si
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mm
3S£ £*: #€M**
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in
centre tost, And mountains in the ocean lost, Torn piecemeal by the roaring tide
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34. 28
A Minor.
Kingsbridge. L. M. Ilarmonia Sacra.
H^^Hiiiiii^iig
Shall life re - vis - it djr
:
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:=ES
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worms. And spread the joyful
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fj i 1 -;»._—^fH- E-"gj Jll ^-kf
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insect's wing ? And
H r-rV-
O ! shall man a - wake no more, To
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see thy face, thy name to sing ? And O ! shall man a-
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wake no more, To
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see thy face, tliy name to »uig.
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35. Fountain. L. M.
C Major.
Leach. *9
^m zn W-m
-/C~r*=T
n6
P~PT"P
Shall I for - sake that heav'nly Friend, On whom my noblest bopes depend ? For-
*£
*--=-•
Eg a
trt-H-n
3*ri5^5
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£ O :tfttf-
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IS
bid it, that ray wand - ring heart, From thee my Sariour should de - part. ^
/TN z"*"^ S~N _ 'ft*
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m±£3:t-p *p
1A
im
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scr
pzz:
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Leeds. L. M
• *-'-»••
F Major
Harmonia Sacra.
I
^HffiSS Ss
Jesus, thy blood and righteous - aess My beauty are, My glorious dress ; 'Midrt
AIR s N
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4- T5~y
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- rav'd, With joy shall I lift
fi> - ming worlds in these ar - rav'd, With joy shall I lift up my head
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mm q^jj_
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36. *> Litchfield. L. M.
ATR. C Major.
Middlesex Coll.
zvrg— :zg
i 22: g^f-jB-p-
:c:
Liyely.
X
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Let tv* - ry creature rise and bring
h5
Pe - - eul - iar
ie: £££
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hon - - ors to our King; An- - gels des - eend with
J _^s <^i
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songs a - - gain, And earth re - peat the loud A - men.
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wmm m=Szs=s:zz
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37. AMi»or.
Little Marlborough. S. M. A. Williams' Coll. Si
AIR
#*£Sse^^^Se^ *:
m$m
^n
*z±±*±d l^^lli^Egl
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t=±=¥=&
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come to this r« «- ri i ring breast, And these re - - joi - sing eyes.
2
iHH§g
I - -Ha
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p—
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Lenox. P. M. ^s i48f^ Ps,
C Major.
Bjr Edson.
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s^ -d-
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0-|»-»H
g-T'-p-
;
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Ye tribes of Adam join, With heav'n and earth and seas,
EHJ 07* —1-
And offer note6 di-
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isiS

38. 32 Continued.
PS & m^m
Ye holy throng, &o.
&-m -©-
p^h^ii
E
vine To your Creator's praise
&--*
gm^nsniiei
pra
F_;.:--l»-
,
Ye holy throng, &c.
PPE Pf=f=JET^
Ye holy throng, &c.
I*-* EC
t
mm
m-{*
£ 0~# 9.-* 9~m
%=TG
m
holy throng, Of angels bright, In worlds of light, Be - gin the song.
ff^R^E^MH^^^f^Jg
E2
— o ~
;v:gn-.pE_=
i£: =g=r mil
F Minor.
Martyrs. C. M.
:_a
Warriner's Coll.
b_st: :: pi xjzp:
i£3
^h-7:
:aza ii & t-Q-_T~e-g—f-Q-^-
^£S=:
The year rolls round and steals a - way The breath that first it gave ; What-
3r- io: -e-e :
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39. Continued.
*3
zc—rj:
m ._©-
5=t
zioz:
±Eazi±^Edz^r^zazE^t?±ifci^ Hi
e'er we do, where'er we be, We're travMing to tlte grave.
irzte:
& ~o:
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Ph o
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—
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Newton, S. M. «T SiL** f>TMf*m
Middlesex Coll.
C Major.
& J r:r
£EE3EE?
ltf-Tt-5
f 1 P n
-
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5-8—"~2—R—n- -n—=rpH
W:
r«M-v-f---~- 7-d—
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P———--1
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Come, we that lore th e Lord, And 1 et our joys be known, Join
JJL_j__^_j!ij. -i—
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<J c «'•_! J . c* i ,
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1 *_L ]
J -L-j _| J L_Q-± J
pi^nft-m-—&t
I=* &-&
m
in a song with sweet ac - cord, And thus surround the throne.
-©T
^
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40. 34 New 50th. 10s. Dr. Arne.
G Major.
Hfc
ii^grgig^ig
mm. g^gjl^p^g
AIR.
Not to our narat'S, thou on - ly just and true, Not to our wwthlcsa
V<P- littH4l^g33ZTw m
s
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1 -I-* Pliii
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names ia glory
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due ; Thy pow'r aud grace, thy truth and justice claim
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fizcfbi
== PS
Im - mortal honors to thy sovereign name. Shine thro' the earth from
^ge^g#—*-
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HP:
3a razz:
e^JsIe^

