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Feedback
1. Feedback Agree/Disagree Response to feedback
How will Iensure thatnon
Spanishspeakersenjoythe
comedyside of the drama?
Agree Thisis a validpiece of feedback.
To overcome thisIwill be using
fairlywell knownSpanishwords
and the tone of the Spanish
folk’svoices whenJorge
mistranslates,makingiteasyto
mostnon-Spanishspeakersto
geta basicideathat the
Spanishpeople are angrywith
George and that Jorge’s
translationimplyingthat
everythingisfine ismostlikely
not 100% accurate.
Limitededitioncassette tapes
won’tsell in2016. No one uses
Tape playersanymore.
Disagree I disagree withthisfeedback,as
my targetaudience fallswithin
the age bracketthat are most
likelytostill ownatape player.
The cassette may adda layerof
nostalgiatothe experience of
listeningtomydrama.
How will youkeepthe narrative
interesting?
Disagree The narrative will be kept
interestingthroughencounters
withthe natives,andthe
troublesthatthe cousins
encounterdue toGeorge’s
mischief.
Legal and Ethical Agree As Las Joyasisaimedforan
olderaudience,adulthumour
will be used,howeveritwill be
airedat 4pm, makingit
available foryoungchildrento
consume too.To overcome this
the adulthumourwill be
discrete,usinginnuendosand
otherformof adulthumour
that will goundetectedto
children
Amendments to legal and Ethical issues:
Based on the feedback related to adult humour, I will be amending my legal and ethical issues to fall
into line with the OFCOM code that says that “Radio Broadcasters must have particular regard to
times when children are particularly likely to be listening”. To amend this, I have mentioned that
discrete adult humour will be used In order to continue to provide adult humour but at a level in which
young listeners will not detect the adult side of the humour.
Another piece of feedback that I received noted that Las Joyas could be seen as two white Europeans
plundering the treasure of the ‘stupid’ natives. I can acknowledge this view, however I think that
Jorge’s role in the quest for the jewels adds a level of justification for their actions; as Jorge has lived
2. with the natives for years and is good as a native can be, making it more as narrative that follows a
native and a foreign adventurer than a narrative that follows two foreign plunders.
CONTRIBUTORS RELEASE FORM
PROJECT TITLE Las Joyas ("the Project")
DESCRIPTION OF CONTRIBUTION
Recording for Las Joyas
DATE OF FILMING/CONTRIBUTION
16th
June 2016
NAME OF PRODUCTION COMPANY/ORGANISATION RUNNING THE PROJECT
The BBC ("the Company")
NAME OF CONTRIBUTOR
Dominic Patrick
ADDRESS OF CONTRIBUTOR
3. Heath Park, Prestwood Road, Wolverhampton, WV11 1RD
TELEPHONE NUMBER OF CONTRIBUTOR
01902556360
In consideration of the Company agreeing that I contribute to and participate in the Project,
the nature and the content of which has been fully explained to me, I hereby consent to the
filming and recording of my contribution to and participation in the Project subject to the
terms and conditions specified below.
Signed by Contributor
Dominic Patrick
Dated 16th
June 2016
4. Terms and Conditions
1. I hereby agree that the copyright (if any) and all other rights title and interest in
and in respect of my contribution shall vest in and is hereby assigned to the
Company (and this assignment shall operate to the extent necessary as a
present assignment of future copyright) and that the Company shall have the
unfettered right to deal with the Project containing such contribution or any part of
it in any way that it thinks fit. Accordingly I agree that the Project incorporating
my contribution or any part of it may be exhibited or otherwise however exploited
(and such exploitation may include the exploitation of ancillary rights therein) in
all media and formats throughout the universe for the full period of copyright and
all renewals and extensions thereof and thereafter so far as may be possible in
perpetuity
2. I hereby waive any so-called "moral rights of authors" in the Project and such
rights under section 77 and section 80 of the Copyright Designs and Patents Act
1988 as I now have or hereafter acquire in relation to the Project.
3. The Company may without my further consent use my name likeness biography
photographs of me and recordings of interviews with me in advertising and
publicising the Project in all media and formats throughout the universe
4. The Company shall not be liable to me or my legal representatives for any loss or
damage or injury to me or my property caused or suffered in connection with the
Company's making of the proposed Project unless caused by the negligence of
the Company and recoverable on that ground
5. I agree that the contribution shall not contain anything which is an infringement of
copyright or which is calculated to bring Heath Park Productions into disrepute or
which is defamatory provided however that the Company shall not be entitled to
bring claim against me in respect of any defamatory material that was included in
my contribution without negligence or malice on my part.
6. I hereby confirm that the terms of this agreement have been explained to me and
that I understand them.
7. The Courts of England shall have sole jurisdiction in relation to the terms and
conditions of the agreement contained in this release which shall be interpreted
according to the laws of England.
5. Risk Assessment
Amendments to contingency plan:
The release date for the show will be on the 1st
August 2016. A contingency plan is needed because if
an unexpected hick-up was to occur I should have a plan ready to minimize the trouble caused by the
problem.
Work security: I will make severalcopies of my work on different formats as a contingency plan in
the case that I should loose work. I will do this by having my work saved on a memory stick, on the
cloud, on the desktop and also have a physical copy too.
Equipment: Should a piece of recording equipment fail to work; I will have backup equipment
available to use in its place. This will allow me to continue to work when equipment fails.
By having these contingency plans, I will be able to comfortably totally complete my radio drama in
time for the 1st
August 2016.