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Martin, Mario A. S. (2011) Egyptian-Type Pottery in the Late Bronze Age Southern Levant. With 
contributions by Yaniv Agmon, John D.M. Green, Karin Kopetzky, Nava Panitz-Cohen, Valentine 
Roux, Yossi Salmon and Ragna Stidsing. (Contributions to the Chronology of the Eastern 
Mediterranean Volume XXIX). Edited by Manfried Bietak and Hermann Hunger. 
Österreichischen Akademie der Wissenschaften: Vienna. 68 Pottery Plates, 121 Figures, 117 Tables. 
The intended purpose of this monograph is to provide chronological correlations between New Kingdom 
Egypt and the southern Levant using the Egyptian-type or Egyptian-inspired pottery types excavated at 
numerous Levantine sites. While the study does not add significantly to our understanding of chronology 
in the Late Bronze Age (1500-1200 B.C.E), it does for the first time amass a large amount of ceramic data 
on the Egyptian types and fabrics found at Levantine sites and more importantly, broadens our 
understanding of Egyptian and Levantine ceramic technological traditions. Egyptian-type or Egyptian-inspired 
pottery is found in large quantities in the Late Bronze IIB and Iron 1, corresponding to the the 
Nineteenth and Twentieth Dynasties at Egyptian garrison or administrative sites in the Levant and was 
manufactured using local Levantine clays in shapes that are commonly excavated in Egypt. Prior to this 
study, discussions of Egyptian pottery were site-specific and inconsistent in fabric and technological 
details. 
Part I of the study broadly describes the morphological types that comprise the Egyptian-type pottery 
assemblage found in the Levant which includes bowls, jars, amphorae and luxury wares such as pilgrim 
flasks and zoomorphic vessels. Martin states from the outset that the typological framework places vessel 
form above fabric in order to include both locally made and imported forms (24), as imported forms 
generally fall into a single ceramic type – storage containers. By far, Egyptian-type bowls with flat bases 
appear to comprise the majority of the vessels in the Late Bronze Age Levant, in contrast to the 
occurrence of this vessel type with rounded bases in Egypt during the Ramesside period (28). Another 
morphological type of note is the perforated Egyptian beer jar which is found in large quantities at 
Levantine sites in the Ramesside Period. While the function of these jars is debated, Mesopotamian texts 
may provide a clue with mention of how beer drips out of perforated fermentation vessels (Homan 2004: 
89) 
Part II, entitled Fabrics, Formation Techniques and Decoration provides the most interesting section for 
ceramicists with a comprehensive study of the fabric and technology of Egyptian-inspired ceramics in the 
southern Levant, which tend to reflect a domestic assemblage. They are manufactured using local 
Levantine clays, which Martin suggests are meant to imitate the coarse and brittle Nile clays. Imported 
container vessels and smaller jars and cups from Egypt are manufactured in Marl clays or mixed marl-and- 
silt clays during the Ramesside Period. This trend changes in the Iron Age Levant when Nile clay 
vessels are actually imported into the region (97). 
Martin explores the question of Egyptian ethnicity by looking to aspects of the manufacturing process or 
chaînes opératoire that reflects Egyptian potting traditions. A widely-held perception is that straw temper 
in pottery signifies an Egyptian technological trait, but Martin correctly states that this is also a Canaanite 
tradition that has deep roots in the Southern Levant. In addition, straw has functional properties that make 
the clay easier to work with by raising its plasticity, reducing shrinkage during drying and reducing firing 
time, thus saving on fuel. What is significant is that at several sites – Tel Beth-Shean, Tel Mor and Tel 
Sera` in strata corresponding with the increased Egyptian presence in the region, an ever-increasing
quantity of straw temper emerges in the thirteenth to mid-twelfth centuries BCE , with Egyptian-inspired 
vessels showing more straw temper than their Canaanite counterparts (98-99). This data leads Martin to 
conclude that temper can be considered a marker of Egyptian potters or Egyptian potting influence at 
these sites. The pots-equals-people scenario is not as clear-cut as Martin would suggest and there is 
contradicting ceramic evidence, as I have suggested in my Ph.D. dissertation (Duff 2010) from other sites, 
namely Lachish and Ashkelon, where Egyptian influence was evident but show no discernible differences 
in straw temper in Canaanite or Egyptian-inspired ceramics. 
An important technological trait visible on Egyptian-inspired bowls in the southern Levant is the 
secondary trimming in the leather-hard state, which erased signs of the vessel being string cut from the 
turning device. Secondary trimming is well-known in the Canaanite potting tradition and was only 
introduced in Egypt in the Seventeenth Dynasty, according to Egyptian ceramicist Dorothea Arnold in the 
manual on the Egyptian potting tradition entitled An Introduction to Ancient Egyptian Pottery (1993:63, 
66). 