41. Continued. 35
rESgpn
ggSg^^Pii^iifll
heav'n thy bl«t a - bode, Nor let the heathen say, " And where'a your God
J| n |
. j|J/JJ|^|gj
sP^^^giiiSiiil
Old 100. L. M.
A Major.
<jt£
*&*
Ascrib'd to M. Luther
i m
i
Ye nations round the earth rejoiee, Before the Lord, your sov'reign King
;
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V—#-—-a- ^Isl^gli^E
&
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Serve him with cheerful heart and voiee, Witli all your tongues his glory sing.
:&z: B—
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42. 36 Pleyel's Hymn. L. M.
B Major.
i. Pleye!.
^^pf^fixjj^B^r e-e+sh^
SS;
Very Slow.
fe tHE3f
1^+
pq=prrr|»-T"P~PTP"
r
'i»T~P~T5
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1
AIR.
So fades the levely blooming flow'r, Frail, smiling solace of an
& ^^IS^^^ mi
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1 j , *2 1 1
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g^^S^feEJill
o-^-* -e
i°45d
P » JSZE
a-
a
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hour ! So soon our transient comforts fly, And pleasure on - ly blooms to die
Eg§gg » E:
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—
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SS
e~-rcr-zcH
S * P
o -* d=:::r3
§zz±t
G Major.
Portugal. L. M. T. Thorley.
How lovely, how di - vinely sweet, O Lord, thy sa - cred courts appear
!
AIR.
^j
smgss^sipsi
rfct
»-9
5:
8 lliil

43. Continued. *7
mm
Fain would my loaging passions meet The glories of thy presenoe there.
3£c=fe bti wwto
Plympton. C. M.
E Minor. Plaintive.
Dr. S. Arnold.
puis! 9-^"
—e~
AIR.
Now let our droop - ing hearts re - - Yite, And
BS e>—-- g§g|||g[g^
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mm
3:
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all tears he dry
;
Why should these eyes he
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17
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drown d in gT'^fj
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Whioh
=3=? P-^ -Q.
iew a Sariour nigh.
s
mi=i
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pzi: •©—e-
i
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44. «* Parma. C. M.
AIR. A Major.
Italian.
pE3B
"* !
flH£ ^£CSlsiiill
Behold the glories of the Lamb, Amidst his Father's throne, Prepare new honors for Itia
gs^^:B;iB^^|j^ggg^
«-*-*—m~r—
4-4
^ISSH
m^^k&mWM:
name, Prepare new honors for hit name, And songs before un - Snown. Let elders
;^igi:S^
iiiiESSsisilfelis
JjjJJlU&ari&jqflfejg*^
worship at his feet, The ohurch adore around, With vials full of odors sweet, With
igpiiiiiggiSii^si
SiHiz;:::3;i2iiE= -
'-'--f^^^E'^E^^r "~1 "
7 : i3
m
vi»ls full of odors sweet, And harps of tweeter sound, And harps of sweeter sound.
19 •
H^sisll^iilll?

45. Peckliam. S. M.
D Major.
Is. Smith. *§
tt
AIR.
Be - hold the morn - ing sun, Be - gins his glorious -way
,
R.
-P^^ s^pi- s-iu^a
-111 TV--®T:
^^F^T:
^1^::
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1::^=::
1^V
m
J2_Pr <2_„Q P.
nni(St—
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His beams through all the na - tions run, And life and light convey.
^gssi(©-= -P-Gh -©-
1
-© ftsfc:
Iplpll^iiggl
A Minor.
Plymouth. C. M. Middlesex Coll.
22-p_i-o~© =—5=£
:^r
p^r^g
With rey'renoe let the saints ap - pear, And bow he - fore the
s
±. mmBz:-za=z
~a
'f$p.
J:jCgz:
ililllUPJiiili^Iii

