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CREATIVITY and Intellectual
Property Laws
Divya Tripathi
IT IS 6362
Spring 2015
Tech Policy
Presentation
Is creativity "natural" and thereby needs
no government monopoly as an
incentive? Would there be an
"adequate" supply of new and socially
beneficial songs, novels, inventions,
etc. without IP?
Definition:the ability to transcend traditional ideas, rules, patte
rns, relationships,or the like, and to create meaningful new ide
as, forms, methods,interpretations, etc.; originality, progressiv
eness, or imagination
CREATIVI
TY
Even those of us not in explicitly creative fields must
come up with new ideas and insights in order to move
ahead. Creativity has been pegged to conducive
environments, perfect collaborators, personality traits,
serendipity, and even spiritual muses. Research
psychologists are interested in increasing innovative
thinking since a long time.
Overthe past several decades, however, a wealth of
psychological researchas provided new insights
into creativity and the creative process.This
research yields valuable lessons for intellectual
property law andindicates that certain areas of
patent and copyright law may
counterproductivelyhinder the very creativity that
the law is designed to inspire
(src: http://ndlawreview.org/wp-
content/uploads/2013/05/Mandel.pdf )
In general, extrinsic motivation that confirms the creator’s
competence without instituting control can synergistically
enhance intrinsic motivation, while extrinsic influences
that are perceived as controlling counteract intrinsic
motivation, and can reduce creativity. While certain
aspects of intellectual property law may successfully
leverage the extrinsic motivation of a creativity prize,
other aspects are more troubling and should be revised in
light of these creativity studies.
Studies reveal that group collaboration can allow group
members to build on each others’ ideas in ways that
synergistically enhance individual and overall creativity.
Problematically, the laws of joint authorship and joint
inventorship in intellectual property actually dissuade
certain collaboration
Theories of creativity were developed
primarily in the context of individual and small-
group settings. Those theories face challenges
in large-scale settings because creativity in
such situations necessarily entails significant
degrees of formal organization and anonymity
for the contributor
Appropriateness, also referred to as
“adaptivity,” requires that an idea be
recognized as socially useful or “valuable in
some way to some community.” For a
technological invention, appropriateness will
often require functionality; for artistic
expression, it may require the ability to keep
the audience’s attention or cause a powerful
emotional effect
DEBATE
1. Creative ideas are just “creative” and may be good or bad for the society
2. Creativity can’t be measured- if use driven incentives are drawn it may take society
towards better or towards worse.
3. Handling creative ideas and its use require another creative idea not yet in existence- if
we think of restricting use of the idea, we can only hope to land upon a creative idea
which will ultimately benefit humankind and will not harm or be misused even if we
restrict creativity to be incentivized in only a few useful domains- like promoting health
and nutrition.
4. If we don’t give incentive to people who bear a major
part of the world’s routine and mundane work, wouldn’t it
be an injustice towards their perseverance and hardwork?
5. Some people have a creative bent of mind like painters,
artists, etc. their nature of work requires creativity. But can
we say that their work has contributed towards serving
mankind as much as the poor agricultural worker who
works to produce food that so many people eat everyday?
1. Even if we decide to build a system which
incentivizes creative people, who/what will
decide which idea is more creative? Wouldn’t it
be biased?
2. How to reward a group who synergistically
achieves creative results?
3. People who are innovators should also
have the option to gain ownership of
their ideas through protection via law or
to capitalize on them through incentives
drawn through these laws in a reasonable
and fair manner. That is to say, IP laws
must be made broader in scope and
more flexible and not too much
CONCLUSION
Thank You!

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IP Laws & Creativity: Do Monopolies Spur Innovation

  • 1. CREATIVITY and Intellectual Property Laws Divya Tripathi IT IS 6362 Spring 2015 Tech Policy Presentation
  • 2. Is creativity "natural" and thereby needs no government monopoly as an incentive? Would there be an "adequate" supply of new and socially beneficial songs, novels, inventions, etc. without IP?
  • 3. Definition:the ability to transcend traditional ideas, rules, patte rns, relationships,or the like, and to create meaningful new ide as, forms, methods,interpretations, etc.; originality, progressiv eness, or imagination CREATIVI TY
  • 4. Even those of us not in explicitly creative fields must come up with new ideas and insights in order to move ahead. Creativity has been pegged to conducive environments, perfect collaborators, personality traits, serendipity, and even spiritual muses. Research psychologists are interested in increasing innovative thinking since a long time.
  • 5. Overthe past several decades, however, a wealth of psychological researchas provided new insights into creativity and the creative process.This research yields valuable lessons for intellectual property law andindicates that certain areas of patent and copyright law may counterproductivelyhinder the very creativity that the law is designed to inspire (src: http://ndlawreview.org/wp- content/uploads/2013/05/Mandel.pdf )
  • 6. In general, extrinsic motivation that confirms the creator’s competence without instituting control can synergistically enhance intrinsic motivation, while extrinsic influences that are perceived as controlling counteract intrinsic motivation, and can reduce creativity. While certain aspects of intellectual property law may successfully leverage the extrinsic motivation of a creativity prize, other aspects are more troubling and should be revised in light of these creativity studies.
  • 7. Studies reveal that group collaboration can allow group members to build on each others’ ideas in ways that synergistically enhance individual and overall creativity. Problematically, the laws of joint authorship and joint inventorship in intellectual property actually dissuade certain collaboration
  • 8. Theories of creativity were developed primarily in the context of individual and small- group settings. Those theories face challenges in large-scale settings because creativity in such situations necessarily entails significant degrees of formal organization and anonymity for the contributor
  • 9. Appropriateness, also referred to as “adaptivity,” requires that an idea be recognized as socially useful or “valuable in some way to some community.” For a technological invention, appropriateness will often require functionality; for artistic expression, it may require the ability to keep the audience’s attention or cause a powerful emotional effect
  • 10. DEBATE 1. Creative ideas are just “creative” and may be good or bad for the society 2. Creativity can’t be measured- if use driven incentives are drawn it may take society towards better or towards worse. 3. Handling creative ideas and its use require another creative idea not yet in existence- if we think of restricting use of the idea, we can only hope to land upon a creative idea which will ultimately benefit humankind and will not harm or be misused even if we restrict creativity to be incentivized in only a few useful domains- like promoting health and nutrition.
  • 11. 4. If we don’t give incentive to people who bear a major part of the world’s routine and mundane work, wouldn’t it be an injustice towards their perseverance and hardwork? 5. Some people have a creative bent of mind like painters, artists, etc. their nature of work requires creativity. But can we say that their work has contributed towards serving mankind as much as the poor agricultural worker who works to produce food that so many people eat everyday?
  • 12. 1. Even if we decide to build a system which incentivizes creative people, who/what will decide which idea is more creative? Wouldn’t it be biased? 2. How to reward a group who synergistically achieves creative results? 3. People who are innovators should also have the option to gain ownership of their ideas through protection via law or to capitalize on them through incentives drawn through these laws in a reasonable and fair manner. That is to say, IP laws must be made broader in scope and more flexible and not too much CONCLUSION