Of particular significance in Martin’s monograph is Chapter 9B, which details the results of a pilot study 
of fifty vessels that were analyzed according to the method of manufacture by Valentine Roux from the 
CNRS, University of Paris. Egyptian-inspired, like their Canaanite counterparts were wheel coiled. This 
involves an initial coil of clay to form the base with subsequent coils used to build up the height of the 
vessel walls, while wheel turning permitted the thinning and shaping of the vessel. After reaching a 
leather-hard state the vessel was placed back on the turning device for secondary trimming and smoothing 
of the exterior walls and base (114). A difference was noted in the smaller size of the coils with Canaanite 
bowls having coils measuring 0.5 cm high and placed in a beveling fashion as opposed to the horizontal 
placement of coils in Egyptian-inspired vessels. These findings contradict earlier assumptions that suggest 
Egyptian bowls were mass produced and thrown on a fast wheel while Canaanite vessels were wheel-coil 
or even handmade. Martin concludes that the distinctiveness in the size and placement of coils in addition 
to the secondary smoothing of the exterior vessel walls on Canaanite bowls reveals that Egyptian and 
Canaanite potters were working at Ramesside Tel Beth-Shean. The co-existence of craftspeople in 
antiquity, who originate from different regions is supported by the textual evidence. Cuneiform texts from 
Kültepe in Anatolia mention coppersmiths bearing Assyrian and Anatolian names who work at the k ārum 
or commercial district during the height of the Assyrian copper trade the 19th century BCE (Derckson 
1996: 71) 
Part III of the study assembles all of the Egyptian-inspired and imported vessels found in Southern 
Levantine sites in the Late Bronze Age and Iron I Periods within their stratigraphic contexts. By 
analyzing the large quantity and variety of pottery from sites like Tel Beth-Shean, Megiddo, Tel Aphek, 
Tel Mor, Ashkelon, Deir el-Balah, Lachish, Tell el-`Ajjul, and Tell es-Sa`idiyeh, Tel Sera` and Tell el- 
Far`ah (south), Martin explores the nature of Egyptian involvement in the Southern Levant at the height 
of Egyptian influence during the Ramesside Period. Martin draws some welcome conclusions about the 
dynamic nature of this relationship rather than try to fit the data naively into a narrative that sees an 
Egyptian presence as signifying total cultural domination or hegemony. Instead, he observes correctly that 
the full range of Canaanite vessels also appear at Egyptianized sites in the southern Levant, leading him to 
conclude that the Egyptian-inspired forms were intended to supplement the local Canaanite assemblage, 
perhaps to meet the needs of Egyptians who resided at specific garrison sites (256).
While this technological study provides interesting insights into how indigenous peoples and Egyptians 
engaged with one another and their material world in the southern Levant, the study falls short especially 
in light of recent scholarship on the relationship between technology and society and how technology can 
construct or contest existing social relationships. This is partly due to Martin’s adherence to a widely-popular 
techno-functionalist approach which views aspects of technology as being constrained or limited 
by the environment, while social meaning is seen to reside mainly in decorative features (Berg 2007:235). 
While the study engages aspects of the chaînes opératoire or production sequence, it never fully explores 
the wide range of options available to the potter within the production cycle, whereby social meaning is 
reflected, reproduced and negotiated. For example, distinct technological differences that were noted in 
the size and placement of clay coils in Egyptian versus indigenous vessel construction can signify group 
identity and ethnicity since primary forming techniques reflect specialized skills and motor habits that are 
least resistive to change (Gosselain 2000 and Berg 2007). In contrast, the selection of similar local temper 
and clays and secondary forming techniques for both Egyptian- inspired and indigenous vessels are 
aspects of the chaînes opératoire that are easily visible to other potters and therefore, likely to be 
influenced by economic and social practices. 
Arnold, Dorothea and Janine Bourriau 
1993 An Introduction to Ancient Egyptian Pottery. Mainz: Philipp von Zabern. 
Berg, Ina 
2007 “Meaning in the Making: The Potter’s Wheel at Phylakopi, Melos (Greece). 
Journal of Anthropological Archaeology 26:234-252. 
Derckson, Jan Gerrit. 
1996 The Old Assyrian Copper Trade in Anatolia. Istanbul: Nederlands Historisch- 
Archaeologisch Instituut. 
Duff, Catherine 
2010 Ceramic Continuity and Change at Shechem (Tell Balatah): Assessing the Impact 
of Egyptian Imperialism in the Central Hill Country. Ph.D. Dissertation. 
University of Toronto. 
Gosselain, Olivier P. 