46. 40 Continued.
s #Y^r+t
r^#g8
Loi-d ; His high com - roandt with rev'reiice hear, And tremble at his word.
2E2E?
.._q:
#e- TTi" F
rari
c=®2ja=iz!
=gg§s§^^^s&
D Major.
Sunday. C. M.
.*^.-
=£=P
&y,_T .r.
Harmonia Sacra Minor.
AIR
P
The Lord of Sab - bath Let us praise, In
^pe
:i£:
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£=** ft-
3EQ
^3^=^ ^e^: f=t
6 6
m Seee
concert with the blest, Who joy - - ful in liar-
^^^^^^^^
^ggiJg^P=P=EEE
6 6 7
5
V
* t^Isiliii^Ssl
monious lays, Era - - ploy an end - less rest.
jjj fif T'r. i
^f f
irr nnm
6.6 6 665

47. A Major. *
I &5E^
Stafford. S. M.
-a:
Read.
—f-r-
41
fcafcJJEp^Ejcj
IPPS
tit*
=p—
s
t
isze:^r±=t
-i—i-
4—14- 1
See "what a Kv - ing stone, The build - era did
ff
gric:
•
^L^u-wr^m
fet=rr-, I
:~~t :~TrtBi
In-
fuse;
•T I" i r I
33
Yet God hath built his chur - - -
rff f .
S33K =@
^i^
Yet God hath built his church thereon, Yet God hath, &c.
-0
Yet God, kc.
s=gpf
Yet God, ccc.
jgp!5^^^g^i|^sjii
.—
Q
^ligitiPiil^Iil
- - eh there - on, Iu spite of envious Jews,
l"i'-r i
r;rr
o~
& m
IllfiiiilliiSllP

48. « St. Thomas'. S. M.
A Major.
*
HP*
t
t:
a
<*. F. Handel.
^n^^^^^^
Altt.
High as the heav'ns are rais'd a - hove the earth we tread,
ggs^PN^ £zs::-£=p:
=0$^=
g£^jEf azzzn ^r mm
illligll
mm _ziE±zPz$zf
gEi^m
St. Helen's. L. P. M. Jennings.
C Major.
£-&-=-=-p- :^z=~:
2- - P 1 B -P-: "^—a- q- ff
AIR.
I'll praise my ma - ker with my breath, And when my
^Lz===zS±=sr=±±==±
-|S~
Hi=§
g:ji^gfaEg s=°^^-* jgpgj

49. Continued. 4$
.a-
-£>-+—--
.._Q-
T t*T
—
r
~~g~^T ^ '^ "T-g—
M
t^d±!U-La£CTTT 71
:z£r
—4-
-©—P-
-I
*—
:snza: e=e±^izaz
= ri " n tii'Ti
voice is lott in death, Praise shall em - ploy my no - biest povrYs. My
'r5E=gr
2=i3
or::
:§rzd liiilNili
idrbazzg: g^
i
o-
*EEE
-9 © <j P I "—
w
i
=8- _Q »tt—n—P-i
EET^EaE^j^ESE!EE^^^=SE^E:
lought and
IP
days of praise shall ne'er be past, While life and thought and
i -© © :cnz3
g
--©-
-firr M---Ji]
-i
—
A-e
=pzzz:
E^Ei 1J' -.|-Q=»
.Q
r:
J -T~l»
ii^nin^ii
bo - - ing last ; Or im - mor - tal - i - - ty en - - dures.
f
3g§
.1 -I
1-
-e
—
Ip. « 1
°--j
p
—e- sz: e ^s:
lUzM

50. 4* St. Asaph's. C. M.
B Mrvjor.
B. Milgrovc.
^ISSiiigiSii
Jesus, our Lord, as - cend thy throne, Aud near thy Father git
AIR. Andante.
HsiSililliiiii
BIztefE^r^
-?+=#--. M ..
*
3:
H l-T !"
-p-py
±Z. ^H
Tt=*^t
r*zoE3: sr^zj-
E=3
E££EQS^ =E=g
In Zion shall thy pow'r be known, And make thy foes sub - - mit
.r > 1
J
JUJl i J r i
Tfcrir r 1
a
iiiigl^il^l^i^ii
liaiiii
3T
m -qzi
What wonders shall thy gos - pel do ? Thy converts shall sur pass
*zrp4it*:
-1 -V
gii-ggppppg-^i
i-gpi^Silli^Hg
num'rous drops of morning dew, And own thy sov'reign grace.
-•
SiPi^iSiilggis^?

