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37June/July 2015 |  Riviera Reporter 169  |www.rivierareporter.com
Après Cannes
côte Culture
BY DAN SEEGER
FILM: The creeping menace of artificial
intelligence has been the handy fodder
for cinematic science fiction at least as far
back as that time HAL and Dave got into
an argument about whether or not it was
a good idea to open the pod bay doors.
Besides the ready-made examination of the
myriad of impacts from the exponential
growth of technology, futuristic
storytelling stabs at artificial intelligence
also get at what it means to be human, best
evidenced by Spike Jonze’s recent stunner
“Her”. The directorial debut of novelist
and screenwriter Alex Garland, “Ex
Machina”, is another worthy contribution
to the ongoing onscreen debate.
The film, which opens in France June
3rd, begins with a corporate drone
(Domhnall Gleeson) who wins an in-
house contest to spend a week with his
company’s reclusive genius owner (Oscar
Isaac, proving his excellent performance in
the Coen brothers’ “Inside Llewyn Davis”
was no fluke). As it turns out, there’s more
the reward than a stretch in the big boss’s
pad. He’s there to test the verisimilitude of
the A.I. built into a comely robot (Alicia
Vikander, with an assist from some slick
CGI). Garland builds the script with a
novelist’s sensibility for gradually built
characters and nicely concealed plot turns,
and his visual sense apes the crisp, clean
chilliness of Stanley Kubrick without ever
seeming derivative. The ending drifts a bit,
which winds up further highlighting some
late storytelling chinks, but overall it’s a
winning first film for Garland as a director,
infusing a hooky science fiction premise
with gratifying reserves of intelligence.
BOOKS: A Nice resident who was
born in Johannseburg, South Africa,
author Adam Cruise (below), turns his
attention to a specific history of World
War I for his second book (and first
that expands beyond memoir). Louis
Botha’s War traces the leadership of
the first prime minister of the Union
of South Africa as he compelled
the country’s military to ally with
the British against Germany while
simultaneously dealing with heated
insurrection mounted by his own
countrymen. “The war to end all wars”
is well-covered territory, but Cruise has
found an intriguing avenue to expand
the parameters of a historic story
everyone thinks they already know.
ART: For some years now, a group of friends
and artists, locally based but from diverse
and global backgrounds, have put together
L’Art du Coeur exhibition – sculpture,
painting, ceramic, photography, inspiration
– in the beautiful 12th-century Chapelle
des Penitents Blancs in Callian, in the Var.
Visit free from June 22nd to June 26th,
11h-18h, and you’ll find this edition
slightly distinct as four young local
artists have been invited to join in the
expo, bringing a freshness and a certain
spirit of Renaissance of new talent.
There’s a free afternoon workshop called
“l’Expressions de L’Art” on June 24th for
artists of all ages, and musical evenings, as
varied as the works of art, include a jazz/
opera concert June 23rd, 19h (tickets €5).
The stonewalls of the Chapelle des
Penitents Blancs lend depth and richness to
the collection of paintings and sculptures,
and the musical evenings benefit
from its wonderful acoustic qualities.
The magical medieval village itself is
perched high above the surrounding
Provençal landscape and its winding
streets offer the visitor many charms.
For more information email Molly Holt:
lamdfall.molly@icloud.com or contact
Sebastian Smith on 06 11 93 87 37. n

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DAN169

  • 1. 37June/July 2015 |  Riviera Reporter 169  |www.rivierareporter.com Après Cannes côte Culture BY DAN SEEGER FILM: The creeping menace of artificial intelligence has been the handy fodder for cinematic science fiction at least as far back as that time HAL and Dave got into an argument about whether or not it was a good idea to open the pod bay doors. Besides the ready-made examination of the myriad of impacts from the exponential growth of technology, futuristic storytelling stabs at artificial intelligence also get at what it means to be human, best evidenced by Spike Jonze’s recent stunner “Her”. The directorial debut of novelist and screenwriter Alex Garland, “Ex Machina”, is another worthy contribution to the ongoing onscreen debate. The film, which opens in France June 3rd, begins with a corporate drone (Domhnall Gleeson) who wins an in- house contest to spend a week with his company’s reclusive genius owner (Oscar Isaac, proving his excellent performance in the Coen brothers’ “Inside Llewyn Davis” was no fluke). As it turns out, there’s more the reward than a stretch in the big boss’s pad. He’s there to test the verisimilitude of the A.I. built into a comely robot (Alicia Vikander, with an assist from some slick CGI). Garland builds the script with a novelist’s sensibility for gradually built characters and nicely concealed plot turns, and his visual sense apes the crisp, clean chilliness of Stanley Kubrick without ever seeming derivative. The ending drifts a bit, which winds up further highlighting some late storytelling chinks, but overall it’s a winning first film for Garland as a director, infusing a hooky science fiction premise with gratifying reserves of intelligence. BOOKS: A Nice resident who was born in Johannseburg, South Africa, author Adam Cruise (below), turns his attention to a specific history of World War I for his second book (and first that expands beyond memoir). Louis Botha’s War traces the leadership of the first prime minister of the Union of South Africa as he compelled the country’s military to ally with the British against Germany while simultaneously dealing with heated insurrection mounted by his own countrymen. “The war to end all wars” is well-covered territory, but Cruise has found an intriguing avenue to expand the parameters of a historic story everyone thinks they already know. ART: For some years now, a group of friends and artists, locally based but from diverse and global backgrounds, have put together L’Art du Coeur exhibition – sculpture, painting, ceramic, photography, inspiration – in the beautiful 12th-century Chapelle des Penitents Blancs in Callian, in the Var. Visit free from June 22nd to June 26th, 11h-18h, and you’ll find this edition slightly distinct as four young local artists have been invited to join in the expo, bringing a freshness and a certain spirit of Renaissance of new talent. There’s a free afternoon workshop called “l’Expressions de L’Art” on June 24th for artists of all ages, and musical evenings, as varied as the works of art, include a jazz/ opera concert June 23rd, 19h (tickets €5). The stonewalls of the Chapelle des Penitents Blancs lend depth and richness to the collection of paintings and sculptures, and the musical evenings benefit from its wonderful acoustic qualities. The magical medieval village itself is perched high above the surrounding Provençal landscape and its winding streets offer the visitor many charms. For more information email Molly Holt: lamdfall.molly@icloud.com or contact Sebastian Smith on 06 11 93 87 37. n