2000 “Materializing Identities: An African Perspective.” Journal of Archaeological 
Method and Theory 7(3): 187-217. 
Homan, Michael 
2004 “Beer and its Drinkers: An Ancient Near Eastern Love Story.” Near Eastern 
Archaeology 67(2): 84-95.

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Duff Book review for CSMS 2013

  • 1. Martin, Mario A. S. (2011) Egyptian-Type Pottery in the Late Bronze Age Southern Levant. With contributions by Yaniv Agmon, John D.M. Green, Karin Kopetzky, Nava Panitz-Cohen, Valentine Roux, Yossi Salmon and Ragna Stidsing. (Contributions to the Chronology of the Eastern Mediterranean Volume XXIX). Edited by Manfried Bietak and Hermann Hunger. Österreichischen Akademie der Wissenschaften: Vienna. 68 Pottery Plates, 121 Figures, 117 Tables. The intended purpose of this monograph is to provide chronological correlations between New Kingdom Egypt and the southern Levant using the Egyptian-type or Egyptian-inspired pottery types excavated at numerous Levantine sites. While the study does not add significantly to our understanding of chronology in the Late Bronze Age (1500-1200 B.C.E), it does for the first time amass a large amount of ceramic data on the Egyptian types and fabrics found at Levantine sites and more importantly, broadens our understanding of Egyptian and Levantine ceramic technological traditions. Egyptian-type or Egyptian-inspired pottery is found in large quantities in the Late Bronze IIB and Iron 1, corresponding to the the Nineteenth and Twentieth Dynasties at Egyptian garrison or administrative sites in the Levant and was manufactured using local Levantine clays in shapes that are commonly excavated in Egypt. Prior to this study, discussions of Egyptian pottery were site-specific and inconsistent in fabric and technological details. Part I of the study broadly describes the morphological types that comprise the Egyptian-type pottery assemblage found in the Levant which includes bowls, jars, amphorae and luxury wares such as pilgrim flasks and zoomorphic vessels. Martin states from the outset that the typological framework places vessel form above fabric in order to include both locally made and imported forms (24), as imported forms generally fall into a single ceramic type – storage containers. By far, Egyptian-type bowls with flat bases appear to comprise the majority of the vessels in the Late Bronze Age Levant, in contrast to the occurrence of this vessel type with rounded bases in Egypt during the Ramesside period (28). Another morphological type of note is the perforated Egyptian beer jar which is found in large quantities at Levantine sites in the Ramesside Period. While the function of these jars is debated, Mesopotamian texts may provide a clue with mention of how beer drips out of perforated fermentation vessels (Homan 2004: 89) Part II, entitled Fabrics, Formation Techniques and Decoration provides the most interesting section for ceramicists with a comprehensive study of the fabric and technology of Egyptian-inspired ceramics in the southern Levant, which tend to reflect a domestic assemblage. They are manufactured using local Levantine clays, which Martin suggests are meant to imitate the coarse and brittle Nile clays. Imported container vessels and smaller jars and cups from Egypt are manufactured in Marl clays or mixed marl-and- silt clays during the Ramesside Period. This trend changes in the Iron Age Levant when Nile clay vessels are actually imported into the region (97). Martin explores the question of Egyptian ethnicity by looking to aspects of the manufacturing process or chaînes opératoire that reflects Egyptian potting traditions. A widely-held perception is that straw temper in pottery signifies an Egyptian technological trait, but Martin correctly states that this is also a Canaanite tradition that has deep roots in the Southern Levant. In addition, straw has functional properties that make the clay easier to work with by raising its plasticity, reducing shrinkage during drying and reducing firing time, thus saving on fuel. What is significant is that at several sites – Tel Beth-Shean, Tel Mor and Tel Sera` in strata corresponding with the increased Egyptian presence in the region, an ever-increasing
  • 2. quantity of straw temper emerges in the thirteenth to mid-twelfth centuries BCE , with Egyptian-inspired vessels showing more straw temper than their Canaanite counterparts (98-99). This data leads Martin to conclude that temper can be considered a marker of Egyptian potters or Egyptian potting influence at these sites. The pots-equals-people scenario is not as clear-cut as Martin would suggest and there is contradicting ceramic evidence, as I have suggested in my Ph.D. dissertation (Duff 2010) from other sites, namely Lachish and Ashkelon, where Egyptian influence was evident but show no discernible differences in straw temper in Canaanite or Egyptian-inspired ceramics. An important technological trait visible on Egyptian-inspired bowls in the southern Levant is the secondary trimming in the leather-hard state, which erased signs of the vessel being string cut from the turning device. Secondary trimming is well-known in the Canaanite potting tradition and was only introduced in Egypt in the Seventeenth Dynasty, according to