51. St. Bridge's. S. M.
A Minor. Adagio pian» e con lamento. ^
Dr. Howard. 43
i
p__p
ii^iliPli^^
<C
From lowest depths of wo, To God I send my cry; Lord
!E:g m o a p—
»
si
rt
^:S ::raz=j2Z
m
- 1
P~
tSs=a
1 ii P
*
/ ff ii
m
* — — .
hear my sup - pli - - ca - ting voice, And gra - cious - - ly re - ply.
/7 — K
Hi.
F?- zx
-©-
ccxzz
I *-f
11111
gig
«
a Z2Erc
lOOL m
St. Julia's.
G Major. Allegretto.
A Moravian Hymn,
mm
us frqz: 3EK
1. What good ne -a s the angels bring ? Why, glad ti - dings of our King
mgiiiiiiijgEi IZK
2. Lift your hearts and voices high, With ho - san - na fill' the sky ?
jggE :f=--f itiliiillil
3. .Testis is the lovli'st name : This the an - gels do proclaim
;
£=£=I=*E £ £=££ Si
Christ the Lord k born to^- day ; Christ who takes our sins a - way.
^§g££^=ii Hi
z±=±=*=£z
Glo - ry be to God a - bove, Who is in - - fi - nite in love?
iPiHHii! c
Sin - ners poor he came to save, They in him re - demotion have
G
iP*

52. 45 Sutton. S. M.
FMnjor.
A. Williams' Colt
lli^i^^l^ll^^g
l-^lp^^S=
Be - hold, the lofty sky De - clares its Ma - ker, God, And
AIR.
EH3- 32ZS
fc§==z£
2:2:
£= SL^l
^tjs:
_a 'S=-Z 53=^5^^
=f iHSM
•tr
i=r;o=
^ =^
I IP1P
all his starry worka on high Pro - - claim his pow'r a - broad.
r? r .ii, J[OiifiJ^^i
p
li a
Springfield. C. 31.
A Major. Slow.
Pleyel.
>t t r if
• J i
f^HH^nTCTqg
While thee I seek, pro - teetdng pow'r, Be tny vain wish - es still'd ; And
rihJiJ.JUjujij^jjij ijjra
=*- St SfSg ;•-
E^E
On thee, each morning, O my God, My waking thoughts at - tend ; In
^jiipiiSpgi;fg3plpPPia

53. Continued,
I:
47
Pia.
may this con - se - crated Lour, With bet - ter hope* be fill'd ; Thy
iiiiplii^S
#-#
~I * £ ^3EE?E!
whom are founded all my hopes, In whom my wishes end ; My
f
*—(*
••-
frr— -*
»
^
Forte.
love, the pow'r of thought kes - tow
J
d, To thee my thoughts would soar ; Thy
I^Egiiii^giiiiii
»-*
soul in pleasing wonder lost, Thy boundless love sur - - veys ; And
i^iisiiiiiiiilg
mer - cy o'er mv life has flow'd ; That mer - cy I a - dore.
SlSii^ilipJiiiy!
£=ez • '
•
i F-
firM with grateful zeal, pre . pares Her sac - ri - - fice of praise.
a—jf sEtEEb
£=F
Si

54. « St. Martin's. C. M.
A Major.
W. Tansur.
i3fc==q3
•*-a
19-?
liig§f£!=I
1
3r=:
m P-r-e (9—
:£=£:
AIR.
To our al - - migh - ty Ma - ker God, Ne«r
£3==s: «
#r*
iSSp=;
£* ©--
^
*3
e^-^z^Eg
HI
e-P—-
—
S
US ^=*
(9 © O 1
=s£fa=:_Q
lliiilii!
hon - - ore be EKl - dress'd ; Hia great sia - - - ra - tion
-j%—l — '
. O ° -
S^~-
&ZCT
g=Hl
.CL
-g—y -e—
o
5EE3==^
•f—
f
(9
"*=-
i
-9 (9
« <-i , « , ">»,
T3I
If
zzzx:
shines a * broad, Aad makes the na - tions blest.
—GL>* i
P
9 i « ''"
or -
T ^ lit
I (J
__ _ ?_S © Ui All
1—'
—
f__IJ --S— L y , ., i -_,
a D
ieii ~:zaz:

55. Tamworth. P. M.
F Major. JPomposo.
V. Lockliart.
45
m-mftnrji'-i'irfiy
1. Guide rae, O thou great Je - - I.ovah, Pilgrim through this barren
2. O - pen Lord the ehrystal fountain, Whence the liealiug streams do
3. When I tread the rei-ge of Jor - dan, Bid my aux - ious fears sub-
=mmmmmmimwmm
land ;
flow ;
iiili
I am weak, but thou art mighty ; Hold me
f^?E£r:
:wz:
Let the fie - ry clou - dy pil - lar, Lead me
~d~
side:
ni ;.J l
y^sHK^CZ
Death of death, and hell's des - true - tior, Land me
Pia.
te
—h—1
-T p-, &zx=^zT^—zte=-3z
h thy fpow'rful band
;
Bread of hcav'n, Bread of
all my journey through
:
^g^i
safe ou Ca - naan's side
;
/7 Fcfte.
Strong de - - liv'if-r, Strong de-
T- 1 !- hi ^
W
Songs of
=S$e£e*b. —
V
±==}
^wises, Songs of
heav'n, Feed me . till I want no
SMIiiiiiis^
more.
3iii
liv'rer, Be thou still my strength and shield.
±=t:
m E£=r
feP
praisos I
esee; S
wni ear - - er give to thee:

56. 50 Windham. L. M.
F Major. Moilerato.
D. Read.
s lac
airs —q:
?
y^c
r± ©—r-^-*-r5-T-(9-fe.
ss s:^=
gggj|
Broad is the road that leads to death, And thousands walk
10 •'i-i
*
I
/hi ^ f
; 2 __ _i 1
frV^Q" *J .
"
1* • A 1 * J d
8* "..Y a: '
«', G^X^^I*
ErferH §^I=if^il^
)f- ,
l
,JL-=as
3ZIE
pEjEEJEfEfep
zHgr^liltl^illliiill^i
to - gether there,
&
But -wisdom shows a narrow
a i m
Q
-J-i-4-E
ft_-5.
i?
^^^^aas n r?
i ^ „...
iw @=$s:
i
path,
-G—
With here and there a trav - - «l
:5ZZZ3
lcr.
SE?il=iiriE^^Bl
-e p—T—»
—
^
: l_d:
i

57. Wells. L. M.
F Major.
lloldrayd.
51
is^li^ill^liiiSl^si
Sing to the Lord, who loud pro - claims, His various and hit saving names;
AIR.
^E
^-i
E m aza SEC gipl
Hfg qzszinzDz
g=i
O may they not be heard a - lone, But by our sure experience known.
£
SEE ^pg^SliU
^
f===*=f
i'iri*u
j
J-M3i
Wareliam. C. M.
m - -
r i
rrrn^
Dr. Arnold.
G Major
^ifeN
2*:s=
5 iw "mTIzlL-.I -
(9 ©
How large the promise, how di - vine,. To Abrah'm
^E3E=E
=fc===:l=ii

58. #5 Continued.
lUl^iiiiiir^gsl^
~r^ p £=:
F s ra§-=§: E=e^
and his seed ! I'll be a God to thee and thine, Sup-
i?¥
:f?z©=±=:D: -T t"
rrszrzs:
^^£ lazzsz^
zzz:zzzrfz:p:zzzpzzfzza
-G & FES?
e!e!e^
g^ilps £ *l
—
zzt
€>— -©—
,=e=D=£zir=§=±zz: -©—
§
e e:
ply' - ing all their need. I'll be God to
-4—i
—[—J~h-i =* £=
?
~P
=iK~}
sz:
rs ei
.sz:
-e- h9-
©— Hi -DZZZC
L.
llE^E^il^Pll^l
© r—e & r-O
E£
—~— ^ -.
H
thee and thine, sup - - - ply - - ing all their need.
*z£-O p_zc_; —p_:i_p P_, - t :^
-T-p-^—r~^""T~'
izz^zzs
I—1- • m
22ZZZD
^Mn^r^m

59. Weymouth. 1
J
. M.
G Major. Con Spirito.
,
R» Harrison.
wmtmmmmm
i
2d Treble.
All hail triumphant Lord, Who sav'st us by thy blood ; Wide
S ZE
miss
Ma ZXIZZ32Z W=+=*
ni
i^gssis frr
II
be thy name a - dor'd, Thou ri - sing reigning God.
mimi^^ii
&=ff=$ i
=*
CHCRUS.
— >— .
-K'^—'—-i
*_ >* *7 '"P J *r - J J
rq
—
#—e—
J^ • / m T • 7 i
«
1 • ' • a ' - :
# • t-„ ^
• ~* w C •
Pi?=ii *# « «
With thee -we rise, With thee vre reign, And em - pires gain be-
Tenor.
i*
—
m ^tp=?
N N—
1
:
-N
33pgp#g *
wmmmmm EEE
fr. #
H

