An accomplished entrepreneur and lawyer, Edward Reicin managed his own law firm and once was selected as Lawyer of the Year by the Illinois Secretaries Association. Additionally, Edward Reicin is an opera singer. The different voice types in opera are determined by the singer’s vocal range. Particular roles are cast according to the singers’ voices. The bass is the lowest of the male voices. Bass is ideal for roles such as Sarastro in The Magic Flute, a character who conveys wisdom and nobility. The most common voice of male opera singers is baritone, with a vocal range between bass and tenor. Baritones often play heroes who fight the villains or sacrifice themselves for the good of others. One of the most popular characters for baritones is Toréador Escamillo in Carmen. The highest male operatic voice is the tenor. Tenors often play the lead or the love interest of the soprano. Two types of tenor voices are lyric tenors, who sing in high, bright tones, and dramatic tenors, who sing in darker tones. Radames in Aida is one of the popular characters for tenors. Altos have the lowest voice among female opera singers. Altos often play specialty roles, such as Erda, the earth goddess in The Ring of Nebelung.

1. The Different Types of Opera Voices
Edward Reicin

2. Introduction
An accomplished entrepreneur and lawyer, Edward Reicin managed his
own law firm and once was selected as Lawyer of the Year by the Illinois
Secretaries Association. Additionally, Edward Reicin is an opera singer.

3. The different voice types in opera are determined by the singer’s vocal
range. Particular roles are cast according to the singers’ voices. The bass
is the lowest of the male voices. Bass is ideal for roles such as Sarastro
in The Magic Flute, a character who conveys wisdom and nobility.

4. The most common voice of male opera singers is baritone, with a vocal
range between bass and tenor. Baritones often play heroes who fight the
villains or sacrifice themselves for the good of others. One of the most
popular characters for baritones is Toréador Escamillo in Carmen.

5. The highest male operatic voice is the tenor. Tenors often play the lead or
the love interest of the soprano. Two types of tenor voices are lyric
tenors, who sing in high, bright tones, and dramatic tenors, who sing in
darker tones. Radames in Aida is one of the popular characters for
tenors.

6. Altos have the lowest voice among female opera singers. Altos often play
specialty roles, such as Erda, the earth goddess in The Ring of Nebelung.

7. Mezzo-sopranos have a voice midway between soprano and alto. These
singers often play motherly types or villainesses. Carmen, the gypsy in
the opera of the same name, is a fit for mezzo-sopranos.

8. The highest female operatic voice is the soprano. Sopranos almost
always play the heroine in the story. One of the popular roles for sopranos
is Mimi in La Bohème.