Egyptian ceramicist Dorothea Arnold in the manual on the Egyptian potting tradition entitled An Introduction to Ancient Egyptian Pottery (1993:63, 66). Of particular significance in Martin’s monograph is Chapter 9B, which details the results of a pilot study of fifty vessels that were analyzed according to the method of manufacture by Valentine Roux from the CNRS, University of Paris. Egyptian-inspired, like their Canaanite counterparts were wheel coiled. This involves an initial coil of clay to form the base with subsequent coils used to build up the height of the vessel walls, while wheel turning permitted the thinning and shaping of the vessel. After reaching a leather-hard state the vessel was placed back on the turning device for secondary trimming and smoothing of the exterior walls and base (114). A difference was noted in the smaller size of the coils with Canaanite bowls having coils measuring 0.5 cm high and placed in a beveling fashion as opposed to the horizontal placement of coils in Egyptian-inspired vessels. These findings contradict earlier assumptions that suggest Egyptian bowls were mass produced and thrown on a fast wheel while Canaanite vessels were wheel-coil or even handmade. Martin concludes that the distinctiveness in the size and placement of coils in addition to the secondary smoothing of the exterior vessel walls on Canaanite bowls reveals that Egyptian and Canaanite potters were working at Ramesside Tel Beth-Shean. The co-existence of craftspeople in antiquity, who originate from different regions is supported by the textual evidence. Cuneiform texts from Kültepe in Anatolia mention coppersmiths bearing Assyrian and Anatolian names who work at the k ārum or commercial district during the height of the Assyrian copper trade the 19th century BCE (Derckson 1996: 71) Part III of the study assembles all of the Egyptian-inspired and imported vessels found in Southern Levantine sites in the Late Bronze Age and Iron I Periods within their stratigraphic contexts. By analyzing the large quantity and variety of pottery from sites like Tel Beth-Shean, Megiddo, Tel Aphek, Tel Mor, Ashkelon, Deir el-Balah, Lachish, Tell el-`Ajjul, and Tell es-Sa`idiyeh, Tel Sera` and Tell el- Far`ah (south), Martin explores the nature of Egyptian involvement in the Southern Levant at the height of Egyptian influence during the Ramesside Period. Martin draws some welcome conclusions about the dynamic nature of this relationship rather than try to fit the data naively into a narrative that sees an Egyptian presence as signifying total cultural domination or hegemony. Instead, he observes correctly that the full range of Canaanite vessels also appear at Egyptianized sites in the southern Levant, leading him to conclude that the Egyptian-inspired forms were intended to supplement the local Canaanite assemblage, perhaps to meet the needs of Egyptians who resided at specific garrison sites (256).
  • 3. While this technological study provides interesting insights into how indigenous peoples and Egyptians engaged with one another and their material world in the southern Levant, the study falls short especially in light of recent scholarship on the relationship between technology and society and how technology can construct or contest existing social relationships. This is partly due to Martin’s adherence to a widely-popular techno-functionalist approach which views aspects of technology as being constrained or limited by the environment, while social meaning is seen to reside mainly in decorative features (Berg 2007:235). While the study engages aspects of the chaînes opératoire or production sequence, it never fully explores the wide range of options available to the potter within the production cycle, whereby social meaning is reflected, reproduced and negotiated. For example, distinct technological differences that were noted in the size and placement of clay coils in Egyptian versus indigenous vessel construction can signify group identity and ethnicity since primary forming techniques reflect specialized skills and motor habits that are least resistive to change (Gosselain 2000 and Berg 2007). In contrast, the selection of similar local temper and clays and secondary forming techniques for both Egyptian- inspired and indigenous vessels are aspects of the chaînes opératoire that are easily visible to other potters and therefore, likely to be influenced by economic and social practices. Arnold, Dorothea and Janine Bourriau 1993 An Introduction to Ancient Egyptian Pottery. Mainz: Philipp von Zabern. Berg, Ina 2007 “Meaning in the Making: The Potter’s Wheel at Phylakopi, Melos (Greece). Journal of Anthropological Archaeology 26:234-252. Derckson, Jan Gerrit. 1996 The Old Assyrian Copper Trade in Anatolia. Istanbul: Nederlands Historisch- Archaeologisch Instituut. Duff, Catherine 2010 Ceramic Continuity and Change at Shechem (Tell Balatah): Assessing the Impact of Egyptian Imperialism in the Central Hill Country. Ph.D. Dissertation. University of Toronto. Gosselain, Olivier P. 2000 “Materializing Identities: An African Perspective.” Journal of Archaeological Method and Theory 7(3): 187-217. Homan, Michael 2004 “Beer and its Drinkers: An Ancient Near Eastern Love Story.” Near Eastern Archaeology 67(2): 84-95.