60. 54 Continued.
iiS^SSg&—
I
*
±f=l
rst= NT 1
^J
-
« "
/ ^
yond the ikies. With thee we rise, With thee we reign, And
s§
Hill
©
S=z?:
F-f—p iTrr^rr? j I r *=
i=^ff
em - - pirej gain ba - . - yond tlie
&• m. fti ft—
skits.
1*
&=¥=* B
s s se3e3;
Walsal. G. M.
A Mi.
A. Williams' Coll.
frr f if [' i
J J . J^-i'irri.n^ -o--
AIR.
Lord in the morning thou shalt hear My voice
^g^^i^^
cending high
;
^Slfefi
==S#-.-a
^^si

61. Continued.
55
iapfiiiiJpgjgp-^S
m ~cl:T *-0
g£ i:d:
To thee will I di - rect my pray'r, To thee lift up mine eye
PuSl
~ m
eye.
tt=±
Hymn to the Trinity.
G Major.
F. Giardini.
»H^ra«
1. Come thou almighty king, Help us thy name to sing, Help us to praise •
2. Jesus our Lord a - rise, Scatter our en - e - mies. And make them fall
4- liilllSSIigiiiil
3. Come holy Comfort - er, Thy sa - cred wit - ness bear, In this glad ho<:r
.
4. To the great One in three, E - ternal prai - ses be, Hence, ever - more :
msgiiiii EESEeaffi
Father all glorious, O'er all vie - to - rious, Come and reign over us, Ancient of days.
Let thine almighty aid, Our sure defence be made, Our souls on thee be stay'd ; Ix>rd hear our call.
liSii^illiiigii$
Thou who Almighty art, Now rule in ev'iy heart, And ne'er from us depart, Spirit of pow'r.
His sovereign majesty, May we in glory see, And to e - tcr - nity, Love and a - dore.
SSilg
£es *rtf:
ilP

62. 56 Mnsic. L. M
Largo
Dr. Arne.
emsms
=jM=£±=:
'^Iggllgiilta^iil
££far^=
And didst thou, Lord, for sin - ners bleed ? And could the
H—
i^fe mm
/7
-§-?zjt
rs
Hi^S^^^^^^ll^g
sun be - - hold the deed ? No, he with - drew his sick' mng
mm i 7=£
p
Crrs. Forte. p; a .
-V4*
^SLliiiSii^iS
ray, and dark - ness veil'd the mourn - ing day. No, he with-
—pi—»•- ,
---
d=rtd=
§iiil:^§g=pE^I§
iiigiSiilfgg^a?
lUgH

63. E Major.
Denbigh, M. Madan.
5r
*aa
*fcd£d ^mwMmM
From all that dwell be - low the skies, Let the Cre-
Bel mmmm^m
Pia.
r*zs;
Cp=- =?
a - tor's praise a - rise, Let the Re
^^^IH^I
—J. *_^
name
-re-
deem - er's na;ntT be
(ft—
IliiiiOllIlill
eung, ThrV eV - ry land by
3^ I
ev* - - ry tongue.
eung, Thro* eV - ry land by ev* - - ry tongue.
iiHiHilnliiiJiii
e^ - iy land, &c.
$
by ev* - - - ry tongue.
Forte,
E£E &—m
-zzmzTz:*-d m
m t&
E - ter - nal are thy mer - cies Lord, E - - - ter - nal
^^m
«—T^j—
g
i iPiii^iiii

64. 58 Continued.
iHsIpi p=:z:
truth at - - tends thy
P2tt=
word: Thy praise shall sound from
s G
$*M
-st-
E I Ms
S3 -/Tv- • rtV
Pianist.
Z3i (•—I*
shore to- shore, Till suns shall
HPH^
— *
rise and
/7
m
-i o»-
si
—
*
Forte.
^SSEg
-« K
no more, Till suns
3=3
i /v
slull
*r K tar
rise and
«=
aQ-ti "j i,i =fc=±
?—
*
r< r /T
T r^r-———
i
Pia Dim Farte
igPip^^^^iiiiii
set no more, Till suns shall rise and set no more.

65. Lambeth. P. M.
E Major.
Milgrove.
59
jIBiPPiiiiJipgig
3E-
is:^_ #--
m -I—
©
mmm
En - compass'd with clouds of dis - tress, Just ready all
3
^T3-1
z*:
H
Si
^PUs^^
r±fa: Hi!
HHmUS^
wm^m i
i=^tfc^=ifc±=ittit±=._»_ll
- . ..
"•"3
hope to re - - sign, I pant for the light of thy face, An 1
mm iS Uteidiyi
_Jt
gllilili^iilgliiiil
TrLr' r l mmm
^^^^m^^mm
fear it will ne - vlt he mine, Dis - - hearten'd with
—d*-
iHHilliHiilll
=lii=f=li=§=^^g§iggi

66. 60 Continued.
ff.«.tr-.i-'i-g
^=t
-(*-£.»-
limns
s==s=* iilll^lfelli
waiting so long, I sink at thy Jeet with my load, All
n^mi i=s=iig
sggai^iii
igMBsiUfi
•—__*_:.
Sg giiiggipig
plaintive I pour out my song, And stretch forth my hands un - to Gal.
tt ^m^mm
« £=*T=X
=st±Si=±=*z
Chapel Street. C. M.
AIR. G Major. Pia. Forte.
sra a
While shepherd's watch their flocks by night, All seated on the ground, All
mm w&
lliggfcglil
B^tt -©

67. Continued,
p__'
fjaujm Hijg
€1
;zpi
seated on the ground : The an - gel of the Lord came down, And
-eH- ^a«d=£®
=t
• _
(2 .
-£ -|9
iSI sg=
§i§
Forte.
SS5!^gSiSy&! I
glo - ry shone a - - round. And glo - ry shone a - round.
§§I^^E^^^^SI
3^=3
1 gilliPlllill
Farndon. C. M.
D Major.
Addington's Coll.
<3 ©- s=S=
|g ~^-
E
AIR.
My shep - herd will sup - - ply my need, Je-
:dz:
^igjli^ggglisi
S^l^li^giii^iLr^
—~ w "P O J—g—p~T"~~P
mi &
ho - vah is his name; In pas - tures fresh he
-±
—®=ra

68. 62 Continued.
.-&P. O-T P-* ep-
1
za:
t±
makes me feed, Be - - side the liv - ing stream.
iisiis^iligS I
•Q—~g
1
_Q.
E Major.
Morning Hymn. L. M, Costellow.
nt
x e
i^=
islipil
Soon as the morn salutes your eyes, An<
Soon as the morn salutes your eyes, And from sweet sleep rcfresh'd you rise ; Think
. -•, 1
^a-4
s&il^ilSililiiis
___*.
rfc
3 HIS
PI -GM» mm^m
on the Au - thor of the light, And praise him for that glorious sight.
H re: V J & =* P^ZZX
s=s^ !Z5Z_
1—I-
iiiiiiiiiiiiiigiiiii

69. B Major.
Loughton. C. M. D. Co
4- 5E giS
Milgrove
AIR.
'if W"m
Come lot us join our cheerful songs, With angels round the throne, Ten
IS
,«7~—4*zdz±3k.
5 Si£?5
J l-f- l Y P
'
l
thousand thousand are their tongues, But all their joys are one.
f r i r r i
uiLUL^r i r ri TTri
giliiliiliiiiipigl
Worthy the Lamb that di' J, they cyv, To be
iHegpiilsliiSiM
ex - al - ted thus
w^^^g^m3»
=£=?==:
Worthy the Lamb, our lips re - ply, For he was slain for us.
iiiilSiiiiiliiiEliS*
igSiHHil

70. ft Barnstable. L. M.
VR. G Ma' or.
J. Oswald
iipliiSi^iilllig
iiill^SiJiipjggiig
We ble»s the Lord, the ju6t, the good, Who fills our hearts -with
—E
^fe^iiiiiisisliiE^
^s^^HSSiiiii
joy and food, Who pours his blessings from the skies And loads our days v ith
I*—I*
e& B=tt
fm. p. P-—•..i.-
t.>ii..r f is
-^N^i'vc.:;: .ir^irff,
fi
jy^jljffifft l
J
^to.
±ffi
rich sup - plies, And loads, &jc.
mrrrmri gr i
r r P^ffi
czzz
l^^a :c :z#;
WM=*±*

71. Pensance. C. M. H. Purceii.^
G5
F Major.
Ho - san - na to the Prince of light, "Who cloth'd him-
AIR-
r
1^
fepiiiliiiieiiiiiiii]
^jj-r itrnrmrzimm]
iiigliiiigiiiii
self in clay; En - - ter'd the
3
SEE
EP9 ^_:j:
ron gates of death, And
illiliSiiil
IH^i^iPiiill
E
iiiP^ i^S^^S
tore the bars a - ray. Death is more the king of
fllillillliilii^ii
wmm tnrt
mm
±±l±gitt =t=±tt=t=
3=
Tone. Pia,
:zz3ziz»
mm
dread, Since our Im - saanuel
rab
rose ;
HiiHifiii
He took the tyrant's
=fc±=
-4
iiiiilililJiiiiii

72. 66 Gonlinued.
R«peat Fotte,
lffin=n>IJjljpi^ 1 ^ Jj.l J. ! l g
sting a - - way, And spoii'd our licl - - lish foes.
OTTlfcriUg
P ^P—
T
^ £—r « ^JtLZBz •
_„_
i r r i-M r
,is
M&lmsbnpv. L. M.
AIR. D Major.
Rippon's Coll.
|S- FPa
ifeg
Ce - les - - tial -worlds, your Ma - kcr's name, Re - sound thro'
jit i"
'
Cjffirr' r r l'lTfir rrp-^
ev' - ry shi - ning coast; Our God a greater praise will
^._ft_i
£ £zs3E3:
I
' 1 ,
-f3 }
X.
^-ZT
i
r.nrr'f i
=&
liPf^fiilii
=£ Hi Pi

73. Pia.
Rlisllton. C. Lockhart.
6r
A Major. Vivace
O what shall I do, My Saviour to praise ! So faithful and true, So
m
iiHESipippiip
lo, My Saviour to praise ! So faithful and true,
EEfc^E
£5 33
5
-p-p-p-r--|9—
:d^=l i§ s
Forte. Bym.
&3WJ+bLp=s=:
JC--Jc:^-=—=a^3gp
plenteous in grace, So plenteous in grace ; So strong to de-
ii§f^!!iiiM£:Sii
3S iS^HI mn
**
-*-
£
Pia.
:J J ^ ^^J—-d-^- Tf-= -S»-
-^* vr^-
li - ver, So good to re - deem The weakest be - liever that hangs upon
=t=J
^H^Ii^ElE^gi^iss
Fcr p.
-I
iE i==^=^=£^^=3i=^~j dzijft
him, The weakest he - - liever that hangs up - on him.
r, i
w i
n
jj -
1
jg y ii . 1 . in

74. INDEX.
Page
Amsterdam, a Hymn, 7
Arlington, C. M. 5
Ashley, CM. 6
Aylesbury, S. M. 7
Barnstable, L. M. 64
Bath, L. M. 9
Bedford, C. M. 12
Bethesda, P. M. 13
Bishopgate, C. M. 15
Bray, C. M. 10
Brentford, L. M. ib.
Brookfield, L. M. 11
Canterbury, C. M. 18
Castle Street, L. M. 16
Chapel Street, C. M. 60
China, C. M. 14
Cimbeline, L. M. 15
Cookfield, L. M. 17
Dalston, S. P. M. 18
Denbigh, 57
Devizes, C. M. 21
Dismission Hymn, 22
Dorset, C. M. fio
Dover, S. M, 19
Ellenborough, C. M. 23
Evening Hymn, 22
Farndon, C. M. 61
Fountain, L. M. 29
Green's 100th, L. M. 24
Green's 148th, P. M. 26
Greenfield, P.M. 27
Greenwich, L. M. 24
Hymn to the Trinity, 55
Kmgsbridge, L. M.
Lambeth, P. M.
28
59
Leeds, L. M. 29
Lenox. P. M.
Litchfield, L. M.
Little Marlborough, S. M.
Loughton, C. M. D.
Malmsbury, L. M.
Martyr's, C. M.
Morning Hymn, L. M.
Music, L. M.
Newton, S. M.
New 50th,
Old 100, L. M.
Parma, C. M.
Peckham, S. M.
Pensance, C. M.
Pleyel's Hymn, L. M.
Plymouth, C. M.
Plympton, C. M.
Portugal, L. M.
Rushton,
Springfield, C. M.
Stafford, S. M.
St. Asaph's, C. M.
St. Bridges, S. M.
St. Helen's, L. P. M.
St. Julia's,
St. Martin's, C. M.
St. Thomas' S. M.
Sunday, C. M.
Sutton, S. M.
Tamworth, P. M.
Walsal, C. M.
Wareham, C. M.
Wells, L. M.
Weymouth, P. M.
Windham, L. M.
Page.
31
30
31
63
66
32
62
56
S3
34
35
38
39
65
36
39
S7
36
67
46
4X
44
45
42
45
48
42
40
46
49
54
51
ib.
53
50

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